Rhythm (2000 film)
|Produced by||Pyramid Natarajan|
|Music by||A. R. Rahman|
|Cinematography||P. S. Vinod|
|Edited by||Sreekar Prasad|
|Distributed by||Pyramid Films International|
Rhythm is a 2000 Indian Tamil musical drama film written and directed by Vasanth and produced by V. Natarajan. The film stars Arjun and Meena in lead roles with Lakshmi, Nagesh, and Manivannan in supporting ones. Ramesh Aravind and Jyothika also appears in supporting roles in the film. The music was composed by A. R. Rahman, while cinematography was predominantly handled by P. S. Vinod, and Sreekar Prasad edited the film. The film was released in September 2000, receiving positive reviews from critics.
Karthikeyan (Arjun) is a photographer-editor working in Indian Express. Chitra (Meena) is a bank employee. Both reside in Navi Mumbai. Karthik meets Chitra while opening a bank account. While returning home, he again meets her in a train. He offers his seat, but she does not want to accept it. During a train strike, he invites her to travel in an auto to reduce expenses, but she declines. When Chitra hesitated to travel in the same train with Karthik, he became angry and explained that he talked to her because both are from the same locality, both are Tamilians, and he promises her that he will never talk to her anymore. After some days Chitra voluntarily talks to him. Karthik, in return, accompanies her to a police station to get back her snatched handbag. Karthik invites Chitra to his home to meet his parents.
Karthik's parents like Chitra and all become friends. Karthik's mother requests Chitra to tell Karthik to get married. When she conveys his parent's wish, Karthik explains about his wife Aruna (Jyothika), who died in a train accident. Karthik learns that Chitra's husband Srikanth (Ramesh Aravind) died in the same train accident. Chitra adopted a boy, Shiva, as per her husband's wish. Karthik's parents want them to get married.
Shiva moves close to Karthik and his family, while Chitra tries to prevent relations with Karthik. Karthik's father (Nagesh) understands Karthik's interest towards Chitra. He asks her to marry Karthik. She refuses, and once for all, avoids Karthik. Karthik understood her intention and stayed away from her. Chitra meanwhile gets confused regarding second marriage due to the trouble given by her neighbour's husband and Shiva's passion for Karthik. Chitra's neighbour once attempts to rape her; she manages to escape. Karthik, who heard about it, attacks the man for misbehaving, and makes him vacate Mumbai.
Chitra decides to marry Karthik for herself and her son. She plans to meet him at the station to express her decision. While returning home, she meets her mother-in-law (Lakshmi), who at one time opposed the marriage of her son Srikanth with her. Chitra's mother-in-law requests her to come and live with her as she is very alone after her husband's death. Chitra leaves with her mother-in-law. She has not dared to meet Karthik and she leaves without informing him. Karthik and his family are very much disappointed by this.
After some months, Chitra panics on seeing a news about a bomb blast at Mumbai Indian Express and verifies Karthik's safety. Karthik leaves for Coonoor on an official assignment. There he meets Chitra with her mother-in-law. Chitra introduces him to her and tells about Aruna's death in the same train accident where Srikanth died. On hearing this, Chitra's mother-in-law invites Karthik to have lunch with them the next day. This delights Shiva. He eagerly waits for Karthik and leaves school well before, but is stuck in a traffic jam for a long time. Meanwhile, Chitra explains about her decision to marry him, and later changed it as her mother-in-law requested her to live with her. Karthik leaves without meeting Shiva to catch the train. This disappoints Shiva. When Chitra tried to console him, he blames her that she did not keep up the promise that he, Chitra, Karthik, and his parents to live together. Chitra's mother-in-law hears this, understood the meaning of it and she realised the mistake she made. She catches Karthik at the station and requests him to marry Chitra. Karthik and Chitra leave for Mumbai and get married, which delights Shiva and Karthik's parents.
