||This biography of a living person needs additional citations for verification. (November 2013) (Learn how and when to remove this template message)|
Ruth Underwood playing at a Frank Zappa concert In NYC
|Birth name||Ruth Komanoff|
|Born||23 May 1946|
|Instruments||Xylophone, marimba, vibraphone, harp, piano, synthesizer|
|Associated acts||Frank Zappa and the Mothers of Invention|
Ruth Underwood (born Ruth Komanoff, May 23, 1946) is a retired professional musician, best known for playing xylophone, marimba, vibraphone and other percussion instruments in Frank Zappa and the Mothers of Invention.
Biography and career
Underwood began her music training in the classical tradition, studying both at Ithaca College under Warren Benson and under Saul Goodman at Juilliard. Throughout 1967, she kept a regular attendance at the Garrick Theater in New York City when Frank Zappa and The Mothers of Invention was the resident band, resulting in her association with Zappa beginning in December 1967.
|“||Oh, I was probably one of those rather stiff people from the suburbs - I think some of us did understand, and we kept coming back for more, and more, and more. I remember being very upset when they finally finished their stint at the Garrick Theatre and went back to LA. I felt as if the real heart had gone out of New York City, and I had to get back on with my conservatory music training life, which seemed very dull after this.||”|
Using both her birth name, Ruth Komanoff and her stage name, Underwood also appeared on drums with a rock group named The Hamilton Face Band during 1969, appearing on some of their recordings released by Philips Records and Bell Records. She married fellow Zappa musician Ian Underwood in May 1969. They divorced in 1986.
Underwood went on to perform in over twenty Zappa/Mothers recordings. Examples of her virtuosity can be heard on tracks including the "Rollo Interior interlude" from "St. Alfonzo's Pancake Breakfast", from the Apostrophe (') album (1974). Equally impressive work is documented on Roxy & Elsewhere (1974) and on "Inca Roads", the opening track on One Size Fits All (1975). Some glimpses of Underwood in action can be seen in the Zappa movie 200 Motels (1971), and the Dub Room Special DVD, which includes performances from the KCET Special A Token Of His Extreme. She also features in the film of the Roxy performances.
During the 1970s Underwood played sessions for a small number of other performers, most notably the band Ambrosia, Jasun Martz and jazz-keyboardist George Duke, the latter a Zappa bandmate. By some accounts (which are vague), she retired from music by about 1980, concentrating instead on her family and raising two children, both of whom are also accomplished classical musicians. However, in a 1993 interview she revealed that she played on one final session for Zappa shortly before his death from cancer in December of that year.
|“||A couple of years ago, when I heard that Frank was ill, I called him up. For 14 years we had no contact at all. He invited me to the house and we enjoyed some really nice visits with each other. Last June ('93) he called and asked if he could sample some of my stuff. I was shocked because I hadn't touched a pair of mallets since March of '77. I ended up practicing for 14 hours, which was all the time I could get together in the context of my life now. I spent four days at Frank's house sampling. This was really a miracle for me - that I could be reunited with him and still have something to offer.||”|
- Roxy The Movie
- 200 Motels
- Baby Snakes
- The Dub Room Special
- The Amazing Mr. Bickford
- Video From Hell
- The True Story of Frank Zappa's 200 Motels