Reefer Madness (musical)
|Basis||1936 film Reefer Madness|
|Productions||1998 Los Angeles
2004 St. Louis
2005 film version
Reefer Madness is a musical satire of the 1936 cult classic Reefer Madness that opened in Los Angeles in 1998. The book and lyrics were written by Kevin Murphy and the book and music by Dan Studney. Directed by Andy Fickman, it was initially shown at the Hudson Theater on Santa Monica Boulevard in Los Angeles and then moved to the New York "Off-Broadway" scene. The show opened Off Broadway on September 15, 2001, and closed shortly thereafter. Rodgers and Hammerstein Theatricals now administers the stock/amateur rights, and the show has been produced by local theater groups in several cities, including Toronto, Seattle, Philadelphia, Charleston, Sacramento, Raleigh, Norfolk, and London. The 2008 production at Washington, D.C.'s Studio Theater won two Helen Hayes Awards (directing and outstanding Resident Production).
The Canadian premiere was produced by Hart House Theatre in September 2006 with both Kevin Murphy and Dan Studney in attendance. The show returns to Canada during The Lower Ossington Theatre's Toronto production, June 9–18, 2011. The show made its Australian debut in Sydney on July 24, 2008 and UK premiere in London on March 24, 2009.
A film adaptation of the same name by Fickman, Murphy and Studney themselves was made in 2005, with several actors reprising their roles.
On April 20, 2014, an all-star benefit concert version of the musical was presented at New World Stages. It Featured Alan Cumming, Christian Campbell, Thomas Dekker, Andrea McArdle, Lesli Margherita, James Snyder, Harry S. Murphy, John Kassir, Amy Spanger, Jenna Leigh Green and Lea Delaria. The production is directed by Ilana Ransom Toeplitz, produced by Shoshana Feinstein, and in benefit for BabyQuest foundation.
This synopsis reflects the current version of the show as licensed. For information about other versions of the show and cut songs, see below.
The year is 1938. As the play opens, the Lecturer, a stern authority figure, informs the audience of the new drug menace, "marihuana", which threatens the American way of life. (His warnings are reinforced by the Placard Girl, who throughout the play holds up large signs that clearly state scenes' moral lessons.) From his podium, the Lecturer warns the audience that action must be taken immediately, before the Good Ol' U.S.A. succumbs to the Demon Weed ("Reefer Madness"). The Lecturer illustrates his point, introducing us to Jimmy Harper and Mary Lane, a lovable pair of wholesome teens who hold hands, sip hot cocoa, and think pure thoughts while studying Shakespeare for English class ("Romeo and Juliet").
The Lecturer then shows us the seamier side of life at the Reefer Den, populated by drug-addled Denizens of the Night. We meet Mae, the Reefer Den hostess, who is abused by her slick, pusher boyfriend Jack. She'd leave him, but Jack keeps her supplied with the marijuana she craves ("The Stuff"), despite his physical abuse.
The Lecturer brings us now to the five and dime, a local teen hangout where wholesome kids indulge in the risqué rhythms of "swing-jazz" music, as performed by Duke Ellington, Dizzy Gillespie, and other "ginger-colored agents of evil" ("Down at the Ol' Five and Dime"). The Lecturer assumes the guise of kindly Mr. Poppy, the singing and dancing proprietor.
Jack, trolling for youthful victims, arrives at the five and dime, where he meets Jimmy and lures him back to the Reefer Den to experience "a real party". There, Jimmy encounters Ralph, a psychotic ex-college student who communicates primarily with cackling, maniacal laughter. He also meets Sally, a reefer slut who both supports her love child and pays for her habit with the only currency she possesses - her generously proportioned body. Jimmy is pressured into taking his first hit of marihuana ("Jimmy Takes a Hit") and tastes the forbidden fruits of sensual abandon in a wild hallucinatory dance sequence featuring weird sex, belly dancers, fire eaters, and Goat-Man, a frightening satyr played by the Lecturer ("The Orgy").
Over the next few weeks, we watch Jimmy make a terrifying transition from "good egg" to "bad apple". He mouths off to his parents, brutalizes a puppy, and even attempts to tongue-kiss a shocked Mary, sending her running off in tears. Alone in church, Mary prays that her sweetheart will regain his senses and return to her ("Lonely Pew").
