Ryan in Marine Raiders (1944).
|Born||Robert Bushnell Ryan
November 11, 1909
Chicago, Illinois, USA
|Died||July 11, 1973
New York City, New York, USA
|Spouse(s)||Jessica Cadwalader (1939–72; her death)|
Robert Bushnell Ryan (November 11, 1909 – July 11, 1973) was an American actor who often played hardened cops and ruthless villains.
Early life and career
Ryan was born in Chicago, Illinois, the first child of Timothy Ryan and his wife Mabel Bushnell Ryan.:p.4 He graduated from Dartmouth College in 1932, having held the school's heavyweight boxing title all four years of his attendance. After graduation, the 6′ 4" Ryan found employment as a stoker on a ship, a WPA worker, and a ranch hand in Montana.
Ryan attempted to make a career in show business as a playwright, but was forced to start acting in order to support himself. He studied acting in Hollywood and appeared on stage and in small film parts during the early 1940s, beginning with The Ghost Breakers and Queen of the Mob, both for Paramount Pictures in 1940.
In January 1944, after securing a contract guarantee from RKO Radio Pictures, Ryan enlisted in the United States Marine Corps and served as a drill instructor at Camp Pendleton, located between Oceanside and San Clemente in Southern California. At Camp Pendleton, he befriended writer and future director Richard Brooks, whose novel, The Brick Foxhole, he greatly admired. He also took up painting.
Ryan's breakthrough film role was as an anti-Semitic killer in Crossfire (1947), a film noir based on Brooks's novel. The role won Ryan his sole career Oscar nomination, for Best Supporting Actor. From then on, Ryan's specialty was tough/tender roles, finding particular expression in the films of directors such as Nicholas Ray, Robert Wise and Sam Fuller. In Ray's On Dangerous Ground (1951) he portrayed a burnt-out city cop finding redemption while solving a rural murder. In Wise's The Set-Up (1949), he played an over-the-hill boxer who is brutally punished for refusing to take a dive. Other important films were Anthony Mann's western The Naked Spur, Sam Fuller's uproarious Japanese set gangland thriller House of Bamboo, Bad Day at Black Rock, and the socially conscious heist movie Odds Against Tomorrow. He also appeared in several all-star war films, including The Longest Day (1962) and Battle of the Bulge (1965), and The Dirty Dozen. He also played John the Baptist in MGM's Technicolor epic King of Kings (1961) and was the villainous Claggart in Peter Ustinov's adaptation of Billy Budd (1962).
In his later years, Ryan continued playing significant roles in major films. Among the most notable were The Dirty Dozen, The Professionals (1966) and Sam Peckinpah's highly influential brutal western The Wild Bunch (1969). In his final screen appearance, as Larry Slade in the American Film Theatre's 1973 film of Eugene O'Neill's The Iceman Cometh, Ryan, who died before the film's premiere, won the Kansas City Film Critics Circle Award for Best Supporting Actor, the National Board of Review Award for Best Actor (in a tie with Al Pacino, for Serpico), and a special award from the National Society of Film Critics.
Less than two years before, Ryan had tackled O'Neill's next - and penultimate - play onstage, portraying James Tyrone in Arvin Brown's critically acclaimed Off-Broadway production of Long Day's Journey Into Night. Ryan's relatively infrequent stage appearances also include three on Broadway, including a supporting role in the 1941 premiere of Clash by Night (whose 1952 film adaptation would again feature Ryan, this time starring opposite Barbara Stanwyck and Paul Douglas), and, two decades later, starring roles in Mr. President and a 1969 revival of The Front Page, the oft-filmed comedy drama about newspapermen.
