In 1920, she travelled to Paris and studied with Fernand Léger. During her time in Paris, she pioneered the use of vat dyes and the screen print process for home fabrics. Returning to the United States in 1927, her designs were influenced by modern developments in France like Cubism. Lewis Mumford called her wall hangings and dresses inspired by traditional Guatemalan designs shown in 1935 "probably the most interesting work any designer has offered for commercial production today." One of her best-known works was the carpeting and wall fabrics of Radio City Music Hall in New York.
The Index of American Design, one of three main divisions of the Federal Art Project (FAP) was originally conceived by Reeves and Romana Javitz, the curator of the Picture Collection at the New York Public Library, as a way for the American artist to find authentic American everyday objects to use as visual references for their work. The Index was established with the FAP in January 1936 with Reeves as its national supervisor. She held the position until the spring when Adolph Cook Glassgold replaced her. Within the Index, Shaker works were highly prized as Reeves felt they emphasized the art of the American common man.
She often worked with narratives sourced from her life or friends lives. “South Mountain” is one of her earliest narrative pieces designed as an autobiographical family portrait. It was named after the road she lived on in the artist colony in New City, New York. This piece was the start of her “personal prints” that were privately commissioned limited editions.
In 1930, Reeve was commissioned by the W&J Sloane Company to create a group of narrative textiles to be submitted to the American Federation of Art for their International Exhibition of Decorative Metalwork and Cotton Textiles that was to be held later that year at the Metropolitan Museum of Art. The company neglected to check in on her progress and in the end were horrified at the unconventional fabric she designed. Each pattern was printed on twenty-nine different types of cotton and depicted a series of rooms in an imaginary house. The fabrics also didn’t sell and the relationship ended unhappily. The most notable work from this collection is “American Scene,” a panorama that celebrates everyday American life: work, sports, and family.
In 1933, Reeves created a series of textiles inspired by the Hudson River School. These textiles were funded by a grant from the Gardner School Alumnae Fund. In 1934, the textiles were shown at the National Alliance of Art and Industry.
In 1934, she travelled to Guatemala through a sponsorship from the Carnegie Institution. The textiles she collected on this trip were exhibited at Radio City in New York. In 1935, she worked with the R.H. Macy & Company to create five Guatemalan-inspired patterns that were some of her only works to be produced commercially.
- Ruth Reeves (1930) American Scene. W&J Sloane Company
- Ruth Reeves (1932) Carpets. Radio City Music Hall
- Ruth Reeves (1932) Wallpaper. Rockefeller Center
- Ruth Reeves (1962). Cire Perdue Casting in India. New Delhi: Crafts Museum.
- "RUTH REEVES, 74, A CRAFTS EXPERT; Artist Who Studied Indian Work Dies in New Delhi". The New York Times. December 24, 1966. p. 19.
- Wardle, Marian; Burns, Sarah; Art, Brigham Young University Museum of (2005-01-01). American Women Modernists: The Legacy of Robert Henri, 1910-1945. Rutgers University Press. ISBN 9780813536842.
- ""Ruth Reeves' "Personal Prints" Printed Textiles From The 1930’S And 4" by Whitney Blausen". digitalcommons.unl.edu. Retrieved 2015-12-28.
- Woodham, Jonathan M. (2006). A Dictionary of Modern Design (Oxford Paperback Reference). Oxford University Press, USA. ISBN 0-19-280639-4. (extract hosted at Answers.com)
- Wojtowicz, Robert; Mumford, Lewis (2007). Mumford on Modern Art in the 1930s. Berkeley: University of California Press. p. 154. ISBN 0-520-24858-9.
- Doss, Erika Lee; Clayton, Virginia Tuttle; Stillinger, Elizabeth (2002). Drawing on America's past: Folk Art, Modernism, and the Index of American Design. Washington: National Gallery of Art. pp. 5–6. ISBN 0-89468-295-4.
- Kelly, Andrew (2015-05-26). Kentucky by Design: The Decorative Arts and American Culture. University Press of Kentucky. ISBN 9780813155692.
- Kalfatovic, Martin R. (1994). "The New Deal fine arts projects : a bibliography, 1933-1992". archive.org. Scarecrow Press. Retrieved 2015-12-29.
- Jackson, Lesley (2007-02-08). Twentieth-Century Pattern Design. Princeton Architectural Press. ISBN 9781568987125.
- "Ruth Reeves Memorial Collection of the Folk Art in India". South Asia Center, Moynihan Institute of Global Affairs, Syracuse University. Archived from the original on July 24, 2008. Retrieved 2009-03-14.
- Kirkham, Pat (2002-01-01). Women Designers in the USA, 1900-2000: Diversity and Difference : Jacqueline M. Atkins ... [et Al.]. Yale University Press. ISBN 0300093314.
- Koplos, Janet; Metcalf, Bruce (2010-07-31). Makers: A History of American Studio Craft. Univ of North Carolina Press. ISBN 9780807895832.
- Jackson, Lesley (2007). Twentieth Century Pattern Design. New York: Princeton Architectural Press. pp. 87–88. ISBN 1-56898-712-9.
- Tartsinis, Ann Marguerite (2013). An American Style: Global Sources for New York Textile and Fashion Design, 1915-1928. New York: Yale University Press / Bard Graduate Center. pp. 49, 112. ISBN 978-0-300-19943-7.
- Kelly, Andrew. "Kentucky by Design: The Decorative Arts, American Culture, and the Index of American Design". Lexington: University Press of Kentucky. 2015. ISBN 978-0-8131-5567-8
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