Later, Jimmy and Ralph break into the church to steal from the poor box. While Ralph goes off to smoke some frankincense, Jimmy suddenly receives a heavenly vision...Jesus Christ himself! Flanked by a chorus of singing cherubim, Jesus (played by Jack) warns Jimmy (in a Tom Jones-style production number) to kick his reefer habit or suffer eternal damnation ("Listen to Jesus, Jimmy"). Jimmy scoffs at the Son of God's message. Angels weep.
Back at the Reefer Den, Jimmy is completely out of control. A desperate Mae warns Jimmy to avoid her own mistakes - he must escape the Reefer Den while he is still able. The drug-addled Jimmy, however, won't listen. Even the revelation that Sally has sold her baby for drug money fails to snap him out of it. Sally's baby (played by Ralph) appears and sings a plaintive solo ("Lullaby").
Jimmy's bad behavior culminates with his stealing Mary's Packard and taking it for a reckless, reefer-induced joyride with Sally. His joy, however, proves short-lived - Sally, who is driving, runs over a helpless old man crossing the street, killing him.
Finally shocked out of his reefer haze, Jimmy returns the stolen Packard to Mary's house and apologizes to her, pledging his love ("Mary Jane/Mary Lane".) They kiss. Before he can give her his school ring as a token of his undying love, a siren sounds in the distance. The fugitive Jimmy realizes that he must get far away from Mary lest he bring her down with him. He runs off into the night with no explanation. Mary doesn't know the exact nature of Jimmy's demons, but she vows he will not face them alone. She drives her Packard into the night in search of "her poor lost Romeo".
Meanwhile, back at the Reefer Den, Jack and Mae hear a radio broadcast announcing the hit-and-run accident. Police are looking for a young man in a late-model Packard. Jack, fearing Jimmy will get arrested and lead the cops back to him, grabs a pistol and ominously vows to bring Jimmy back to the Reefer Den - "one way or another" ("Act I Finale").
As the act begins, hallucinatory visions of Ralph, Sally and Mae appear as Jazz Trio Backup Girls ("Jimmy on the Lam"). The Lecturer brings us up to date - Jimmy's on the lam and Mary's "combing the rain-spattered streets in search of her wayward young man." Jimmy arrives at the local train station and attempts to purchase a one-way ticket for "Parts Unknown".
Before Jimmy can board the train, Jack appears and tries to convince Jimmy to return to the Reefer Den with him. Jimmy refuses; he promised himself he'd never smoke marijuana again. Jack tricks Jimmy by offering him a seemingly innocent brownie. Jimmy thinks this is the best brownie he's ever eaten in his life. The train station patrons join him in a song extolling the many virtues of said brownie ("The Brownie Song"). Jimmy is hooked once again.
Meanwhile, Mary makes inquiries at the five and dime. Kindly Mr. Poppy provides Mary with the address of the Reefer Den. The naive Mary leaves, grateful for Mr. Poppy's assistance. As soon as Mary is out of earshot, Mr. Poppy telephones the Reefer Den and tells Ralph to inform Jack that an unsuspecting new "client" is on her way over. We learn that Mr. Poppy is secretly on Jack's payroll. He helps Jack "trundle little children off to pay the wages of sin" ("Five and Dime" reprise).
Back at the Reefer Den, Sally drags Jimmy upstairs for a weed-whacked sexual liaison. When Mary arrives looking for Jimmy, the lecherous Ralph is lying in wait. He tries to seduce Mary by tricking her into smoking marijuana herself ("Little Mary Sunshine"). The plan backfires - the power of the weed is so great, it immediately transforms the virginal Mary into a whip-cracking sadomasochist who enslaves the frightened Ralph. Upon discovering Mary and Ralph in a compromising position, a smoke-addled Jimmy attacks Ralph. A scuffle ensues. Jimmy is knocked unconscious and Jack accidentally shoots Mary through the heart. The villainous Jack places the gun in the unconscious Jimmy's hand. Jimmy, who remembers nothing, is convinced that he has murdered his beloved "Juliet". Mary regains consciousness long enough for Jimmy to finally give her his school ring. She dies in his arms ("Mary's Death").
As the police pull up in front of the house, Mae tells Jimmy that he's innocent of the crime and that Jack is planning to frame him. A police inspector (played by the Lecturer) bursts in. Jack accuses Jimmy of murdering Mary while "hopped up" on reefer. Jimmy begs Mae to tell the truth and exonerate him. Mae, however, is too weak and too dependent on the "stuff" Jack gives her. She remains silent and Jimmy is dragged away to stand trial.
