Richard III (1995 film)

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Richard III
Richard III 1995.png
Theatrical poster
Directed by Richard Loncraine
Produced by Stephen Bayly
Lisa Katselas Paré
Written by William Shakespeare (play)
Ian McKellen
Richard Loncraine
Starring Ian McKellen
Annette Bening
Jim Broadbent
Robert Downey Jr.
Kristin Scott Thomas
Maggie Smith
Adrian Dunbar
Dominic West
Music by Trevor Jones
Cinematography Peter Biziou
Edited by Paul Green
Distributed by United Artists
Release dates
  • 29 December 1995 (1995-12-29)
Running time
104 minutes
Country United Kingdom
Language English
Budget £6,000,000

Richard III is a 1995 British drama film adapted from William Shakespeare's play of the same name, starring Ian McKellen, Annette Bening, Jim Broadbent, Robert Downey Jr., Nigel Hawthorne, Kristin Scott Thomas, Maggie Smith, John Wood, and Dominic West. The film sets the play in a thinly-fictional fascist version of 1930s Britain.

Plot[edit]

England,1930s. A bloody civil war is concluded with the Lancastrian King Henry VI and his son Prince Edward murdered by Richard, Duke of Gloucester (Ian McKellen) of the rival House of York. Richard's elder brother Edward, Duke of York (John Wood) becomes King Edward IV, while the Lancastrian heir, Henry Tudor, Earl of Richmond (Dominic West), is exiled in France. Meanwhile, Richard deceives and marries Prince Edward's widow Lady Anne Neville (Kristin Scott Thomas).

Hungry for power, Richard is determined to make himself King, and pits King Edward against his brother, the Duke of Clarence (Nigel Hawthorne), who is imprisoned in the Tower of London.

Queen Elizabeth (Annette Bening) intercedes on Clarence's behalf and Edward IV spares his life. However after sowing doubt and casting suspicion on the Queen and her brother Lord Rivers (Robert Downey Jr.), Richard commissions James Tyrrell (Adrian Dunbar) to execute Clarence, allegedly in compliance with the King's death warrant, under the pretext that the king's stay of execution was delivered too late.

Richard informs King Edward of Clarence's death at a meeting with the Prime Minister Lord Hastings (Jim Carter), and the King suffers a stroke. As both royal princes are under age, Richard becomes Regent, taking the title of Lord Protector with the support of the ambitious and corrupt Duke of Buckingham (Jim Broadbent).

In order to further undermine his rivals for the throne, Richard has Lord Rivers assassinated while sharing a hotel bed with an air stewardess (Trés Hanley), killed by an upthrust blade emerging from the mattress. Rivers' sordid death damages the Queen's reputation, and Richard uses the scandal to cast doubt on the legitimacy of her sons, Edward IV's natural heirs.

Reluctant to support Richard's claim to the crown, Prime Minister Lord Hastings' opposition so enrages Richard that he accuses Hastings of treason, inciting his loyalists to summarily execute him by hanging. Having made an example of his only vocal opponent, Richard persuades the Lord Mayor of London and members of the House of Lords to acknowledge his claim and crown him King.

Following his coronation Richard, now King Richard III, seeks to make his throne secure. He employs Tyrrell to murder the princes, after failing to convince Buckingham to do so. Aware that his rival claimant the Earl of Richmond intends to marry his niece Elizabeth, he instructs Sir William Catesby (Tim McInnerny) to spread rumours that Lady Anne is ill, intending to marry Elizabeth himself. Shortly after Lady Anne, who is shown earlier injecting drugs, is found dead.

Impatient for the promised reward for his loyalty, Buckingham demands the lands of the murdered Lord Rivers. Richard dismisses this in a high-handed manner, with the line 'I am not in a giving vein'. Buckingham, also disturbed by the murders of the princes and Hastings, flees to meet Richmond, but is later captured and executed by Tyrrell under Richard's orders.

Meanwhile the Earl of Richmond gathers supporters, among them the Archbishop of Canterbury (Roher Hammond) and Richard's mother, the Duchess of York (Maggie Smith), who expresses distaste and contempt for her son. They are joined by the commander of the Air Force Lord Stanley (Edward Hardwicke), the only character among Richard's confidantes who resists donning the Lord Protector's sinister fascist uniform. Richmond marries Elizabeth, uniting the Houses of Lancaster and York.

