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The saltarello is a musical dance form originally from Italy. The first mention of it is in Add MS 29987, a fourteenth-century manuscript probably of Tuscan origin, now in the British Library. It was played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb saltare ("to jump"). This characteristic is also the basis of the German name Hoppertanz or Hupfertanz ("hopping dance"); other names include the French pas de Brabant and the Spanish alta or alta danza.
The saltarello enjoyed great popularity in the courts of medieval Europe. During the 15th century, the word saltarello became the name of a particular dance step (a double with a hop on the final or initial upbeat), and the name of a meter of music (a fast triple), both of which appear in many choreographed dances. Entire dances consisting of only the saltarello step and meter are described as being improvised dances in 15th century Italian dance manuals. (The first dance treatise that dealt with the saltarello was the 1465 work of Antonio Cornazzano.) A clearer, detailed description of the this step and meter appears in a 16th-century manuscript in the Academia de la Historia in Madrid. During this era, the saltarello was danced by bands of courtesans dressed as men at masquerades. The saltarello gave birth to the quadernaria in Germany, which was then fused into the saltarello tedesco (German saltarello) in Italy. This "German saltarello", in contrast to the Italian variety, was in duple time and began on the downbeat, and was also known by the name quaternaria.
Saltarello as a folk dance
|This section does not cite any references or sources. (June 2015)|
Although a Neapolitan court dance in origin,[contradiction] the saltarello became the typical Italian folk dance of Ciociaria and a favorite tradition of Rome in the Carnival and vintage festivities of Monte Testaccio. After witnessing the Roman Carnival of 1831, the German composer Felix Mendelssohn incorporated the dance into the finale of one of his masterpieces, the Italian Symphony. The only example of a saltarello in the North is saltarello romagnolo of Romagna.
The saltarello is still a popular folk dance played in the regions of Southern-Central Italy, such as Abruzzo, Molise (but in these two regions the name is feminine: Saltarella), Lazio and Marche. The dance is usually performed on the zampogna bagpipe or on the organetto, a type of diatonic button accordion, and is accompanied by a tamburello.
The principal source for the medieval Italian saltarello is the Tuscan manuscript Add MS 29987, dating from the late 14th or early 15th century and now in the British Library. The musical form of these four early saltarelli is the same as the estampie.
Saltarello in classical music
- Tielman Susato included a saltarello in Het derde musikboexken: Danserye (1551)
- A guitar piece entitled "Saltarello" is attributed to Vincenzo Galilei, written in the 16th century
- Odoardo Barri: Six morceaux de salon, for alto-viola and piano (no. 6 is a saltarello)
- Felix Mendelssohn-Bartholdy used the Saltarello for the fourth movement of his Symphony No. 4 "Italian"
- Fanny Mendelssohn Hensel: Il saltarello romano, for piano, Op. 6, No. 4
- Charles-Valentin Alkan wrote a "Saltarelle" Op. 23, and in the final movement of his Sonate de Concert Op. 47 for piano and cello, "Finale alla Saltarella"
- Berlioz used a saltarello in the Carnival scene of Benvenuto Cellini which was reprised in the Roman Carnival Overture.