A few weeks later. Ralph, Mae, and Sally are racked with guilt as they listen to Winchell announce Jimmy Harper's conviction and death sentence. Ralph, who has been smoking non-stop, is becoming seriously unhinged. He sees hallucinatory visions: the ghost of doomed Jimmy, dead Mary in Hell being sodomized by the Devil, and the zombie remnants of all the kids destroyed by reefer. Imaginary reefer vines drop from the ceiling, ensnaring him. All the while, Ralph, stricken with a severe case of the munchies, moans about starving to death. Fearing that Ralph's insane caterwauling will prompt a neighbor to call the cops, Jack and Mae leave to get Ralph something to eat. Sally is instructed to remain behind and keep Ralph quiet. When Jack and Mae return with Chinese food, they catch Ralph in the act of gnawing on Sally's severed arm - he has eaten Sally alive! Ralph, now a cackling reefer-fueled cannibal, turns on Mae and Jack. Jack shoots Ralph repeatedly. He dies laughing. The shock of all this causes Mae's mind to snap - she's surrounded by the angry visions of Ralph, Sally, Mary, Goat-Man, Jimmy, and the Zombies ("Murder!"). Jack warns the unhinged Mae that the world is kill or be killed; "the winner is the last one left alive."
Mae decides the only way to find inner peace is to turn herself in and save Jimmy from the electric chair. Jack tries to bring Mae back to her senses in his usual fashion - by giving her a smoke. Mae stubs it out. An angry Jack slaps her for wasting "half a jay of good mooter". Mae reacts with cold fury and picks up a hoe from the victory garden. Frightened by Mae's intensity, Jack tries to shoot her - alas, he expended all his bullets on Ralph! Mae sings as she slashes Jack with the garden hoe, avenging the deaths of Sally, Ralph, Mary, and every other poor kid Jack has ever hooked on marijuana ("The Stuff" reprise). Fountains of blood spray over the stage. Finally, Mae runs off to save Jimmy.
Meanwhile, in an execution chamber, Jimmy walks the last mile and is strapped into the electric chair. Just as the Switch-Puller (played by Ralph) prepares to fry Jimmy, he is interrupted by a second visit from Jesus and his backup angels! They sing and dance ("Listen to Jesus, Jimmy" reprise). Jimmy's immense relief is short-lived. It turns out Jesus has only come to gloat and watch the execution. Jimmy prepares to meet his fate - when a second interruption occurs.
This time it is Mae, who has obtained a Presidential pardon from none other than President Franklin Delano Roosevelt (played by the Lecturer). President Roosevelt charges Jimmy with a sacred trust: to go forth into the land and warn other children to beware the dangers of reefer. The President promises Jimmy plenty of help getting the message out. The government will use the power of radio, the papers of William Randolph Hearst, and powerful iconography: Uncle Sam, George Washington, and Lady Liberty (played by Ralph, Jack and Sally respectively). This Patriotic Trio joins the group in a rousing production number, chock-full of American iconography ("Tell 'Em the Truth"). During the song, Jimmy leads the townspeople back to the Reefer Den and builds a gigantic bonfire to immolate bales of marijuana and other "dangerous items". Mary appears dressed as an angel, freed from Hell by Jimmy's heroic destruction of property, and ascends to heaven while vowing to wait in Heaven for Jimmy until he gets cancer or hit by a train. The crowd sings:
- And once the reefer has been destroyed
- We'll start on Darwin and Sigmund Freud
- And sex depicted on celluloid
- And communists and queens!
The triumphant Lecturer comments:
- When danger's near
- Exploit their fear -
- The end will justify the means!
("The Truth" Reprise)
Several songs were cut out of the show during its varying incarnations, though they have appeared on the original cast recording. They include:
- "We Know Best" - Jimmy's parents (played by the Lecturer and Mae) lecture him on the dangers of marijuana, using racially tinged examples from papers owned by William Randolph Hearst and praising the newspaperman. They then gather neighbors and other adults together to give Jimmy a dose of corporal punishment so he will remember not to think for himself. Cut two weeks into the original run in Los Angeles.
