|Created by||David Firth|
|Written by||David Firth|
Christian Webb (co-writer)
Jimmy Hollis (co-writer)
|Directed by||David Firth|
|Voices of||David Firth|
|Original release||July 1, 2004 –|
Salad Fingers is a British flash animation web series created by David Firth in July 2004. It gained rapid web popularity, such that the San Francisco Chronicle ranked it among the "Top 10" pop culture phenomena for 2005.
The cartoon revolves around the eponymous "Salad Fingers", a thin, green, mentally troubled being who inhabits a mostly desolate world. Most of the talking in the animations comes from Salad Fingers' monologue as he interacts with his surroundings, sometimes talking to inanimate objects or dialoguing with himself. The first seven episodes of Salad Fingers were shown back-to-back in Australia at the 2007 Sydney Underground Film Festival at the Factory Theatre, along with a variety of other animated short films, during the "Re-Animation" session.
- 1 Concept
- 2 Music
- 3 Characters
- 4 Episodes
- 5 Theories
- 6 See also
- 7 References
- 8 External links
Salad Fingers was first conceived as an in-joke when Firth was playing the guitar one day and his friend and frequent collaborator Christian Webb commented that he had "salad fingers," referring to the way Firth was playing the C chord.
Firth has cited the works of David Lynch, South Park, Tim Burton, The League of Gentlemen and Chris Morris as sources of inspiration. There are similarities between the novel Tideland by Mitch Cullin and the film Tideland by Terry Gilliam and Salad Fingers.
The eerie music featured in the background is the tune "Beware the Friendly Stranger" from the Boards of Canada album Geogaddi. The dark music in the soundtrack that appears when Salad Fingers is scared is actually Firth playing the guitar, but slowed down and reversed.
Other music included in Salad Fingers episodes includes work credited to Brian Eno, Sigur Rós, Aphex Twin (in particular, the track 'Rhubarb' from Selected Ambient Works Volume II) and Lustmord. David Firth frequently inserts references to Aphex Twin in his flash cartoons; for example, the Aphex Twin logo can be found on the telephone in Salad Fingers episode five.
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- Salad Fingers
- The main character is a bald hunchbacked humanoid figure with light-green skin and no visible nose or ears, who speaks with a distorted Northern English accent. His long, strangely-shaped fingers are his most notable feature, hence the name "Salad Fingers". They were the focus of the first episode of the series, where Salad Fingers is shown getting pleasure from rubbing various objects, particularly rusty metallic items such as spoons, a doorbell panel and a kettle (which he claims to be orgasmic). Salad Fingers is unable or unwilling to distinguish between living beings and inanimate objects, and is frequently found talking to various inert articles (notably his finger puppets and in two cases a human corpse). Furthermore, he often assigns such objects proper names and appears to believe that they can communicate with him directly, sometimes voicing their perceived thoughts himself.
- He lives alone in a small shack with the number 22 on the door, containing, among other things, an oven, bedroom, a crawl space he calls the "safety cupboard", radio, phone, and table. Salad Fingers appears to be autosadistic, as he can be seen taking pleasure from impaling his finger on a nail, rubbing stinging nettles on himself or inadvertently stepping onto a hidden bear trap. His talents include playing the flute and speaking French. He also seems able to use Morse code, as shown in episode nine, where he must inform others of a strange illness he has (which he refers to as scarlet fever). He is quite articulate, however he often spouts peculiar English sayings and phrases in situations where they do not fit or even seem relevant. It is assumed that Salad Fingers lives in the UK, due to his English accent and mentioning of real places in the UK such as Croxley Green and Cowdenbeath.
- Salad Fingers takes up various habits, including a regular measurement of the distance between his house and a tree, tasting of the dirt ("floor-sugar"), and listening to his radio. Sometimes he also displays a raspy asthmatic-like breathing when he becomes mesmerized at something or experiences extreme pleasure. The name "Salad Fingers" was invented by Firth's co-writer, Christian "Crust" Webb, who described Firth as having salad fingers while playing the guitar.
- Despite living in a desolate place and having many eccentric features, Salad Fingers is likely not evil and does regularly come across as polite and good natured.
