Rodion Raskolnikov

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Raskolnikov, drawn by Russian painter Pyotr Mikhaylovich Boklevskiy in 1880s.

Rodion Romanovich Raskolnikov (pre-reform Russian: Родіонъ Романович Раскольниковъ; post-reform Russian: Родион Романович Раскольников, tr. Rodión Románovich Raskólʹnikov, IPA: [rədʲɪˈon rɐˈmanəvʲɪtɕ rɐˈskolʲnʲɪkəf]) is the fictional protagonist of the 1866 novel Crime and Punishment by Fyodor Dostoyevsky. The name Raskolnikov derives from the Russian raskolnik meaning "schismatic" (traditionally referring to a member of the Old Believer movement). The name Rodion comes from Greek and indicates an inhabitant of Rhodes.

Raskolnikov is a young ex-law student living in extreme poverty in Saint Petersburg. He lives in a tiny garret which he rents, although due to a lack of funds has been avoiding payment for quite some time. He sleeps on a couch using old clothes as a pillow, and due to lack of money eats very rarely. He is handsome and intelligent, though generally disliked by fellow students. He is devoted to his sister (Avdotya Romanovna Raskolnikova) and his mother (Pulkheria Alexandrovna Raskolnikova).


An impoverished student with a conflicted idea of himself, Raskolnikov (Rodya as his mother calls him) decides to kill a corrupt pawnbroker, Alyona Ivanovna, with whom he has been dealing, with the idea of using the money to start his life all over, and to help those who are in need of it. It is later revealed that he also commits the murder as justification for his pride, as he wants to prove that he is "exceptional" in the way Napoleon was. He commits the murder, but is so nervous during the crime that he makes a few mistakes, and is afraid that he will be caught.

Raskolnikov finds a small purse on Alyona Ivanovna's body, which he hides under a rock without checking its contents. His grand failure is that he lacks the conviction of his beliefs to accomplish greatness, and thus declines into madness. After he confesses to the destitute, pious prostitute Sofya Semyonovna Marmeladova, she guides him towards admitting to the crime, and he confesses to Porfiry Petrovich, a prosecutor with a keen psychological sense (the book implies the policeman suspected him from the start). Raskolnikov is sentenced to exile in Siberia, accompanied by Sofya Semyonovna, where he experiences a mental and spiritual rebirth.

Cinema and television[edit]

In film, Raskolnikov was portrayed for the first time by Gregori Chmara in the silent adaptation Raskolnikov, directed by Robert Wiene (1923). He was portrayed by Peter Lorre in Josef von Sternberg's Hollywood film version (1935), by John Hurt in a 1979 BBC mini-series adaptation, by Patrick Dempsey in a 1998 television movie, and by Georgy Taratorkin (1969), John Simm (2002), Crispin Glover (2002). The character of Michel in Robert Bresson's Pickpocket (1959) is based on Raskolnikov. Paul Schrader, who wrote Taxi Driver (1976), was in turn inspired by Bresson's Michel character to create Travis Bickle, Robert De Niro's antihero.[1]

Woody Allen's 2005 British psychological thriller Match Point is a debate with Crime and Punishment: protagonist Chris Wilton (Jonathan Rhys Meyers) early on is seen reading the book and identifying with Raskolnikov.[2] He is a brooding loner who kills a poor girl who loves him because he considers his interests superior to those around him, knows little guilt, and avoids detection through luck. Allen signals his intentions with more superficial similarities: both are almost caught by a painter's unexpected appearance in the stairwell, and both policemen play cat and mouse with the suspect. His 2015 drama-thriller Irrational Man is also inspired by Crime and Punishment, with protagonist Abe Lucas (Joaquin Phoenix) as its Raskolnikov character.[3]

In The Bullwinkle Show, Boris Badenov frequently uses the name Roskolnikov as a curse word when things go wrong for him.

See also[edit]


  1. ^ Johnston, Sheila (22 April 2018). "Film-makers on film: Paul Schrader". The Telegraph. London, England: Telegraph Media Group. Retrieved 16 July 2018.
  2. ^ Goyios, Charalampos Living Life as an Opera Lover: On the Uses of Opera as Musical Accompaniment in Woody Allen's Match Point, Senses of Cinema, Issue 40. Retrieved 21 January 2012.
  3. ^ Diamond, Stephen A. (August 17, 2015). ""Irrational Man" Review: Woody Allen's Existentialism 101". Psychology Today. New York City: Sussex Publishers. Retrieved July 16, 2018.