Rudolph Maté

For the skier, see Rudolph Matt.

Not to be confused with cinematographer Russell Metty.

Rudolph Maté, A.S.C. (21 January 1898 – 27 October 1964), born Rudolf Matheh or Mayer, was a cinematographer and film director.

Born in Kraków (then in Austria-Hungary, now in Poland), Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with colleague Karl Freund. Maté worked on several of Carl Theodor Dreyer's films, including The Passion of Joan of Arc (1928) and Vampyr (1932) which led to his being hired as director of photography on a number of prominent films.

Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Foreign Correspondent (1940), That Hamilton Woman (1941), The Pride of the Yankees (1942), Sahara (1943), and Cover Girl (1944).

In 1947, he turned to directing films; his credits include When Worlds Collide (1951), the film noir D.O.A. and No Sad Songs for Me (both 1950).

Directed by Maté, The 300 Spartans is a 1962 film depicting the Battle of Thermopylae. Made with the cooperation of the Greek government, it was shot in the village of Perachora in the Peloponnese.

He died from a heart attack in Hollywood on October 27, 1964, at the age of 66.

Filmography

As director

• It Had to Be You (1947)
• The Dark Past (1948)
• No Sad Songs for Me (1950)
• D.O.A. (1950)
• Union Station (1950)
• Branded (1950)
• The Prince Who Was a Thief (1951)
• When Worlds Collide (1951)
• The Green Glove (1952)
• The Mississippi Gambler (1953)
• Second Chance (1953)
• Forbidden (1953)
• The Black Shield of Falworth (1954)
• The Violent Men (1955)
• The Far Horizons (1955)
• Sally and Saint Anne (1952)
• The Rawhide Years (1955)
• Miracle in the Rain (1956)
• Port Afrique (1956)
• Three Violent People (1957)
• The Deep Six (1958)
• For the First Time (1959)
• Revak the Rebel (1960)
• The 300 Spartans (1962) (also produced)
• Seven Seas to Calais (1962)

As cinematographer

• The Merchant of Venice (1923)
• Peter the Pirate (1925)
• The Passion of Joan of Arc (1928)
• Vampyr (1932)
• Liliom (1934)
• Dante's Inferno (1935)
• Charlie Chan's Secret (1936)
• Dodsworth (1936)
• A Message to Garcia (1936)
• Our Relations (1936)
• Outcast (1937)
• Stella Dallas (1937)
• Love Affair (1939)
• My Favorite Wife (1940)
• Foreign Correspondent (1940)
• Seven Sinners (1940)
• That Hamilton Woman (1940) (photographed by)
• The Flame of New Orleans (1941)
• To Be or Not to Be (1942)
• The Pride of the Yankees (1942)
• They Got Me Covered (1943)
• Sahara (1943)
• Cover Girl (1944)
• Gilda (1946) (director of photography)
• Down to Earth (1947) (director of photography)
• It Had to Be You (1947)
• The Lady from Shanghai (1947, uncredited)

External links

• Rudolph Maté at IMDb