|sRGBB (r, g, b)||(255, 0, 0)|
|B: Normalized to [0–255] (byte)
Red is the color at the longer-wavelengths end of the spectrum of visible light next to orange, at the opposite end from violet. Red color has a predominant light wavelength of roughly 620–740 nanometers. Light with a longer wavelength than red but shorter than terahertz radiation and microwave is called infrared.
Red is one of the additive primary colors of visible light, along with green and blue, which in Red Green Blue (RGB) color systems are combined to create all the colors on a computer monitor or television screen. Red is also one of the subtractive primary colors, along with yellow and blue, of the RYB color space and traditional color wheel used by painters and artists. Reds can vary in shade from very light pink to very dark maroon or burgundy; and in hue from the bright orange-red scarlet or vermilion to the bluish-red crimson. Red is the complementary color of cyan.
In nature, the red color of blood comes from hemoglobin, the iron-containing protein found in the red blood cells of all vertebrates. The red color of the Grand Canyon and other geological features is caused by hematite or red ochre, both forms of iron oxide. It also causes the red color of the planet Mars. The red sky at sunset and sunrise is caused by an optical effect known as Rayleigh scattering, which, when the sun is low or below the horizon, increases the red-wavelength light that reaches the eye. The color of autumn leaves is caused by pigments called anthocyanins, which are produced towards the end of summer, when the green chlorophyll is no longer produced. One to two percent of the human population has red hair; the color is produced by high levels of the reddish pigment pheomelanin (which also accounts for the red color of the lips) and relatively low levels of the dark pigment eumelanin.
Since red is the color of blood, it has historically been associated with sacrifice, danger and courage. Modern surveys in the United States and Europe show red is also the color most commonly associated with heat, activity, passion, sexuality, anger, love and joy. In China, India and many other Asian countries it is the color of symbolizing happiness and good fortune.
- 1 Etymology and definitions
- 2 Shades and varieties
- 3 In art and culture
- 4 Pigments and dyes
- 5 In science
- 6 Symbolism
- 7 In different cultures and traditions
- 8 In religion
- 9 Military uses
- 10 In sports
- 11 On flags
- 12 Red flag and revolution
- 13 Use by political movements
- 14 Food and drink
- 15 Social and special interest groups
- 16 Idioms
- 17 Superstition
- 18 In film
- 19 See also
- 20 References
- 21 External links
Etymology and definitions
The word red is derived from the Old English rēad. The word can be further traced to the Proto-Germanic rauthaz and the Proto-Indo European root rewdʰ-. In Sanskrit, the word rudhira means red or blood. In the Akkadian language of Ancient Mesopotamia and in the modern Inuit language of Inuit, the word for red is the same word as "like blood".
In the Russian language, the word for red, Кра́сный (krasniy), comes from the same old Slavic root as the words for "beautiful"—красивый (krasiviy) and "excellent"—прекрасный (prekrasniy). Thus Red Square in Moscow, named long before the Russian Revolution, meant simply "Beautiful Square".
Shades and varieties
Red can vary in hue from orange-red to violet-red, and for each hue there is a wide variety of shades and tints, from very light pink to dark burgundy.
Pure, or solid red, the color of most ripe strawberries.
Pink is a pale shade of red. Cherry blossoms in the Tsutsujigaoka Park, Sendai, Miyagi, Japan.
In art and culture
Inside cave 13B at Pinnacle Point, an archeological site found on the coast of South Africa, paleoanthropologists in 2000 found evidence that, between 170,000 and 40,000 years ago, Late Stone Age people were scraping and grinding ochre, a clay colored red by iron oxide, probably with the intention of using it to color their bodies.
Red hematite powder was also found scattered around the remains at a grave site in a Zhoukoudian cave complex near Beijing. The site has evidence of habitation as early as 700,000 years ago. The hematite might have been used to symbolize blood in an offering to the dead.
Red, black and white were the first colors used by artists in the Upper Paleolithic age, probably because natural pigments such as red ochre and iron oxide were readily available where early people lived. Madder, a plant whose root could be made into a red dye, grew widely in Europe, Africa and Asia. The cave of Altamira in Spain has a painting of a bison colored with red ochre that dates to between 15,000 and 16,500 BC.
A red dye called Kermes was made beginning in the Neolithic Period by drying and then crushing the bodies of the females of a tiny scale insect in the genus Kermes, primarily Kermes vermilio. The insects live on the sap of certain trees, especially Kermes oak trees near the Mediterranean region. Jars of kermes have been found in a Neolithic cave-burial at Adaoutse, Bouches-du-Rhône. Kermes from oak trees was later used by Romans, who imported it from Spain. A different variety of dye was made from Porphyrophora hamelii (Armenian cochineal) scale insects that lived on the roots and stems of certain herbs. It was mentioned in texts as early as the 8th century BC, and it was used by the ancient Assyrians and Persians.
Kermes is also mentioned in the Bible. In the Book of Exodus, God instructs Moses to have the Israelites bring him an offering including cloth "of blue, and purple, and scarlet." The term used for scarlet in the 4th century Latin Vulgate version of the Bible passage is coccumque bis tinctum, meaning "colored twice with coccus." Coccus, from the ancient Greek Kokkos, means a tiny grain and is the term that was used in ancient times for the Kermes vermilio insect used to make the Kermes dye. This was also the origin of the expression "dyed in the grain."
In ancient Egypt, red was associated with life, health, and victory. Egyptians would color themselves with red ochre during celebrations. Egyptian women used red ochre as a cosmetic to redden cheeks and lips and also used henna to color their hair and paint their nails.
But, like many colors, it also had a negative association, with heat, destruction and evil. A prayer to god Isis said: "Oh Isis, protect me from all things evil and red." The ancient Egyptians began manufacturing pigments in about 4000 BC. Red ochre was widely used as a pigment for wall paintings, particularly as the skin color of men. An ivory painter's palette found inside the tomb of King Tutankhamun had small compartments with pigments of red ochre and five other colors. The Egyptians used the root of the rubia, or madder plant, to make a dye, later known as alizarin, and also used it to color white power to use as a pigment, which became known as madder lake, alizarin or alizarin crimson.
In Ancient China, artisans were making red and black painted pottery as early as the Yangshao Culture period (5000-3000 BC). A red-painted wooden bowl was found at a Neolithic site in Yuyao, Zhejiang. Other red-painted ceremonial objects have been found at other sites dating to the Spring and Autumn period (770–221 BC).
During the Han dynasty (200 BC to 200 AD) Chinese craftsmen made a red pigment, lead tetroxide, which they called ch-ien tan, by heating lead white pigment. Like the Egyptians, they made a red dye from the madder plant to color silk fabric for gowns and used pigments colored with madder to make red lacquerware.
In India, the rubia plant has been used to make dye since ancient times. A piece of cotton dyed with rubia dated to the third millennium BC was found at an archaeological site at Mohenjo-daro. It has been used by Indian monks and hermits for centuries to dye their robes.
The early inhabitants of America had their own vivid crimson dye, made from the cochineal, an insect of the same family as the Kermes of Europe and the Middle East, which feeds on the Opuntia, or prickly pear cactus plant. Red-dyed textiles from the Paracas culture (800–100 BC) have been found in tombs in Peru.
Red also featured in the burials of royalty in the Maya city-states. In the Tomb of the Red Queen inside Temple XIII in the ruined Maya city of Palenque, (600–700 AD), the skeleton and ceremonial items of a noble woman were completely covered with bright red powder made from cinnabar.
Chinese lacquerware from the Han Dynasty (200 BC – 200 AD)
In Ancient Rome, Tyrian purple was the color of the Emperor, but red had an important religious symbolism. Romans wore togas with red stripes on holidays, and the bride at a wedding wore a red shawl, called a flammeum. Red was used to color statues and the skin of gladiators. Red was also the color associated with army; Roman soldiers wore red tunics, and officers wore a cloak called a paludamentum which, depending upon the quality of the dye, could be crimson, scarlet or purple. In Roman mythology red is associated with the god of war, Mars. The vexilloid of the Roman Empire had a red background with the letters SPQR in gold. A Roman general receiving a triumph had his entire body painted red in honor of his achievement.
The Romans liked bright colors, and many Roman villas were decorated with vivid red murals. The pigment used for many of the murals was called vermilion, and it came from the mineral cinnabar, a common ore of mercury. It was one of the finest reds of ancient times – the paintings have retained their brightness for more than twenty centuries. The source of cinnabar for the Romans was a group of mines near Almadén, southwest of Madrid, in Spain. Working in the mines was extremely dangerous, since mercury is highly toxic; the miners were slaves or prisoners, and being sent to the cinnabar mines was a virtual death sentence.
After the fall of the Western Roman Empire, the Byzantine Empire, the princes of Europe and the Roman Catholic Church adapted red as a color of majesty and authority. It also played an important part in the rituals of the Catholic Church - it symbolized the blood of Christ and the Christian martyrs - and it associated the power of the kings with the sacred rituals of the Church.
Red was the color of the banner of the Byzantine emperors. In Western Europe, Emperor Charlemagne painted his palace red as a very visible symbol of his authority, and wore red shoes at his coronation. Kings, princes and, beginning in 1295, Roman Catholic cardinals began to wear red colored habitus. When Abbe Suger rebuilt Saint Denis Basilica outside Paris in the early 12th century, he added stained glass windows colored blue cobalt glass and red glass tinted with copper. Together they flooded the basilica with a mystical light. Soon stained glass windows were being added to cathedrals all across France, England and Germany. In Medieval painting red was used to attract attention to the most important figures; both Christ and the Virgin Mary were commonly painted wearing red mantles.
Red clothing was a sign of status and wealth. It was worn not only by cardinals and princes, but also by merchants, artisans and townpeople, particularly on holidays or special occasions. Red dye for the clothing of ordinary people was made from the roots of the rubia tinctorum, the madder plant. This color leaned toward brick-red, and faded easily in the sun or during washing. The wealthy and aristocrats wore scarlet clothing dyed with kermes, or carmine, made from the carminic acid in tiny female scale insects, which lived on the leaves of oak trees in Eastern Europe and around the Mediterranean. The insects were gathered, dried, crushed, and boiled with different ingredients in a long and complicated process, which produced a brilliant scarlet.
Brazilin was another popular red dye in the Middle Ages. It came from the Sapanwood tree, which grew in India, Malaysia and Sri Lanka. A similar tree, brazilwood, grew on the coast of South America. The red wood was ground into sawdust and mixed with an alkaline solution to make dye and pigment. It became one of the most profitable exports from the New World, and gave its name to the nation of Brazil.
King Richard II of England (1390s) dressed in red
Pope Innocent IV (1400-1410) dressed in red, the symbol of the blood of Christ
Red has been an important color in Chinese culture, religion, industry, fashion and court ritual since ancient times. Silk was woven and dyed as early as the Han Dynasty (25–220 BC). China had a monopoly on the manufacture of silk until the 6th century AD, when it was introduced into the Byzantine Empire. In the 12th century, it was introduced into Europe.