- Arjun Sarja as Karthikeyan
- Meena as Chitra
- Ramesh Arvind as Srikanth
- Jyothika as Aruna
- Lakshmi as Chitra's mother-in-law
- Mohan Raman as Chitra's father-in-law
- Nagesh as Karthik's father
- Vatsala Rajagopal as Karthik's mother
- Manivannan as Karthik's colleague
- Ajay Rathnam as Ajay
- Aditya Madhavan
- Ramya Krishnan as herself (special appearance) in "Aiyoo Pathikichu" song
- Raju Sundaram in a special appearance in "Aiyoo Pathikichu" song
- Shankar Mahadevan as a special appearance in "Thaniye" song
- Nagendra Prasad as a special appearance in "Thaniye" song
- Shobi as a special appearance in "Thaniye" song
- Dinesh as a special appearance in "Thaniye" song
- Sridhar as a special appearance in "Thaniye" song
- Anant Mahadevan (cameo) as the temple priest in Mumbai
Originally announced with pre-release stills in websites in 1997, the movie was four years in the making, a fairly long production time in the Indian film industry. The film began with Arvind Swamy expected to play the lead role, but later backed out of the project. The final cast of the movie included two leading stars of Tamil cinema of the 1990s, Arjun and Meena, and their director Vasanth, who also carved a niche for himself in the cinema world known for offbeat, character-based storylines at the time. Jyothika, sister of actress Nagma was signed on to make her Tamil debut with the film, although Vaali ended up releasing before Rhythm. A. R. Rahman was signed on to compose the music for the film ahead of Vidyasagar, and worked on the project simultaneously with two other productions of Natarajan, Udhaya and Sangamam. P. S. Vinod was selected to make his debut as cinematographer instead of V. Manikandan , while the team also credited Arthur A. Wilson as an additional cinematographer and R. D. Rajasekhar was also given special thanks in the title card. Early reports suggested the film would be inspired by the 1995 Hollywood film, A Walk in the Clouds, but this proved untrue. It was also rumoured that the film would run along the lines of the 1998 film Pooveli, and this had also caused a delay in the making. During the initial stages of shoot, Vasanth considered renaming the film to Poo Pookkum Osai, but later kept the original title.
After a 15 days schedule in Bombay, the unit shifted to various locations to picturise a song sequence and the song "Nathiye Nathiye" was shot at the locations of Mysore, the Shivanasamudra dam, and the Thriveni Sangama. The team also shot in South India in Chalakudy and Ooty, before the unit moved North to Haridwar, Badrinath and the Gangotri. Scenes were also shot at Juinagar Station in New Bombay.
The film languished in development hell after shooting was over, with the producers reluctant to notify what was keeping the release delayed. The delay of the film led to Vasanth directing three other films in between Nerukku Ner, Poovellam Kettuppar and Appu, as he waited for the release. At some point due to the long delay in its release, unconfirmed news was circulating that production had been shelved due to financial constraints. Natarajan blamed A. R. Rahman for the delay and it was reported that the producer had not yet settled the payment for Rahman's work in Sangamam, and therefore he was dragging his feet on completing the work for Rhythm. The producer supposedly toyed with the idea of replacing Rahman with another music director in both Rhythm and his other film Udhaya but ran out of money to even complete the shooting of Rhythm. The producer then persuaded Rahman to complete work on the music of Rhythm so that he could make money from music sales and complete the movie.
The film won very positive reviews with The Hindu claiming "Vasanth has created a smooth, flowing timbre, with very little harshness in the line of events that take place", describing it as an "appreciable effort". Indolink.com gave the film a positive review, citing that "Arjun has definitely matured as an actor and as polished as ever as Karthikeyan" and that "a lot of care has gone into Meena’s make-up and acting in this film". The critic also praised the performances of the supporting cast, while adding that "Rhythm’s actual beauty lies in the hands of its cameramen, Vinod and Arthur Wilson and music director, A. R. Rahman." Another critic labelled that "Handled better, Rhythm could have turned out to be a must-watch film, though it is still definitely far better than the run-of-the-mill ones", criticizing that the "director seems preoccupied with the so-called commercial ingredients, which only mar the overall impact of the film."
Rhythm won Shivakumar the Tamil Nadu State Film Award for Best Audiographer, while Meena picked up Best Actress at the Cinema Express Awards. The film was dubbed and released in Telugu under the same title in September 2000 with Sri Rama Krishna writing the dialogues and N. V. Prasad producing the film.
|Soundtrack album by|
|Recorded||Panchathan Record Inn|
|Label||Sa Re Ga Ma|
|Producer||A. R. Rahman|
|A. R. Rahman chronology|
The soundtrack features five songs composed by A. R. Rahman, with lyrics by Vairamuthu. The song titles and lyrics were inspired by the five elements. The songs represent the five elements of wind, water, fire, sky and Earth. Three songs were later reused in the Bollywood movie Lakeer – Forbidden Lines.
|1.||"Nadhiye Nadhiye" (Water)||Unni Menon||6:50|
|2.||"Kaatre En Vasal (Raga: Darbari Kanada)" (Wind)||Kavita Krishnamurthy, Unni Krishnan||6:18|
|3.||"Thaniye Thannanthaniye (Raga: Ananda Bhairavi)" (Earth)||Shankar Mahadevan||5:24|
|4.||"Anbae Idhu" (Sky)||Sadhana Sargam||5:58|
|5.||"Ayyo Pathikichu" (Fire)||Udit Narayan, Vasundhara Das||5:18|
Lyrics penned by Veturi
|1.||"Kadhile Nadiche"||Unni Menon||6:50|
|2.||"Gaalena Vatikikoche"||Unnikrishnan, Kavita Krishnamurthy||6:18|
|3.||"Ichate Nenichate"||Shankar Mahadevan||5:24|
|4.||"Prema Idhi Nijamena"||Sadhana Sargam||5:58|
|5.||"Ayyo Padichuchu"||Udit Narayan, Vasundhara Das||5:18|
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