With his hold on power slipping and the legitimacy of his claims to the crown weakened, Richard prepares for the final battle against the rebels, who plan a seaborne invasion and an advance on the capital. Richard's troops, assembling in a marshalling yard, are attacked from the air, revealing Lord Stanley's involvement in the rebel cause.[1] The attack, symbolized by a lone Bristol Blenheim bomber overflying the ruins of the marshalling yard, shocks Richard.

The two armies meet soon after at a ruined Battersea Power Station. Richard and Richmond seek each other out, but when his vehicle stalls Richard flees into the structure. Pursued by Richmond, Richard is forced to exit on to exposed metal beams, high above the burning battlefield. Cornered by Richmond and refusing to surrender, McKellen delivers Richard's last line in this adaptation: Let's go at it pell-mell; if not to heaven, then hand-in-hand to hell! As Richard falls into the fire below the camera refocuses on Richmond, whose immediate smile to the audience implies that he may be as conniving and Machiavellian as Richard. Defeated, Richard is last seen grinning triumphantly as he falls into the inferno, accompanied by the upbeat tune "I'm Sitting On The Top Of The World".

Concept[edit]

The film's concept was based on a stage production directed by Richard Eyre for the Royal National Theatre, which also starred McKellen. The production was adapted for the screen by McKellen and directed by Richard Loncraine.

The film is notable for its unconventional use of famous British landmarks, often using special effects to move them to new locations. The transformed landmarks used include the following:

The visually rich production features various symbols, uniforms, weapons, and vehicles that draw openly from the aesthetic of the Third Reich as depicted in Nazi propaganda (especially Triumph of the Will) and war films. At the same time, obvious care is put into diluting and mixing the Nazi references with recognizable British and American uniform styles, props, and visual motifs. The resulting military uniforms, for instance, range from completely Allied in cases of positive characters to almost completely SS in the case of Richard's entourage. Another example of this balanced approach to production design is the choice of tanks for battle scenes between Richmond's and Richard's armies: both use Soviet tanks (T-55s and T-34s respectively), mixed with German, American, and British World War II-era vehicles. To convey the out-of-place nature of the common-born Queen Elizabeth, she is reconfigured as an American socialite similar to Wallis Simpson, and she and her brother are treated with marked disapproval by members of the Court.

Perhaps the play's most famous line—"A horse! A horse! My kingdom for a horse!"—was re-contextualized by the more recent setting; during the climactic battle, Richard's jeep becomes stuck, hung up on a pile of debris, and his lament is cast as a plea for a mode of transport with legs rather than wheels.

The film enlarges the role of the Duchess of York considerably by combining her character with that of Queen Margaret, as compared with Laurence Olivier's 1955 film version of the play, in which the Duchess hardly appeared at all and Queen Margaret was completely eliminated. The roles of Rivers, Grey, Vaughan, and Dorset are combined into Rivers. The death scenes are shown rather than implied as in the play, and changed to suit the time (Hastings is hanged rather than beheaded) and historical accuracy (Clarence dies by having his throat cut in a bathtub, rather than being drowned in a wine barrel). Lord Rivers—who usually dies offstage (or, in the case of Olivier's film, offscreen)—is impaled by the device of a sharp spike spurting up from the bottom of his mattress while he lies in bed during sex with a woman in a hotel room. Each character's pre-death monologue is also removed, except that of Clarence and Buckingham.

McKellen himself stated on his website:

When you put this amazing old story in a believable modern setting, it will hopefully raise the hair on the back of your neck, and you won't be able to dismiss it as 'just a movie' or, indeed, as 'just old-fashioned Shakespeare.[3]

Cast[edit]

Awards[edit]

Reception[edit]

Richard III received universal acclaim from critics. The review aggregator Rotten Tomatoes gave the film a 96% "Certified Fresh" rating, with an average score of 8.1/10.[6] Empire magazine gave the film 4/5 stars, referring to it as "fascinating" and "cerebral".[7] Jeffrey Lyons stated that the film was "mesmerizing",[8] while Richard Corliss in Time referred to the film as "cinematic".[8] Mick LaSalle of the San Francisco Chronicle wrote that "the picture never stops coming at you".[8] Roger Ebert of the Chicago Sun-Times gave the film four stars (out of four) and included the film among his Great Movies list.[9]

Brighton's Royal Pavilion, in a shot quite similar to the one in the film

Soundtrack[edit]

The soundtrack to Richard III was released on February 27, 1996.