At the time of the Han Dynasty, Chinese red was a light red, but during the Tang dynasty new dyes and pigments were discovered. The Chinese used several different plants to make red dyes, including the flowers of carthamus tinctorius, the thorns and stems of a variety of sorghum plant called Kao-liang, and the wood of the sappanwood tree. For pigments, they used cinnabar, which produced the famous vermillion or "Chinese red" of Chinese laquerware.
Red played an important role in Chinese philosophy. It was believed that the world was composed of five elements: metal, wood, water, fire and earth, and that each had a color. Red was associated with fire. Each Emperor chose the color that his fortune-tellers believed would bring the most prosperity and good fortune to his reign. During the Zhou, Han, Jin, Song and Ming Dynasties, red considered a noble color, and it was featured in all court ceremonies, from coronations to sacrificial offerings, and weddings.
Red was also a badge of rank. During the Song dynasty (906–1279), officials of the top three ranks wore purple clothes; those of the fourth and fifth wore bright red; those of the sixth and seventh wore green; and the eighth and ninth wore blue. Red was the color worn by the royal guards of honor, and the color of the carriages of the imperial family. When the imperial family traveled, their servants and accompanying officials carried red and purple umbrellas. Of an official who had talent and ambition, it was said "he is so red he becomes purple."
Red was also featured in Chinese Imperial architecture. In the Tang and Song Dynasties, gates of palaces were usually painted red, and nobles often painted their entire mansion red. One of the most famous works of Chinese literature, A Dream of Red Mansions by Cao Xueqin (1715–1763), was about the lives of noble women who passed their lives out of public sight within the walls of such mansions. In later dynasties red was reserved for the walls of temples and imperial residences. When the Manchu rulers of the Qing Dynasty conquered the Ming and took over the Forbidden City and Imperial Palace in Beijing, all the walls, gates, beams and pillars were painted in red and gold.
Red is not often used in traditional Chinese paintings, which are usually black ink on white paper with a little green sometimes added for trees or plants; but the round or square seals which contain the name of the artist are traditionally red.
Woven silk from the Western Han Dynasty, 2nd century BC.
the Emperor Gaozong of Song (1127–1162 AD), wearing red, the color his astrologers considered most auspicious for his reign
The Meridan Gate of the Forbidden City in Beijing. Walls, columns, windows and gates of palaces and temples were traditionally painted red.
In the 16th and 17th centuries
In Renaissance painting, red was used to draw the attention of the viewer; it was often used as the color of the cloak or costume of Christ, the Virgin Mary, or another central figure. In Venice, Titian was the master of fine reds, particularly vermilion; he used many layers of pigment mixed with a semi-transparent glaze, which let the light pass through, to create a more luminous color.
During the Renaissance trade routes were opened to the New World, to Asia and the Middle East, and new varieties of red pigment and dye were imported into Europe, usually through Venice, Genoa or Seville, and Marseille. Venice was the major depot importing and manufacturing pigments for artists and dyers from the end of the 15th century; the catalog of a Venetian Vendecolori, or pigment seller, from 1534 included vermilion and kermes.
There were guilds of dyers who specialized in red in Venice and other large Europeans cities. The Rubia plant was used to make the most common dye; it produced an orange-red or brick red color used to dye the clothes of merchants and artisans. For the wealthy, the dye used was kermes, made from a tiny scale insect which fed on the branches and leaves of the oak tree. For those with even more money there was Polish Cochineal; also known as Kermes vermilio or "Blood of Saint John", which was made from a related insect, the Margodes polonicus. It made a more vivid red than ordinary Kermes. The finest and most expensive variety of red made from insects was the "Kermes" of Armenia (Armenian cochineal, also known as Persian kirmiz), made by collecting and crushing Porphyophora hamelii, an insect which lived on the roots and stems of certain grasses. The pigment and dye merchants of Venice imported and sold all of these products and also manufactured their own color, called Venetian red, which was considered the most expensive and finest red in Europe. Its secret ingredient was arsenic, which brightened the color.
But early in the 16th century, a brilliant new red appeared in Europe. When the Spanish conquistador Hernán Cortés and his soldiers conquered the Aztec Empire in 1519-1521, they discovered slowly that the Aztecs had another treasure beside silver and gold; they had the tiny cochineal, a parasitic scale insect which lived on cactus plants, which, when dried and crushed, made a magnificent red. The cochineal in Mexico was closely related to the Kermes varieties of Europe, but unlike European Kermes, it could be harvested several times a year, and it was ten times stronger than the Kermes of Poland. It worked particularly well on silk, satin and other luxury textiles. In 1523 Cortes sent the first shipment to Spain. Soon cochineal began to arrive in European ports aboard convoys of Spanish galleons.
At first the guilds of dyers in Venice and other cities banned cochineal to protect their local products, but the superior quality of cochineal dye made it impossible to resist. By the beginning of the 17th century it was the preferred luxury red for the clothing of cardinals, bankers, courtesans and aristocrats.
The painters of the early Renaissance used two traditional lake pigments, made from mixing dye with either chalk or alum, kermes lake, made from kermes insects, and madder lake, made from the rubia tinctorum plant. With the arrival of cochineal, they had a third, carmine, which made a very fine crimson, though it had a tendency to change color if not used carefully. It was used by almost all the great painters of the 15th and 16th centuries, including Rembrandt, Vermeer, Rubens, Anthony van Dyck, Diego Velázquez and Tintoretto. Later it was used by Thomas Gainsborough, Seurat and J.M.W. Turner.
Woman with a wine glass, by Johannes Vermeer (1659-1660). Vermeer used different shades and tints of vermilion to paint the red skirt, then glazed it with madder lake to make a more luminous color.
The red heels of the shoes of King Louis XIV of France were discreet symbols of his royal status.
In the 18th and 19th centuries
During the French Revolution, Red became a symbol of liberty and personal freedom used by the Jacobins and other more radical parties. Many of them wore a red Phrygian cap, or liberty cap, modeled after the caps worn by freed slaves in Ancient Rome. During the height of the Reign of Terror, Women wearing red caps gathered around the guillotine to celebrate each execution. They were called the "Furies of the guillotine". The guillotines used during the Reign of Terror in 1792 and 1793 were painted red, or made of red wood. During the Reign of Terror a statue of a woman titled liberty, painted red, was placed in the square in front of the guillotine. After the end of the Reign of Terror, France went back to the blue, white and red tricolor, whose red was taken from the traditional color of Saint Denis, the Christian martyr and patron saint of Paris.
In the mid-19th century, red became the color of a new political and social movement, socialism. It became the most common banner of the worker's movement, of the French Revolution of 1848, of the Paris Commune in 1870, and of socialist parties across Europe. (see red flags and revolution section below).
As the Industrial Revolution spread across Europe, chemists and manufacturers sought new red dyes that could be used for large-scale manufacture of textiles. One popular color imported into Europe from Turkey and India in the 18th and early 19th century was Turkey red, known in France as rouge d'Adrinople. Beginning in the 1740s, this bright red color was used to dye or print cotton textiles in England, the Netherlands and France. Turkey red used madder as the colorant, but the process was longer and more complicated, involving multiple soaking of the fabrics in lye, olive oil, sheep's dung, and other ingredients. The fabric was more expensive but resulted in a fine bright and lasting red, similar to carmine, perfectly suited to cotton. The fabric was widely exported from Europe to Africa, the Middle East and America. In 19th century America, it was widely used in making the traditional patchwork quilt.
In 1826, the French chemist Pierre-Jean Robiquet discovered the organic compound alizarin, the powerful coloring ingredient of the madder root, the most popular red dye of the time. In 1868, German chemists Carl Graebe and Liebermann were able to synthesize alizarin, and to produce it from coal tar. The synthetic red was cheaper and more lasting than the natural dye, and the plantation of madder in Europe and import of cochineal from Latin America soon almost completely ceased.
The 19th century also saw the use of red in art to create specific emotions, not just to imitate nature. It saw the systematic study of color theory, and particularly the study of how complementary colors such as red and green reinforced each other when they were placed next to each other. These studies were avidly followed by artists such as Vincent van Gogh. Describing his painting, The Night Cafe, to his brother Theo in 1888, Van Gogh wrote: "I sought to express with red and green the terrible human passions. The hall is blood red and pale yellow, with a green billiard table in the center, and four lamps of lemon yellow, with rays of orange and green. Everywhere it is a battle and antithesis of the most different reds and greens."
During the Reign of Terror during the later French Revolution, the "Furies of the Guillotine" cheered on each execution.
Red flag over a barricade on Rue Soufflot in Paris during the French Revolution of 1848.
The Night Cafe, (1888), by Vincent van Gogh, used red and green to express what Van Gogh called "the terrible human passions."
In the 20th and 21st century
In the 20th century, red was the color of Revolution; it was the color of the Bolshevik Revolution in 1917 and of the Chinese Revolution of 1949, and later of the Cultural Revolution. Red was the color of Communist Parties from Eastern Europe to Cuba to Vietnam.
In the late 19th and early 20th century, the German chemical industry invented two new synthetic red pigments: cadmium red, which was the color of natural vermilion, and mars red, which was a synthetic red ochre, the color of the very first natural red pigment.
The French painter Henri Matisse (1869–1954) was one of the first prominent painters to use the new cadmium red. He even tried, without success, to persuade the older and more traditional Renoir, his neighbor in the south of France, to switch from vermilion to cadmium red.
Matisse was also one of the first 20th-century artists to make color the central element of the painting, chosen to evoke emotions. "A certain blue penetrates your soul", he wrote. "A certain red affects your blood pressure." He also was familiar with the way that complementary colors, such as red and green, strengthened each other when they were placed next to each other. He wrote, "My choice of colors is not based on scientific theory; it is based on observation, upon feelings, upon the real nature of each experience ... I just try to find a color which corresponds to my feelings."
Later in the century, the American artist Mark Rothko (1903–1970) also used red, in even simpler form, in blocks of dark, somber color on large canvases, to inspire deep emotions. Rothko observed that color was "only an instrument;" his interest was "in expressing human emotions tragedy, ecstasy, doom, and so on."
Rothko also began using the new synthetic pigments, but not always with happy results. In 1962 he donated to Harvard University a series of large murals of the Passion of Christ whose predominant colors were dark pink and deep crimson. He mixed mostly traditional colors to make the pink and crimson; synthetic ultramarine, cerulean blue, and titanium white, but he also used two new organic reds, Naphtol and Lithol. The Naphtol did well, but the Lithol slowly changed color when exposed to light. Within five years the deep pinks and reds had begun to turn light blue, and by 1979 the paintings were ruined and had to be taken down.