- "The Monkey Song" - Jimmy, alone on the streets, suffering from withdrawal, has a hallucination where he boxes the literal Monkey on his Back (his addiction) in a match refereed by Sally. Cut towards the end of the LA Run when the show was substantially rewritten in preparation for its move to New York and replaced with "The Brownie Song."
- "The Trial" - Jimmy's trial, where he is condemned by both the Prosecution (The Lecturer) and the Defense (Ralph) for his "Reefer Madness" and sentenced to death by the Judge (Jack). Cut towards the end of the LA Run when the show was substantially rewritten in preparation for its move to New York.
- "Dead Old Man" - Jimmy mourns the Old Man he has run down with Mary's Packard. Cut from the film version of the show, and replaced by "Mary Jane/Mary Lane" both there and in the licensing script.
- a finale reprise of "Reefer Madness" in which all the dead characters, (the entire cast, barring the Lecturer) rise from the grave and recite ridiculous morals about how Reefer has ruined them. Cut for the film Version.
In 1998, writing partners Kevin Murphy and Dan Studney, who had met while studying at Drew University in Madison, New Jersey, were driving from Oakland to Los Angeles and listening to Frank Zappa's "Joe's Garage", when they began discussing how one might stage the piece. "So I started picturing it in my head," Studney recalls. "Frank Zappa's concept of a musical and then it just hit me. I turned to Kevin and said 'What about doing Reefer Madness as a musical?'" By the time duo reached Los Angeles, they had already written the first song.
Upon completion of the script, they approached award-winning director Andy Fickman, who accepted the project with great enthusiasm. "I was a big fan of the original movie, it always made me laugh," Fickman explains. "Then I listened to Dan and Kevin warbling away on the demo track, which didn't made me laugh, it made me cry. But the music was great and I thought, 'God, if real singers were singing that.' And then when I read the script, I fell in love with it."
The play opened in a small equity waiver theater in Los Angeles for what the producers thought might be a two-week run. Instead it played to packed houses for over a year and a half, captivating audiences and critics alike, winning 20 theater awards and breaking records. Many devoted fans came back time and again, dressed in costumes and shouting out the lines.
Near the end of the original Los Angeles run, a number of major changes to the show were made:
- Mary's ballad, "Lonely Pew", was added to the first act.
- The Lecturer was given a bump-and-grind pole dance reprise of "Five and Dime".
- "The Trial" was deleted.
- Mary's dying moments triggered a sad reprise of "Romeo and Juliet" for the lovers.
- A long Act Two book scene in which Sally and Ralph are killed was musicalized into the up-tempo ensemble number "Murder!"
- The show's ending in which Jimmy is electrocuted and Mae jumps out a window when she is unable to save him, followed by a scene where all the dead characters recite ridiculous-but-real quotes was cut and replaced with the ending as described above.
- "The Orgy" was revamped with new choreography by Paula Abdul.
Soon afterward, the Los Angeles production shuttered in preparation for the move to Off-Broadway. At this point, Murphy and Studney made some additional changes to the text. Here are the major ones:
- "The Monkey Song", wherein a hallucinatory vision of Sally judges a boxing match between Jimmy and the literal monkey on his back, was replaced with "The Brownie Song".
- A solo counterpoint by Jack was added to the "Act One Finale" to heighten the tension at the first-act break.
- The Act Two opening "Jimmy on the Lam" was given a conceptual overhaul which added Ralph, Mae, and Sally as a jazz backup trio and set up "The Brownie Song".
- The muezzin duet in "The Orgy" was cut due to the lack of performers who could sing that high.
- The ending of the “Jesus (Reprise)” was changed to provide a better applause button.
- The Lecturer's pole dance number was cut in New York previews, due to the absence of a pole.
- Lyric revisions in existing songs “Five & Dime,” “Orgy,” “Murder” and “Tell ‘Em the Truth”.
- The Five & Dime’s Mr. Poppy was given a sex change and became Miss Poppy to create a role for Neve Campbell.
- The muezzin duet returned to “The Orgy.”
- “Dead Old Man” was replaced with “Mary Jane/Mary Lane.” This was done because Kevin & Dan felt the former was a visually static solo. That kind of number works better on stage than on film. They thought “MJ/ML” would be more visually interesting.
- “Act One Finale” and “Jimmy On the Lam” were deleted because there is no need to build to an act break and reset the action after intermission in the continuous medium of film.