- Hubert Jason Cumberdale (Barbara Logan-Price), Marjory Stewart-Baxter, and Jeremy Fisher
- Finger puppets who, after their introduction in episode 2, have only been missing in episode four of the series. They often appear in Salad Fingers' fantasies as life sized beings. Jeremy Fisher is thought to be named after the Beatrix Potter book The Tale of Mr. Jeremy Fisher. In episode 2, Salad Fingers tastes these puppets, claiming Hubert Cumberdale tastes like "soot and poo" and Marjory Stewart-Baxter tastes like "sunshine dust". Jeremy Fisher is not tasted, which is revisited in a later episode. Salad Fingers has also referred to Jeremy Fisher as having been out fighting "The Great War". In episode five, Hubert Cumberdale is temporarily renamed Barbara Logan-Price (and given a "friend hat" which is actually a Navy cap). In episode six, Salad Fingers eats Jeremy Fisher in a moment of forgetfulness after accusing him of "tailgating his daughter", and the puppet has not appeared or been mentioned since, indicating that he was killed off (he was actually eating another clone of himself). In episode eight, Salad Fingers calls Cumberdale a "dirty immigrant" after dropping him in a chamber pot. In episode nine, Salad Fingers talks to Stewart-Baxter as if she is his partner and the mother of their "child", Yvonne. In episode eleven, Salad Fingers makes Hubert Cumberdale "grow up" by sewing pieces of human flesh to him, after which he can walk and speak on his own. Salad Fingers calls him his "flesh boy".
- Harry/Milford Cubicle
- Appearing in episode three, Cubicle is an aggressive, armless human mutant who wears an apron identifying him as being employed at a "BBQ". Though his name tag reads "Harry" and indicates that he is "Happy to help", Salad Fingers calls him Milford Cubicle. He bleeds to death after repeatedly banging his head on Salad Fingers' door. Salad Fingers then finds him and drags him inside his house and hangs him on a meat hook, believing him to be alive and conscious. He is seen to have the flesh torn from his body (or possibly rotted away due to the length of time his corpse has been hanging) in Episode 10 and finally ends that episode as a skeleton, his flesh turned into a hat which was given as a gift to Salad Fingers.
- Appearing in episode four, Bordois is a woodlouse which Salad Fingers accidentally kills by attempting to pet her. Although he refers to her as "little sister", Salad Fingers makes sexual remarks to Bordois, saying "Your body is so much fun." Once he squishes her, he says "You've gone flat, little sister. And you're all gooey. I shan't play with you again until you've had a wash."
- Aunty Bainbridge
- Appearing in episode one and episode nine, is a yellow bug-eyed person with a green shirt who owns many rusty objects (which Salad Fingers strokes) and a small house. While Salad Fingers calls it Aunty Bainbridge in the ninth episode, he also calls it a "young child" in the first, indicating that he does not, in fact, know it at all. This is further evidenced when it backs away from Salad Fingers when he tries to hug it in the ninth episode. The only sound it makes is a sharp scream, so it is difficult to tell whether this is a person and what its gender is.
- Appearing in episode five, Mable is a scuffed, grubby, scarred young girl who goes to a picnic with Salad Fingers. She is the first character other than Salad Fingers who can communicate in English, and she is the first person other than Salad Fingers to actually speak— something that seems to shock and dismay Salad Fingers. When she sees Salad Fingers looking at her in shock, she asks "What's wrong?", and subsequently Salad Fingers is shown hallucinating her with her eyes gouged out asking him, "What's wrong, Mr. Fingers? Do you not like my mouth-words?"
- A big-eyed, grotesque, small mutant creature who falls in love with Salad Fingers in episode four. It has a large stitch across its forehead, and as such, many refer to it as "Stitch-head". This character was originally created by Jimi Hollis, who refers to it as the "bug-eyed kid". It uses a bear trap and a grubby tap to capture Salad Fingers, then cages him and proposes with a ring topped with a human molar.
- Kenneth is a bisected rotting human corpse which Salad Fingers addresses as his younger brother. Salad Fingers finds him in a ditch.
- Appearing in episode eight, Roger is a broken radio that speaks in a robotic, aggressive manner and scares Salad Fingers into the cupboard twice. Roger, according to Salad Fingers, must be given 'sustenance' (in the form of small brown pellets which appear to be beans, BBs, or marbles). This distress caused by his radio has him eating his hair collection.