Bathing of a Red Horse, by the Russian symbolist painter Kuzma Petrov-Vodkin (1912), used a bright red horse to surprise and shock viewers. It provoked a furious discussion among Russian critics.
The Dessert – Harmony in Red, (1908) by Henri Matisse. Matisse used red to stimulate the emotions he wanted the viewer to feel.
Four Darks in Red by Mark Rothko (1958). The somber dark reds were chosen to inspire deep human emotions.
Pigments and dyes
Hematite, or iron ore, is the source of the red color of red ochre.
Despite its yellow greenish flower, the roots of the Rubia tinctorum, or madder plant, produced the most common red dye used from ancient times until the 19th century.
The Sappanwood tree, native to India, Malaysia and Sri Lanka, and later the related Brazilwood tree (shown here), from the coast of South America, were the source of a popular red pigment and dye called brazilin. The red wood was ground to powder and mixed with an alkaline solution. The brazilwood gave its name to the nation of Brazil.
Alizarin was the first synthetic red dye, created by German chemists in 1868. It duplicated the colorant in the madder plant, but was cheaper and longer lasting. After its introduction, the production of natural dyes from the madder plant virtually ceased.
Red lac, red lake and crimson lake
Red lac, also called red lake, crimson lake or carmine lake, was an important red pigment in Renaissance and Baroque art. Since it was translucent, thin layers of red lac were built up or glazed over a more opaque dark color to create a particularly deep and vivid color.
Unlike vermilion or red ochre, made from minerals, red lake pigments are made by mixing organic dyes, made from insects or plants, with white chalk or alum. Red lac was made from the gum lac, the dark red resinous substance secreted by various scale insects, particularly the Laccifer lacca from India. Carmine lake was made from the cochineal insect from Central and South America, Kermes lake came from a different scale insect, kermes vermilio, which thrived on oak trees around the Mediterranean. Other red lakes were made from the rose madder plant and from the brazilwood tree.
Red lake pigments were an important part of the palette of 16th century Venetian painters, particularly Titian, but they were used in all periods. Since the red lakes were made from organic dyes, they tended to be fugitive, becoming unstable and fading when exposed to sunlight.
The most common synthetic food coloring today is Allura Red AC is a red azo dye that goes by several names including: Allura Red, Food Red 17, C.I. 16035, FD&C Red 40, It was originally manufactured from coal tar, but now is mostly made from petroleum.
In Europe, Allura Red AC is not recommended for consumption by children. It is banned in Denmark, Belgium, France and Switzerland, and was also banned in Sweden until the country joined the European Union in 1994. The European Union approves Allura Red AC as a food colorant, but EU countries' local laws banning food colorants are preserved.
In the United States, Allura Red AC is approved by the Food and Drug Administration (FDA) for use in cosmetics, drugs, and food. It is used in some tattoo inks and is used in many products, such as soft drinks, children's medications, and cotton candy. On June 30, 2010, the Center for Science in the Public Interest (CSPI) called for the FDA to ban Red 40.
Because of public concerns about possible health risks associated with synthetic dyes, many companies have switched to using natural pigments such as carmine, made from crushing the tiny female cochineal insect. This insect, originating in Mexico and Central American, was used to make the brilliant scarlet dyes of the European Renaissance.
The human eye sees red when it looks at light with a wavelength between 620 and 740 nanometers. Light just past this range is called infrared, or below red, and cannot be seen by human eyes, although it can be sensed as heat. In the language of optics, red is the color evoked by light that stimulates neither the S or the M (short and medium wavelength) cone cells of the retina, combined with a fading stimulation of the L (long-wavelength) cone cells.
Primates can distinguish the full range of the colors of the spectrum visible to humans, but many kinds of mammals, such as dogs and cattle, have dichromacy, which means they can see blues and yellows, but cannot distinguish red and green (both are seen as gray). Bulls, for instance, cannot see the red color of the cape of a bullfighter, but they are agitated by its movement. (See color vision).
One theory for why primates developed sensitivity to red is that it allowed ripe fruit to be distinguished from unripe fruit and inedible vegetation. This may have driven further adaptations by species taking advantage of this new ability, such as the emergence of red faces.
Red illumination was (and sometimes still is) used as a safelight while working in a darkroom as it does not expose most photographic paper and some films. Today modern darkrooms usually use an amber safelight.
In color theory and on a computer screen
On the color wheel long used by painters, and in traditional color theory, red is one of the three primary colors, along with blue and yellow. Painters in the Renaissance mixed red and blue to make violet: Cennino Cennini, in his 15th century manual on painting, wrote, "If you want to make a lovely violet colour, take fine lac [red lake], ultramarine blue (the same amount of the one as of the other) with a binder" he noted that it could also be made by mixing blue indigo and red hematite.
In modern color theory, also known as the RGB color model, red, green and blue are additive primary colors. Red, green and blue light combined together makes white light, and these three colors, combined in different mixtures, can produce nearly any other color. This is the principle that is used to make all of the colors on your computer screen and your television. For example, purple on a computer screen is made by a similar formula to that used by Cennino Cennini in the Renaissance to make violet, but using additive colors and light instead of pigment: it is created by combining red and blue light at equal intensity on a black screen. Violet is made on a computer screen in a similar way, but with a greater amount of blue light and less red light.
So that the maximum number of colors can be accurately reproduced on your computer screen, each color has been given a code number, or sRGB, which tells your computer the intensity of the red, green and blue components of that color. The intensity of each component is measured on a scale of zero to 255, which means the complete list includes 16,777,216 distinct colors and shades. The sRGB number of pure red, for example, is 255, 00, 00, which means the red component is at its maximum intensity, and there is no green or blue. The sRGB number for crimson is 220, 20, 60, which means that the red is slightly less intense and therefore darker, there is some green, which leans it toward orange; and there is a larger amount of blue,which makes it slightly blue-violet.
In a traditional color wheel from 1708, red, yellow and blue are primary colors. Red and yellow make orange, red and blue make violet.
Tiny Red, green and blue sub-pixels (enlarged on left side of image) create the colors you see on your computer screen and TV.
Why the sunset is red
As a ray of white sunlight travels through the atmosphere to the eye, some of the colors are scattered out of the beam by air molecules and airborne particles due to Rayleigh scattering, changing the final color of the beam that is seen. Colors with a shorter wavelength, such as blue and green, scatter more strongly, and are removed from the light that finally reaches the eye. At sunrise and sunset, when the path of the sunlight through the atmosphere to the eye is longest, the blue and green components are removed almost completely, leaving the longer wavelength orange and red light. The remaining reddened sunlight can also be scattered by cloud droplets and other relatively large particles, which give the sky above the horizon its red glow.
Lasers emitting in the red region of the spectrum have been available since the invention of the ruby laser in 1960. In 1962 the red helium–neon laser was invented, and these two types of lasers were widely used in many scientific applications including holography, and in education. Red helium–neon lasers were used commercially in LaserDisc players. The use of red laser diodes became widespread with the commercial success of modern DVD players, which use a 660 nm laser diode technology. Today, red and red-orange laser diodes are widely available to the public in the form of extremely inexpensive laser pointers. Portable, high-powered versions are also available for various applications. More recently, 671 nm diode-pumped solid state (DPSS) lasers have been introduced to the market for all-DPSS laser display systems, particle image velocimetry, Raman spectroscopy, and holography.
Red's wavelength has been an important factor in laser technologies; red lasers, used in early compact disc technologies, are being replaced by blue lasers, as red's longer wavelength causes the laser's recordings to take up more space on the disc than would blue-laser recordings.
- Mars is called the Red Planet because of the reddish color imparted to its surface by the abundant iron oxide present there.
- Astronomical objects that are moving away from the observer exhibit a Doppler red shift.
- Jupiter's surface displays a Great Red Spot caused by an oval-shaped mega storm south of the planet's equator.
- Red giants are stars that have exhausted the supply of hydrogen in their cores and switched to thermonuclear fusion of hydrogen in a shell that surrounds its core. They have radii tens to hundreds of times larger than that of the Sun. However, their outer envelope is much lower in temperature, giving them an orange hue. Despite the lower energy density of their envelope, red giants are many times more luminous than the Sun due to their large size.
- Red supergiants like Betelgeuse and Antares are the biggest variety of red giants, They are huge in size, with radii 200 to 800 times greater than our Sun, but relatively cool in temperature (3500-4500 K), causing their distinct red tint. Because they are shrinking rapidly in size, they are surrounded by an envelope or skin much bigger than the star itself. The envelope of Betelgeuse is 250 times bigger than the star inside.
- A red dwarf is a small and relatively cool star, which has a mass of less than half that of the Sun and a surface temperature of less than 4,000 K. Red dwarfs are by far the most common type of star in the Galaxy, but due to their low luminosity, from Earth, none is visible to the naked eye.
Artist's impression of a red dwarf, a small, relatively cool star that appears red instead of white because of its lower temperature.
- Fire is often shown as red in art, but flames are usually yellow, orange or blue. Some elements exhibit a red color when burned: calcium, for example, produces a brick-red when combusted.
- The red of autumn leaves is produced by pigments called Anthocyanins. They are not present in the leaf throughout the growing season, but are actively produced towards the end of summer. They develop in late summer in the sap of the cells of the leaf, and this development is the result of complex interactions of many influences—both inside and outside the plant. Their formation depends on the breakdown of sugars in the presence of bright light as the level of phosphate in the leaf is reduced.
During the summer growing season, phosphate is at a high level. It has a vital role in the breakdown of the sugars manufactured by chlorophyll. But in the fall, phosphate, along with the other chemicals and nutrients, moves out of the leaf into the stem of the plant. When this happens, the sugar-breakdown process changes, leading to the production of anthocyanin pigments. The brighter the light during this period, the greater the production of anthocyanins and the more brilliant the resulting color display. When the days of autumn are bright and cool, and the nights are chilly but not freezing, the brightest colorations usually develop.
Anthocyanins temporarily color the edges of some of the very young leaves as they unfold from the buds in early spring. They also give the familiar color to such common fruits as cranberries, red apples, blueberries, cherries, strawberries, and plums.
Anthocyanins are present in about 10% of tree species in temperate regions, although in certain areas—most famously New England—up to 70% of tree species may produce the pigment. In autumn forests they appear vivid in the maples, oaks, sourwood, sweetgums, dogwoods, tupelos, cherry trees and persimmons. These same pigments often combine with the carotenoids' colors to create the deeper orange, fiery reds, and bronzes typical of many hardwood species. (See Autumn leaf color).
The vivid reds of autumn leaves are produced by natural pigments called anthocyanins. They also produce the red of strawberries, apples, and plums.
Cranberries also get their red color from anthocyanins.
