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Nooms was probably born and died in Amsterdam. He started painting and drawing in his later years, following a rough, drunken life as a sailor. It is not known how he acquired his skill as an artist. His knowledge of ships is evident from his work: ships and foreign locations are depicted with high accuracy and in great detail, and served as an example to other artists of how to depict ships.
A favourite subject of his paintings were the Dutch victories in the Anglo-Dutch Wars. For instance, he painted the Amalia, the flagship of admiral Maarten Tromp, before the Battle of the Downs in 1639. This painting now hangs in the National Maritime Museum in Greenwich, UK. His painting of the Battle of Leghorn in 1653 is in the collection of the Rijksmuseum in Amsterdam.
In the 1650s, Nooms made a series of etchings of ships and topographical views characterized by a high degree of detail and precision. These etchings served as an example to many artists. The 19th century French etcher Charles Méryon was highly influenced by Nooms, whose etchings of Paris cityscapes inspired Méryon to his own series of Paris etchings. Méryon even dedicated some of this work to Nooms in poetic form.
One of Nooms' final works, from 1664, shows a view of the Amsterdam harbour, with the IJ bay and the naval depot's Lands Zeemagazijn, now the home of the Nederlands Scheepvaartmuseum (Netherlands Maritime Museum). Appropriately, this work now hangs in the Netherlands Maritime Museum.
- Maritime Art Greenwich
- Hollstein's Dutch and Flemish Etchings, Engravings and Woodcuts 1450-1700 - Reinier Zeeman, parts I and II