- Horace Horsecollar
- A toy horse with which Salad Fingers indulges his senses. Possibly the inspiration of the horse that gets savaged in Episode 10.
- Penny Pigtails
- A character Salad Fingers' imagination created while hiding from Roger in the safety cupboard. She is nothing but Salad Fingers' hand "walking" across the ledge. Salad Fingers imagines that she is denied raspberry jam by a market trader, who bases his actions on the grounds that her legs are "too long" and "made of cotton", which upsets him greatly.
- Mr. Branches
- A tree 21 yards from the house. Salad Fingers measures this distance, and then comments to the tree that it's "barely shuffled an inch all week" — implying that it moves (or, at least, he perceives it to) and that he regularly keeps track of this measurement. In episode nine, Salad Fingers bites one of its branches, causing it to cry in pain (with Salad Fingers imagining it with a face). It begs Salad Fingers to be let inside in the voice of a young child, but is told that it has to "grow out of [its] branches" first. Mr. Branches then proceeds to tightly wrap its branch around Salad Fingers' stomach — although, it is implied that this entire scene was a fantasy, and not reality.
- A black slimy object that Salad Fingers "gives birth to" out of the front of his stomach in episode nine. The object may be a tumour that has caused Salad Fingers sickness as he feels better after 'giving birth' to her. She is implied that she is his long-awaited child, saying that he "yearned for [the] day" she would arrive. He cradles her and reads her a poem, during which he names it "Baby Yvonne" and tells it that it has its mother's eyes, when in fact it has no human features at all. Unhappy with it, Salad Fingers decides to give it to Aunty Bainbridge, but ends up forgetting that it's his daughter. He then proceeds to clean Aunty Bainbridge's window with it, believing it to be a sponge. After "washing" the window (when in fact he actually leaves it dirtier than before by covering it with black residue), Salad Fingers takes a "lunch break" and is seen eating a large submarine sandwich with a coffee cup nearby.
- Dr. Papanak
- A puppet Salad Fingers finds in some rubbish in Episode 10, over which he has considerably less control than any other puppet. He is seen (if only in Salad Fingers' mind) to sprout knives and slaughter a horse.
- Glass Mother
- An haggard old woman who lives in Salad Fingers' mirror. She is shown to be abusive towards Salad Fingers, frequently verbally assualting him, as well as forcing him to eat some sort of concoction that makes him sick. It is unclear as to whether she exists in reality or is simply another of Salad Fingers' hallucinations.
- Unnamed characters
- A young, relatively normal-looking child, wearing a varsity-type jacket whom Salad Fingers appears to have cooked in an oven in episode two.
- Salad Fingers has a crow "visit" for his picnic. Salad Fingers also ramblingly mentions he has an "old pal" named "Charlie" as well as a daughter, though neither of them are seen. It could be that neither of these characters are real or may have died in the supposed "Great War".
- Many humanoids resembling Salad Fingers, but with a unique face deformity. They all appear in episode ten where they attend Hubert Cumberdale’s Birthday.
Each episode is 2–14 minutes long. The narratives themselves are quite oneiric, have almost all spoken dialogue transcribed with on-screen squiggly text, and disjointed plot structures.
Episode 1 – Spoons
- Release date: 9 May 2004
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada (in particular, the song "Beware the Friendly Stranger")
This episode introduces Salad Fingers and his love of touching rusty spoons and other various rusty objects. He explains how touching any form of rust—including spoons, a door bell panel, and a kettle—stimulates him ("The feeling of rust against my salad fingers is almost orgasmic"), and that he holds a particular love of spoons. Salad Fingers walks to the house of a strange young boy to see if he has any rusty spoons; the child screeches two times, at which point Salad Fingers leaves, after asking to caress a rusty kettle that is on a table beside him.
Episode 2 – Friends
- Release date: 15 July 2004
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada and David Firth.