Blood and other reds in nature
- When used to describe natural animal coloration, "red" usually refers to a brownish, reddish-brown or ginger color. In this sense it is used to describe coat colors of reddish-brown cattle and dogs, and in the names of various animal species or breeds such as red fox, red squirrel, red deer, European robin, red grouse, red knot, redstart, redwing, red setter, Red Devon cattle, etc. This reddish-brown color is also meant when using the terms red ochre and red hair.
- The red herring dragged across a trail to destroy the scent gets its color from the heavy salting and slow smoking of the fish, which results in a warm, brown color.
- When used for flowers, red often refers to purplish (red deadnettle, red clover, red helleborine) or pink (red campion, red valerian) colors.
Red blood cell agar. Blood appears red due to the iron molecules in blood cells.
A red setter or Irish setter
A pair of European red foxes.
The European robin or robin redbreast
A cooked lobster
Red hair occurs naturally on approximately 1–2% of the human population. It occurs more frequently (2–6%) in people of northern or western European ancestry, and less frequently in other populations. Red hair appears in people with two copies of a recessive gene on chromosome 16 which causes a mutation in the MC1R protein.
Red hair varies from a deep burgundy through burnt orange to bright copper. It is characterized by high levels of the reddish pigment pheomelanin (which also accounts for the red color of the lips) and relatively low levels of the dark pigment eumelanin. The term redhead (originally redd hede) has been in use since at least 1510. Cultural reactions have varied from ridicule to admiration; many common stereotypes exist regarding redheads and they are often portrayed as fiery-tempered. (See red hair).
In animal and human behavior
Red is associated with dominance in a number of animal species. For example, in mandrills, red coloration of the face is greatest in alpha males, increasingly less prominent in lower ranking subordinates, and directly correlated with levels of testosterone. Red can also affect the perception of dominance by others, leading to significant differences in mortality, reproductive success and parental investment between individuals displaying red and those not. In humans, wearing red has been linked with increased performance in competitions, including professional sport and multiplayer video games. Controlled tests have demonstrated that wearing red does not increase performance or levels of testosterone during exercise, so the effect is likely to be produced by perceived rather than actual performance. Judges of tae kwon do have been shown to favor competitors wearing red protective gear over blue, and, when asked, a significant majority of people say that red abstract shapes are more "dominant", "aggressive", and "likely to win a physical competition" than blue shapes. In contrast to its positive effect in physical competition and dominance behavior, exposure to red decreases performance in cognitive tasks and elicits aversion in psychological tests where subjects are placed in an "achievement" context (e.g. taking an IQ test).
Courage and sacrifice
Surveys show that red is the color most associated with courage. In western countries red is a symbol of martyrs and sacrifice, particularly because of its association with blood. Beginning in the Middle Ages, the Pope and Cardinals of the Roman Catholic Church wore red to symbolize the blood of Christ and the Christian martyrs. The banner of the Christian soldiers in the First Crusade was a red cross on a white field, the St. George's Cross. According to Christian tradition, Saint George was a Roman soldier who was a member of the guards of the Emperor Diocletian, who refused to renounce his Christian faith and was martyred. The Saint George's Cross became the Flag of England in the 16th century, and now is part of the Union Flag of the United Kingdom, as well as the Flag of the Republic of Georgia.
The Thin Red Line was a famous incident in the Battle of Balaclava (1854) during the Crimean War, when a thin line of Scottish Highlander infantry, assisted by Royal Marines and Turkish infantrymen, repulsed a Russian cavalry charge. It was widely reported in the British press as an example of courage in the face of overwhelming odds and became a British military legend.
The Crucified Martyr (Saint Julia) by the Dutch artist Hieronymus Bosch. Saint Julia wears red, the traditional color of Christian martyrs.
Roman Catholic Popes wear red as the symbol of the blood of Christ. This is Pope Innocent III, in about 1219.
Courtly love, the red rose, and Saint Valentine's Day
Red is the color most commonly associated with love, followed at a great distance by pink. It the symbolic color of the heart and the red rose, is closely associated with romantic love or courtly love and Saint Valentine's Day. Both the Greeks and the Hebrews considered red a symbol of love as well as sacrifice.
The Roman de la Rose, the Romance of the Rose, a thirteenth-century French poem, was one of the most popular works of literature of the Middle Ages. It was the allegorical search by the author for a red rose in an enclosed garden, symbolizing the woman he loved, and was a description of love in all of its aspects. Later, in the 19th century, British and French authors described a specific language of flowers; giving a single red rose meant 'I love you,'
Saint Valentine, a Roman Catholic Bishop or priest who was martyred in about 296 AD, seems to have had no known connection with romantic love, but the day of his martyrdom on the Roman Catholic calendar, Saint Valentine's Day (February 14), became, in the 14th century, an occasion for lovers to send messages to each other. In recent years the celebration of Saint Valentine' s day has spread beyond Christian countries to Japan and China and other parts of the world. The celebration of Saint Valentine's Day is forbidden or strongly condemned in many Islamic countries, including Saudi Arabia, Pakistan and Iran. In Saudi Arabia, in 2002 and 2011, religious police banned the sale of all Valentine's Day items, telling shop workers to remove any red items, as the day is considered a Christian holiday.
Fifteenth-century Illustration from the Roman de la Rose, a thirteenth-century French poem about a search for a red rose symbolizing the poet's love.
A valentine from 1909. The tradition of sending messages of love on February 14, Valentine's Day, dates back to the 14th century.
Happiness, celebration and ceremony
Red is the color most commonly associated with joy and well being. It is the color of celebration and ceremony. A red carpet is often used to welcome distinguished guests. Red is also the traditional color of seats in opera houses and theaters. Scarlet academic gowns are worn by new Doctors of Philosophy at degree ceremonies at Oxford University and other schools. In China, it is considered the color of good fortune and prosperity, and it is the color traditionally worn by brides. In Christian countries, it is the color traditionally worn at Christmas by Santa Claus, because in the 4th century the historic Saint Nicholas was the Greek Christian Bishop of Myra, in modern-day Turkey, and bishops then dressed in red.
Scarlet academic gowns are worn by new Doctors of Philosophy at a degree ceremony at Oxford University.
In China, red is the color of happiness and celebration. The Lantern Festival in Shanghai.
Hatred, anger, aggression, passion, heat and war
|This section needs expansion with: more information about associating red with hatred, anger, aggression, passion, heat and war.. You can help by adding to it. (June 2015)|
While red is the color most associated with love, it also the color most frequently associated with hatred, anger, aggression and war. People who are angry are said to "see red." Red is the color most commonly associated with passion and heat. In ancient times red was the color of Mars, the god of War- the planet Mars was named for him because of its red color.
Warning and danger
Red is the traditional color of warning and danger. In the Middle Ages, a red flag announced that the defenders of a town or castle would fight to defend it, and a red flag hoisted by a warship meant they would show no mercy to their enemy. In Britain, in the early days of motoring, motor cars had to follow a man with a red flag who would warn horse-drawn vehicles, before the Locomotives on Highways Act 1896 abolished this law. In automobile races, the red flag is raised if there is danger to the drivers. In international football, a player who has made a serious violation of the rules is shown a red penalty card and ejected from the game.
Several studies have indicated that red carries the strongest reaction of all the colors, with the level of reaction decreasing gradually with the colors orange, yellow, and white, respectively. For this reason, red is generally used as the highest level of warning, such as threat level of terrorist attack in the United States. In fact, teachers at a primary school in the UK have been told not to mark children's work in red ink because it encourages a "negative approach".
Red is the international color of stop signs and stop lights on highways and intersections. It was standarized as the international color at the Vienna Convention on Road Signs and Signals of 1968. It was chosen partly because red is the brightest color in daytime (next to orange), though it is less visible at twilight, when green is the most visible color. Red also stands out more clearly against a cool natural backdrop of blue sky, green trees or gray buildings. But it was mostly chosen as the color for stoplights and stop signs because of its universal association with danger and warning.
The standard international stop sign, following the Vienna Convention on Road Signs and Signals of 1968
A stop sign in Iran
Footballer Nemanja Vidić is shown a red card and ejected from a soccer match
Red is the color of a severe terrorist threat level in the United States, under the Homeland Security Advisory System.
The color that attracts attention
Red is the color that most attracts attention. Surveys show it is the color most frequently associated with visibility, proximity, and extroverts. It is also the color most associated with dynamism and activity.
Red is used in modern fashion much as it was used in Medieval painting; to attract the eyes of the viewer to the person who is supposed to be the center of attention. People wearing red seem to be closer than those dressed in other colors, even if they are actually the same distance away. Monarchs, wives of Presidential candidates and other celebrities often wear red to be visible from a distance in a crowd. It is also commonly worn by lifeguards and others whose job requires them to be easily found.
Because red attracts attention, it is frequently used in advertising, though studies show that people are less likely to read something printed in red because they know it is advertising, and because it is more difficult visually to read than black and white text.
Seduction, sexuality and sin
Red by a large margin is the color most commonly associated with seduction, sexuality, eroticism and immorality, possibly because of its close connection with passion and with danger.
Red was long seen as having a dark side, particularly in Christian theology. It was associated with sexual passion, anger, sin, and the devil. In the Old Testament of the Bible, the Book of Isaiah said: "Though your sins be as scarlet, they shall be white as snow." In the New Testament, in the Book of Revelation, the Antichrist appears as a red monster, ridden by a woman dressed in scarlet, known as the Whore of Babylon:
"So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, having seven heads and ten horns. "And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication: "And upon her forehead was a name written a mystery: Babylon the Great, the Mother of Harlots and of all the abominations of the earth: And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus.
Satan is often depicted as colored red and/or wearing a red costume in both iconography and popular culture. By the 20th century, the devil in red had become a folk character in legends and stories. In 1915, Irving Berlin wrote a song, At the Devil's Ball, and the devil in red appeared more often in cartoons and movies than in religious art.
In 17th century New England, red was associated with adultery. In the 1850 novel by Nathaniel Hawthorne, The Scarlet Letter, set in a Puritan New England community, a woman is punished for adultery with ostracism, her sin represented by a red letter 'A' sewn onto her clothes.
Red is still commonly associated with prostitution. Prostitutes in many cities were required to wear red to announce their profession, and houses of prostitution displayed a red light. Beginning in the early 20th century, houses of prostitution were allowed only in certain specified neighborhoods, which became known as red-light districts. Large red-light districts are found today in Bangkok and Amsterdam.
The Whore of Babylon, depicted in a 14th-century French illuminated manuscript. The woman appears attractive, but is wearing red under her blue garment.
Reine de joie, (Queen of Joy), a book cover illustration by Henri de Toulouse-Lautrec (1892) about a Paris prostitute
Sheet music for At the Devil's Ball, by Irving Berlin, United States, 1915.
The red-light district in Amsterdam (2003).
