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Samye (Tibetan: བསམ་ཡས་, Wylie: bsam yas, Chinese: 桑耶寺) was the first gompa (Buddhist monastery) built in Tibet. It was probably first constructed between 775-9 under the patronage of King Trisong Detsen of Tibet who sought to revitalize Buddhism, which had declined since its introduction by King Songtsen Gampo in the 7th century. The monastery is in Dranang, Lhoka. It was supposedly modeled on the design of Odantapuri in what is now Bihar, India.
According to tradition, the Indian monk Śāntarakṣita made the first attempt to construct the monastery while promoting his sutra-centric version of Buddhism. Finding the Samye site auspicious, he set about to build a structure there. However, the building would always collapse after reaching a certain stage. Terrified, the construction workers believed that there was a demon or obstructive tulku in a nearby river making trouble.
When Shantarakshita's contemporary Padmasambhava arrived from northern India, he was able to subdue the energetic problems obstructing the building of Samye. According to the 5th Dalai Lama, Padmasambhava performed the Vajrakilaya dance and enacted the rite of namkha to assist Trisong Detsen and Śāntarakṣita clear away obscurations and hindrances in the building of Samye:
The great religious master Padmasambhava performed this dance in order to prepare the ground for the Samye Monastery and to pacify the malice of the lha [local mountain god spirits] and srin [malevolent spirits] in order to create the most perfect conditions." He went on to say that after Padmasambhava consecrated the ground he erected a thread-cross — a web colored thread woven around two sticks — to catch evil. Then the purifying energy of his dance forced the malevolent spirits into a skull mounted on top of a pyramid of dough. His tantric dance cleared away all the obstacles, enabling the monastery to be built in 767. The dance was memorialized by the construction of Vajrakilaya stupas — monuments honoring the ritual kilya (purba) daggers — at the cardinal points of the monastery, where they would prevent demonic forces from entering the sacred grounds.)
The abovementioned quotation makes reference to the relationship of the kīla to the stupa and mentions torma and namkha. Moreover, the building of Samye marked the foundation of the original school of Tibetan Buddhism, the Nyingma. This helps explain how Padmasambhava's Tantra-centric version of Buddhism gained ascendence over the sutra-based teaching of Śāntarakṣita.
Pearlman succinctly charts the origin of the institution of the Nechung Oracle:
When Padmasambhava consecrated Samye Monastery with the Vajrakilaya dance, he tamed the local spirit protector, Pehar Gyalpo, and bound him by oath to become the head of the entire hierarchy of Buddhist protective spirits. Pehar, later known as Dorje Drakden, became the principal protector of the Dalai Lamas, manifesting through the Nechung Oracle.
The original buildings have long disappeared. They have been badly damaged several times — by civil war in the 11th century, fires in the mid 17th century and in 1826, an earthquake in 1816, and in the 20th century, particularly during the Cultural Revolution. As late as the late 1980s pigs and other farm animals were allowed to wander through the sacred buildings. Each time it has been rebuilt, and today, largely due to the efforts of Choekyi Gyaltsen, 10th Panchen Lama from 1986 onward, it is again an active monastery and important pilgrimage and tourist destination.
Debate at Samye or the Council of Lhasa
As is well known, the fate of Chan in Tibet was said to have been decided in a debate at the Samye monastery near Lhasa in c.792-797.
Broughton identifies the Chinese and Tibetan nomenclature of Moheyan's teachings and identifies them principally with the East Mountain Teaching:
Mo-ho-yen's teaching in Tibet as the famed proponent of the all-at-once gate can be summarized as "gazing-at-mind" ([Chinese:] k'an-hsin... [...] [Tibetan:] sems la bltas) and "no examining" ([Chinese:] pu-kuan [...] [Tibetan:] myi rtog pa) or "no-thought no-examining" ([Chinese:] pu-ssu pu-kuan... [...] [Tibetan:] myi bsam myi rtog). "Gazing-at-mind" is an original Northern (or East Mountain Dharma Gate) teaching. As will become clear, Poa-t'ang and the Northern Ch'an dovetail in the Tibetan sources. Mo-ho-yen's teaching seems typical of late Northern Ch'an. Mo-ho-yen arrived on the central Tibetan scene somewhat late in comparison to the Ch'an transmissions from Szechwan.
