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Glasper in 2013
|Born||April 6, 1978|
|Origin||Houston, Texas, United States|
|Genres||Jazz, hip hop, soul, R&B, neo soul|
|Occupation(s)||Musician, singer–songwriter, record producer, composer, arranger|
|Instruments||Piano, Fender Rhodes, Keyboard|
|Labels||Blue Note, Columbia, Legacy|
|Associated acts||Bilal, Mos Def, Q-Tip, RCDC, J Dilla, Erykah Badu, MF DOOM, Kanye West, Common, Lupe Fiasco, will.i.am, Snoop Dogg, Kendrick Lamar, Talib Kweli, Maxwell, Meshell Ndegeocello, Ledisi, Lalah Hathaway, Musiq Soulchild, Stokley Williams, Emeli Sandé, Eric Roberson, Luke James, Malcolm Jamal Warner, Norah Jones, Faith Evans, Anthony Hamilton, Pharoahe Monch, Pete Rock, Marsha Ambrosius, Dwele, Jill Scott, Jazmine Sullivan, Jean Grae, Macy Gray, Brandy, Hindi Zahra, John Scofield, Laura Mvula, Stevie Wonder, Hiatus Kaiyote, Phonte|
Robert Glasper (born April 6, 1978, in Houston, Texas) is an American pianist and record producer. He has been nominated for 6 Grammys, has won 3 Grammy Awards and is currently nominated for an Emmy Award. His 2012 album Black Radio won the Grammy Award for Best R&B Album at the 55th Grammy Awards. His 2014 album "Black Radio 2" won the Grammy Award for Best Traditional R&B Performance at the 56th Grammy Awards. The song "These Walls" from Kendrick Lamar's album "To Pimp A Butterfly" won Best Rap/Sung Collaboration at the 57th Grammy Awards, on which Glasper plays keys. The soundtrack for the film "Miles Ahead" won Best Soundtrack Compilation at the 58th Grammy Awards, for which Glasper was a producer. The song "Letter To The Free", written with Common, is nominated for an Emmy Award for Best Original Song in the Ava Duvernay documentary film "13th" (Netflix) at the 2017 Emmys.
Glasper's earliest musical influence was his mother, Kim Yvette Glasper, who sang jazz and blues professionally. She took him with her to club dates rather than leave her son with babysitters. She was the music director at the East Wind Baptist Church, where Glasper first performed in public. He performed during services at three churches: Baptist, Catholic and Seventh-day Adventist. Glasper has said that he first developed his sound in church, where he learned his own way to hear harmony, and was inspired to mix church and gospel harmonies with jazz harmonies.
Glasper attended Elkins High School in Missouri City, Texas, and the High School for the Performing and Visual Arts and went on to attend the New School for Jazz and Contemporary Music in New York City. At the New School, Glasper met neo-soul singer Bilal Oliver. They began performing and recording together, which led to associations with a variety of hip-hop and R&B artists parallel to Glasper's emerging jazz career. He has worked with Bilal and Mos Def as musical director, Q-Tip (The Renaissance), Kanye West (Late Registration), Meshell Ndegeocello (The World Has Made Me the Man of My Dreams), J Dilla, Erykah Badu, Jay-Z, Talib Kweli, Common, Slum Village, and Maxwell, with whom he toured extensively on 2009's BLACKsummers'night tour.
Glasper's first album, Mood, was released by Fresh Sound New Talent in 2004, after the pianist's stints playing in bands with guitarists Russell Malone and Mark Whitfield, bassist Christian McBride, and trumpeters Terence Blanchard and Roy Hargrove. The album features six original compositions by Glasper alongside versions of the jazz standards "Blue Skies", "Alone Together", and Herbie Hancock's "Maiden Voyage". Glasper has said that his arrangement of the Hancock tune was inspired by the Radiohead song "Everything in Its Right Place". Mood is mainly a piano trio recording, with Bob Hurst on bass and Damion Reid on drums. Two tracks feature vocalist Bilal, two others adding Russell Malone, and saxophonists John Ellis and Marcus Strickland.
Blue Note Records released Canvas, Glasper's major-label debut, in 2005. The album features nine original songs and again a version of a Hancock composition, "Riot". Glasper plays the Fender Rhodes electric piano on three tracks, and Bilal sings on two. In My Element, released in 2006, includes songs written in honor of Glasper's mother ("Tribute") and hip-hop producer J Dilla ("J Dillalude"). The pianist also revisits Hancock's "Maiden Voyage", which segues into a version of "Everything in Its Right Place", and quotes Duke Ellington’s "Fleurette Africaine".
Glasper's 2009 album Double-Booked is divided between songs performed by Glasper in an acoustic piano trio and funk-influenced tracks played on electric instruments, such as the Fender Rhodes and the vocoder (used on a version of Hancock's "Butterfly"). The album features guest vocals and spoken-word appearances by Bilal and Mos Def. Bilal received a 2010 Grammy Award nomination for Best Urban/Alternative Performance for the track "All Matter".