In different cultures and traditions
In China, red (simplified Chinese: 红; traditional Chinese: 紅; pinyin: hóng) is the symbol of fire and the south (both south in general and Southern China specifically). It carries a largely positive connotation, being associated with courage, loyalty, honor, success, fortune, fertility, happiness, passion, and summer. In Chinese cultural traditions, red is associated with weddings (where brides traditionally wear red dresses) and red paper is frequently used to wrap gifts of money or other objects. Special red packets (simplified Chinese: 红包; traditional Chinese: 紅包; pinyin: hóng bāo in Mandarin or lai see in Cantonese) are specifically used during Chinese New Year celebrations for giving monetary gifts. On the more negative side, obituaries are traditionally written in red ink, and to write someone's name in red signals either cutting them out of one's life, or that they have died. Red is also associated with either the feminine or the masculine (yin and yang respectively), depending on the source. The Little Red Book, a collection of quotations from Chairman Mao Tse-Tung, founding father of the People's Republic of China (PRC), was published in 1966 and widely distributed thereafter.
In Japan, red is a traditional color for a heroic figure. In the Indian subcontinent, red is the traditional color of bridal dresses, and is frequently represented in the media as a symbolic color for married women. The color is associated with purity, as well as with sexuality in marital relationships through its connection to heat and fertility. It is also the color of wealth, beauty, and the goddess Lakshmi.
In Central Africa, Ndembu warriors rub themselves with red paint during celebrations. Since their culture sees the color as a symbol of life and health, sick people are also painted with it. Like most Central African cultures, the Ndembu see red as ambivalent, better than black but not as good as white. In other parts of Africa, however, red is a color of mourning, representing death. Because red bears are associated with death in many parts of Africa, the Red Cross has changed its colors to green and white in parts of the continent.
The early Ottoman Turks led by the first Ottoman Sultan, Osman I, carried red banners symbolizing sovereignty, Ghazis and Sufism, until, according to legend, he saw a new red flag in his dream inlaid with a crescent.
In many Asian countries, red is the traditional color for a wedding dress today, symbolizing joy and good fortune.
- In India, brides traditionally wear a red sari, called the sari of blood, offered by their father, signifying that his duties as a father are transferred to the new husband, and as a symbol of his wish for her to have children. Once married, the bride will wear a sari with a red border, changing it to a white sari if her husband dies. In Pakistan and India, brides traditionally also have their hands and feet painted red with henna by the family of their new spouse, to bring happiness and signify their new status.
Wedding dress in Rajput, India.
Wedding dress from Vietnam.
In India and Pakistan, brides traditionally have their hands and feet decorated with red henna.
- In Christianity, red is associated with the blood of Christ and the sacrifice of martyrs. In the Roman Catholic Church it is also associated with pentecost and the Holy Spirit. Since 1295, it is the color worn by Cardinals, the senior clergy of the Roman Catholic Church. Red is the liturgical color for the feasts of martyrs, representing the blood of those who suffered death for their faith. It is sometimes used as the liturgical color for Holy Week, including Palm Sunday and Good Friday, although this is a modern (20th century) development. In Catholic practice, it is also the liturgical color used to commemorate the Holy Spirit (for this reason it is worn at Pentecost and during Confirmation masses). Because of its association with martyrdom and the Spirit, it is also the color used to commemorate the Apostles (except for the Apostle St. John, who was not martyred, where white is used), and as such, it is used to commemorate bishops, who are the successors of the Apostles (for this reason, when funeral masses are held for bishops, cardinals, or popes, red is used instead of the white that would ordinarily be used).
- In Buddhism, red is one of the five colors which are said to have emanated from the Buddha when he attained enlightenment, or nirvana. It is particularly associated with the benefits of the practice of Buddhism; achievement, wisdom, virtue, fortune and dignity. It was also believed to have the power to resist evil. In China red was commonly used for the walls, pillars, and gates of temples.
- In the Shinto religion of Japan, the gateways of temples, called torii, are traditionally painted vermilion red and black. The torii symbolizes the passage from the profane world to a sacred place. The bridges in the gardens of Japanese temples are also painted red (and usually only temple bridges are red, not bridges in ordinary gardens), since they are also passages to sacred places. Red was also considered a color which could expel evil and disease.
Cardinals of the Roman Catholic Church at the funeral of Pope John Paul II
The red uniform
The red military uniform was adopted by the English Parliament's New Model Army in 1645, and was still worn as a dress uniform by the British Army until the outbreak of the First World War in August 1914. Ordinary soldiers wore red coats dyed with madder, while officers wore scarlet coats dyed with the more expensive cochineal. This led to British soldiers being known as red coats.
In the modern British army, scarlet is still worn by the Foot Guards, the Life Guards, and by some regimental bands or drummers for ceremonial purposes. Officers and NCOs of those regiments which previously wore red retain scarlet as the color of their "mess" or formal evening jackets. The Royal Gibraltar Regiment has a scarlet tunic in its winter dress.
Scarlet is worn for some full dress, military band or mess uniforms in the modern armies of a number of the countries that made up the former British Empire. These include the Australian, Jamaican, New Zealand, Fijian, Canadian, Kenyan, Ghanaian, Indian, Singaporean, Sri Lankan and Pakistani armies.
The musicians of the United States Marine Corps Band wear red, following an 18th-century military tradition that the uniforms of band members are the reverse of the uniforms of the other soldiers in their unit. Since the US Marine uniform is blue with red facings, the band wears the reverse.
Red Serge is the uniform of the Royal Canadian Mounted Police, created in 1873 as the North-West Mounted Police, and given its present name in 1920. The uniform was adapted from the tunic of the British Army. Cadets at the Royal Military College of Canada also wear red dress uniforms.
The Brazilian Marine Corps wears a red dress uniform.
Musicians of the United States Marine Corps Band
Officer of the Royal Canadian Mounted Police
The Brazilian Marine Corps wears a dress uniform called A Garança.
The first known team sport to feature red uniforms was chariot racing during the late Roman Empire. The earliest races were between two chariots, one driver wearing red, the other white. Later, the number of teams was increased to four, including drivers in light green and sky blue. Twenty-five races were run in a day, with a total of one hundred chariots participating.
Today sports teams throughout the world wear red on their uniforms. Numerous national sports teams wear red, often through association with their national flags. These include teams from Spain (with their association football national team nicknamed La Furia Roja or "The Red Fury"), Belgium (whose football team bears the nickname Rode Duivels or "Red Devils"), other examples being teams from England, Wales, Canada, Denmark, Tonga, Chile, Puerto Rico, Russia and Switzerland.
Major League Baseball is especially well known for red teams. The Cincinnati Red Stockings are the oldest professional baseball team, dating back to 1869. The franchise soon relocated to Boston and is now the Atlanta Braves, but its name survives as the origin for both the Cincinnati Reds and Boston Red Sox. During the 1950s when red was strongly associated with communism, the modern Cincinnati team was known as the "Redlegs" and the term was used on baseball cards. After the red scare faded, the team was known as the "Reds" again. The Los Angeles Angels of Anaheim are also known for their color red, as are the St. Louis Cardinals, Arizona Diamondbacks, and the Philadelphia Phillies.
In the NHL, red jerseys are worn by the Detroit Red Wings, Washington Capitals, Calgary Flames, Carolina Hurricanes, Chicago Blackhawks, Colorado Avalanche, Minnesota Wild, Montreal Canadiens, Ottawa Senators, Phoenix Coyotes, and the New Jersey Devils.
In association football, teams such as Liverpool, Manchester United, Bayern Munich, Arsenal, Toronto FC, and S.L. Benfica primarily wear red jerseys. Other teams that prominently feature red on their kits include A.C. Milan (nicknamed i rossoneri for their red and black shirts), AFC Ajax, Olympiacos, River Plate, Atlético Madrid, and Flamengo. A red penalty card is issued to a player who commits a serious infraction: the player is immediately disqualified from further play and his team must continue with one less player for the game's duration.
In the NFL, teams with a shade of the color red as the primary color of either the team's dark "home" jersey (or an alternate thereof) or its "throwback" jersey include the Arizona Cardinals, Atlanta Falcons, Houston Texans, Kansas City Chiefs, New England Patriots, San Francisco 49ers, Tampa Bay Buccaneers, and Washington Redskins.
The Cleveland Cavaliers basketball team uses a deeper shade of red called wine. A fellow National Basketball Association team, the Los Angeles Clippers, wears red uniforms for road games, as do the Chicago Bulls, Atlanta Hawks, Portland Trail Blazers, Houston Rockets and the Houston Comets of the WNBA. A similar shade to the Cavaliers' tone (known in this instance as claret) is used by the English association football teams Aston Villa, West Ham United, and Burnley.
In boxing, red is often the color used on a fighter's gloves. George Foreman wore the same red trunks he used during his loss to Muhammad Ali when he defeated Michael Moorer 20 years later to regain the title he lost. Boxers named or nicknamed "red" include Red Burman, Ernie "Red" Lopez, and his brother Danny "Little Red" Lopez.
Rosso Corsa is the red international motor racing color of cars entered by teams from Italy. Since the 1920s Italian race cars of Alfa Romeo, Maserati, Lancia, and later Ferrari and Abarth have been painted with a color known as rosso corsa ("racing red"). National colors were mostly replaced in Formula One by commercial sponsor liveries in 1968, but unlike most other teams, Ferrari always kept the traditional red, although the shade of the color varies.
In martial arts, a red belt shows a high degree of proficiency, second only, in some schools, to the black belt.
Red is one of the most common colors used on national flags. The use of red has similar connotations from country to country: the blood, sacrifice, and courage of those who defended their country; the sun and the hope and warmth it brings; and the sacrifice of Christ's blood (in some historically Christian nations) are a few examples. Red is the color of the flags of several countries that once belonged to the former British Empire. The British flag bears the colors red, white, and blue; it includes the cross of Saint George, patron saint of England, and the saltire of Saint Patrick, patron saint of Ireland, both of which are red on white. The flag of the United States bears the colors of Britain, the colors of the French tricolore include red as part of the old Paris coat of arms, and other countries' flags, such as those of Australia, New Zealand, and Fiji, carry a small inset of the British flag in memory of their ties to that country. Many former colonies of Spain, such as Mexico, Colombia, Ecuador, Cuba, Puerto Rico, Peru, and Venezuela, also feature red-one of the colors of the Spanish flag-on their own banners. Red flags are also used to symbolize storms, bad water conditions, and many other dangers. Navy flags are often red and yellow. Red is prominently featured in the flag of the United States Marine Corps.
Red, blue, and white are also the Pan-Slavic colors adopted by the Slavic solidarity movement of the late nineteenth century. Initially these were the colors of the Russian flag; as the Slavic movement grew, they were adopted by other Slavic peoples including Slovaks, Slovenes, and Serbs. The flags of the Czech Republic and Poland use red for historic heraldic reasons (see Coat of arms of Poland and Coat of arms of the Czech Republic) & not due to Pan-Slavic connotations. In 2004 Georgia adopted a new white flag, which consists of four small and one big red cross in the middle touching all four sides.
