Roger Mayer (engineer)
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Roger Mayer is an electrical engineer who developed several electric guitar effects, including the Octavia, an effects pedal which reproduced the input signal one octave higher, and mixes the two sounds with some added fuzz. The effect was popularized by Jimi Hendrix, and can be heard during the solos on the song "Purple Haze".
The Octavia, as well as several other effects, are still being produced under Roger Mayer's name.
Mayer was originally an acoustic engineer working for the British Admiralty on underwater research projects. At a time when guitar effects were virtually unknown, he designed and built fuzz boxes for leading English guitarists such as Big Jim Sullivan, Jimmy Page, and Jeff Beck. His effects can be heard on P.J. Proby singles such as "Hold Me" (1964) and on numerous Yardbirds tracks.
Just having turned 21, Mayer saw Hendrix playing live and in his words was "away by his live show". It was after one of Hendrix's shows at the Bag O’Nails club which was in Soho, London. After introducing himself backstage and talking in-depth about tone and a desire to create a totally different sound, he was invited by the guitarist to a gig the following week. Via a small amp back stage, Hendrix listened to the Octavia and was really impressed and excited by what he heard. Mayer was invited by Hendrix to overdub the solos on the songs "Purple Haze" and "Fire" which took place at the Olympic Studio, and working on tones and designing custom effects to realize the sounds Hendrix 'heard' in his head. His designs can be heard on the albums Axis: Bold as Love and Electric Ladyland.
- Gallagher, Mitch (2012). Guitar Tone:: Pursuing the Ultimate Guitar Sound. Cengage Learning. p. 261. ISBN 9781435456211. Retrieved 13 September 2014.
- Reverb, 8 Jan 2018 - Interviews, Hendrix, Page, and Standing Out in a Crowded Effects Market: A Conversation with Roger Mayer by Jake Law
- Night Flight, 27 November 2017 - Castles made of sand, fall in the sea, eventually: "Jimi Hendrix: By Those Who Knew Him Best" By Bryan Thomas
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