No. Title Artist Length
1. "The Invasion"   Trevor Jones 1:37
2. "Come Live With Me"   Stacey Kent 5:40
3. "Now Is the Winter of Our Discontent"   Trevor Jones 1:01
4. "Mortuarty"   Trevor Jones 1:26
5. "Bid Me Farewell/I'll Have Her"   Trevor Jones 1:21
6. "Clarence's Dream"   Trevor Jones 3:04
7. "Crimson"   Trevor Jones 3:13
8. "Clarence's Murder"   Trevor Jones 2:05
9. "The Tower"   Trevor Jones 2:06
10. "The Blessing"   Trevor Jones 0:27
11. "Conspiracy"   Trevor Jones 0:35
12. "Toe Tappers"   Trevor Jones 2:14
13. "Let Sorrow Haunt Your Bed"   Trevor Jones 1:29
14. "The Reach of Hell Long Live the King"   Trevor Jones 1:15
15. "Good Angels Guard You"   Trevor Jones 0:28
16. "Coronation Haze"   Trevor Jones 1:11
17. "Prelude from Te Deum"   Trevor Jones 1:41
18. "The Golden Dew of Sleep"   Trevor Jones 0:30
19. "My Regret"   Trevor Jones 2:46
20. "Pity Dwells Not This Eye"   Trevor Jones 0:25
21. "Westminster"   Trevor Jones 3:14
22. "My Most Grievous Curse"   Trevor Jones 0:49
23. "The Duchess Departs"   Trevor Jones 0:52
24. "The Devil's Temptation"   Trevor Jones 0:54
25. "Richmond"   Trevor Jones 0:52
26. "Defend Me Still"   Trevor Jones 2:47
27. "I Did But Dream"   Trevor Jones 0:45
28. "Elizabeth and Richmond"   Trevor Jones 1:37
29. "My Kingdom for a Horse"   Trevor Jones 0:39
30. "Battle"   Trevor Jones 4:42
31. "I'm Sitting on Top of the World"   Al Jolson 1:49
32. "Come Live With Me"   Stacey Kent 5:40
Total length:
59:14[10]

"Come Live With Me" is a 1930s-style swing song, performed by Stacey Kent at the ball celebrating Edward IV's triumph. It is an original composition by Trevor Jones with anachronistic lyrics adapted from Christopher Marlowe's "The Passionate Shepherd To His Love", a poem actually written a century after the events depicted in the play and film.[11]

References[edit]

  1. ^ "Richard III". Screenplay by Ian McKellen and Richard Loncraine. mckellen.com. Retrieved 22 April 2006. 
  2. ^ Stern, Keith (1995). "Richard III: Notes". Mckellen.com. Retrieved 12 August 2014. 
  3. ^ "The 68th Academy Awards (1996) Nominees and Winners". oscars.org. Retrieved 5 August 2011. 
  4. ^ "Berlinale: 1996 Prize Winners". berlinale.de. Retrieved 1 January 2012. 
  5. ^ "Richard III". Rotten Tomatoes. Retrieved 12 August 2014. 
  6. ^ Errigo, Angie. "Empire's Richard III Movie Review". Empireonline.com. Retrieved 12 August 2014. 
  7. ^ a b c Stern, Keith (1995). "Richard III: Reviews". Mckellen.com. Retrieved 12 August 2014. 
  8. ^ Ebert, Roger (7 October 2009). "Richard III Movie Review & Film Summary (1996)". rogerebert.com. Retrieved 12 August 2014. 
  9. ^ "Richard III Soundtrack". AllMusic. Retrieved 7 March 2014. 
  10. ^ Rothwell, Kenneth (2004). A History Of Shakespeare On Screen: A Century Of Film And Television. Cambridge University Press. p. 222. ISBN 978-0521543118. 

External links[edit]