The latter production was one of the first developed by the Plumstead Playhouse (later the Plumstead Theatre Company), a Long Island-based repertory company founded by Ryan, Martha Scott and Henry Fonda; the following winter, a film of the production (produced jointly by MPC and Plumstead) would be broadcast nationally over the upstart Hughes TV Network. Another highlight among Ryan's regional theater credits came in the summer of 1960, when he starred opposite Katharine Hepburn at the American Shakespeare Theatre in Stratford, Connecticut, playing Antony to Hepburn's Cleopatra. Ryan also played the title characters in Shakespeare's Coriolanus (1954, Off-Broadway) and Othello (1967, in Nottingham, England).
Ryan made his belated small screen debut in 1955 as Abraham Lincoln in the Screen Director's Playhouse adaptation of Christopher Morley's story, "Lincoln's Doctor's Dog." As he explained to reporters, despite financial considerations, Ryan preferred to steer clear of any TV series commitment:
The only money in TV is in the series, and I want to stay out of those. Sure, I might make a million or so in a series, but I'd wind up being 'Sidewinder Sam' for the rest of my life.
Ryan would remain true to these convictions, appearing in many television series, but always as a guest star. Notable appearances include his portrayal of Franklin Hoppy-Hopp in the 1964 episode "Who Chopped Down the Cherry Tree?" on the NBC medical drama about psychiatry, The Eleventh Hour. Similarly, he guest starred as Lloyd Osment in the 1964 episode "Better Than a Dead Lion" in the ABC psychiatric series, Breaking Point. In 1964, Ryan appeared with Warren Oates in the episode "No Comment" of CBS's short-lived drama about newspapers, The Reporter, starring Harry Guardino in the title role of journalist Danny Taylor. Ryan appeared three times (1962–1964) on the western Wagon Train, four times (1956–1959) on CBS's Dick Powell's Zane Grey Theater and twice (1959 and 1961) on the Zane Grey spin-off Frontier Justice. Among Ryan's many appearances on the dramatic anthology series of TV's golden age, perhaps most notable are his starring roles in Playhouse 90's production of The Great Gatsby, opposite Jeanne Crain, and in the Buick-Electra Playhouse adaptation of Ernest Hemingway's "The Snows of Kilimanjaro," written by A.E. Hotchner, directed by John Frankenheimer, and co-starring Ann Todd, Mary Astor, and Janice Rule.
Although Ryan never appeared in any production of Gene Roddenberry's "Star Trek", Ryan was originally considered for the role of Commodore Matt Decker in the Fall 1967 episode "The Doomsday Machine ". Episode author Norman Spinrad had written the script with actor Robert Ryan in mind to play Commodore Decker, but Ryan was unavailable, owing to prior commitments. That role subsequently went to William Windom.
In the late 1940s, as the House Committee on Un-American Activities (HUAC) intensified its anti-communist attacks on Hollywood, he joined the short-lived Committee for the First Amendment. Throughout the 1950s, he donated money and services to civic and religious organizations such as the American Civil Liberties Union, American Friends Service Committee, and United World Federalists. In September 1959, he and Steve Allen became founding co-chairs of The Committee for a SANE Nuclear Policy's Hollywood chapter.
By the mid-1960s, Ryan's political activities included efforts to fight racial discrimination. He served in the cultural division of the Committee to Defend Martin Luther King and, with Bill Cosby, Robert Culp, Sidney Poitier, and other actors, helped organize the short-lived Artists Help All Blacks.:p.132
Ryan's film work often ran counter to the political causes he embraced. He was a pacifist who starred in war movies, westerns, and violent thrillers. He was an opponent of McCarthyism who played a nefarious Communist agent in I Married a Communist. In socially progressive films such as Crossfire, Bad Day at Black Rock, Executive Action and Odds Against Tomorrow, he played bigoted villains. Ryan was often vocal about this dichotomy. At a screening of Odds Against Tomorrow, he appeared before the press to discuss "the problems of an actor like me playing the kind of character that in real life he finds totally despicable."
On March 11, 1939, he married Jessica Cadwalader. They had two sons—Cheyney, a research fellow at Oxford University and a Professor of Philosophy and Law at the University of Oregon, his oldest son, Walker T, a bluesman—and one daughter, Lisa. They lived in the Manhattan co-op The Dakota at 72nd and Central Park West and eventually sublet the apartment to John Lennon and Yoko Ono.
