His work is closely connected with that of the contemporary red-figure technique, which was then in the process of replacing black-figure as the dominant style. His figures are often drawn as silhouettes. He often painted dionysiac scenes, but his best works are those focusing on depcitions of posture and dignity. They were usually on belly amphorae of type A. He is close in style to the Priamos Painter, and Psiax, but his talent is not inferior to that of the red-figure painters of the Pioneer Group active at the same time. He was, thus, one of the best vase painters of his style and period. A stylistically close contemporary was the Painter of Tarquinia RC 6847.
- John Beazley: Attic Black-Figure Vase-Painters, Oxford 1956, p.
- John Beazley: Paralipomena. Additions to Attic black-figure vase-painters and to Attic red-figure vase-painters. Oxford 1971. p.
- John Boardman: Schwarzfigurige Vasen aus Athen. Ein Handbuch, Mainz 1977, ISBN 3-8053-0233-9, p. 124
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