Rum Sodomy & the Lash
|Rum Sodomy & the Lash|
|Studio album by The Pogues|
|Released||5 August 1985|
|Recorded||Elephant Studios, London|
|Genre||Celtic punk, folk punk, Celtic rock, folk rock|
|Label||Stiff (UK & Europe)
MCA (US & Canada)
Philip Chevron (track 7)
|The Pogues chronology|
|Singles from Rum Sodomy & the Lash|
The album's title is taken from a quotation attributed to Winston Churchill: "Don't talk to me about naval tradition. It's nothing but rum, sodomy, and the lash." The title was suggested by drummer Andrew Ranken, who said "it seemed to sum up life in our band". The cover artwork is based on The Raft of the Medusa, a painting by Théodore Géricault, with the band members' faces replacing those of the men on the raft painted by the artist and illustrator Peter Mennim.
The track "A Pair of Brown Eyes", based on an older Irish tune, went on to reach number 72 in the UK singles chart. "The Old Main Drag" later appeared on the soundtrack to the film My Own Private Idaho.
Critical reception and accolades
|The Austin Chronicle|||
|Encyclopedia of Popular Music|||
|The Rolling Stone Album Guide|||
|The Village Voice||A|
Rum Sodomy & the Lash received positive reviews from critics. Melody Maker's Adam Sweeting said, "The brightest, most intense moments of Rum... aren't about particularities of style or delivery. This is, apart from anything else, music to hang on to other people by to stave off brutal fact and the weight of history. While The Pogues make music for drunks as well, probably, as anyone has they're also dragging an oft-ignored folk tradition into the daylight with an altogether improbable potency... Rum... has soul, if not a great deal of innovation, and somewhere among the glasses and the ashtrays lie a few home truths." Sounds' Jane Simon called Rum Sodomy & the Lash "the finest slice of story-telling your heart could wish for". David Quantick of NME described the record as "a collection of free-ranging stuff to be sure; from the funereal folk ballad to the near spaghetti-western instrumental, raucous celebration to brown study, cheerful melody to downright strangeness. It's never sentimental, it's rarely polite, and it's certainly not ordinary... Rum Sodomy and the Lash is more than the best record The Pogues could be expected to make at this time. It's more than a brilliant example of a band using its resources in an imaginative manner. It's probably the best LP of 1985." Robert Christgau of The Village Voice wrote that "none of it would mean much without the songs—some borrowed, some traditional, and some proof that MacGowan can roll out bitter blarney with the best of his role models."
In a retrospective review, Mark Deming of AllMusic stated that Rum Sodomy & the Lash "falls just a bit short of being the Pogues' best album, but was the first one to prove that they were a great band, and not just a great idea for a band." Daniel Bristow of the Irish music website CLUAS awarded the album an eight out of ten, calling it "a record that will never cease to delight, always a pleasure to hear and highly, highly recommended if you're not familiar with it already". Q described the record as "a proud, defiant bruise of an album that manages to be both profoundly bleak and immoderately romantic and it remains MacGowan's and The Pogues' finest hour". Uncut's Jon Wilde wrote that "the most startling thing about their second album was the steep ascendancy of MacGowan's songwriting", while Spin's Jon Dolan called McGowan's lyrics "some of the purest toothless lyricism in punk rock history".
In 2000, Q placed Rum Sodomy & the Lash at number 93 in its list of the 100 Greatest British Albums Ever. In 2012, the album was ranked number 440 on Rolling Stone's The 500 Greatest Albums of All Time list. Pitchfork Media named it the 67th best album of the 1980s.