Red, white, and black were the colors of the German Empire from 1870 to 1918, and as such they came to be associated with German nationalism. In the 1920s they were adopted as the colors of the Nazi flag. In Mein Kampf, Hitler explained that they were "revered colors expressive of our homage to the glorious past." The red part of the flag was also chosen to attract attention - Hitler wrote: "the new flag ... should prove effective as a large poster" because "in hundreds of thousands of cases a really striking emblem may be the first cause of awakening interest in a movement." The red also symbolized the social program of the Nazis, aimed at German workers. Several designs by a number of different authors were considered, but the one adopted in the end was Hitler's personal design.
Red, gold, green, and black are the colors of Pan-Africanism. Several African countries thus use the color on their flags, including South Africa, Ghana, Senegal, Mali, Ethiopia, Togo, Guinea, Benin, and Zimbabwe. The Pan-African colors are borrowed from the flag of Ethiopia, one of the oldest independent African countries. Rwanda, notably, removed red from its flag after the Rwandan Genocide because of red's association with blood.
The flags of Japan and Bangladesh both have a red circle in the middle of different colored backgrounds. The flag of the Philippines has a red trapezoid on the bottom signifying blood, courage, and valor (also, if the flag is inverted so that the red trapezoid is on top and the blue at the bottom, it indicates a state of war). The flag of Singapore has a red rectangle on the top. The field of the flag of Portugal is green and red.
The flag of the Byzantine Empire from 1260 to its fall in 1453
The maple leaf flag of Canada, adopted in 1965. The red color comes from the Saint George's Cross of England.
Red flag and revolution
In the Middle Ages, ships in combat hoisted a long red streamer, called the Baucans, to signify a fight to the death. In the 17th century, a red flag signalled defiance. A besieged castle or city would raise a red flag to tell the attackers that they would not surrender.
The red flag appeared as a political symbol during the French Revolution, after the fall of Bastille. A law adopted by the new government on October 20, 1789 authorized the Garde Nationale to raise the red flag in the event of a riot, to signal that the Garde would imminently intervene. During a demonstration on the Champs de Mars on July 17, 1791, the Garde Nationale fired on the crowd, killed up to fifty people. The government was denounced by the more radical revolutionaries. In the words of his famous hymn, the Marseillaise, Rouget de Lisle wrote: "Against us they have raised the bloody flag of tyranny!" (Contre nous de la tyrannie, l'entendard sanglant est leve). Beginning in 1790, the most radical revolutionaries adopted the red flag themselves, to symbolize the blood of those killed in the demonstrations, and to call for the repression of those they considered counter-revolutionary.
During the French Revolution, many in the Paris crowds also wore a red phrygian cap, a symbol of liberty, modeled after the caps worn in ancient Rome by freed slaves; but the colors of the Revolution finally became blue, white and red. The red in the French flag was taken from the emblem of the city of Paris, where it represented the city's patron saint, Saint Denis.
Karl Marx published the Communist Manifesto in February 1848, with little attention. However, a few days later the French Revolution of 1848 broke out, which replaced the monarchy of Louis Philippe with the Second French Republic. In June 1848, Paris workers, disenchanted with the new government, built barricades and raised red flags. The new government called in the French Army to put down the uprising, the first of many such confrontations between the army and the new worker's movements in Europe.
In 1870, following the stunning defeat of the French Army by the Germans in the Franco-Prussian War, French workers and socialist revolutionaries seized Paris and created the Paris Commune. The Commune lasted for two months before it was crushed by the French Army, with much bloodshed. The original red banners of the Commune became icons of the socialist revolution; in 1921 members of the French Communist Party came to Moscow and presented the new Soviet government with one of the original Commune banners; it was placed (and is still in place) in the tomb of Vladimir Lenin, next to his open coffin.
With the victory of the Bolsheviks in the Russian Revolution of 1917, the red flag, with a hammer to symbolize the workers and sickle to symbolize peasants, became the official flag of Russia, and, in 1923, of the Soviet Union. It remained so until the breakup of the Soviet Union in 1991.
After the Communist Party of China took power in 1949, the flag of China became a red flag with a large star symbolizing the Communist Party, and smaller stars symbolizing workers, peasants, the urban middle class and rural middle class. The flag of the Communist Party of China became a red banner with a hammer and sickle, similar to that on the Soviet flag. In the 1950s and 1960s, other Communist regimes such as Vietnam and Laos also adopted red flags. Some Communist countries, such as Cuba, chose to keep their old flags; and other countries used red flags which had nothing to do with Communism or socialism; the red flag of Nepal, for instance, represents the national flower.
Red was the color of the Russian Revolution in 1917. The Bolshevik, painting by Boris Kustodiev (1920).
The flag of the Soviet Union (1923–1992). The hammer symbolized workers, the sickle represented peasants, and the red star symbolized the Communist Party.
Use by political movements
In 18th-century Europe, red was usually associated with the monarchy and with those in power. The Pope wore red, as did the Swiss Guards of the Kings of France, the soldiers of the British Army and the Danish Army.
The French Revolution saw red used by the Jacobins as a symbol of the martyrs of the Revolution. In the nineteenth century, with the Industrial Revolution and the rise of worker's movements, it became the color of socialism (especially the Marxist variant), and, with the Paris Commune of 1870, of revolution.
Red also became the color of many social democratic parties in Europe, including the Labour Party in Britain (founded 1900); the Social Democratic Party of Germany (whose roots went back to 1863) and the French Socialist Party, which dated back under different names, to 1879. The Socialist Party of America (1901–1972) and the Communist Party USA (1919) both also chose red as their color.
The Communist Party of China, founded in 1920, adopted the red flag and hammer and sickle emblem of the Soviet Union, which became the national symbols when the Party took power in China in 1949. Under Party leader Mao Zedong, the Party anthem became "The East Is Red", and Mao Zedong himself was sometimes referred to as a "red sun". During the Cultural Revolution in China, Party ideology was enforced by the Red Guards, and the sayings of Mao Zedong were published as a small red book in hundreds of millions of copies. Today the Communist Party of China claims to be the largest political party in the world, with eighty million members.
Beginning in the 1960s and the 1970s, paramilitary extremist groups such as the Red Army Faction in Germany, the Japanese Red Army and the Shining Path Maoist movement in Peru used red as their color. But in the 1980s, some European socialist and social democratic parties, such as the Labour Party in Britain and the Socialist Party in France, moved away from the symbolism of the far left, keeping the red color but changing their symbol to a less-threatening red rose.
Red is used around the world by political parties of the left or center-left. In the United States, it is the color of the Communist Party USA, of the Social Democrats, USA, and in Puerto Rico, of the Popular Democratic Party of Puerto Rico.
In the United States, political commentators often refer to the "red states", which traditionally vote for Republican candidates in presidential elections, and "blue states", which vote for the Democratic candidate. This convention is relatively recent: before the 2000 presidential election, media outlets assigned red and blue to both parties, sometimes alternating the allocation for each election. Fixed usage was established during the 39-day recount following the 2000 election, when the media began to discuss the contest in terms of "red states" versus "blue states".
Logo of the German Social Democratic Party
Food and drink
Most red foods derive from one of two sources. Plants like apples, strawberries, cherries, tomatoes, peppers, and pomegranates are often colored by forms of carotenoids, red pigments that also assist photosynthesis. Red meat gets its color from the iron found in the myoglobin and hemoglobin in the muscles and residual blood.
Social and special interest groups
Such names as Red Club (a bar), Red Carpet (a discothèque) or Red Cottbus and Club Red (event locations) suggest liveliness and excitement. The Red Hat Society is a social group founded in 1998 for women 50 and over. Use of the color red to call attention to an emergency situation is evident in the names of such organizations as the Red Cross (humanitarian aid), Red Hot Organization (AIDS support), and the Red List of Threatened Species (of IUCN). In reference to humans, term "red" is often used in the West to describe the Amerinds, especially in the United States, to refer to Native Americans.
Many idiomatic expressions exploit the various connotations of red:
- Expressing emotion
- "to see red" (to be angry or aggressive)
- "to have red ears / a red face" (to be embarrassed)
- "to paint the town red" (to have an enjoyable evening, usually with a generous amount of eating, drinking, dancing)
- Giving warning
- "to raise a red flag" (to signal that something is problematic)
- "like a red rag to a bull" (to cause someone to be enraged)
- "to be in the red" (to be losing money, from the accounting habit of writing deficits and losses in red ink)
- Calling attention
- "a red letter day" (a special or important event, from the medieval custom of printing the dates of saints' days and holy days in red ink.)
- "to print in red ink" (for emphasis or easy identification)
- "to lay out the red carpet" or "give red-carpet treatment" (to treat someone royally as a very special person)
- "to catch someone red-handed" (in the act of doing something wrong, such with blood on his hands after a murder or poaching game)
- Other idioms
- "to tie up in red tape". In England red tape was used by lawyers and government officials to identify important documents. It became a term for excessive bureaucratic regulation. It was popularized in the 19th century by the writer Thomas Carlyle, who complained about "red-tapism".
- "red herring." A false clue that leads investigators off the track. Refers to the practice of using a fragrant smoked fish to distract hunting or tracking dogs from the track they are meant to follow.
- It is a common belief in the United States that red cars are stopped for speeding more often than other color cars. However, there is no statistical evidence that this is true. Many police departments have denied it, saying their officers stop drivers for their behavior, not the color of their cars. The one survey that was made on this subject in 1990 by a St. Petersburg, Florida newspaper showed that the number of speeding tickets given to drivers of red cars was about the same as the proportion of red cars on the road in the community.
Many movie titles have included the color's name, such as:
- The Woman in Red, a 1935 American film
- Reds, a 1981 film about Communism in the USA and Russia
- The Woman in Red, a 1984 American comedy film
- Raise the Red Lantern, a 1991 Chinese film directed by Zhang Yimou about a concubine
- Three Colors: Red, a French movie from 1994
- Red, a Tamil movie from 2002
- Red , a 2008 American film
- Red and Red 2, American films from 2010 and 2013
- Red Dog, a 2011 Australian film
- Red State, a 2011 American film
- Red Dawn, 1984 and 2012 American films
Notes and citations
- Thomas J. Bruno, Paris D. N. Svoronos. CRC Handbook of Fundamental Spectroscopic Correlation Charts. CRC Press, 2005.
- Craig F. Bohren (2006). Fundamentals of Atmospheric Radiation: An Introduction with 400 Problems. Wiley-VCH. p. 214. ISBN 3-527-40503-8.