Salad Fingers has a get-together with his "friends"—finger puppets—whom Salad Fingers introduces as Hubert Cumberdale, Marjory Stewart-Baxter and Jeremy Fisher. He appears to believe that his "friends" are real, living beings. Wondering what his friends taste like, he briefly inserts them into his mouth, exclaiming that Marjory Stewart-Baxter tastes like "sunshine dust", while Hubert Cumberdale tastes like "soot and poo". Salad Fingers then tells them that he has a fish cooking in the oven and speaks a nonsensical phrase in French: "Allô Nabilah, Comment t'appelles-tu? Qu'est-ce qu'il y a?" This roughly translates to: "Hello Nabilah, What's your name? What's up (or What's the matter)?" (Nabilah is a popular first name in Algeria). In the next scene, a frightened child responds to Salad Fingers's call for help. Salad Fingers cannot reach the fish cooking in his oven and asks the child to get it for him. As the child reaches into the oven, Salad Fingers sees a rusty nail jutting out of the wall and reaches to caress it, causing the oven door to close with the child still inside. Salad Fingers then impales his finger on the spike and begins bleeding, blissfully saying "I like it when the red water comes out."
Salad Fingers turns pale and passes out. Apparently dreaming, Salad Fingers walks through a large meat locker singing "Somewhere Over the Rainbow" to himself. While inside, he meets a full-size Hubert Cumberdale, who screams a distorted electronic noise at him. When Salad Fingers awakens he sits in a pool of his own blood. The oven smokes as Salad Fingers states, "That fish smells about done," presumably forgetting the fact that it was the smoke from the child trapped in the oven that he'd forgotten about when 'dozing off'.
Episode 3 – Nettles
- Release date: 1 August 2004
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada, Brian Eno and a yoga flute.
Salad Fingers is playing with nettles and has irritated blisters all over his hands. He then comes across an empty perambulator, which he refers to as a "nettle carrier" and then leaves with it. A deformed armless man wearing an apron labelled "BBQ" appears and chases after Salad Fingers, screaming and babbling unintelligibly. Salad Fingers is sitting on the floor at his home and brushing the nettle over his nipple, which makes him lactate, and says "It seems... Nettles... have made the milk... drop out... from inside my teat!", when the armless man runs to Salad Fingers' house and begins to bang his head on the door. Salad Fingers daydreams of "happy times" (in which he and a life-sized version of the Hubert Cumberdale puppet are getting hair-dried). Eventually, Salad Fingers comes outside and finds the man dead on the floor, his head bloodied. He names the man "Milford Cubicle", despite the man's name tag reading "Harry". Believing that the man is alive, Salad Fingers drags "Milford" inside and hangs him on a meat hook on the wall. Salad Fingers then plays a merry tune on the flute, showing odd dexterity for having his hand covered in nettle sores. He then offers "Milford" a "warm glass of milk", which presumably is the milk that came out of his teat when he milked himself using the nettles.
Episode 4 – Cage
- Release date: 20 August 2004
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth, Christian "Crust" Pickup, and Jimi Mwng. Additional character design by Jimi Mwng. Music by Boards of Canada, Aphex Twin and David Firth.
Salad Fingers wears a beret and declares that he is going to try to find France. However, he is oddly frightened by a mutated boy with disproportionately large eyeballs that has been "watching him for a while". Salad Fingers becomes uncomfortable with the child's proximity and begins to leave. The boy, who speaks only in growls and grunts, approaches Salad Fingers, having apparently fallen in love with him. Salad Fingers holds out his hand to stop the boy coming closer, but the boy licks his hand, much to Salad Fingers' disgust and fear. Inside his house, Salad Fingers sees a grey woodlouse coming out from a hole in the wall. He addresses the bug as "Bordois" and his "little sister". After asking what "she" has been collecting, he acts as though the bug gives him a response. Salad Fingers announces his enjoyment in the bug's body and goes to touch it, accidentally crushing it and looking at it in curiosity which turns to disgust. He then says to Bordois that she's "gone flat" and become "all gooey", and that he "shalln't play with [her] again, until [she's] had a wash." Salad Fingers then hears a knock on the door, which he opens to find a "grubby tap" attached to a string on the ground. Salad Fingers becomes excited about this "gift" and begins to fantasize about taps. He attempts to fetch it, but it is drawn away on the string as bait. He is caught in a bear trap which causes him to lose blood and consciousness while savouring the desanguination blissfully. He wakes up in a cage, and enjoys rubbing the rusted bars. The grotesque boy approaches the cage and holds out a ring (on which is mounted a human tooth) as if proposing marriage. Salad Fingers becomes distraught, states "I don't like this game" and announces that he is "going home now". This angers the boy, who makes an unintelligible noise that sounds like "You're my wife now." A rope appears, hanging down from the ceiling, which Salad Fingers pulls to draw down a curtain. When the curtain lifts, the boy, seeing that Salad Fingers has disappeared, begins to cry. The episode closes with Salad Fingers, wearing his beret, flying away gleefully on a giant tap, presumably to France.