- Joachim Raff: Saltarello, for piano, Op. 108
- Charles Gounod: Saltarello for orchestra
- Camille Saint-Saëns: Saltarelle, for men's choir, Op. 74
- Eugène Ketterer: Saltarelle, for piano, Op. 266
- Daniel van Goens: Saltarello for cello and piano, Op. 35
- Ernst Haberbier: Saltarello for piano. Op. 54
- Max Mayer: Fünf Klavierstücke, Op. 6 (no. 3 is "Alla saltarello")
- F. Laurent-Rollandez: Saltarello for piano, Op. 18
- Franz Ries: Nocturne et Saltarello, for violin and piano
- S. B. Mills: Saltarello, for piano, Op. 26
- Bernhard Molique: Saltarella, for violin and piano, Op. 55
- H. T. Manicus: Saltarello, for piano
- George Grothe: Saltarello Galop, for piano
- Emil Kronke: Saltarello, for piano, Op. 32
- George Frederick Bristow: Saltarello, for piano
- August Marten: 4 Charakterstücke for violin and piano, Op. 8 (no. 2 is a saltarello)
- Georg Goltermann: Saltarello, for cello and piano, Op. 59, No. 2
- Gustav Satter: Saltarello, for piano, Op. 147
- Gabriel Verdalle: Salatarello for solo harp, Op. 23
- One of Frank Bridge's Miniatures for Piano Trio is a saltarello (No 5)
- Jean Antiga: Saltarello: danse italienne, for piano
- George Enescu: Nocturne et Saltarello, for cello and piano
- Theodor Kullak: Saltarello di Roma, for piano, Op. 49
- Carl Gottschalksen: Saltarello: Sorento ved Napoli: Italiensk Suite 3, for piano
- Edward German: Saltarello, for flute or piccolo and piano
- Anton Strelezki: Saltarello, danza napolitana, for piano, Op. 18
- Henri Piccolini: Saltarello one-step, for orchestra
- Sydney Smith: Saltarello, for piano four-hands
- Jules Demersseman: Solo de Concert, Op. 82 No. 6 for flute and piano. The closing movement is entitled Saltarello
- Leonardo De Lorenzo: Saltarello, for flute, op. 27
- Paul Mason: Saltarello, for piano
- Émile-Robert Blanchet: Saltarello, for piano
- Anton Schmoll: Saltarello, for piano, Op. 50, No. 19
- Jeraldine Saunders Herbison: Saltarello, for cello and piano, Op. 30, no. 2
- Maurice Jean Baptiste Ghislain Guillaume: Capriccietto, Canzona, and Saltarello, for clarinet and piano, Op. 23
- Guido Papini: Saltarello (Souvenir de Sorrento), for violin and piano, Op. 55, No. 2
- Charles Robert Yuille-Smith: Saltarello, for cello and piano
- Adolf Terschak: Saltarella for flute, 'cello, piano, Op. 20
- Charles Spinks: Dance Suite, for piano, Op. 12 (second movement is a saltarello)
- Bernard Wagenaar: Saltarello for piano
- Germain Digmeloff: Pour un anniversaire: Saltarello
- Kris Dorsey: Shanty Saltarello (What Can You Do with a Drunken Sailor?), for brass quintet
- Malcolm Forsyth: Saltarello for brass quintet
- Robert Planel: Prélude et saltarelle, for alto saxophone and piano
- Lauren Bernofsky: Saltarello for C (or E♭) trumpet and piano
- Jean-François Michel: Intrada, canzonetta e saltarello, for B♭ cornet or trumpet and piano
- Antonius Streichardt: Saltarello, for Zupforchester
Saltarello in contemporary music
|This section does not cite any references or sources. (June 2015)|
Besides ensembles for historically informed performance, within the last 20 years this piece[clarification needed] was also arranged by several rather modern ensembles of gothic, metal, neoclassical and romantic medieval music.[clarification needed] One notable example is the song Saltarello from the Aion album by the alternative-romantic[clarification needed] band Dead Can Dance, which might actually be a misinterpretation as the song uses a common time rather than expected 6
8. Interpretations by the Polish jazz pianist Leszek Możdżer, Chilean early music ensemble Calenda Maia and English guitarists John Renbourn and John Williams can also be found.
Interpretations by Italian musician Angelo Branduardi can also be found in his songs "Il trattato dei miracoli", "Pioggia", "Saltarello, Lamento di Tristano e Rotta". Composer Jesper Kyd also composed a track called "Meditation Begins" for the Assassin's Creed video-game score that is a saltarello-type arrangement with an ominous overtone, a sample of which can be heard at the page for the score.[where?] In the game's sequel it can also be heard in the carnival part of Venice.
- Meredith Ellis Little ([n.d.]). "Saltarello", in: Deane Root (ed.), Grove Music Online. Oxford Music Online. Oxford; New York: Oxford University Press. Accessed June 2015. (subscription required).
- Alfred Blatter (2007). Revisiting Music Theory: A Guide to the Practice. Abingdon; New York: Routledge. p 28. ISBN 9780415974394.
- Curt Sachs (1937). World History of the Dance, translated by Bessie Schönberg. New York: W. W. Norton & Company Inc. p 323.
- Curt Sachs (1937). World History of the Dance, translated by Bessie Schönberg. New York: W. W. Norton & Company Inc. p 294.
- Curt Sachs (1937). World History of the Dance, translated by Bessie Schönberg. New York: W. W. Norton & Company Inc. p 324.