A remastered and expanded version of Rum, Sodomy & the Lash was released for compact disc by WEA in the European market on 11 January 2005; this reissue was released on September 19, 2006, by Rhino Records in the United States. The remastered disc added six bonus tracks, including the entirety of the Poguetry in Motion EP and the b-sides to "Dirty Old Town" – "A Pistol for Paddy Garcia" on seven-inch and "The Parting Glass" on twelve-inch singles. The reissue included liner notes by David Quantick and a poem about the Pogues by Tom Waits.
|1.||"The Sick Bed of Cúchulainn"||Shane MacGowan||2:59|
|2.||"The Old Main Drag"||Shane MacGowan||3:19|
|3.||"The Wild Cats of Kilkenny"||Shane MacGowan, Jem Finer||2:48|
|4.||"I'm a Man You Don't Meet Every Day"||traditional||2:55|
|5.||"A Pair of Brown Eyes"||Shane MacGowan||4:54|
|6.||"Sally MacLennane"||Shane MacGowan||2:43|
|1.||"Dirty Old Town"||Ewan MacColl||3:45|
|4.||"Billy's Bones"||Shane MacGowan||2:02|
|5.||"The Gentleman Soldier"||traditional||2:04|
|6.||"And the Band Played Waltzing Matilda"||Eric Bogle||8:10|
|2005 reissue bonus tracks|
|13.||"A Pistol for Paddy Garcia"||Jem Finer||2:31|
|14.||"London Girl"||Shane MacGowan||3:05|
|15.||"Rainy Night in Soho"||Shane MacGowan||5:36|
|16.||"Body of an American"||Shane MacGowan||4:49|
|17.||"Planxty Noel Hill"||Jem Finer||3:12|
|18.||"The Parting Glass"||traditional||2:14|
- Shane MacGowan – vocals
- Spider Stacy – tin whistle
- James Fearnley – accordion
- Jem Finer – banjo
- Cait O'Riordan – bass; vocals on "I'm a Man You Don't Meet Every Day"
- Andrew Ranken – drums
- Philip Chevron – guitar; mandolin on "The Parting Glass"
- Additional personnel
- "Pogues Tour". Melody Maker (London, England: IPC Media): 3. 10 August 1985.
- Manchester, William. "The Last Lion: Volume 1: Winston Churchill: Visions of Glory, 1874-1932. Little, Brown, & Company.
- Hurt, Andy (17 August 1985). "A Whip Round with the Pogues". Sounds (London, England: Spotlight Publications): 18–19.
- "Rum Sodomy & the Lash - Credits on MSN Music". Music.msn.com. Retrieved 2014-05-20.
- Deming, Mark. "Rum Sodomy & the Lash – The Pogues". AllMusic. Retrieved 20 May 2014.
- Gray, Christopher (15 December 2006). "Red Roses for Me, Rum, Sodomy & the Lash, If I should Fall From Grace With God, Peace and Love, Hell's Ditch". The Austin Chronicle. Retrieved 10 August 2015.
- Larkin, Colin (2007). The Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN 0-857-12595-8.
- Gilbert, Pat (December 2004). "Review: The Pogues – Rum Sodomy & the Lash". Mojo (London, England: EMAP) (133): 123.
- Cooper, Mark (June 1994). "Review: The Pogues – Rum Sodomy & the Lash". Q (London, England: EMAP) (93): 134–35.
- Brackett, Nathan; Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide. Simon & Schuster. ISBN 0-743-20169-8.
- Simon, Jane (10 August 1985). "Review: The Pogues – Rum Sodomy & the Lash". Sounds (London, England: Spotlight Publications): 28.
- Dolan, Jon (October 2006). "Reissues". Spin 22 (10): 104. Retrieved 10 August 2015.
- Wilde, Jon (December 2004). "Keeping it reel". Uncut (91).
- Christgau, Robert (11 March 1986). "Christgau's Consumer Guide". The Village Voice. Retrieved 10 August 2015.
- Sweeting, Adam (10 August 1985). "Review: The Pogues – Rum Sodomy & the Lash". Melody Maker (London, England: IPC Media): 27.
- Quantick, David (10 August 1985). "Review: The Pogues – Rum Sodomy & the Lash". NME (London, England: IPC Media): 26.
- "Album Reviews | The Pogues 'Rum, Sodomy and The Lash'". CLUAS. Retrieved 7 January 2012.
- "500 Greatest Albums of All Time". Rolling Stone. 31 May 2012. Retrieved 12 June 2016.
- "Staff Lists: Top 100 Albums of the 1980s". Pitchfork Media. 20 November 2012. Retrieved 20 May 2014.
- "The Star of the County Down?". Pogues.com. Retrieved 20 May 2014.