Rocks (Aerosmith album)

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Aerosmith - Rocks.JPG
Studio album by
ReleasedMay 14, 1976 (1976-05-14)
RecordedFebruary–March 1976
StudioWherehouse, Waltham, Massachusetts with the Record Plant Mobile and The Record Plant, New York City
GenreHard rock[1]
ProducerJack Douglas and Aerosmith
Aerosmith chronology
Toys in the Attic
Draw the Line
Singles from Rocks
  1. "Last Child"
    Released: May 27, 1976[2]
  2. "Home Tonight"
    Released: 1976
  3. "Back in the Saddle"
    Released: March 22, 1977[2]

Rocks is the fourth studio album by American rock band Aerosmith, released May 14, 1976. AllMusic described Rocks as having "captured Aerosmith at their most raw and rocking." Rocks was ranked No. 176 on Rolling Stone's list of the 500 Greatest Albums of All Time. It has greatly influenced many hard rock and heavy metal artists, including Guns N' Roses, Metallica, and Nirvana. The album was a commercial success, charting three singles on the Billboard Hot 100, two of which reached the Top 40 ("Back in the Saddle" and "Last Child"). The album was one of the first to ship platinum when it was released, and has since gone quadruple platinum.[3] Although the official website for Aerosmith lists the release date for Rocks as May 3, 1976, the USA copyright office lists the album as being released on May 7, 1976.[4] The album was actually delayed one additional week from the copyright date and released on May 14, 1976,[5] entering the music charts on May 29, 1976.[6]


Previously, Aerosmith had recorded three albums: Aerosmith (1973), Get Your Wings (1974), and the breakthrough LP Toys in the Attic (1975), which produced Top Ten hit "Walk This Way" and the popular "Sweet Emotion." Although often derided by critics, the band had amassed a loyal fanbase, following from relentless touring and their ferocious live shows. They also began living the rock-and-roll lifestyle to the hilt, indulging their already considerable appetite for drugs. However, their hedonistic lifestyle did not appear to hamper them creatively; Rocks was considered by many fans, critics, and fellow musicians to be one of the highlights of their career. Guitarist Joe Perry later recalled, "There's no doubt we were doing a lot of drugs by then, but whatever we were doing, it was still working for us."[7]

Recording and composition[edit]

In the 1997 band memoir Walk This Way, guitarist Brad Whitford states that the band began work on the album by backing the Record Plant's mobile recording truck into their rehearsal space, named the Wherehouse, and "let fly...We were living the high life and not paying attention to anything except making this record. I had the beginnings of 'Last Child' and 'Nobody's Fault.' Tom [Hamilton, bassist] had 'Uncle Tom's Cabin' that became 'Sick as a Dog.' We had 'Tit for Tat'...which turned into 'Rats in the Cellar.' We cut all the basic tracks except two there."[8] Producer Jack Douglas later insisted:

Rocks was the album where Tom and Brad had a lot more input and songs...This was a big album for Aerosmith. It had to make a big statement about how loud and hard they were, how unapologetic they felt about being who they were - this brash, rude, sexual, hard-core rock band.[9]

The album's opening track, "Back in the Saddle", recalls the Gene Autry song "Back in the Saddle Again" (vocalist Steven Tyler yodels on the fade) and features the sound of a whip by whirling a thirty-foot cord in the middle of six Neumann mikes and adding a cap gun for the cracking sound effect. A real bullwhip was intended to be used for the whip effects and hours were spent trying to get it to crack. The band members ended up cut up and hurt without making any progress. The first verse features the sound of clinking spurs, which was actually produced using bells and tambourines strapped to Tyler’s cowboy boots by Perry and New York Dolls singer David Johansen.[10] The song is also notable for the slow buildup of the drum beat and guitar riff in the beginning of the song, as well as the sound effects of a galloping horse.[11] In 1997, Perry explained to Alan di Perna of Guitar World that he was inspired by Peter Green to write the riff on a Fender Bass VI and admitted that he was "very high on heroin when I wrote 'Back in the Saddle.' That riff just floated right through me."[12] Brad Whitford plays the lead guitar part. "Back in the Saddle" also features one of the heaviest and noticeable bass lines by Tom Hamilton. When the song is performed in concert, Steven Tyler often makes more noticeable lyrical and visible references to sex. Although the lyrics, composed by Tyler, were written with the simple idea of cowboys and sex, this song took on new meaning after Aerosmith reunited in 1984 and embarked on their Back in the Saddle tour. Today, the song remains a staple on classic rock radio and in concert. It is arguably one of the heaviest songs of Aerosmith's Top 40 singles, and is cited by rock musicians Slash and James Hetfield as among their favorite rock songs. Hamilton, who had written "Sweet Emotion" with Tyler, collaborated with the singer again on "Sick as a Dog." In 1997 the bassist explained to Guitar World, "I think I came up with the verse part first. And then I did the parts for the intro, the B to E part, and then came up with this little, jangling arpeggio thing...I'm such a Byrds fan; it comes from that."[13] In the same interview Perry added:

