Robert D. Levin
Levin attended the Brooklyn Friends School and Andrew Jackson High School, and spent his junior year studying music with Nadia Boulanger in Paris. He attended Harvard, where he earned his Bachelor of Arts magna cum laude in 1968 with a thesis entitled The Unfinished Works of W. A. Mozart.
- piano, with Jan Gorbaty, Louis Martin, Alice Gaultier-Léon, Jean Casadesus, Clifford Curzon and Robert Casadesus
- organ, with Nadia Boulanger
- solfège, with Seymour Bernstein, Louis Martin and Annette Dieudonné
- counterpoint, with Suzanne Bloch and Nadia Boulanger
- composition, with Stefan Wolpe
- conducting, with Eleazar de Carvalho
After graduating from Harvard, Levin was named head of the theory department at the Curtis Institute of Music. He was subsequently appointed associate professor of music and coordinator of theory instruction at the SUNY Purchase, and full professor in 1975. From 1986 to 1993, he served as professor of piano at the Hochschule für Musik Freiburg in Germany. In 1993 he became professor of music at his alma mater, Harvard University, and still is. In 1994 he was made Dwight P. Robinson Jr Professor of the Humanities at Harvard, and was a head tutor from 1998 to 2004. In 2012, as Humanitas Visiting Professor of chamber music at Centre for Research in the Arts, Social Sciences, and Humanities, University of Cambridge, he gave two lectures entitled Improvising and Composing Mozart and a concert with Academy of Ancient Music.
Levin's academic career has included teaching and tutoring performance practice (especially involving keyboard instruments and conducting, with an emphasis on the Classical period) in addition to music history and theory. He currently holds the position of Hogwood Fellow with the Academy of Ancient Music.
Contributions to composition
His completions of several unfinished Mozart works, including the Requiem in D minor and Great Mass in C minor, are considered his most important achievements. In the Mozart Requiem, he reconstructed an Amen fugue from Mozart's own sketches. John Eliot Gardiner commissioned him to write missing orchestral parts to five movements of cantatas by Johann Sebastian Bach, such as Ach! ich sehe, itzt, da ich zur Hochzeit gehe. As a performer, he is best known as soloist in Classical-era piano concertos in general, and those of Mozart and Beethoven in particular, in which he robustly re-creates performance practice of the composers' time such as by improvising cadenzas and shorter embellishments in the composers' style.
Levin has also composed several works, including the following:
- Two clarinet sonatas (1961; 1967–68)
- Two Short Piano Pieces (1966–67)
- Bassoon Sonata (1965–66)
- Woodwind Quintet (1965)
- Piano Quartet (1964–65)
- Piano Sonata (1962)
Completions and reconstructions of fragments by Mozart
- Requiem in D minor K. 626 (also historically completed by Franz Xaver Süssmayr)
- Mass in C minor ("The Great") K. 427
- Larghetto and Allegro in E-flat major for two pianos K. deest (also historically completed by Maximilian Stadler and Paul Badura-Skoda)
- Rondo in A major for Basset Clarinet and string quartet, K.581a
- Allegro in B-flat major for Basset Clarinet and string quartet, K.516c
- Allegro in B-flat major for keyboard, K. 400 (also historically completed by Maximilian Stadler)
- Allegro in G minor for keyboard, K. 312 (also historically completed by an unknown composer)
- Suite in C major for keyboard, K. 399: Sarabande
- Concerto for Violin & Piano K. Anh. 56/315f
- Horn Concerto in D major K. 412 (also historically completed by Franz Xaver Süssmayr)
- Rondo for Horn and Orchestra in E-flat major K. 371
- Sinfonia Concertante for oboe, clarinet, horn and bassoon K. 297b (reconstruction of possible original version for flute, oboe, horn, and bassoon)