Episode 5 – Picnic
- Release date: 25 November 2004
- Credits: Designed, animated, voiced and written by David Firth. Additional writing and the voice of Mable by Christian "Crust" Pickup (who also plays MC Devvo). Music by Boards of Canada, Aphex Twin and David Firth.
Salad Fingers talks to an apparently broken and disconnected phone, asking the operator to connect him to his "old pal Charlie" so he can invite him to a picnic, but only garbled noises are heard. Whilst describing the picnic fare, Salad Fingers rubs his stomach in hunger, then claims to have been rudely disconnected. Hubert Cumberdale is on one of the fingers on Salad Fingers' other hand, but he seems dismayed to see him. Instead of referring to him as Hubert, he calls him "Barbara Logan-Price", and gives him a "friend-hat", which is a miniature captain's hat.
In the next scene, Salad Fingers wears a bridal train and talks to himself in a mirror, declaring "You look so beautiful" with Rhubarb by Aphex Twin playing in the background. He then goes outside for his picnic, which is attended by a strange crow (which appears in other David Firth cartoons) that makes garbled noises and a little girl with scars on her face, a filthy, stained pink dress and orange hair. Salad Fingers asks the orange-haired girl a question and answers it for her (as he seems to think that only he can speak), ending with "replied Mable". Salad Fingers calls her his new playmate and compliments her on her dress, and as he does this, Marjory Stewart-Baxter is seen in the window, jealous. Salad Fingers offers "Mable" some "Pease Pudding", which he feeds to her with a dirty, rusty spoon. The crow then swoops down and steals Salad Fingers's spoon.
Salad Fingers and the little girl giggle and she says that the crow must like spoons too. The shock of the girl speaking to him, thus meaning the girl is indeed real, not a figment of his imagination, drives Salad Fingers to temporary insanity, hallucinating, hearing screeching, distorted noises, and seeing the girl (complete with empty eye sockets in front of a vortex) saying, "What's wrong, Mr. Fingers? Do you not like my mouth-words? Naughty mouth".
Episode 6 – Present
- Release date: 24 July 2005
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada, Chris Gladwin and David Firth.
The episode begins with Salad Fingers walking about his house. He sees Hubert Cumberdale on top of a cupboard, and instructs the finger puppet to come down at once. Hubert turns into a black, viscous, and apparently caustic fluid and oozes down the cupboard. A silhouette is then seen walking through the house and Salad Fingers asks if somebody is there; it is, in fact, the Jeremy Fisher puppet on his finger. Salad Fingers remarks that he thought Jeremy was out "fighting the Great War". Jeremy Fisher/Salad Fingers responds in garbled gibberish which Fingers can't understand, musing that Fisher seems "to have adopted a strange dialect."
Another perspective shot shows Jeremy Fisher (now with arms) handing Salad Fingers a toy horse. Salad Fingers is pleased with the present, and remarks on the pleasing texture. He then eats Jeremy Fisher and immediately forgets, wondering "Where have you gotten to?" He begins to play with the toy horse while making "neigh" sounds, walks outside with it, and goes to an abandoned toilet with which he initiates a conversation. Suddenly, the mood changes and the music becomes sinister; he grows concerned and he begins defending himself, saying "You've got the wrong bloke, squire." He then flushes the toilet to "wash those bad thoughts away".
Upon arriving home, Salad Fingers gasps and sees himself sitting inside. The Salad Fingers inside appears to be hallucinating, seeing the "outside" Salad Fingers as a life-size Jeremy Fisher. The "inside" Salad Fingers speaks in a slightly different voice and also has rougher text showing what he is saying. The conversation starts off just like the earlier one with Jeremy Fisher, but goes on to include accusations that Jeremy Fisher has been "tailgating [his] daughter with aspirations of deflowering her rose". This appears to be the other "side" of the conversation Salad Fingers had into the toilet.