Tom played rhythm guitar on "Sick as a Dog." I played bass for the first half of the song. Then I put the bass down and played guitar in the end, and Steven picked up the bass and played it for the rest of the song - all live in the studio! One take.[12]

In his memoir, Tyler stated that he wrote "Rats in the Cellar" as a "tip of the hat, or an answer to 'Toys in the Attic'...Meanwhile, in real life, 'Rats' was more like what was actually going on. Things were coming apart, sanity was scurrying south, caution was flung to the winds, and little by little the chaos was permanently moving in."[14] Although it was never a popular Aerosmith number, "Nobody's Fault" remains a favorite of the band's, with Tyler calling it "one of the highlights of my creative career"[15] and Kramer insisting "it's some of the best drumming I did."[16] Tyler claims the lyrics have to do with the band's fear of earthquakes and flying, while "Lick and a Promise" is about the band's determination to deliver a rocking live show.[17] "Combination" features Perry sharing lead vocal duties with Tyler for the first time, and the guitarist admitted in 1997 that the song was "about heroin, cocaine, and me".[18] In his memoir, Tyler calls the line "Walkin' on Gucci wearing Yves St. Laurent/Barely stay on 'cause I'm so goddamn gaunt" the best lyric Perry ever wrote: "It was the truth, it was clever, and it described us to a tee".[19] Regarding his vocal on the song, Perry later commented, "This was touchy because singing was Steven's jealously guarded territory...Beyond that, anytime the spotlight shone on me I detected a bit of jealousy from the other guys. After a while, though, the band came around and supported me, as long as I sang the song as a semi-duet with Steven."[20] "Home Tonight" features Tyler on piano, Perry on a lap steel guitar as a lead guitar and his Les Paul for the rhythm guitar, and has drummer Joey Kramer, Tom Hamilton, and producer/arranger Jack Douglas performing backing vocals.[2] Of the song Perry recalled, "Steven could always be counted on to come up with some little piano riff that would be our ballad for the record. And that was it."[21]

Reception and legacy[edit]

Professional ratings
Review scores
AllMusic5/5 stars[22]
Blender5/5 stars[23]
The Rolling Stone Album Guide4.5/5 stars[1]
The Village VoiceA−[24]
The Daily VaultA[25]

Contemporary reviews were mixed. John Milward of Rolling Stone wrote that "the material is Rocks’ major flaw, mostly pale remakes of their earlier hits"; concluding that the return to the "ear-boxing sound" of Get Your Wings and Tyler's vocal performance cannot save the album from mediocrity.[26] In The Village Voice, Robert Christgau wrote that Aerosmith were doing a good job of imitating Led Zeppelin, and that after this album the band began to lose steam.[24]

Modern reviews are very positive. Greg Prato of AllMusic describes Rocks as "a superb follow-up to their masterwork Toys in the Attic" that captures "Aerosmith at their most raw and rocking". He writes that "Back in the Saddle" and "Last Child" are among their most renowned songs, but all the "tracks prove essential to the makeup of the album".[22] Ben Mitchell of Blender said that the members' drug use actually helped Rocks. He also called the album "raw."[23]

Many musicians have cited Rocks as a favorite:

"I was in seventh grade and just going through the whole 1978 music thing that was happening for kids – which was like Cheap Trick and the Cars. Anyway, there was this chick that I was going after that was considerably older than me… I'd been trying to be cool enough to take her out and have my way with her… Finally, I sort of weaseled my way into her apartment. So we're hanging out and she put Rocks by Aerosmith on, and I was mesmerised by it. It was like the be-all-and-end-all, best-attitude, fuckin' hard rock record… I'd grown up with music, but this was like my record. I must have listened to it about half a dozen times, completely ignored her, and then got on my bike and rode. I was totally in there. I was at least gonna get a decent French kiss out of it, and I completely dropped the ball for Aerosmith, and that was that. It's probably one of the records that sums up my taste in hard rock bands to this day. Meanwhile, she's out there somewhere and I missed it. But it was worth it." – Slash[34]

In his autobiography Rocks, Joe Perry states the driving purpose of Rocks "was to reidentify us as America's ultimate garage band, with blistering guitars, blistering vocals, balls-to-the-wall smash-your-eardrums production… The cover showed five diamonds, one for each of us. We saw that record as a jewel, the culmination of all our angst and anger and excitement and joy as go-for-broke rock and rollers.[35]

In popular culture[edit]

Track listing[edit]

Side one
1."Back in the Saddle"Steven Tyler, Joe Perry4:40
2."Last Child"Tyler, Brad Whitford3:26
3."Rats in the Cellar"Tyler, Perry4:05
Side two
1."Sick as a Dog"Tyler, Tom Hamilton4:16
2."Nobody's Fault"Tyler, Whitford4:21
3."Get the Lead Out"Tyler, Perry3:41
4."Lick and a Promise"Tyler, Perry3:05
5."Home Tonight"Tyler3:15


Adapted from the liner notes.[36] Track numbers refer to CD and digital releases of the album.

