Front cover of the first edition
Summary and themes
Mickey Sabbath (modeled after American Jewish painter R.B. Kitaj) is an unproductive, out-of-work, former puppeteer with a strong affinity for whores, adultery, and the casual sexual encounter. Sabbath takes great pleasure in his status as the (prototypical) "dirty old man." He takes an equal pleasure in manipulating the people around him, primarily women—in a sense, they play the same role as his puppets. The loss of a decades-long sexual sidekick—the equally depraved Drenka—precipitates a crisis in a life he has long considered an utter failure. Sabbath wonders whether he should simply take his own life, thereby heeding the advice of the ghost of his departed mother, a frequent visitor who urges suicide as the fitting end for his failed life.
Literary critic Harold Bloom has declared Sabbath's Theater Roth's "masterwork." Prominent literary critic James Wood told Morning News, "I am a great fan of Sabbath’s Theater, it was an extraordinary book." New York Times critic Michiko Kakutani found it hard to finish and "distasteful and disingenuous".
- "National Book Awards – 1995" National Book Foundation. Retrieved 2012-03-27.
(With essay by Ed Porter from the Awards 60-year anniversary blog.)
- Nesvisky, Matt (November 8, 2007). "In-Your-Face Outsider". Jerusalem Post.
- Bloom, Harold (2003). Genius: A Mosaic of One Hundred Exemplary Creative Minds. New York: Warner Books. p. 207.
- Birnbaum, Robert (July 13, 2004). "James Wood by Robert Birnbaum". Morning News.
- Kakutani, Michiko (August 22, 1995). "Mickey Sabbath, You're No Portnoy". New York Times.
- "Fiction". The Pulitzer Prize. Retrieved 14 January 2014.
A Frolic of His Own
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