Reza Abdoh in the early '90s
|Died||May 11, 1995 (aged 32)|
|Cause of death||AIDS|
|Alma mater||University of Southern California|
|Occupation||theatre director and playwright|
|Parent(s)||Ali Abdoh (father)|
Homa Mohajerin (mother)
|Relatives||Salar Abdoh (brother)|
Reza Abdoh (Persian: رضا عبده; also Romanized as “Rezā Abdoh”, Persian pronunciation: [ɾeˈzɒː æbˈdoh]) (February 23, 1963 in Tehran, Iran – May 11, 1995 in New York City) was an Iranian-born director and playwright known for large-scale, experimental theatrical productions, often staged in unusual spaces like warehouses and abandoned buildings.
Early life and family
Abdoh was born in Tehran in 1963, the first child of Ali Abdoh, a prominent athlete, businessman and founder of the Persepolis Football Club, and Homa Mohajerin. His paternal grandfather was Mohammad Abdoh Boroujerdi, a chief justice and expert in Islamic law in the Reza Shah era. Abdoh had two brothers, Sardar "Sid" Abdoh and Salar Abdoh, and one sister, Negar. He had one half-sister from his father's previous marriage to an American woman. On his mother's side, he was first cousins once removed with Dara Khosrowshahi.
In the wake of the Iranian Revolution, Ali Abdoh traveled to California with his four children and settled in West Covina, California. Reza's father, who had plans to open a hotel in Iran on the eve of the revolution, faced financial ruin. In the Fall, Reza began classes at University of Southern California where he completed one semester. In January 1980, Ali Abdoh died of a heart attack on a squash court at the Los Angeles Athletic Club. It is said that he died not long after discovering that Reza was gay.
In 1990, Abdoh directed Father Was a Peculiar Man, a multimedia performance produced by En Garde Arts featuring more than 50 performers that occurred across four blocks of New York City's Meatpacking District. That year he also wrote and directed The Hip-Hop Waltz of Eurydice, staged at the Los Angeles Theatre Center. Abdoh called it a "gut reaction to systemic repression and erosion of freedom" in an interview with Thomas Leabhart published in Mime Journal. His work often confronted such issues as race, class and, the AIDS crisis.
Abdoh worked on several productions with the New York City and Los Angeles theater ensemble Dar a Luz, which he formed in 1991. Productions with the company included The Law of Remains (1992), Tight Right White (1993) and Quotations From a Ruined City (1994), co-written with his brother, Salar Abdoh. His later work was called "nightmarish" and used multimedia elements with downtown theater conventions to "bombard" audiences. New York Times critic Stephen Holden called Abdoh "a theatrical visionary" in his obituary.
Abdoh was known for his use of video in his sets, and he also created several videos between 1986 and 1991. In 1992 Abdoh wrote and directed the feature-length film The Blind Owl.
Critic Jennifer Krasinski wrote in Artforum "It is not an overstatement to say that had Reza Abdoh lived even one more year, had he created even one more production, American theater would look very different now."
- Three Plays (Pristine Love, Heads, and Saliva Milkshake), written by Howard Brenton, 1983
- King Lear, written by William Shakespeare, 1984
- The Farmyard, written by Franz Xaver Kroetz, 1985
- The Sound of a Voice and As the Crow Flies, written by David Henry Hwang, directed by Abdoh, 1985
- A Medea: Requiem for a Boy with a White White Toy, adapted from Euripides, 1986
- Rusty Sat on a Hill One Dawn and Watched the Moon Go Down, 1986
- King Oedipus, adapted from Sophocles, 1987
- Eva Peron, written by Copi, 1987
- Peep Show, written by Mira-Lani Oglesby and Reza Abdoh, 1988
- Minamata, written by Mira-Lani Oglesby and Reza Abdoh, 1989
- Father Was a Peculiar Man, written by Mira-Lani Oglesby and Reza Abdoh, 1990
- The Hip-Hop Waltz of Eurydice, 1990
- Pasos en la Obscuridad, written by Frank Ambriz and Reza Abdoh, 1990
- Bogeyman, 1991
- The Law of Remains, 1992
- Simon Boccanegra, written by Giuseppe Verdi, 1992
- Tight Right White, 1993
- Quotations from a Ruined City, written by Salar Abdoh and Reza Abdoh, 1994
- A Story of Infamy, written by Salar Abdoh and Reza Abdoh, did not reach production due to Abdoh's death
- My Face, short, 1988
- Sleeping with the Devil, short, 1990
- The Weeping Song, short, 1991
- Daddy’s Girl, short, 1991
- The Blind Owl, feature film, 1992
- The Tryst, unfinished feature film, 1993
- Train Project, unfinished film
- Mufson, Daniel (1999). Reza Abdoh. Johns Hopkins University Press. ISBN 0801861241.
- "Chronology". Daniel Mufson. 2009-10-08. Retrieved 2018-10-09.
- "محمدتقی عبده بروجردی", ویکیپدیا، دانشنامهٔ آزاد (in Persian), 2018-01-18, retrieved 2018-10-09
- "Reza Abdoh's Cultural Compost: Negar Azimi and Tiffany Malakooti Interviewed by Sohrab Mohebbi - BOMB Magazine". bombmagazine.org. Retrieved 2018-10-09.
- "Imprisoned Airs: A conversation with Salar Abdoh - Bidoun". Bidoun.
- Holden, Stephen. "Reza Abdoh, 32, Theater Artist Known for Large-Scale Works". Retrieved 2018-10-09.
- "The Blind Owl. 1992. Written and directed by Reza Abdoh | MoMA". The Museum of Modern Art. Retrieved 2018-10-09.
- FOLKART, BURT A. (1995-05-12). "Reza Abdoh; Director Courted Outrage". Los Angeles Times. ISSN 0458-3035. Retrieved 2018-10-09.
- "New York Public Library Web Server 1 /All Locations". Catnyp.nypl.org. Retrieved 2020-07-04.
- "reza-film". reza-film. Retrieved 2018-10-09.
- "Reza Abdoh | MoMA".
- Cermatori, Joseph. "Reza Abdoh Today: Posthumous Reflections Fifty-Five Years after His Birth." PAJ: A Journal of Performance and Art, vol. 40 no. 3, 2018, pp. 1-15. Project MUSE, muse.jhu.edu/article/702546.
- Reza Abdoh collection of papers, 1983-1999, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
- Reza Abdoh production videos, on UbuWeb, in partnership with Bidoun Magazine
- Interview with Salar Abdoh in Bidoun Magazine
- Reza Abdoh: Theatre Visionary documentary film