|Born||1964 (age 51–52)
|Occupation||Film director, screenwriter|
- 1 Early life and education
- 2 Personal life
- 3 Career
- 4 Themes
- 5 Filmography
- 6 Awards
- 7 See also
- 8 References
- 9 External links
Early life and education
Troche grew up in the suburbs of Chicago and earned a degree from the University of Illinois at Chicago. She began her career by making short films and videos. Troche was born to Puerto Rican parents and grew up on the city's north side of Chicago and her Puerto Rican family never quite fit in. "My parents thought moving to the suburbs was a sign of success," she says while sitting at a café in New York's West Village. "We were always the family that made everyone say, 'There goes the neighborhood.'" She moved to the suburbs in her teens with her family and started working part-time at a film theater; this is where her interest in film developed. She got her undergraduate in art history from the University in Chicago Illinois, Chicago and was a graduate film student.
Troche is second generation Puerto Rican and she is a lesbian. She met Guinevere Turner her then partner while she was making Gabriella (1991 -1993). They began to work on a film based on their own experiences and their friends in the Chicago lesbian community, which they originally titled "Ely and Max," but was changed to Go Fish. By 1993 Troche and Turner ended their relationship and Troche moved to New York where she wrote several scripts. Rose Troche says mixing business and romance on a lesbian film set can be a recipe for disaster. Turner and Troche detail how their breakup during the middle of Go Fish's production was not only difficult for them personally but also trying for their cast and crew, who felt compromised by the fighting couple's palpable tension on the set. Troche lived in London from (1997–1999) until she returned to United States to direct The Safety of Objects (2001).
To make sure she wouldn't forget the film's lesson, she had "remember that this life is short" tattooed on the inside of her left wrist, in Spanish, as she was writing the script.
Troche began her professional filmmaking career in the 1990s. Troche is just one of several lesbian directors who launched their careers with independent gay-themed films and have gone on to find work in Hollywood, where women make up just 12% of the Directors Guild of America membership.
While studying at University of Chicago Illinois, Chicago, Troche made several short films while in school such as Let's Go Back to My Apartment and Have Sex (1990), This War Is Not Over (1991) and Gabriella series of short films in (1991–1993).
After completing The Safety of Objects, Troche realized that she had only directed so much content and wanted to work on her craft of directing. She wanted to work on projects that were immediate work not something that was going to take three years to make.
Her directorial debut was the groundbreaking film Go Fish (1994), a lesbian love story. Made on a shoestring budget, it was one of the truly "independent" films of the mid 90s, and certainly one of the first in the lesbian genre. It premiered at the Sundance Film Festival in 1994. The film was co-written and co-produced with Guinevere Turner, who was Troche's girlfriend at the time. Her next feature film was Bedrooms and Hallways (1998) which explored sexuality.
Rose Troche, a Latina director teamed up with her then partner and co-writer to finance on their own an experimental lesbian feature. It was the first film to be sold to a distributor during the Sundance Film Festival. With the small amount of approximately $8000, started their road to a Samuel Goldwyn $450,000 sale. Help along the way with Vachon's company Killer Films who contributed $5000 when funds ran out and John Pierson bankrolled the remaining $53,000. “Troche’s Latina identity was (problematically) written out of the marketing campaign and the film was promoted on the basis of her gender and sexuality.” The film was released during gay pride month in June 1994 and eventually grossed $2.4 million. Go Fish proved the marketability of lesbian issues for the film industry. Troche mentioned that during the filming of Go Fish (1994), at one point she didn’t have money to pay her phone and electric bills. The film also put a label on her and critics considered her "a professional queer", a fact that she sometimes hated: "Go Fish made me such a card-carrying member. It is, like, boring. I go into interviews for Bedrooms and Hallways and all anyone can talk about is being gay, gay, gay."  "If you're gay, and you sleep with someone of the opposite sex, does that make you straight? Troche muses afterward. "I've done it, and I don't consider myself straight at all."
Bedroom and Hallways
In 1997, Troche moved to London to direct the film Bedroom and Hallways (1998) with British producer Dorothy Berwin and her partner Ceci Dempsey. The film was backed by a major studio so it was completed fast. It was a film that was exploring the romantic complications among a diverse group of gay, straight, and undecided characters. Troche said she wanted to make a film “that’s genderless, without sexual identity and politics.” The movie is a sex farce that tries to challenge conventional and rigid views on gender and sexual orientation. The film won the Audience Award at the 1998 London Film Festival.
The Safety of Objects
Troche returned back to the United States, and to her previous supporter, Christine Vachon, and British financiers in order to direct The Safety of Objects (2001). The film was made from the short stories of A.M. Homes, who also co-wrote the screenplay with Troche. Troche used seven of the 11 stories in the collection, melding the suburban vignettes into one story. The ensemble cast with Glenn Close, Timothy Olyphant, Mary Kay Place, Patricia Clarke and Dermot Mulroney does an excellent job of delivering Troche's vision of one emotional arc to the seamlessly blended narratives.
Her television work is just as extensive as her film work. She directed an episode of the HBO hit drama Six Feet Under. And for three seasons, she has been a director and writer for the Showtime series The L Word, a show about lesbian friends living in Los Angeles. She has served as the associate producer for the series and was recently promoted to co-executive producer. She has also expanded her writing and directing credits, writing an episode for the series South of Nowhere and directing an episode of the series Touching Evil, as well as Ugly Betty and Law & Order. Troche got offered to do and episode of Six Feet Under (2001), and she enjoyed the beauty of being able to work with three cameras, it opened up her world to a different way of filming. Since she had filmed low budget independent film it was a nice change and more opportunity to be creative.