A small group of parents decided to create a school where their children could flourish as thinkers, as artists, as athletes, and most of all, as human beings.
In the fall of 1951, a progressive school by the name of Oakwood was opened in Jessica and Robert Ryan's backyard. Three years later, those pioneering parents, including the Ryans, Sidney Harmon and Elizabeth Schappert, Wendy and Ross Cabeen, and Charles and Emilie Haas bought and built the elementary school campus on Moorpark Street in Los Angeles.
- Jarlett, Franklin (1997). Robert Ryan: A Biography and Critical Filmography. Jefferson, North Carolina: McFarland Classics.
- KCFCC Award Winners 1970-1979. Kansas City Film Critics Circle. Retrieved 2013-03-15.
- Wedman, Les. "And Now... The Oscar for Gore at the Box Office". The Vancouver Sun. January 10, 1974. Retrieved 2013-03-15.
- Sarris, Andrew. "Films in Focus: A Tale of Two Circles". The Village Voice. February 14, 1974. Retrieved 2013-03-15.
- "Off Broadway". The New Yorker. Volume 47, Issue 3. Retrieved 2013-03-15. See also:
- "Long Day's Journey Into Night". Cue. April 1971. Retrieved 2013-03-15.
- "Repertory Formed By Noted Actors". The St. Petersburg Times. August 3, 1968. Retrieved 2013-03-16.
- "TV Drama Boasts Top Cast". The Calgary Herald. January 23, 1970. Retrieved 2013-03-16.
- Du Brow, Rick. "Xerox Presents 'The Front Page'". The Sarasota Journal. January 12, 1970. Retrieved 2013-03-16.
- UPI-AP. "Robert Ryan Dead At 59" [sic]. The Montreal Gazette. July 12, 1973. Retrieved 2013-03-16.
- "Notes From Hollywood". The Ottawa Citizen. December 3, 1955. Retrieved 2013-03-15.
- "Robert Ryan Biography". New York Times. 2010.
- Philip K. Scheuer, Los Angeles Times, 1 October 1959, B13.
- Othman, Frederick C. "Hollywood Reporter". The Middlesboro Daily News. August 23, 1943.
- UP. "Robert Ryan Isn't Sure He Can Afford Stardom". The Milwaukee Journal. November 19, 1947.
- AP. "Robert Ryan: A Friend of the Underdog". The Pittsburgh Post-Gazette. September 14, 1948.
- "Robert Ryan's Advice To Would-Be Actors". The Deseret News. November 30, 1951.
- Finnigan, Joseph. "Actor Robert Ryan Set To Find His Relatives". The Palm Beach Post. July 4, 1961.
- Pack, Harvey. "Bob Ryan Shines On TV and Stage". The Toledo Blade. June 23, 1969.
- Otterburn-Hall, William. "Robert Ryan Recalls First Trip To Durango". The Saskatoon Star-Phoenix. June 6, 1970.
- Thomas, Bob. "Robert Ryan Fights Back After Tragic Two Years". The Milwaukee Journal. August 25, 1972.
- Jones, J.R. "The Actor's Letter: A Reminiscence by Film Noir Icon Robert Ryan". The Chicago Reader. October 29, 2009.
- Dargis, Manohla. "Robert Ryan’s Quiet Furies". The New York Times. August 5, 2011.
|Wikimedia Commons has media related to Robert Ryan.|
- In Praise of Robert Ryan The L Magazine
- Robert Ryan at the Internet Movie Database
- Robert Ryan at the Internet Broadway Database
- Robert Ryan at the Internet Off-Broadway Database
- Robert Ryan Tribute
- The Robert Ryan Homepage at the Wayback Machine (archived October 27, 2009)
- The Robert Ryan Centennial
- Robert Ryan at Find a Grave
- Photographs and literature on Robert Ryan