Glasper has performed at venues and festivals throughout the world including the Apollo Theater, The Rock and Roll Hall of Fame, Hollywood Bowl, North Sea Jazz Festival, Bonnaroo, The Kennedy Center, Mt Fuji Festival, The Barbican, London Jazz Festival, Monterey Jazz Festival, Playboy Jazz Festival, Fonda Theater, El Rey Theater, and the Troubadour. In addition to his working trio (Damion Reid, drums; Vicente Archer, bass), he also leads the Robert Glasper Experiment (Burniss Earl Travis, Justin Tyson, Michael Severson, DJ Jahi Sundance and Casey Benjamin), in which he explores fusions of jazz and hip hop. He has made numerous TV appearances including CBS Late Show With David Letterman, NBC Tonight Show With Jay Leno and NBC Late Night With Jimmy Fallon, and The Conan O'Brien Show on TBS.
In February 2012, Glasper released Black Radio, which featured performances by many neo-soul and hip hop artists including Lupe Fiasco, Bilal, Lalah Hathaway and Yasiin Bey. The album was recorded live, with no overdubs. Black Radio laid out a new paradigm for creative music, reaching beyond entrenched genre boundaries to create a singular vision that drew from all reaches of contemporary black music and beyond. The album was met with both commercial success (a #10 debut on Billboard's Top Current Albums chart) and wide acclaim, with Rolling Stone declaring “Glasper heads down the fraught path of hip-hop jazz and gets it right,” adding that “with music this smart and inviting, the implied diss of mainstream doesn’t feel like sour grapes; it feels like a blueprint forward.” The album won the 2013 GRAMMY Award for Best R&B Album. In November 2012 Black Radio Recovered: The Remix EP was released with five remixed tracks from the prior album, including remixes by Questlove, Solange, Georgia Muldrow, Pete Rock and 9th Wonder.
On October 29, 2013, Glasper released Black Radio 2, another genre-defying effort that took the Black Radio blueprint and built to even greater heights. The core remained the Experiment, featuring Robert Glasper on keyboards, Derrick Hodge on bass, Mark Colenburg on drums, and Casey Benjamin on vocoder and saxophone. Providing the vocals throughout included Common, Brandy, Jill Scott, Marsha Ambrosius, Anthony Hamilton, Faith Evans, Norah Jones, Snoop Dogg, Lupe Fiasco, and Emeli Sandé. Lalah Hathaway and Malcolm-Jamal Warner were featured on a cover of Steve Wonder’s “Jesus Children of America” which was dedicated to the victims of the Sandy Hook Elementary School shootings and won the GRAMMY for Best Traditional R&B Performance in 2015.
On June 16, 2015, The Robert Glasper Trio released the album Covered, which features instrumental covers of songs from an eclectic variety of well-known artists, including Radiohead, John Legend, Kendrick Lamar, and Joni Mitchell. The entire album was recorded live at Capitol Studios in 2014. Covered was GRAMMY-nominated for Best Jazz Instrumental Album.
Glasper served as producer, composer, and arranger for the 2015 film Miles Ahead, a biopic documenting the life of legendary jazz trumpeter Miles Davis, whom Glasper cites as being one of his major musical influences. The soundtrack primarily consists of arrangements and interpretations of some of Davis' most well-known compositions, with the exception of a few tunes written by Glasper himself.
In addition, Glasper released Everything's Beautiful on May 27, 2016, marking his first release with Columbia Records and Legacy Recordings. The album serves as a tribute to Davis and includes remixes and reinterpretations of several of his original works. Although Davis died in 1991, he is credited as a co-artist of the album. The album includes features from Stevie Wonder, Bilal, Illa J, Erykah Badu, Phonte, Hiatus Kaiyote, Laura Mvula, Georgia Anne Muldrow, Ledisi, and John Scofield.
On September 16, 2016, Glasper released "ArtScience". This is the first Experiment LP where all members write and produce, and the first with no guest vocalists. It features saxophonist and vocalist Casey Benjamin, bassist Derrick Hodge, drummer Mark Colenburg, and Glasper himself—sings. It was recorded in New Orleans.
Glasper has also drawn wide attention for his prominent role on Lamar’s acclaimed album To Pimp A Butterfly. He has written/performed on albums by Mac Miller, Anderson Paak, Banks (remix), Big K.R.I.T., Bilal, Kendrick Lamar, Q-Tip and Talib Kweli. In September 2017, Glasper appeared on a live stream with Esperanza Spalding while recording "Heaven in Pennies" for Spalding's album Exposure, which was released in December 2017.
Glasper's albums are centered around his work as a solo artist, and two bands: The Robert Glasper Trio (on piano Robert Glasper, drummer Damion Reid, and bassist Vicente Archer) as an acoustic jazz trio, and The Robert Glasper Experiment (Glasper, drummer Mark Colenburg, saxophonist/vocoderist Casey Benjamin and bassist Derrick Hodge) as an electronic act that defies genre norms from any single discipline. “That’s what makes this band unique... We can go anywhere, literally anywhere, we want to go. We all have musical ADD and we love it.” With primary influences in neo-soul, hip-hop, jazz, gospel, and R&B, Glasper also has reinterpreted songs from rock acts Nirvana, Radiohead, Soundgarden, and David Bowie. As a jazz artist, Rashod D. Ollison reviewed him after the release of Canvas as "a gifted jazz musician with a brilliant, energetic technique and a fresh, mesmerizing sense of melody and composition".