The inside Salad Fingers is now seen with the Jeremy Fisher finger puppet. Fisher never responds verbally, but at one point unfastens a clasp over his mouth from which green ooze bubbles and drips to the floor. Salad Fingers caresses Fisher's hair and remarks that he never did "sample the delights of your flavor", a reference to when he tasted his other two "friends" Hubert Cumberdale and Marjory Stewart-Baxter in episode two. He begins putting the finger-puppet in his mouth, but the scene quickly changes to a bloody scene of the "inside" Salad Fingers eating the "outside" Salad Fingers' head/brains, suggesting that Salad Fingers is actually experiencing the personalities he invents. The episode ends with an external shot of the house panning back to reveal the toilet, possibly implying a sinister connection, or past trauma involving the fixture.
Episode 7 – Shore Leave
- Release date: 28 January 2006
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth, Christian Pickup and Jimi Mwng. Music by Boards of Canada, Chris Gladwin and Brian Eno.
As Salad Fingers is digging holes outside with his finger puppets, occasionally tasting the sand (which he calls "floor sugar"), he finds the decomposing torso of an old corpse. Salad Fingers immediately "recognizes" the cadaver as "Kenneth," his "younger brother" who is back from the previously mentioned "Great War" on shore leave. Salad Fingers pulls the gruesome, dismembered corpse out of the hole, saying it was rude of him to leave for "the Great War" without him, but promises to draw him a hot bath.
The next scene shows Salad Fingers turning a cog which pulls a clothesline, drawing Kenneth out of a wardrobe, now dressed in a white dinner jacket. He starts to talk about life with the women of the great war. Salad Fingers has prepared a dinner of sand for his guest, saying "I—hope you like... SAND". At one point Kenneth slumps forward, prompting Salad Fingers to suppose that he's sleepy and props Kenneth up by inserting a "wooden dent-rail" into his empty socket. He also spills some tea, which resembles the black caustic goo from the previous episode, on Kenneth's hand. Salad Fingers tells Kenneth of his life, keeping busy with "every shift I can... [and] sing[ing] at all the functions". There is a flashback in which Salad Fingers measures the distance from his door to a tree named "Mr. Branches" with a clickwheel and subsequently teases it for its slow movement.
It is now evening, and Salad Fingers is with Kenneth outside near the same hole he found him in. He cries over the fact that Kenneth has to go "back to the ghastly trenches". He salutes Kenneth and sings "We'll Meet Again" for him, after exclaiming, somewhat futilely, "I only ask that our creator return you unspoilt from the cruel hand of war". He then kicks Kenneth back into the hole. A dream-like sequence follows in which Salad Fingers sings the same song, in a white dress, on a stage in front of an audience of a theatre. After singing a few strains, he complains to the pianist – who is shown as the silhouette of a marionette, with strings attached – that the key is wrong, walks off the stage, and the screen fades to black.
In this episode Salad Fingers mentions the Scottish town of Cowdenbeath, indicating he is aware of real-life places.
Episode 8 – Cupboard
- Release date: 22 September 2007
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada, Lustmord and dyzv0r
Salad Fingers is sitting in his armchair, trying to tune his radio which he calls "Roger." If he is lucky, Salad Fingers says he may chance upon a broadcast from "Croxley", which so happens to be a small town in Hertfordshire. "Croxleyheath" also occurs in Shore Leave. After feeding Roger his "sustenance" (which seems to be marbles, peas, rocks or beans), it begins to emit a strange, piercing frequency. A gurgling sound comes from Salad Fingers' own stomach, insinuating upset in reaction to the "unpleasant frequencies" coming from the radio. He decides to wait out the tormenting event in his "safety cupboard."
When in the cupboard, Salad Fingers begins to converse with his hands. One hand enacts "Penny Pigtails," the other a market vendor. The "market vendor" refuses to sell raspberry jam to "Penny Pigtails" on the grounds that her legs are "made of cotton" and "far too long" (an event that Salad Fingers finds most upsetting). After Salad Fingers cries for a bit, "Penny Pigtails" discovers a long strand of hair, which Salad Fingers rubs over his eyeball, apparently causing him great pleasure although it makes his eye red and inflamed. After emerging from the cupboard, he tapes the hair to a wall with four other hairs of assorted colours that he has collected. Salad Fingers speaks to the hairs, calling them "beautiple" and "a gay little quintette". Next, he goes to bed with the Hubert Cumberdale puppet. Before going to sleep, Salad Fingers sings "Three in the Bed," and instructs Hubert Cumberdale to "roll over"; as a result, the finger puppet is sent off the bed into a bowl of a filthy, brown substance (likely a chamberpot). Salad Fingers orders Hubert Cumberdale to "scrub that muck off at once!" as he doesn't want any "dirty immigrants" in his house.
