RiP!: A Remix Manifesto
|RiP!: A Remix Manifesto|
|Directed by||Brett Gaylor|
|Produced by||Daniel Cross|
Mila Aung Thwin
(of the NFB)
|Written by||Brett Gaylor|
|Music by||Olivier Alary|
|Edited by||Brett Gaylor |
Created over a period of six years, the documentary film features the collaborative remix work of hundreds of people who have contributed to the Open Source Cinema website, helping to create the "world's first open source documentary" as Gaylor put it. The project's working title was Basement Tapes, (referring to the album of the same name) but it was renamed RiP!: A Remix Manifesto prior to theatrical release. Gaylor encourages more people to create their own remixes from this movie, using media available from the Open Source Cinema website, or other websites like YouTube, Flickr, Hulu, or MySpace.
Gaylor traveled the world to find like-minded people who would help him draft the "Remixer's Manifesto" that makes up the structure of his open source documentary. The manifesto reads as follows:
- Culture always builds on the past.
- The past always tries to control the future.
- Our future is becoming less free.
- To build free societies you must limit the control of the past— Brett Gaylor in Rip! A Remix Manifesto
To further his point, Gaylor separates the corporations from the public domain, defining the former using so-called "CopyRIGHT," and the latter, which represents the free exchange of ideas, as "CopyLEFT." Gaylor and Gillis are clearly on the side of the Copyleft, promoting the free flow and growth of creativity and ideas. To enable a free remixing culture also with his film, he released RiP! under the CC BY-NC-SA 3.0 Creative Commons license.
- Gregg Gillis (better known as Girl Talk) an American musician specializing in mashup-style remixes, which often use a dozen or more unauthorized samples from different songs to create an entirely new track. Gillis' 2006 album Night Ripper had potentially 300 copyright infringements and carried a maximum financial liability penalty of around $45 million. To some he is considered a creative rebel of a mash-up artist, while others deem his work pure copyright infringement.
- Lawrence Lessig, an American academic and political activist, and a professor of law at Harvard Law School and founder of the Center for Internet and Society. He is best known as a proponent of reduced legal restrictions on copyright, trademark, and radio frequency spectrum, particularly in technology applications. He was previously a professor of law at Stanford Law School. Gaylor discusses the legal protection of fair use with Lessig to determine the ability to produce the film.
- Cory Doctorow, a Canadian blogger, journalist and science fiction author. Doctorow is co-editor of the blog Boing Boing and is an activist in favor of reforming copyright laws. He is a proponent of the Creative Commons organization, using some of their licenses for his books. Common themes in his work include digital rights management and file sharing. In the film, Doctorow states, "Technology giveth, technology taketh away.”
- Gilberto Gil, the Brazilian musician and former Minister of Cultural Affairs who initiated pioneering programs in Brazil through a partnership with Creative Commons. As Minister, he sponsored a program called Culture Points, which gives grants to provide music technology and education to people living in poor areas of the country's cities.
- Dan O'Neill, an underground cartoonist and founder of the Air Pirates, a group which was famously sued by The Walt Disney Company for copyright infringement.
- Jammie Thomas, the single mom successfully sued by the Recording Industry Association of America (RIAA) at the Capitol v. Thomas case for Thomas' illegal downloading. The single mother, who made US$36,000 a year, was ordered to pay US$222,220 in damages for making 24 songs available for download on the Kazaa file sharing network.
Festivals and awards
Showing at the Whistler Film Festival, that took place 4 to 7 December 2008, it also won the Cadillac People's Choice Award. It also received the Audience Choice award at the Ann Arbor Film Festival.
At the Festival du Nouveau Cinéma in Montreal it won the Special Jury Prize. It was the closing film at Docs Barcelona. It was an honorable mention at the EBS film festival (Korea). It was the opening film of the Ambulante Film Festival (Mexico City). It was a Selection at the South by Southwest Film Festival, at Les Rendez-vous du cinéma québécois, the Adelaide Film Festival, Thessaloniki Film Festival, Silverdocs, Nashville Film Festival, Victoria International Film Festival, Yamagata International Documentary Festival, Planete Doc (Poland), Available Light Film Festival, Buenos Aires Film Festival, Sheffield Doc/Fest and the Munich Dokfest, the New Zealand International Film Festivals, Guth Gaga Film Festival (Ireland), and the International Film Festival of Rio.
Documentary (Canada), Documentary Channel (USA), NHK (Japan), SBS (Australia), YLE (Finland), NRK (Norway), EBS (Korea), Canal D – Quebec, Yes – Israel, VPRO – Netherlands, TV3 – Catalonia, TVP Cultura – Poland, Globo – Brazil, Cult – Italy, Planete- France, iSat – Argentina + South America
RiP!: A Remix Manifesto received mixed reviews from critics; The Globe and Mail called the film "A forceful, vibrant and immensely entertaining call to action." Critics in Australia in particular struggled with the polemical nature of the film. Many of the reviewers on the review aggregator Rotten Tomatoes struggled with the director's point of film and the film received a 40% approval rating from critics there, with an average score of 5/10, based on 10 reviews. Audiences, meanwhile, gave the film a 75% approval rating based on 316 reviews.
RiP!: A Remix Manifesto 2.0
On 27 February 2009 Brett Gaylor started a new project on his site, Open Source Cinema, dubbed RiP!: A Remix Manifesto 2.0. With this project, he invited users to take the original documentary, remix it, and upload their contributions to be included in a new, improved version of the film. The 2.0 was screened at the SilverDocs film festival.
- Open source movement
- Public domain
- Good Copy Bad Copy
- Steal This Film
- Girl Talk
- Lawrence Lessig
- Kirsner, Scott. "CinemaTech Filmmaker Q&A: Brett Gaylor of Open Source Cinema".
- Sinnott, Shane. "The Load-Down Archived 30 June 2007 at the Wayback Machine", Montreal Mirror, 2007-03-29. Accessed 2008-06-30
- brett-gaylor-talks-rip-remix-manifesto on wired.com (2009)
- CinemaTech interview with Brett Gaylor about Open Source Cinema project at Google Videos Archived 5 December 2011 at the Wayback Machine
- Copyright or Copywrong?: 'RiP' Challenges Intellectual Property Rights By Marc Glassman on documentary.org (archived)
- Hardy, Steve (8 March 2009). "Rip! A Remix Manifesto". Creative Generalist. Retrieved 2014-05-19.
- Gelevan, Douglas (2 April 2010). "Getting 'RiP'ped – Brett Gaylor's RiP: A Remix Manifesto". Douglas Gelevan Reports. Retrieved 2014-05-19.
- IP:_A_Remix_Manifesto on creativecommons.org
- "RiP: A Remix Manifesto: review". Canada.com. 16 October 2008. Archived from the original on 26 September 2014. Retrieved 19 May 2014.
- Rohter, Larry (12 March 2007). "Gilberto Gil and the politics of music". International Herald Tribune. Salvador, Brazil: The New York Times Company. Retrieved 2008-03-16.
- "winners at the IDFA festival 2008". Archived from the original 2008-12-07.
- "SXSW Interactive at the Movies". Archived from the original on 20 January 2011.
- Johnson, Brian D. (2008-12-08). "Mashing-up copyright in 'RiP: A Remix Manifesto.'". Maclean's. Retrieved 2014-06-19.
- ""iofilm review of RiP!: A Remix Manifesto"". Archived from the original on 1 June 2013. Retrieved 19 June 2014.
- Do, Anh Khoi (12 April 2010). "Winners at the 30th Genie Awards". The Cultural Post. Retrieved 2014-05-19.
- RiP: A Remix Manifesto at Rotten Tomatoes