September 14, 1900|
|Died||May 16, 1979
Santa Monica, California, USA
Robert Florey (14 September 1900 – 16 May 1979) was a French-American director, screenwriter, film journalist and occasional actor.
Born in Paris, and at first a film journalist, Florey moved to the United States in 1921. As a director Florey's most productive decades were the 1930s and 1940s, working on relatively low-budget fillers for Paramount and Warner Brothers. His reputation is balanced between his avant-garde expressionist style, most evident in his early career, and his work as a fast, reliable studio-system director called on to finish troubled projects, such as 1939's Hotel Imperial.
He directed more than 50 movies. His most popular film is likely the first Marx Brothers feature The Cocoanuts of 1929, and his 1932 foray into Universal-style horror, Murders in the Rue Morgue is regarded by horror fans as highly reflective of German expressionism. In 2006, as his 1937 film Daughter of Shanghai was selected for preservation in the United States National Film Registry by the Library of Congress, Florey was called "widely acclaimed as the best director working in major studio B-films".
Life and work
Florey grew up in Paris near the studio of George Melies, and as a young man served as assistant to Louis Feuillade. In the 1920s he worked as a journalist, in Hollywood as assistant director to Josef von Sternberg, and shooting newsreel footage in New York, before making his feature directing debut in 1926.
In the late 1920s he produced two experimental (and very inexpensive) short films: The Life and Death of 9413--a Hollywood Extra (1928) co-directed with Slavko Vorkapich, and Skyscraper Symphony the following year.
Florey made a significant but uncredited contribution to the script of the 1931 version of Frankenstein. Florey was to be given the job of directing Frankenstein, and filmed a screen test with Bela Lugosi playing the monster, but Universal Pictures assigned him and Lugosi to Murders in the Rue Morgue instead. Florey, with the help of cinematographer Karl Freund and elaborate sets representing 19th century Paris, made Murders into an American version of German expressionist films such as Cabinet of Dr. Caligari (1920).
By the mid-1930s Florey settled into the studio system and produced vehicles for Warren William, Guy Kibbee, and Akim Tamiroff (briefly promoted as a lead actor). For some film historians, Florey's finest work is in these modest low-budget programmers and B movies. Florey hit a peak at Paramount in the late 1930s with Hollywood Boulevard (1936), King of Gamblers (1937), and Dangerous to Know (1938), all marked by fast pace, cynical tone, Dutch angles, and dramatic lighting.
In 1953 Florey was one of the first seasoned feature directors to turn to television, and he did not turn back. He worked in the new medium for over a decade and produced shows for The Outer Limits, Alfred Hitchcock Presents, and The Twilight Zone. He also wrote a number of books, including Pola Negri (1927) and Charlie Chaplin (1927), Hollywood d'hier et d'aujord'hui (1948), La Lanterne magique (1966), and Hollywood annee zero (1972).
This filmography lists Florey's credits as director of feature films, and is believed to be complete.
- That Model from Paris, 1926 (uncredited)
- One Hour of Love, 1927
- The Romantic Age, 1927
- Face Value, 1927
- The Hole in the Wall, 1929
- The Cocoanuts, 1929
- The Battle of Paris, 1929
- The Road Is Fine (La Route est belle), 1930
- Love Songs (L'Amour chante), 1930
- El Profesor de mi Señora, 1930
- Rendezvous, 1930
- Black and White (Le Blanc et la noir) (co-director), 1931
- Murders in the Rue Morgue, 1932
- The Man Called Back, 1932
- Those We Love, 1932
- Girl Missing, 1933
- Ex-Lady, 1933
- The House on 56th Street, 1933
- Bedside, 1933
- Registered Nurse, 1934
- Smarty, 1934
- I Sell Anything, 1934
- I Am a Thief, 1934
- The Woman in Red, 1935
- The Florentine Dagger, 1935
- Go Into Your Dance (uncredited), 1935
- Going Highbrow, 1935
- Don't Bet on Blondes, 1935
- Ship Cafe, 1935
- The Payoff, 1935
- The Preview Murder Mystery, 1936
- Till We Meet Again, 1936
- Hollywood Boulevard, 1936
- Outcast, 1937
- King of Gamblers, 1937
- Mountain Music, 1937
- This Way Please, 1937
- Daughter of Shanghai, 1937
- Dangerous to Know, 1938
- King of Alcatraz, 1938
- Disbarred, 1939
- Hotel Imperial, 1939
- The Magnificent Fraud, 1939
- Death of a Champion, 1939
- Parole Fixer, 1940
- Women Without Names, 1940
- The Face Behind the Mask, 1941
- Meet Boston Blackie, 1941
- Two in a Taxi, 1941
- Dangerously They Live, 1941
- Lady Gangster (billed as Florian Roberts), 1941
- Bomber's Moon (second-unit director), 1943
- The Desert Song, 1943
- Roger Touhy, Gangster, 1944
- Man from Frisco, 1944
- God Is My Co-Pilot, 1945
- Danger Signal, 1945
- San Antonio, 1945
- The Beast with Five Fingers, 1946
- Tarzan and the Mermaids, 1948
- Rogues' Regiment, 1948
- Outpost in Morocco, 1949
- The Crooked Way, 1949
- The Vicious Years, 1950
- Johnny One-Eye, 1950
- Adventures of Captain Fabian (uncredited), 1951
- The Love of Zero (short), 1927
- Hello New York! (aka Bonjour New York) (short), 1928
- The Life and Death of 9413: a Hollywood Extra (short), 1928
- Skyscraper Symphony (short), 1929
- Fifty-Fifty (short), 1932
- "The Incredible Dr. Markesan" Thriller Series, costars Boris Karloff, 1962
- Taves, Brian (1986). Robert Florey, The French Expressionist. Scarecrow Press. ISBN 978-0-8108-1929-0.
- "Films Added to National Film Registry for 2006 - News Releases (Library of Congress)". loc.gov. Retrieved 19 January 2015.
- Lovers of cinema: the first American film avant-garde, 1919-1945, by Jan-Christopher Horak, page 95
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