Later that night, the radio begins to emit strange sounds again and wakes up Salad Fingers. Salad Fingers approaches it warily and threatens Roger with expulsion from the house. The radio replies it was rude of Salad to take his hair. The radio speaks in a static voice, instructing Salad Fingers to return its hair, as well as to tidy the house. Salad Fingers declares that he "shan't, can't and won't", on the grounds that it isn't "his turn" and that it is an extremely unpleasant job. The radio continues to torment him, causing him to eat all of the hairs from his quintet, tape and all, and return to his cupboard in tears.
Episode 9 – Letter
- Release date: 26 May 2011
- Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Markus Fjellström.
Salad Fingers is holding a piece of torn newspaper, imagining it is a letter from the Great War (presumably from his "brother") and reading it aloud to himself. As he reads, a tentacle-like branch snakes in through the door to Salad Fingers' bedroom. Salad Fingers picks up the branch and bites off the tip, resulting in something sobbing "Daddy, that really hurt!" off-screen. Salad Fingers goes to the window and sees the branch-tentacle being retracted into the tree outside. He walks out to the tree, calling it "Mr. Branches" and has a conversation with it about its injury, apparently forgetting it was he himself that bit it. The tree cries, calling Salad Fingers "Daddy" and asking to be let inside, but Salad Fingers refuses until it "grows out of those branches". The tree wraps a branch around Salad Fingers' waist (it is slightly implied that the tree rapes him).
Salad Fingers wakes up in his room, very pale and his stomach growling. Salad Fingers worries that he may be dying and taps out an S.O.S. on the metal fire grate beside him. Suddenly a strange gooey black mass bursts out of his stomach, causing him to pass out. This mass, and the goo that surrounds Salad Fingers on a puddle on his bed, bears a strong resemblance to the 'tea' in 'Shore Leave', and the goo that Hubert Cumberdale turns into in 'Present'.
When he wakes up, he is overjoyed, and believes he has given birth to a daughter whom he names Yvonne. Sitting in a wheelchair and appearing to feel better despite his wound, he pulls back the skin of one finger revealing a strange solid tip and dips it in ink to write a "letter," or at least what he thinks is one, since he reads it aloud, consisting only of scribbles. It says he cannot attend the Great War as he is still feeling "under the weather". He keeps Yvonne (which appears to be wrapped in a bundle of newspapers) down in a pit and tells her off for not doing her exercises. When Yvonne refuses to respond to Salad Fingers' coaching, he addresses Marjory Stewart-Baxter, expressing his disappointment in 'their' child.
The scene then switches back to Salad Fingers lying on the floor, pale, with his stomach still wounded, and seems to be pumping air into his chest, suggesting that he's relapsed into illness. He tells Yvonne he may be too ill to care for her and speaks for her as he usually does for his other inanimate characters, saying "That's a shame; you were doing a first-rate job". He then taps another message on the fire grate, requesting a home for "a meddlesome child".
Salad Fingers is then outside in his wheelchair with Yvonne in a bucket, looking healthier once again, telling her that "good old Aunty Bainbridge" has agreed to look after her. He arrives at the house from episode 1, where the small, yellow-skinned human-like creature with big eyes lives. Salad Fingers refers to the creature as "Aunty Bainbridge" and asks for a hug, but the creature takes a step back and makes an odd wailing noise, as it did in 'spoons'. Salad Fingers recalls some memories of Aunty Bainbridge "all in faded days".
Salad Fingers then appears to forget his reason for visiting, and, noticing the bucket of black ooze on his lap, claims he has come to clean the windows, apparently forgetting who/what Yvonne is. Using the bundle/Yvonne, he smears the windows with black ooze as the yellow creature looks on. Job done, Salad Fingers begins to eat a sandwich, while Aunty Bainbridge returns to the house.
