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The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of the British Isles and North America. In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz, and is also the name of a dance figure.
In Irish dance, a reel is any dance danced to music in reel time (see below). In Irish stepdance, the reel is danced in soft shoes and is one of the first dances taught to students. There is also a treble reel, danced in hard shoes to reel music.
The reel is indigenous to Scotland. The earliest reference was in a trial of 1590, where the accused was reported to have "daunced this reill or short dance." However, the form may go back to the Middle Ages. The name may be cognate with or relate to an Old Norse form, with Suio-Gothic rulla, meaning "to whirl." This became Anglo-Saxon hreol and Gaelic ruidhle or ruidhleadh, which is the origin of the word now.
After being introduced to Ireland in the late eighteenth century it thrived. Later it was introduced to North America by English, Scottish, and Irish colonists and immigrants. In the United States, reels remain central in the traditions of Anglo and African-American Old-time music and square dancing, as well as Cajun and Zydeco. In Canada, they are important parts of Cape Breton, Acadian, Quebecois, and Métis repertoires.
Reel music is notated in simple metre, either as 2
2 or 4
4. For example, the same reel Rakish Paddy is notated in a 2
2 time signature in O'Neill's Music of Ireland, New & Revisited, but in 4
4 time in English, Welsh, Scottish & Irish Fiddle Tunes, with no change to the note lengths.
All reels have the same structure, consisting largely of quaver (eighth note) movement with an accent on the first and third beats of the bar. A reel is distinguished from a hornpipe in two ways. Firstly it is played with even beats, without an implied dotted rhythm. Secondly it is played twice as fast, implied by the 2
2 time signature. Like most dance music originating in the British Isles, reels are usually composed in binary form, meaning they have two parts (A and B); in most reels each part is repeated (AABB), but in others it is not (ABAB). Each part (A and B) typically has eight bars, which in turn are divisible into four-bar and two-bar phrases. (An exception is the "auld reel" of Shetland which tends to irregular structure and may have been influenced by the Norwegian halling.) The example of Jimmy Shand performing "Mairi's Wedding" follows the pattern ABABB, giving a pattern of 40 bars. The group of 32 bars (four times eight) is itself repeated three or four times before a second reel is introduced.
Reels are popular in the folk music of South West England. They crossed the Atlantic ocean with Irish and British immigration and thus entered the musical tradition of Atlantic and French-speaking Canada including that of Quebecers and Acadians. Reels are featured in many pieces by Quebec singers and bands, such as La Bolduc, La Bottine Souriante and even the more modern néo-trad group Les Cowboys Fringants.
- ^ a b Haigh, Chris (2013). Exploring Folk Fiddle. London: Schott. p. 11.
- ^ Newes from Scotland. Declaring the damnable life of Doctor Fian a notable sorcerer, who was burned at Edenbrough in Ianuarie last. London 1591. (Glasgow University Library: Sp Coll Ferguson Al-a.36)
- ^ a b Norton, Pauline (2014). "Reel (USA)". Grove Music Online (8th ed.). Oxford University Press. doi:10.1093/gmo/9781561592630.article.A2257178. ISBN 978-1-56159-263-0.
- ^ Haigh, Chris (2009). The Fiddle Handbook. Hal Leonard.
- ^ Krassen, Miles (1976). O'Neill's Music of Ireland, New & Revisited. p. 158.
- ^ Williamson, Robin (1976). English, Welsh, Scottish & Irish Fiddle Tunes. p. 69.
- ^ "Jimmy Shand – Mairi's Wedding". YouTube. Archived from the original on 2021-12-11. Retrieved 7 April 2015.