- Oxford English Dictionary on-line
- Archetti, Marco; Döring, Thomas F.; Hagen, Snorre B.; Hughes, Nicole M.; Leather, Simon R.; Lee, David W.; Lev-Yadun, Simcha; Manetas, Yiannis; Ougham, Helen J.; Schaberg, Paul G.; Thomas, Howard (2011). "Unravelling the evolution of autumn colours: an interdisciplinary approach". Trends in Ecology & Evolution. 24 (3): 166–73. doi:10.1016/j.tree.2008.10.006. PMID 19178979.
- Eva Heller, Psychologie de la couleur - effets et symboliques. (pg. 39–63).
- Eric Partridge (1966). Origins: An Etymological Dictionary of Modern English. Routledge. ISBN 0-415-05077-4.
- Heller (2009), Psychologie de la couleur- effets et symboliques. Pg. 41.
- Michel Pastoureau (2005), Le petit livre des couleurs, (pg. 31).
- Eva Heller (2009), Psychologie de la couleur - Effets et symboliques. Pg. 45
- Friar, Stephen, ed. (1987). "A New Dictionary of Heraldry". London: Alphabooks/A&C Black. pp. 174 and 343. ISBN 0 906670 44 6.
- Webster's New World Dictionary of American English, 3rd College Edition, (1988). "A dark brown red." Random House College Dictionary (1975), "a dark brownish-red."
- Marean, C.W., Bar-Matthews, M, Bernatchez, J., Fisher, E., Goldberg, P., Herries, A.I.R., Jacobs, Z., Jerardino, A., Karkanas, P., Minichillo, T., Nilssen, P.J., Thompson, E., Watts, I., Williams, H.W., 2007. Early Human use of marine resources and pigment in South Africa during the Middle Pleistocene. Nature. 449, 905–908.
- Chunling (2008), China Red. pg. 4
- Michel Pastoureau, Le Petit livre des couleurs, pg. 32.
- Barber (1991), pp. 230–231
- Greenfield (2005) pg. 45
- KJV Book of Exodus 25:4
- http://www.biblegateway.com/passage/?search=Exodus%2025&version=VULGATE%7C Bible Gateway, Vulgate Bible (retrieved December 23, 2012)
- Jenkins, David, ed. (2003). The Cambridge History of Western Textiles. Cambridge University Press. ISBN 0-521-34107-8.
- "Pigments through the Ages - Intro to the reds". Webexhibits.org. Retrieved 2012-09-08.
- Hamilton R. (2007). Ancient Egypt: The Kingdom of the Pharaohs. Paragon Inc. p. 62.
- Manniche, Lise. Sacred Luxuries. 1999 Cornell University Press, New York. 127–143
- Chunling (2008), China Red, pg. 60–61
- Philip Ball (2001), Bright Earth, Art and the Invention of Color. Pg. 100.
- H. C. Bhardwaj & K. K. Jain (1982). "Indian dyes and dyeing industry during 18th–19th century" (PDF). Indian Journal of History of Science. New Delhi: Indian National Science Academy. 17 (11): 70–81.
- Arnoldo Gonzalez Cruz, La Reina Roja: una tomba real en Palenque, (2011), Turner, ISBN 978-8-4750-6973-9
- Eva Heller, Psychologie de la couleur - effets et symboliques, pg. 46.
- Feisner, Edith. Colour. City: King Laurence Publish, 2006. ISBN 1-85669-441-0 pg. 127
- Ramsay, William (1875). "Triumphus". Retrieved 2007-12-09.
- Hayes, A. W. (2008). Principles and Methods of Toxicology (5th ed.). New York: Informa Healthcare. ISBN 0-8493-3778-X.
- Amy Butler Greenfield, A Perfect Red, (pg. 36-37).
- Amy Butler Greenfield, A Perfect Red, (pg. 38-45).
- Varichon, Anne, (2000), Couleurs- pigments et teintures dans les mains des peuples. Pg. 111.
- Chunling (2008) Chinese Red pg. 26
- Chunling (2008) Chinese Red pg. 36–37.
- Barbara Berrie and Louisa Matthews, Material Innovation and Artistic Invention; New Materials and New Colors in Renaissance Venetian Paintings. NAS Colloquium on the Scientific Examination of Art: Modern Techniques, Conservation and Analysis. National Academies Press, (2005).
- Filip Vermeylen, The Colour of Money: Dealing in Pigments in Sixteenth-Century Antwerp, pg. 359. "Venice dominated the trade in pigments in the Mediterranean basin during the sixteenth century." Pg. 359.
- Amy Butler Greenfield, A Perfect Red, (2005).
- Amy Butler Greenfield, A Perfect Red, (2005). pg. 64-100
- Amy Butler Greenfield, A Perfect Red, (2005). pg. 102-105
- John Wilson, An Essay on Light and Colours, Manchester, 1786. Pg. 21-22. Cited in Sarah Lowengard (2006), The Creation of Color in 18th Century Europe,Columbia University Press. (www.gutenberg-e.org/lowengard),
- John Gage, Colour and Culture: Practice and Meaning from Antiquity to Abstraction
- Vincent van Gogh, Corréspondénce general, number 533, cited by John Gage, Practice and Meaning from Antiquity to Abstraction.
- Ball (2001), pg. 440
- Cited in Ball (2001) pg, 437.
- cited in Ball, (2001), pg. 440.
- Mark Rothko 1903–1970. Tate Gallery Publishing, 1987.
- Ball (2001), pg, 475–476
- Websters New World Dictionary of American English, Third College Edition (1988)
- David Bomford and Ashok Roy, A Closr Look- Colour, National Gallery Company and Yale University Press, p. 41-42
- From Shampoo to Cereal: Seeing to the Safety of Color Additives at the Wayback Machine (archived January 15, 2008)
- Food Color Facts at the Wayback Machine (archived October 1, 2007)
- "E129", UK Food Guide, a British food additives website. Last retrieved 20 May 2007.
- European Parliament and Council Directive 94/36/EC of 30 June 1994 on colours for use in foodstuffs
- "Group urges ban of 3 common dyes". CNN. 2010-06-30. Archived from the original on 3 July 2010. Retrieved 2010-07-01.
- "What Wavelength Goes With a Color?". Atmospheric Science Data Center. Retrieved 2009-04-15.
- Kalat, James W. (2005). Introduction to Psychology. Thomson Wadsworth. p. 105. ISBN 0-534-62460-X.
- Ali, Mohamed Ather; Klyne, M.A. (1985). Vision in Vertebrates. New York: Plenum Press. pp. 174–175. ISBN 0-306-42065-1.
- O'Neil, Dennis (March 19, 2010). "Primate Color Vision". Primates. San Marcos, California: Palomar Community College. Retrieved 22 April 2010.
- Hogan, Dan; Michele Hogan (May 25, 2007). "Color Vision Drove Primates To Develop Red Skin And Hair, Study Finds". Science News. Rockville, Maryland: ScienceDaily. Retrieved 22 April 2010.
- "Human Vision and Color Perception". Olympus Microscopy Resource Center. Retrieved 2007-09-19.
- "Be a Stargazer". Sensitize Your Eyes. Retrieved 2007-09-25.
- "Important Facts About Safelights". How Safe is Your Safelight?. Eastman Kodak. Retrieved 18 April 2010.
- Lara Broecke, Cennino Cennini's Il Libro dell'Arte: a new English Translation and Commentary with italian Transcription, Archetype 2015, p. 115.
- See David Briggs, The Dimensions of Color
- K. Saha (2008). The Earth's Atmosphere - Its Physics and Dynamics. Springer. p. 107. ISBN 978-3-540-78426-5.
- B. Guenther (ed.) (2005). Encyclopedia of Modern Optics. Vol. 1. Elsevier. p. 186.
- A.D. White and J.D. Rigden, "Continuous Gas Maser Operation in the Visible". Proc IRE vol. 50, p1697: July 1962. US Patent 3242439.
- "Laserglow - Blue, Red, Yellow, Green Lasers". Laserglow.com. Retrieved 2011-09-20.
- "Laserglow – Lab/OEM Lasers". Laserglow.com. Retrieved 2011-09-20.
- Adams, Melanie; Natasha Raynor (19 September 1994–12 March 2009). "Mars, The Red Planet". MidLink Magazine. North Carolina State University. Retrieved 12 April 2010. Check date values in:
- Cardall, Christian; Steven Daunt (2003). "The Great Red Spot". The Solar System. University of Tennessee. Retrieved 12 April 2010.
- "The Brightest Red Dwarf", by Ken Croswell (Accessed 6/7/08)
- C. Michael Hogan. 2010. Calcium. eds. A.Jorgensen, C.Cleveland. Encyclopedia of Earth. National Council for Science and the Environment.
- Davies, Kevin M. (2004). Plant pigments and their manipulation. Wiley-Blackwell. p. 6. ISBN 1-4051-1737-0.
- "Why is blood red?". University of California, Santa Barbara. Retrieved 3 October 2015.
- Nabili, Siamak. "Hemoglobin". Procedures and Tests. MedicineNet. p. 1. Retrieved 12 April 2010.
- "Red Alert!", Joel Garreau, The Washington Post, March 18, 2002
- Little, A. C.; Little, R. A. (2007). "Attribution to red suggests special role in dominance signalling". Journal of Evolutionary Psychology. 5: 161. doi:10.1556/JEP.2007.1008.
- Setchell, J.; Smith, T.; Wickings, E.; Knapp, L. (2008). "Social correlates of testosterone and ornamentation in male mandrills". Hormones and Behavior. 54 (3): 365–372. doi:10.1016/j.yhbeh.2008.05.004. PMID 18582885.
- Cuthill, I. C.; Hunt, S.; Cleary, C.; Clark, C. (1997). "Colour bands, dominance, and body mass regulation in male zebra finches (Taeniopygia guttata)". Proceedings of the Royal Society B: Biological Sciences. 264 (1384): 1093. doi:10.1098/rspb.1997.0151.
- Hill, R. A.; Barton, R. A. (2005). "Psychology: Red enhances human performance in contests". Nature. 435 (7040): 293. Bibcode:2005Natur.435..293H. doi:10.1038/435293a.
- Attrill, M.; Gresty, K.; Hill, R.; Barton, R. (2008). "Red shirt colour is associated with long-term team success in English football". Journal of Sports Sciences. 26 (6): 577–582. doi:10.1080/02640410701736244. PMID 18344128.
- Ilie, A.; Ioan, S.; Zagrean, L.; Moldovan, M. (2008). "Better to Be Red than Blue in Virtual Competition". CyberPsychology & Behavior. 11 (3): 375. doi:10.1089/cpb.2007.0122.
- Hackney, A. C. (2005). "Testosterone and human performance: influence of the color red". European Journal of Applied Physiology. 96 (3): 330–333. doi:10.1007/s00421-005-0059-7. PMID 16283371.
- Hagemann, N.; Strauss, B.; Leissing, J. (2008). "When the Referee Sees Red …". Psychological Science. 19 (8): 769–771. doi:10.1111/j.1467-9280.2008.02155.x. PMID 18816283.