The great debate of the Council of Lhasa between the two principal debators or dialecticians, Moheyan and Kamalaśīla is narrated and depicted in a specific cham dance once held annually at Kumbum Monastery in Qinghai.
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Samye Monastery is laid out on the shape of a giant mandala, with the main temple representing the legendary Mount Meru in the centre. Other buildings stand at the corners and cardinal points of the main temple, representing continents and other features of tantric Buddhist cosmology.
In corners are 4 chörtens - white, red, green (or blue) and black. There are 8 main temples:
- Dajor ling བརྡ་སྦྱོར་གླིང་ (brda sbyor gling)
- Dragyar ling སྒྲ་བསྒྱར་གླིང་ (sgra bsgyar gling)
- Bétsa ling བེ་ཙ་གླིང་ (be tsa gling)
- Jampa ling བྱམས་པ་གླིང་ (byams pa gling)
- Samten ling བསམ་གཏན་གླིང་ (bsam gtan gling)
- Natsok ling སྣ་ཚོགས་གླིང་ (sna tshogs gling)
- Düdül ling བདུད་འདུལ་གླིང་ (bdud 'dul gling)
- Tamdrin ling རྟ་མགྲིན་གླིང་ (rta mgrin gling)
The main temple is full of Tibetan religious art in mural and statue forms, as well as some important relics. Many Tibetan Buddhists come on pilgrimage to Samye, some taking weeks to make the journey.
- Dorje (1999) p. 172.
- Yeshe Tsogyal (2004). The Lotus-born: The Life Story of Padmasambhava. Rangjung Yeshe Publications. p. 290. ISBN 978-962-7341-55-0.
- Pearlman, 2002: p.18
- Rene de Nebesky-Wojkowitz, Tibetan Religious Dances (The Hague:Mouton, 1976) p.113
- Yeshe Tsogyel, The Life and Liberation of Padmasambhava, 2 vols., trans. Kenneth Douglas and Gwendolyn Bays (Berkeley: Dharma Publishing, (1978) p.384
- Pearlman, Ellen (2002). Tibetan Sacred Dance: a journey into the religious and folk traditions. Rochester, Vermont, USA: Inner Traditions. ISBN 0-89281-918-9, p.94
- Dorje (1999), p. 173.
- Adamek, Wendi Leigh (2007). The mystique of transmission: on an early Chan history and its contexts. Columbia University Press. ISBN 0-231-13664-1, ISBN 978-0-231-13664-8. Source:  (accessed: Saturday April 17, 2010), p.288
- Jeffrey Broughton (1983). Gimello, Robert M; Gregory, Peter N, eds. Studies in Chʻan and Hua-yen (3. print. ed.). Honolulu: University of Hawaii Press. p. 9. ISBN 978-0-8248-0835-8. Retrieved 17 October 2014.
- Roccasalvo, Joseph F (October 1980). "The debate at bsam yas: religious contrast and correspondence". Philosophy East and West. The University of Press of Hawaii. 30 (4): 505–520. doi:10.2307/1398975. Retrieved 17 October 2014.
- Dorje, Gyurme. (1999). Footprint Tibet Handbook with Bhutan. 2nd Edition. Footprint Handbooks Ltd. ISBN 0-8442-2190-2.
- Dowman, Keith. (1988) The Power-places of Central Tibet. Routledge & Kegan Paul. London & New York. ISBN 0-7102-1370-0.
- Rene de Nebesky-Wojkowitz, Tibetan Religious Dances (The Hague:Mouton, 1976)
- Yeshe Tsogyel, The Life and Liberation of Padmasambhava, 2 vols., trans. Kenneth Douglas and Gwendolyn Bays (Berkeley: Dharma Publishing, 1978)
- Pearlman, Ellen (2002). Tibetan Sacred Dance: a journey into the religious and folk traditions. Rochester, Vermont, USA: Inner Traditions. ISBN 0-89281-918-9
- Luke Wagner and Ben Deitle (2007). Samyé
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