|Born||25 August 1949|
|Years active||mid-70s - in activity|
|Associated acts||Martin Solveig|
Salif Keïta (IPA: [salif keita]) (born 25 August 1949) is an African singer-songwriter from Mali. He is notable not only because of his reputation as the "Golden Voice of Africa" but also because he has albinism. He is a member of the Keita royal family of Mali.
Salif Keita was born a traditional prince in the village of Djoliba. He was born to the Keita royal family, who trace their lineage to Sundiata Keita, founder of the Mali Empire. He was cast out by his family and ostracized by the community because of his albinism, a sign of bad luck in Mandinka culture. He decided to pursue music in his teenage years, further distancing him from his family as that was against occupational prohibitions of his noble status. In 1967, he left Djoliba for Bamako, where he joined the government-sponsored Super Rail Band de Bamako. In 1973, Keita joined the group Les Ambassadeurs (du Motel de Bamako). Keita and Les Ambassadeurs fled political unrest in Mali during the mid-1970s and subsequently changed the group's name to Les Ambassadeurs Internationaux. The reputation of this band grew internationally in the late-1970s, leading to Keita pursuing a solo career in the following years.
Due to political unrest, Keita and his band-mates fled Mali in the mid-1970s. They settled in Abidjan, Ivory Coast, where they struggled financially and often had to rent equipment to perform shows. The band (now named Les Ambassadeurs Internationaux) steadily grew in popularity in the ensuing years. Their 1978 album, Mandjou, became an overnight success in West Africa.
In 1976, Sékou Touré, the President of Guinea, made Keita an Officer of Guinea's National Order of Merit. The President had been a fan of Keita and the band's since they met at an official visit in 1974. Touré had remained a fan and supporter even after they fled Mali. Wanting to reciprocate the honour, Keita composed the track "Mandjou" (featured on the eponymous 1978 album) as a praise song for Touré. However by the time the song was released, Touré had completely resorted to authoritarian rule and plunged his country into bloodshed and chaos. Keita still performs rearranged versions of "Mandjou".
At that time, Keita was famous in Africa and had a strong fan base among connoisseurs around the world. Soro became his international-breakthrough album in 1987. The project was produced by Ibrahima Sylla, a visionary who had already discovered dozens of African stars (and would later become the driving force behind Africando). The arrangements featured roiling rhythms, slightly nasal female backup choirs, and traditional percussion typical of Malian music.
Musical instruments that are commonly featured in Keita's work include balafons, djembes, guitars, koras, organs, saxophones, and synthesizers. He performed at the Nelson Mandela 70th Birthday Tribute concert in 1988 to call for Nelson Mandela's release from prison. In 1990, Keita contributed "Begin the Beguine" to the Cole Porter tribute/AIDS benefit album Red Hot + Blue, produced by the Red Hot Organization.
Keita found success in Europe as one of the African stars of world music, but his work was sometimes criticised for the gloss of its production and for the occasional haphazard quality. However, shortly after the turn of the millennium he returned to Bamako in Mali to live and record. His first work after going home, 2002's Moffou, was hailed as his best album in many years, and Keita was inspired to build a recording studio in Bamako, which he used for his album M'Bemba, released in October 2005.
Keita's album La Différence was produced around the end of 2009. The work is dedicated to the struggle of the world albino community (victims of human sacrifice), for which Keita has been crusading all his life. In one of the album's tracks, the singer calls others to understand that "difference" does not mean "bad" and to show love and compassion towards albinos like everyone else: "I am black/ my skin is white/ so I am white and my blood is black [albino]/...I love that because it is a difference that's beautiful", "some of us are beautiful some are not/some are black some are white/all that difference was on purpose...for us to complete each other/let everyone get his love and dignity/the world will be beautiful."
La Différence was recorded between Bamako, Beirut, Paris, and Los Angeles. This unique musical feel is reinforced by soulful pitches in the track "Samigna" emanating from the trumpet of the great Lebanese jazzman Ibrahim Maalouf.
La Différence won Keita one of the biggest musical awards of his career: the Best World Music 2010 at the Victoires de la musique.
In 2013, after what he described as "threats" from the Boycott, Divestment and Sanctions campaign, he cancelled a performance in Israel. He later published a letter on his Facebook page, stating that he decided to cancel the event because he was scared of "being harmed personally or professionally", but clarified that he still "love[d] Israel", slamming BDS as an "extremist group" who used "scare tactics and bullying".
- Mandjou - 1978
- Seydou Bathili – 1982
- Soro – 1987 – Mango
- Ko-Yan – 1989 – Mango
- Amen – 1991 – Mango
- Destiny of a Noble Outcast – 1991 – PolyGram
- 69–80 – 1994 – Sonodisc
- Folon – 1995 – Mango
- Rail Band – 1996 – Melodie
- Seydou Bathili – 1997 – Sonodisc
- Papa – 1999 – Blue Note
- Mama – 2000 – Capitol
- The Best of Salif Keita – 2001 – Wrasse Records
- Sosie – 2001 – Mellemfolkeligt
- Moffou – 2002 – Universal Jazz France
- Salif Keita The Best of the Early Years – 2002 – Wrasse Records
- Remixes from Moffou – 2004 – Universal Jazz France
- M'Bemba – 2005 – Universal Jazz France
- The Lost Album – 1980 (reissued 2005) – Cantos
- La Différence – 2009 – Emarcy
- Talé – 2012 – with Philippe Cohen-Solal
- Un Autre Blanc – 2018 Naïve Records
Many compilations are available as well
- "Yamore" (2002) (with Cesaria Evora)
|2002||"Yamore" (with Cesaria Evora)|
- Colin Larkin, ed. (1992). The Guinness Encyclopedia of Popular Music (First ed.). Guinness Publishing. pp. 1350/1. ISBN 0-85112-939-0.
- Lindiwe Dovey African Film and Literature: Adapting Violence to the Screen 2009 – Page 268 "He describes the first screening of La Genèse in Mali, in Salif Keïta's home village (Djoliba), as one entailing... Sissoko says that the violence between farmers and stockbreeders in Salif Keïta's region, and the state violence against nomadic..."
- "Artist Profile – Salif Keita". Archived from the original on March 24, 2006.
- "Salif Keita | Biography, Music, & Facts". Encyclopedia Britannica. Retrieved 2021-08-27.
- "Quatre filles handicapées en or". Le Parisien (in French). November 20, 2008.
- "Salif Keita: 'Mandjou', a griot's praise song for a president". The Africa Report.com. 2021-06-30. Retrieved 2021-08-27.
- AllMusic review
- Denselow, Robin (April 5, 2002). "The African King". The Guardian. Retrieved January 11, 2015.
- Ali Abunimah (August 22, 2013). "Afropop star Salif Keita cancels Israel gig after boycott calls". electronicintifada.net. Retrieved August 22, 2013.
- Bederman, Diane (2013) The Group Scaring Celebs Away From Israel HuffPost
- "Salif Keita's incomparable call". Africasacountry.com. Retrieved 2019-10-30.
- Salif Keita Discography Compiled by Graeme Counsel, Radio Africa. Retrieved 20 April 2009
- Cherif Keita, Outcast to Ambassador: The Musical Odyssey of Salif Keita CreateSpace Independent Publishing Platform (February 1, 2011) At minute 45 of this interview, Cherif Keita begins talking about Salif Keita.