- Elliot, A. J.; Maier, M. A. (2007). "Color and Psychological Functioning". Current Directions in Psychological Science. 16: 250. doi:10.1111/j.1467-8721.2007.00514.x.
- Elliot, A. J.; Maier, M. A.; Binser, M. J.; Friedman, R.; Pekrun, R. (2008). "The Effect of Red on Avoidance Behavior in Achievement Contexts". Personality and Social Psychology Bulletin. 35 (3): 365–375. doi:10.1177/0146167208328330. PMID 19223458.
- Eva Heller (2009), Psychologie de la couleur - Effets et symboliques. Pg. 43
- Greenfield, Amy (2005), A Perfect Red (pg. 36)
- Greenfield, Amy (2005), A Perfect Red (pg. 32)
- Hoffman, Daniel. The Poetry of Stephen Crane. New York: Columbia University Press, 1971. ISBN 0-231-08662-8 pg. 150
- Eva Heller (2009), Psychologie de la couleur - Effets et symboliques. Pg. 42. In the survey cited, 75 percent of respondents cited red as the color of love, with seven percent citing pink.
- Dreyfuss, Henry. Symbol Sourcebook. New York: Wiley, 1984. ISBN 0-471-28872-1 pg. 239
- "Description of the Roman de la Rose on the site of the British Library". Bl.uk. 2003-11-30. Retrieved 2012-09-08.
- Sebeok, Thomas and Marcel Danesi. The Forms of Meaning: Modeling Systems Theory and Semiotic Analysis. Berlin: Mouton de Gruyter, 1999. ISBN 3-11-016751-4 pgs. 150-152
- "Cooling the ardour of Valentine's Day". BBC News. 3 February 2002.
- Eva Heller (2000), Psychologie de la couleur - effets et symboliques (pg. 46).
- * Bowler, Gerry. Editor (2004) "The World Encyclopedia of Christmas", Toronto: McClelland & Stewart Limited. ISBN 978-0-7710-1535-9 (0-7710-1535-6)
- Eva Heller (2000), Psychologie de la couleur- effets et symboliques. (pg. 42 and 53.)
- Robertson, S. (Editor). Contemporary Ergonomics 1996. Boca Raton: CRC, 1996. ISBN 0-7484-0549-6 pgs. 148-150
- Karwowski, Waldemar. International Encyclopedia of Ergonomics and Human Factors, Second Edition - 3 Volume Set. Boca Raton: CRC, 2006. ISBN 0-415-30430-X pg. 1518
- "Red ink banned from primary books". BBC News World Edition. Retrieved 15 August 2013.
- Eva Heller (2000), Psychologie de la couleur- effets et symboliques. (pg. 54)
- Eva Heller (2000), Psychologie de la couleur -effets et symboliques. (pg. 48 and 58).
- Eva Heller (2000), Psychologie de la couleur -effets et symboliques. (pg. 60).
- Eva Heller (2000), Psychologie de la couleur- effets et symboliques. (pg. 55)
- Oehler, Gustav Friedrich and George Edward Day, Theology of the Old Testament. pg. 320
- KJV Isaiah 1:18
- King James Version, Book of Revelation, Chapter 17.
- Steffler, Alva. Symbols of the Christian Faith. City: Wm. B. Eerdmans Publishing Company, 2002. ISBN 0-8028-4676-9 pg. 132
- Hawthorne, Nathaniel. The Scarlet Letter. New York: Pocket, 2004. ISBN 0-7434-8756-7 pg. 136
- Hecht, Mendy. "Seven Things You Can Do for America". Retrieved 2009-10-05.
- Oxford English Dictionary
- Li Sujun (李素军), China Red (中国红). (In Chinese.)
- Cullen, Cheryl. Global Graphics. Gloucester: Rockport Publishers, 2000. ISBN 1-56496-293-8 pg. 147
- Hodge, Bob and Kam Louie. The Politics of Chinese Language and Culture. New York: Routledge, 1998. ISBN 0-415-17266-7 pg. 132
- "PS2 News: CVG goes straight to hell with Devil May Cry director - ComputerAndVideoGames.com:". Retrieved 2007-10-14.
- Smith, Kate. "India -- The Color Red: Simplicity, Purity and Candor".
- Lamb, Sarah. White Saris and Sweet Mangoes. Berkeley: University of California Press, 2000. ISBN 0-520-22001-3 pg. 188
- Banton, Michael. Anthropological Approaches to the Study of Religion. New York: Routledge, 2004. ISBN 0-415-33021-1 pg. 57
- Bradley, Carolyn. Western World Costume. New York: Dover Publications, 2001. ISBN 0-486-41986-X pg. 8
- Austin, Erica and Bruce Pinkleton. Strategic Public Relations Management: Planning and Managing Effective Communication Programs. Hillsdale: Lawrence Erlbaum Associates, 2006. ISBN 0-8058-5381-2 pg. 301
- Anne Varichon, Couleurs- pigments et teintures dans les mains des peuples (pg. 95).
- Greenfield, Amy, A Perfect Red, pg. 168-169
- Rinaldi d'Ami, "World Uniforms in Colour - Volume 2: Nations of America, Africa, Asia and Oceania, ISBN 085059040X
- Gibbon, Edward (1960), The Decline and Fall of the Roman Empire, abridgement by D.M. Low, Harcourt, Brace and Company, New York. Pg. 554.
- Dart, Tom (March 12, 2008). "Teams with red shirts have a head start". Times Online. London: News International Group. Retrieved 13 April 2010.
- Frommer, Harvey (April 9, 2010). "First Professional Baseball Team: Flashback". Dr. Harvey Frommer on Sports. Diamond Bar, California: Travel Watch. Retrieved 18 April 2010.
- Cuordileone, K.A. Manhood and American Political Culture in the Cold War. New York: Routledge, 2005. ISBN 0-415-92599-1 pg. XIII
- Brabazon, Tara. Tracking the Jack. Sydney: UNSW Press, 2000. ISBN 0-86840-699-6 pg. 10
- "The United States Flag - Public and Intergovernmental Affairs". United States Department of Veterans Affairs. Retrieved December 7, 2006.
- Brabazon, Tara. Tracking the Jack. Sydney R.: UNSW Press, 2000. ISBN 0-86840-699-6 pgs. 13-20
- "Nazi propaganda pamphlet "The Life of the Führer"". Calvin.edu. Retrieved 2012-09-08.
- Hitler, Adolf (1926). Mein Kampf, volume 2, chapter VII.
- "Colors as Symbols in Flags". EnchantedLearning.com. Retrieved 2011-12-17.
- Murrell, Nathaniel et al. Chanting down Babylon. Philadelphia: Temple University Press, 1998. ISBN 1-56639-584-4 pg. 135
- "Rwandan: Adoption of the new flag". Crwflags.com. Retrieved 2011-12-17.
- Flags of the World, "Baucans (or Bauccedillian)".
- "so the red flag of defiance was pulled down", Grant, James, Cassell's Old and New Edinburgh, Vol. 1, (1882) p. 49. "The red flag is a signal of defiance and battle", according to Chambers Cyclopedia (1727–41). Cited in "red flag", Oxford English Dictionary.
- Jean-Bernard Lacroix, « Troubles et criminalité de 1789 à l'an VI », La Révolution dans les Basses-Alpes, Annales de Haute-Provence, bulletin de la société scientifique et littéraire des Alpes-de-Haute-Provence, no. 307, 1er trimestre 1989, 108e année, p. 154.
- Van Geldorn, James (1993), Bolshevik Festivals 1917–21, University of California Press, Berkeley. Pg. 178
- "The East Is Red". TIME. 1970-05-04. Retrieved 2009-04-10.
- "The Reddest Red Sun". Morning Sun. Retrieved 2009-04-10.
- "Xinhua – China's Communist Party members exceed 80 million". News.xinhuanet.com. 2011-06-24. Retrieved 2012-09-08.
- Farhi, Paul (2 November 2004). "Elephants Are Red, Donkeys Are Blue". The Washington Post. Retrieved 19 April 2011.
- Speer, Brian. "Photosynthetic Pigments". UCMP Glossary. University of California: University of California Museum of Paleontology. Retrieved 22 April 2010.
- Fleming, H.P.; T. N. Blumer; H. B. Craig (1960). "Quantitative Estimations Of Myoglobin And Hemoglobin In Beef Muscle Extracts" (PDF). Journal of Animal Sciences. North Carolina Agricultural Experiment Station, Raleigh: American Society of Animal Science. p. 2. Retrieved 22 April 2010.
- Larssen, Nick (1995). The Canadian Criminal Justice System. p. 440.
- Robert Hendrickson (1999), Encyclopedia of word and phrase origins.
- http://www.snopes.com/autos/law/redcars.asp |See Snopes.com. The survey showed that 16 percent of the cars seen on the road were red, and 18 percent of cars which received tickets in a year period were red. (Retrieved October 12, 20012).
- Broecke, Lara (2015). Cennino Cennini's Il Libro dell'Arte: a New English Translation and Commentary with italian Transcription. Archetype. ISBN 978-1-909492-28-8.
- Barber, E. j. w. (1991). Prehistoric Textiles. Princeton University Press. ISBN 0-691-00224-X.
- Greenfield, Amy Butler (2005). A Perfect Red. Editions Autrement (French translation). ISBN 978-2-7467-1094-8.
- Ball, Philip (2001). Bright Earth, Art and the Invention of Colour. Hazan (French translation). ISBN 978-2-7541-0503-3.
- Heller, Eva (2009). Psychologie de la couleur - Effets et symboliques. Pyramyd (French translation). ISBN 978-2-35017-156-2.
- Chunling, Yan (2008). China Red. Beijing: Foreign Languages Press. ISBN 978-7-119-04531-3.
- Pastoureau, Michel (2005). Le petit livre des couleurs. Editions du Panama. ISBN 978-2-7578-0310-3.
- Gage, John (1993). Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson (Page numbers cited from French translation). ISBN 978-2-87811-295-5.
- Varichon, Anne (2000). Couleurs - pigments et teintures dans les mains des peuples. Seuil. ISBN 978-2-02084697-4.
- Davies, Kevin M. (2004). Plant pigments and their manipulation. Wiley-Blackwell. p. 6. ISBN 1-4051-1737-0.
- Hendrickson, Robert (1999). Encyclopedia of Word and Phrase Origins. Facts on File. p. 6. ISBN 08160-3266-1.
- Jenkins, David, ed. (2003). The Cambridge History of Western Textiles. Cambridge University Press. ISBN 0521341078.
- Thompson, Daniel (1956). The Materials and Techniques of Medieval Painting. Dover Publications. ISBN 0-486-20327-1.
- Bomford, David (2000). A Closer Look - Colour. National Gallery Company, London. ISBN 978-1-85709-442-8.