- The reprise of “Listen to Jesus” was deleted (to keep things moving along).
- In the stage version, the reprise of “Reefer Madness” has different lyrics. In the movie, the end credit reprise of the title song has a different arrangement, but uses the same lyrics as the version that appears earlier in the film.
After the movie was released, Dan and Kevin proved unable to resist the temptation to fiddle with the show one more time. Here are the major changes from the NYC stage version:
- Many plot and lyric revisions made for the movie were retroactively written into the stage show. These changes include Sally driving the car that kills the old man, a happy ending (of sorts) for Mae and Jimmy, Mary’s ascension to heaven, Ralph joining Jimmy for the church break-in scene, and the bonfire sequence.
- Mr. Poppy is once again all man, and played by the Lecturer.
- “Mary Jane/Mary Lane” now permanently replaces “Dead Old Man.”
- “Five and Dime (Reprise)” was reinstated.
- The final reprise of “Reefer Madness” was cut. “The Truth” now ends the show.
Original Los Angeles production
- The Lecturer: Harry S. Murphy
- Jimmy Harper: Christian Campbell
- Mary Lane: Jolie Jenkins
- Mae Coleman: Lori Alan
- Jack Stone/Jesus: Robert Torti
- Ralph Wiley: John Kassir
- Sally DeBanis: Erin Matthews
- Placard Girl: Samantha Harris
- Muezzin Duet: Michael Cunio, Rena Strober
- Monkey: Aukai Cain
- Ensemble: Aukai Cain, Michael Cunio, Kelly Thacker Fournier, Jeff Griggs, Erik Liberman, Lesli Margherita, Elijah Myles, Wendy Parker, Fidelia Rowe, Matt Shepard, Stacy Sibley, Rena Strober
During the run, Jolie Jenkins was replaced by Stacy Sibley, and alternates were added for a majority of the cast members, including Michael Cunio for Jimmy; Erik Liberman, J. P. Manoux and Paul Nygro for Ralph, and Larry Pointdexter for Jack/Jesus.
New York production
- The Lecturer: Gregg Edelman
- Jimmy: Christian Campbell
- Mary: Kristen Bell
- Mae: Michelle Pawk
- Jack/Jesus: Robert Torti
- Ralph: John Kassir
- Sally: Erin Matthews
- Placard Girl: Roxanne Barlow
- Ensemble: Andrea Chamberlain, Robert Gallagher, Jennifer Gambatese, Paul Nygro, Michael Seelbach, Molly Zimpfer
A 2013 limited season production at the renowned Western Australian Academy of Performing Arts ran from October 12–19 in the Roundhouse Theatre. Directed by Andrew Lewis, the cast of 20 featured Nick Eynaud as The Lecturer, Max Bimbi as Jimmy Harper, Ashleigh Rubenach as Mary Lane, Stephen Madsen as Jack Stone, Sophie Stokes as Mae, Chloe Wilson as Sally and Daniel Berini as Ralph. This production included the song "Mary Jane/ Mary Lane" and concluded with "The Truth", utilising the changes made to the book and music of the show following the release of the 2005 film version. It is the largest scale production of the musical in Australia to date.
The UK premiere took place at the Bridewell Theatre in London in March 2009.
The original cast recording was released by Madness Records in 1999, and has all the original songs (i.e. "The Monkey Song", "The Trial") plus two bonus tracks (the cut song "We Know Best", and "Weather Changes" from the musical "Valley of Kings").
In 2005, Showtime released a movie musical adaptation of the show, following the same plot and songs, and starring Kristen Bell as Mary, Christian Campbell as Jimmy, Ana Gasteyer as Mae, Steven Weber as Jack, Amy Spanger as Sally, John Kassir as Ralph, with Alan Cumming as The Lecturer and Neve Campbell as Miss Poppy.
- Grass Roots documentary, 2005
- http://www.rnh.com - Rodgers & Hammerstein website
- How the Madness Began
- Reefer Madness!: FAQ
- Dalglish, Craig. "WAAPA Kicks off 2013 Season". AussieTheatre.com. Retrieved 19 March 2013.
- "Reefer Madness". Western Australian Academy of Performing Arts. Retrieved 1 November 2013.
- "Reefer Madness The Musical". Wherevent.com. Retrieved 1 November 2013.
- http://librarycatalog.einetwork.net/Record/.b28725256 and the Madness Records liner notes.