Additional musician
  • Paul Prestopino – banjo on "Last Child"



Country Organization Year Sales
US RIAA 2001 4x Platinum (+ 4,000,000)[3]
Canada CRIA 1976 Platinum (+ 100,000)[45]

Release history[edit]

Region Date Label Format Catalog # Barcode Notes
USA May 14, 1976 Columbia/CBS LP PC 34165
USA May 14, 1976 Columbia/CBS 8-Track PCA 34165
USA May 14, 1976 Columbia/CBS Cassette PCT 34165
USA Jun 25, 1976 Columbia/CBS LP PCQ 34165 Quadraphonic[46]
USA Jun 25, 1976 Columbia/CBS 8-Track CAQ 34165 Quadraphonic[46]
USA Jul 1977 Columbia/CBS LP JC 34165 [47]
USA Jul 1977 Columbia/CBS 8-Track JCA 34165 [47]
USA Jul 1977 Columbia/CBS Cassette JCT 34165 [47]
USA Sep 1981 Columbia/CBS LP JC 34165 074643416511 date is approximate[48]
USA Jul 1983 Columbia/CBS LP PC 34165 074643416511 "The Nice Price"[49]
USA Jul 1983 Columbia/CBS Cassette PCT 34165 074643416542 02 "The Nice Price"[49]
USA Jul 1986 Columbia/CBS CD CK 34165 074643416528 [50]
USA Oct 20, 1990 Columbia/CBS CD CK 34165 074643416528 reissue[51]
USA Sep 7, 1993 Columbia/SMEI CD CK 57363 074645736327 1993 Remaster; scheduled for Aug 24, 1993 but delayed 2 weeks[52]
USA Sep 7, 1993 Columbia/SMEI Cassette CT 57363 074645736341 1993 Remaster; scheduled for Aug 24, 1993 but delayed 2 weeks[53]
USA Feb 29, 2000 Columbia/SMEI SACD CS 57363 074645736365 Stereo only; scheduled for Feb 15, 2000 but delayed 2 weeks[54]
USA Feb 1, 2008 Columbia/SBME MP3 256k CK 57363 074645736327 1993 Remaster; album only[55][56][57]
USA Oct 6, 2009 Columbia/SME MP3 320k CK 57363 074645736327 1993 Remaster; album only; date is approximate; issued between Oct 6, 2009 - Nov 28, 2009[58][59][60]
USA Aug 26, 2011 Columbia/SME MP3 256k CK 57363 074645736327 1993 Remaster; individual tracks; reissue[61]
USA Aug 26, 2011 Columbia/SME MP3 320k CK 57363 074645736327 1993 Remaster; individual tracks; reissue[62]
USA Sep 6, 2011 Columbia/SME AAC 256k CK 57363 074645736327 1993 Remaster; individual tracks[63][64]
USA Nov 6, 2012 Columbia/SME AAC 256k 88644 36926 7 886443692671 2012 Remaster; individual tracks; "Mastered for iTunes"[65][66]
USA Apr 18, 2014 Columbia/SME FLAC 96/24 88644 36926 7 886443692671 2012 Remaster; album only; listed as Nov 6, 2012[67][68][69]
USA Apr 19, 2014 Columbia/SME LP PC 34165 888837609418 2012 Remaster; 180 Gram; "Record Store Day 2014"[70]
USA Apr 29, 2014 Columbia/SME AIFF 96/24 88644 36926 7 886443692671 2012 Remaster; album only[71]
USA Apr 29, 2014 Columbia/SME ALAC 96/24 88644 36926 7 886443692671 2012 Remaster; album only[71]
USA Apr 29, 2014 Columbia/SME WAV 96/24 88644 36926 7 886443692671 2012 Remaster; album only[71]
USA Jun 3, 2014 Columbia/SME LP PC 34165 888837609418 2012 Remaster; 180 Gram; general release[72]
USA Aug 7, 2019 Columbia/SME AAC 256k 88644 36926 7 886443692671 2012 Remaster; individual tracks; "Apple Digital Master"[73][74]
USA Sep 27, 2019 Columbia/SME FLAC 96/24 88644 36926 7 886443692671 2012 Remaster; album only; reissue[75]


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External links[edit]

Rocks at MusicBrainz