Episode 10 – Birthday
- Release date: 24 November 2013
- Credits: Written, drawn, animated and voiced by David Firth with additional attribution to Christian Webb and Jimlad Hollis
Salad Fingers is making preparations for Hubert Cumberdale's birthday. He addresses "Milford Cubicle", still hanging from the meat hook he was placed upon in Episode 3, trying to persuade the now heavily decayed corpse to take a bath for Hubert Cumberdale's birthday. A knock on the door leads Salad Fingers outside, only to encounter a long, thick metal pole stretching upwards further than the eye can see. Perplexed and irritated by the pole, which he attempts to question, he goes back indoors and causes Milford to fall from his hook while berating him. He reveals the ability to widen his irises and cause his teeth to move, making a music box-like tune, by moving his hand at the side of his head as though turning a handle. When this fails to rouse his lifeless friend, he decides to leave the house, leaving "Horace Horsecollar", the toy horse that appeared in Episode 6, "in charge".
The scene cuts to Salad Fingers walking through a misty forest full of leafless trees, revealing the search for a doctor as his motive to Hubert Cumberdale. He finds a vessel, perhaps a skip or broken pram, full of rubbish and starts rummaging around inside it. He finds a grotesque doctor puppet, which is self-animated and growling with gnashing teeth, that has bent hooks and springs for hands. He refers to the puppet as "Dr. Papanak", and lies down on a large slab resembling a tombstone for an examination (seemingly forgetting that the doctor was meant to examine "Milford Cubicle"). Salad Fingers initially seeming to relish the examination, until Dr. Papanak bites into the side of his head. He throws the puppet away in fear, only for it to sprout knives and latch onto a nearby horse closely resembling "Horace Horsecollar". Dr. Papanak tears away savagely at the horse's side. Salad Fingers's fear fades away on seeing this; he tries to comfort the horse, acknowledging that the doctor is hurting it, but tells it to try and be still whilst the doctor eats its blood. The horse is shown weeping a tear down its face but makes no movement or resistance.
The scene fades out, and returns to Salad Fingers, awake and still lying on the tombstone. The forest is now leafy, and an entire new tree has sprouted up through a crack in the slab between Salad Finger's legs. Salad Fingers looks older, is unshaven, and his clothes are partially torn and muddied. He speculates that he has been asleep "for six Mondays". There is no sign of the horse or of Dr. Papanak, although Hubert Cumberdale is seen lying on the ground, also peculiarly aged, and surrounded by twigs. Salad Fingers returns home (the great pole is missing) to find multiple horses in his house, including one that resembles the horse attacked by Dr. Papanak and which has had its wound patched shut. Accusing his toy horse Horace of inviting too many guests, he searches through his cupboards and drawers to find many horses improbably crammed in, and is distressed to discover Milford Cubicle as a skeleton. He drives the horses out, imagining them to have eaten him, only to encounter the mysterious pole he had seen earlier outside his house has returned.
While accusing the pole of being involved in the previous events, Salad Fingers loses focus when he spots, a little way away from him, a group of people gathered around a table. Referring to them as "the whole platoon" (another ambiguous war reference), he approaches to reveal that each of the five guests is a deformed version of himself (not looking aged and unshaven as he does), each eating brains and bodily organs while groaning or performing repetitive and deranged actions. At this point, he appears to forget that the party was for Hubert, and nervously assumes the birthday seat for himself. Suddenly, the pole lowers itself into the ground to reveal a wrapped up present on the top of it, which he excitedly unwraps; only one of the clone-guests looks at him while he does this. He opens the present and finds a hat made from what is clearly Milford Cubicle. His BBQ apron, face, and skin can be clearly seen on it. He says "I shall wear it from here to the grave. What a truly special day." He puts it on while atmospheric music plays. The camera then begins to zoom back, until the screen slowly fades to black.
Notes: On 28 June 2013 Firth posted on his site Fat-Pie that a "brand new episode of Salad Fingers" would become available upon listening to the latest episode of his audio sketch Waller FM. The name of the episode was revealed by Firth himself in a YouTube interview.
Episode 11 – Glass Brother
Release date: 30 January 2019
Several YouTubers developed extensive theories in an attempt to decipher the potential hidden meanings and symbolics in the series, including The Film Theorists in a three-part series, CP Games, and ReignBot among others.
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