Glasper claims that the music of Miles Davis has had a significant influence on his style throughout his career as a musician. Both the soundtrack for Miles Ahead and the tribute album Everything's Beautiful are clear indications of this influence.
"I’m obviously influenced by Miles Davis — even just the psyche of how he thinks about music...how he moves through, and always wanted to reflect the times he's in. That's what I'm doing now. He opened that door."
Awards and nominations
|2010||"All Matter" (with Bilal)||Best Urban/Alternative Performance||Nominated|
|2013||Black Radio||Best R&B Album||Won|
|"Gonna Be Alright (F.T.B.)" (with Ledisi)||Best R&B Performance||Nominated|
|2015||Black Radio 2||Best R&B Album||Nominated|
|"Jesus Children of America" (with Lalah Hathaway & Malcolm-Jamal Warner)||Best Traditional R&B Performance||Won|
- Mood (Fresh Sound New Talent, 2004; recorded 2002)
- Canvas (Blue Note, 2005)
- In My Element (Blue Note, 2007)
- Double-Booked (Blue Note, 2009)
- Black Radio (Blue Note, 2012)
- Black Radio 2 (Blue Note, October 29, 2013)
- Covered (Blue Note, 2015)
- Everything's Beautiful (using some samples of Miles Davis) (Columbia/Legacy, May 27, 2016)
- ArtScience (Blue Note, September 16, 2016)
- Black Radio Recovered: The Remix EP (Blue Note, 2012)
- Porter Chops Glasper (Blue Note, February 25, 2014)
- "Pianist Robert Glasper Straddles Jazz and R&B at Winter Fest". Activate.metroactive.com. Retrieved 2015-05-19.
- "Notable Alumni". Newschool.edu. Retrieved 2015-05-19.
- "To stop jazz's slide into irrelevancy, Robert Glasper is adding different genres to the mix". Nydailynews.com. Retrieved 2015-05-19.
- "Robert Glasper: Mood". Retrieved 2017-07-24.
- "AllMusic Review by Michael G. Nastos". Retrieved 2017-07-24.
- "Wins 2nd Grammy; New Trio Album "Covered" Out June 16". Robertglasper.com. 2015-02-24. Retrieved 2015-05-19.
- "Robert Glasper/Miles Davis: Everything's Beautiful". pitchfork.com. 2016-05-28. Retrieved 2016-06-14.
- "Robert Glasper Mines the Miles Davis Archive on the Inside-Out Tribute Everything's Beautiful". latimes.com. 2016-05-25. Retrieved 2016-06-14.
- "The New Parish - Robert Glasper Experiment". The New Parish. Retrieved 1 November 2013.
- "Review of Robert Glasper's Black Radio". BBC. Retrieved 1 November 2013.
- Ollison, Rashod. "A modern-jazz master". Baltimore Sun. Retrieved November 1, 2013.
- Chinen, Nate (2016-05-25). "What Would Miles Davis Do? Robert Glasper Has An Idea". New York Times. Retrieved 2016-06-14.
- "Review of Mood". Allaboutjazz.com. Retrieved 2015-05-19.
- "All About Jazz Review of Canvas". Allaboutjazz.com. Retrieved 2015-05-19.
- "Elegy for Fort Greene". Nymag.com. Retrieved 2015-05-19.
- "Allmusic - Review of Double Booked". AllMusic. Retrieved 2015-05-19.
- "Robert Glasper, Black Radio – Track-by-Track Review". The Jazz Line. Mersion Media. Retrieved 18 December 2011.
- "Robert Glasper Announces Deluxe Edition of Black Radio 2 & iTunes Pre-Order: News: Blue Note Records". Blue Note Records. Retrieved October 22, 2013.
- "Exclusive: Robert Glasper's Next Experiment Is a Return to Jazz". Billboard.com. Retrieved 2015-05-19.
- "Robert Glasper Experiment Detail New Album ArtScience, Share "Find You": Listen". Pitchfork.com. Retrieved 2016-08-13.
- "the making of robert glaspers black radio recovered (the remix ep)". Lifeandtimes.com. Retrieved 2015-05-19.
- "Robert Glasper releases "Porter Chops Glasper" digital EP; Announces tour with Ledisi". Blue Note. 25 February 2014. Retrieved 5 May 2017.
- "ROBERT GLASPER/MILES DAVIS: EVERYTHING'S BEAUTIFUL". pitchfork.com. 2016-05-28. Retrieved 2016-06-14.
|Wikimedia Commons has media related to Robert Glasper.|
- Official website
- Robert Glasper performs at NPR Music
- "Progressing Under the Radar with Precision and Daring", New York Times
- "Robert Glasper: The pianist whose jazz is filled with soul", The Telegraph
- In Conversation with Robert Glasper, Jazz.com
- Charlie Parker Jazz Festival: Cool Jazz in Harlem, New York The Sun
- Robert Glasper, Jazz Times