Ricardo Acevedo Bernal
He attended the "Colegio Mayor de San Bartolomé", where he studied with Father Santiago Páramo, SJ (1841-1915), then enrolled at the "Escuela Nacional de Bellas Artes", with Pantaleón Mendoza (?-1909) as his teacher. Later, he went to New York and remained for eight years, working at various photography studios. While there, he became a member of the "League of Artists" and worked with William Merritt Chase.
He returned to Colombia in 1898, where he devoted himself to creating religious murals at several churches, became a Professor at the Escuela and established his own art school in 1901.
In 1902, he went to Paris to study at the Académie Julian with Léon Bonnat and Tony Robert-Fleury. Upon his return, he was awarded a medal at an exposition celebrating 100 years of Colombian independence. Between 1911 and 1918, he was the Director of the Escuela Nacional and founded the art gallery at the Museo Nacional de Colombia. In addition to his portraits of historical figures and current notables, he was also a lover of Colombian folk music and composed several pasillos.
In 1928, President Miguel Abadía Méndez honored him by giving him the title "Artista Máximo". The following year, he was appointed as the Colombian consul in Rome. That same year, he held his last showing at the Ibero-American Exposition. In 1963, his remains and those of his wife were returned to Colombia.
- Laura María Casas Bonnet, Reflejos de Bogotá 1880-1930: Ricardo Acevedo Bernal, su pintura y su música, Biblioteca Luís Ángel Arango, 2009 ISBN 958-664-218-6
- Luis Alberto Acuña, Ricardo Acevedo Bernal, Publicaciones de la Escuela Nacional de Bellas Artes, Editorial Cromos, 1934.
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