|Born||11 May 1815
Liverpool, Lancashire, England
|Died||20 April 1885
|Notable work||Stag at Bay, Hunted Slaves|
Ansdell was born in Liverpool, Lancashire, the son of Thomas Griffiths Ansdell, a freeman who worked at the port, and Anne Jackson. His father died young and Richard was educated at The Liverpool Blue Coat school for orphans. He had a natural talent for art from an early age, and after leaving school worked for a portrait painter in Chatham in Kent, and also spent time as a sign painter in the Netherlands.
He first exhibited at the Liverpool Academy in 1835, becoming a student there the following year. His animal and rural subjects proved to be popular and he soon attracted wealthy patrons. His first exhibition at the Royal Academy, London, was in 1840, with two paintings called "Grouse shooting" and "A Galloway farm". This was followed, in 1841 by "The Earl of Sefton and party returning from hunting", in 1842 "The death of Sir William Lambton at the Battle of Marston Moor", in 1843 "The Death" and in 1844 "Mary Queen of Scots returning from the chase to Stirling Castle". He went on to exhibit pictures every year at the Academy until 1885 (149 canvases in all). In 1846 he exhibited his first picture, "A Drover's Halt" at the British Institution, London, and went on to show 30 canvases there.
In June 1841, he married Maria Romer - the couple went on to have 11 children. In 1847 the family left Liverpool to live in Kensington in London.
In 1850, Ansdell started collaborating on pictures with Thomas Creswick, who specialised in landscapes (e.g.:"The South Downs", "England's day in the country" etc.). He also worked with William Powell Frith ("The Keeper's daughter") and John Phillip, with whom he travelled to Spain in 1856 and painted a series of Spanish subjects - "The Water Carrier", "The Road to Seville", "The Spanish shepherd" etc. He returned to Spain alone the following year to paint more pictures there.
In 1855, Andsell was awarded a gold medal at the Paris Exhibition for his works, "The Wolf Slyer" and "Taming the Drove". He also won the "Heywood medal" three times for his work at the Manchester Royal Institution. He was elected an Associate of the Royal Academy (ARA) in 1861 and a Royal Academician (RA) in 1870.
During part of his career he kept a "summer house" at Lytham St Annes, in the borough of Fylde, where a district, Ansdell, is named after him. He is the only English artist to have been honoured in this way.
Ansdell's best known works include Stag at Bay (1846), The Combat (1847), and Battle of the Standard (1848) - depicting the capture of the French flag at Waterloo by Sergeant Ewart of the Scots Greys.
Ansdell's subject matter was compared to that of Edwin Landseer, though critical opinion was that, though popular, his works lacked the latter's emotional impact. His reputation was as a hardworking but occasionally over-proud artist; for instance, he received no royal commissions after refusing to paint Queen Victoria's dogs unless they were brought to his studio.
Many of his works are under the guardianship of Fylde Borough Council, having been donated to the former Lytham St Annes Corporation in the 1930s. A selection of these paintings is periodically exhibited at the Fylde Gallery above Booths supermarket in Lytham where The Herd Lassie is on long-term loan. There are further Ansdell paintings hanging in non-public rooms at Fylde Borough Council Town Hall that can be viewed by prior arrangement or on heritage open days in September.
- The Death of Sir William Lambton at Marston Moor (1842, Harris Museum and Art Gallery, Preston)
- The Fight for the Standard (Waterloo) (1848, Royal Hospital, Chelsea)
- The Fight for the Standard (Waterloo) (1848, Royal Scots Dragoon Guards, currently hanging in Edinburgh Castle)
- Thomas Brown regaining the Lost Guidon (Dettingen) (Queen's Royal Hussars)
- "Richard Ansdell". www.richardansdell.co.uk. Retrieved 15 October 2017.
- Barringer et al. (1985) p. 195.
- See Walford.
- Chisholm 1911.
- "Antiques Roadshow - Series 40: 4. Nymans 2". Retrieved 15 October 2017 – via www.bbc.co.uk.
- Christopher Wright, Catherine May Gordon, Mary Peskett Smith (2006). British and Irish Paintings in Public Collections: An Index of British and Irish Oil Paintings by Artists Born Before 1870 in Public and Institutional Collections in the United Kingdom and Ireland. Yale University Press. , pages 69-70.
- Walford, Edward. Representative Men in Literature, Science, and Art: Richard Andsell (London: Alfred William Bennett, 1868).
- Meynell, Wilfrid. Some Modern Artists and Their Work (Cassell, 1883) pp. 218–24.
- Lee, Sidney, ed. (1901). "Ansdell, Richard". Dictionary of National Biography, 1901 supplement. 1. London: Smith, Elder & Co. p. 52.
- Todd, Arthur & Dibdin, E. R. The life of Richard Ansdell, R.A.: with especial reference to his sojourn in Lytham (Sherratt & Hughes, 1919).
- Richard Ansdell R.A., 1815-1885, a centenary exhibition (Malcolm Innes Gallery, 1985).
- Barringer, Tim & Cowling, Mary & MacLeod, D. S. Paintings from the Reign of Victoria: The Royal Holloway Collection, London (Frances Lincoln, 2008)) p. 195.
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Ansdell, Richard". Encyclopædia Britannica. 1 (11th ed.). Cambridge University Press.
|Wikimedia Commons has media related to Richard Ansdell.|
|Wikisource has the text of the Dictionary of National Biography 1901 supplement's article about Richard Ansdell.|
- Ansdell online (ArtCyclopedia)
- Richard Ansdell (Dedicated website run by Andsell's great great granddaughter)
- Paintings by Andsell (Art Renewal Center Museum)
- Richard Ansdell (Gallery, The Border Collie Museum)
- The wounded hound (1847 painting - Christie's)
- The Hunted Slaves (1861 painting)
- The Waterloo Cup coursing meeting (1840 painting)