Red Planet Mars

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Red Planet Mars
Red Planet Mard Poster.jpg
Theatrical release poster
Directed byHarry Horner
Produced byDonald Hyde
Anthony Veiller
Screenplay byAnthony Veiller
John L. Balderston
Based onthe play Red Planet
by John L. Balderston and John Hoare
StarringPeter Graves
Andrea King
Orley Lindgren
Walter Sande
Marvin Miller
Music byMahlon Merrick
CinematographyJoseph Biroc
Edited byFrancis D. Lyon
Melaby Pictures
Distributed byUnited Artists
Release date
  • May 15, 1952 (1952-05-15) (United States)
Running time
87 minutes
CountryUnited States

Red Planet Mars is a 1952 American science fiction film released by United Artists starring Peter Graves and Andrea King. It is based on a 1932 play Red Planet written by John L. Balderston and John Hoare and was directed by art director Harry Horner in his directorial debut.


An American astronomer obtains images of Mars suggesting large-scale environmental changes are occurring at a pace that can only be accomplished by intelligent beings with advanced technology. At the same time a colleague claims to have been contacting Mars by radio, using technology stolen from the Nazis after World War II. He communicates first through an exchange of mathematical concepts, like the value of pi, and then through answers to specific questions about Martian life. The transmissions claim that Mars is a utopia, which has led to great technological advancement and the elimination of scarcity, but that there is no fear of nuclear war.

This revelation leads to political and economic chaos, especially in the Western hemisphere, and is said to have "done more to smash the democratic world (or Capitalist?) in the last four weeks than the Russians have been able to do in eleven years."[1] The U.S. government imposes a news blackout and orders the transmissions to stop due to fears that the Soviet Union could pick up and decode their messages. This ends when the next message reveals that the Earth is condemned to the constant fear of nuclear war as a punishment for straying from the teachings of the Bible. Revolution sweeps the globe, including the Soviet Union, which is overthrown and replaced by a theocracy, which is met with celebration in America.

But doubts about the authenticity of the messages remain. An ex-Nazi who developed the original communication device prototype wants to announce that he has been duping the Americans with false messages from a secret Soviet-funded radio transmitter high in the Andes mountains of South America. He says that he transmitted the original messages supposedly from Mars, but that the United States government made up the religious messages, which he allowed because he wanted to see the destruction of the Soviet Union. The mystery thickens as it appears the messages may have continued even after the secret transmitter was destroyed in an avalanche, but the American transmitter is blown up before the message can be received.



Critical response[edit]

When the film was released, the staff at Variety liked the film, writing, "Despite its title, Red Planet Mars takes place on terra firma, sans space ships, cosmic rays or space cadets. It is a fantastic concoction [from a play by John L. Balderston and John Hoare] delving into the realms of science, politics, religion, world affairs and Communism...Despite the hokum dished out, the actors concerned turn in creditable performances."[2]

The New York Times, while giving the film a mixed review, wrote well of some of the performances, "Peter Graves and Andrea King are serious and competent, if slightly callow in appearance, as the indomitable scientists. Marvin Miller is standard as a top Soviet agent, as are Walter Sande, Richard Powers and Morris Ankrum, as Government military men, and Willis Bouchey, as the President."[3]

Allmovie critic Bruce Eder praised the film, writing, "Red Planet Mars is an eerily fascinating artifact of the era of the Red Scare, and also the first postwar science fiction boom, combining those elements into an eerie story that is all the more surreal because it is played with such earnestness."[4]

The film critic Dennis Schwartz panned the film in 2001, writing, "One of the most obnoxious sci-fi films ever. It offers Hollywood's silly response to the 1950s 'Red Scare' sweeping the country and promoted by the McCarthy senate hearings looking for commies under every bed cover. To realize how dumb this Cold War film is, try this question of the plot's summary on for size: Can it be that the Martians are signaling Earth and that their leader is actually uttering the very word of God? This is one of those really bad propaganda films that has no entertainment value, as it shows how paranoic this country can be and how it can use religion at the drop of a radio signal to promote materialism and Christianity as a superior way of life than communism. This one might be the strangest and most twisted Red Menace films of all time. It ends with a hydrogen explosion in the lab killing two good American scientists and one lousy ex-Nazi scientist now working for the Russian Communists. The last message heard from Mars is an abbreviated one (thank God!): 'Ye have done well my good ...' then there is just silence. The film leaves one with the impression that Mars is ruled by God."[5]


  1. ^ Red Planet Mars. Dir. Harry Horner. Melaby Pictures Corp, 1952. DVD.
  2. ^ Variety. Film review, May 15, 1952. Last accessed: February 21, 2011.
  3. ^ The New York Times, film review, Published: June 16, 1952. Last accessed: February 21, 2011.
  4. ^ Eder, Bruce. Allmovie, film review. Last accessed: February 21, 2011.
  5. ^ Schwartz, Dennis. Ozus' World Movie Reviews, film review, September 18, 2001. Last accessed: February 21, 2011.

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