2001 Six Feet Under episodic series – (2001-2005)
Season 2 Episode 3 was written by Kate Robin and was directed by Troche. In 2002 Six Feet Under won the Peabody Award and Rose Troche was one of the directors for one of the episodes.
2004 The L Word (TV Show) – episodic series – various episodes
Troche was the co-executive producer and writer, of this popular series about a group of Los Angeles lesbians of which she has also directed several episodes. For Troche, casting for The L Word, "a lot of convincing" and some volleying of "you don't understand, but our audience will." Troche says her films are all connected to various stages in her life. Making a lesbian film was important to her when she was younger; she is very pleased with her current project, writing and directing the first lesbian series to screen on American television. Called The L Word, it's touted as a female version of Queer as Folk, and will star Jennifer Beals, Pam Grier and Mia Kirshner. The series discussed hot topics such as selecting a sperm donor, bringing out a "straight” girl, lesbian bed death, bisexuality, living in the closet and the number of degrees of separation between lesbian ex-lovers.
2005 South of Nowhere (TV Show)
Rochelle – 3 part episode that Troche directed Story of a divorce woman that loses everything in her divorce. She decides to hire a prostitute to break her husband's heart. The theme is seeing the pain of somebody in Rochelle's position. She approached it in a style showing a split screen with both women to compare and understand that both women are the same just at different points in their lives.
In the end, Troche believes that even if she eschews queer themes (which she did in The Safety of Objects), every film she makes is, philosophically, gay. "For example, I write my women like I like my women. They don't let people get away with anything. They're tough-talking," she says. "The truth is, everything I do is informed by being queer. My homosexuality doesn't go away just because, the characters aren't gay."
Troche seems to always have a character that relocates from the East Coast to the West Coast, and shows there struggle with Los Angeles. She also has a wide variety of multi-racial cast, which ties back to her life. She to lived on the East Coast and was an outcast in her suburban community by being Puerto Rican.
|1990||Let's Go Back to My Apartment and Have Sex||Yes||Yes||No||short film|
|1991||This War is Not Over||Yes||Yes||No||short film|
|1991–1993||Gabriella||Yes||Yes||No||series of three short films|
|1994||Go Fish||Yes||Yes||Yes||feature film debut|
|1997||Pride Divide||No||No||No||documentary, appears as herself|
|1998||Bedrooms and Hallways||Yes||No||No|
|2001||The Safety of Objects||Yes||Yes||co-producer|
|2009||Chinatown Film Project||Yes||No||No|
|1990||Law & Order||Yes||No||No|
|2001||Six Feet Under||Yes||No||No||episode "The Plan"|
|2004||Touching Evil||Yes||No||No||episode "Memorial"|
|The L Word||Yes||Yes||Yes||various episodes from season one and two|
|2005||South of Nowhere||Yes||No||consulting|
Troche was recognized with the 2015 Outfest Achievement award at an event for the LGBT film festival on Saturday, March 14, at the Egyptian Theater.
- Smith, Patricia Juliana (2002), "Troche, Rose", glbtq.com, retrieved 2007-08-19
- La Fountain-Stokes, Lawrence. Queer Ricans: Cultures and Sexualities in the Diaspora. Minneapolis: University of Minnesota Press, 2009. ISBN 0816640920
- Stukin, Stacie (March 18, 2003). "Rose to the Occasion". The Advocate (885): 56.
- Smith, Juliana. "Rose Troche". Glbtq.com. Retrieved 2 May 2015.
- Hankin, Kelly (Spring 2004). "Lesbian "Making-of" Documentaries and the Production of Lesbian Sex.". Velvet Light Trap: A Critical Journal of Film & Television (53): 26–39.
- Keenan, Catherine (June 6, 2003). "Guys and dolls". The Sydney Morning Herald.
- Stukin, Stacie (April 2, 2002). "Lesbian directors hit the big time". The Advocate (860): 58.
- Willmore, Alison. "Daniel Minahan and Rose Troche Talk Going From Filmmaking to TV Directing: "It's more like the model of theater"". indiewire. Retrieved 2 May 2015.
- "Filmmakers in Television". youtube. Retrieved 2 May 2015.
- Holden, Stephen (September 3, 1999). "Bedrooms Hallways (1998) FILM REVIEW; The Dissolving Boundary Between Gay and Straight". The New York Times.
- Holmlund, Chris (August 1, 2004). Contemporary American Independent Film: From the Margins to the Mainstream. pp. 202–203.
- Prono, Luca. Encyclopedia of Gay and Lesbian Popular Culture.
- Hankin, Kelly (Spring 2007). "And Introducing…The Female Director: Documentaries about Women Filmmakers as Feminist Activism" 19 (1): 59–88.
- Marcus, Joan (November 24, 1998). "Politically incorrect". The Advocate (773): 24.
- Wilkinson, Kathleen (June 2002). "Director Rose Troche Navigates an Independent Film Career". Lesbian News 27: 40.
- "Peabody Awards". Retrieved 3 May 2015.
- Wilkinson, Kathleen (January 2004). "Is the World Ready for The L Word?". Lesbian News 29 (6): 24–25.
- Berger, Laura. "Director Rose Troche Honored". Indiewire. Retrieved 3 May 2015.