|A Song of Ice and Fire character
Game of Thrones character
Sophie Turner as Sansa Stark
A Game of Thrones (1996)
"Winter Is Coming" (2011)
|Created by||George R. R. Martin|
|Portrayed by||Sophie Turner
Game of Thrones
|Title||Lady of Winterfell (television adaptation only)|
|Spouse(s)||Tyrion Lannister (unconsummated)
Ramsay Bolton (television adaptation only)
|Relatives||Ned Stark (father)
Catelyn Stark (mother)
Robb Stark (brother)
Arya Stark (sister)
Bran Stark (brother)
Rickon Stark (brother)
Jon Snow (paternal cousin/foster brother)
Brandon Stark (uncle)
Benjen Stark (uncle)
Lyanna Stark (aunt)
Lysa Tully (aunt)
Edmure Tully (uncle)
Robert/Robin Arryn (maternal cousin)
Introduced in 1996's A Game of Thrones, Sansa is the eldest daughter and second child of Lord Eddard Stark and his wife Lady Catelyn Stark. She subsequently appeared in the following three novels, A Clash of Kings (1998), A Storm of Swords (2000) and A Feast for Crows (2005). While absent from the fifth novel A Dance with Dragons as the books are separated geographically, Sansa is confirmed to return in the forthcoming next book in the series, The Winds of Winter.
In HBO's adaptation of the series, Game of Thrones, Sansa Stark is played by Sophie Turner. The character has received critical acclaim, being praised as the 4th greatest character in the series by Rolling Stone.
- 1 Character and appearances
- 2 Storylines
- 3 TV adaptation
- 4 References
Character and appearances
Sansa Stark is the second child and eldest daughter of Eddard Stark and Catelyn Stark. She was born and raised in Winterfell, until leaving with her father and sister at the beginning of the series. She has a younger sister Arya Stark, two younger brothers Rickon Stark and Bran Stark, as well as an older brother Robb Stark, and an older illegitimate half-brother, Jon Snow  who later turned out to be her paternal cousin .
Raised as a lady, Sansa is traditionally feminine. Sansa's interests are music, poetry, and singing. She strives to become like the heroines of romantic tales by attempting to find a prince, knight, or gentleman to fall in love with. For a companion animal, she owned a direwolf named Lady. However, Lady was killed in place of Arya's direwolf, Nymeria, in the first installment.
Sansa has been described as tall, slim, womanly, and beautiful, destined to be a lady or a queen. She has blue eyes and thick auburn hair that she inherits from her mother. She has her hair dyed dark brown later on while in the Vale, disguising as Alayne Stone- the bastard daughter of Petyr Baelish. Sansa is 11 years old in A Game of Thrones and nearly 14 in A Feast for Crows. Arguably the most naive of the Stark children at the start of the series, Sansa often finds herself used as a pawn in the machinations of the other characters. However, as the story progresses, she matures and becomes more of a player of the game rather than a pawn for other characters.
A Game of Thrones
Sansa Stark begins the novel by being betrothed to Crown Prince Joffrey Baratheon, believing Joffrey to be a gallant prince. While Joffrey and Sansa are walking through the woods, Joffrey notices Arya sparring with the butchers boy, Mycah. A fight breaks out and Joffrey is attacked by Nymeria (Arya's Direwolf) after Joffrey threatens to hurt Arya. Sansa lies to King Robert about the circumstances of the fight in order to protect both Joffrey and her sister Arya. Since Arya ran off with her wolf to save it, Sansa's wolf is killed instead, estranging the Stark daughters.
During the Tourney of the Hand to honour her father Lord Eddard Stark, Sansa Stark is enchanted by the knights performing in the event. At the request of mother, Queen Cersei Lannister, Joffrey spends a portion of the tourney with Sansa, but near the end he commands his guard Sandor Clegane, better known as The Hound, to take her back to her quarters. The Hound tells Sansa the little known story of his burned face and why he dislikes knights, in turn she comforts him.
After Eddard discovers the truth of Joffrey's paternity, he tells Sansa that they will be heading back to Winterfell. Sansa is devastated and wishes to stay in King's Landing, so she runs off to inform Queen Cersei of her father's plans, unwittingly providing Cersei with the information needed to arrest her father. After Robert dies, Sansa begs Joffrey to show mercy on her father and he agrees to allow Ned to live if Ned will swear an oath of loyalty. After promising Sansa that he will be merciful, Joffrey betrays his word and has her father executed in front of her. Sansa is now effectively a hostage in King's Landing and finally sees Joffrey's true nature after he forces her to look at the tarred head of her now deceased father.
A Clash of Kings
Sansa is a hostage in King's Landing, and has learned to be outwardly loyal to King Joffrey to avoid severe physical abuse.
At the celebration for Joffrey's name day, she saves the life of Ser Dontos Hollard after he shows up late and heavily inebriated. She begs Joffrey to spare his life and in turn wins Dontos' apparent loyalty. Later Ser Dontos reveals a plan to her to help her escape from King's Landing. Sansa is routinely beaten by Joffrey's guards. After her brother has won a battle against Joffrey's maternal family, she is publicly beaten and has her clothes torn. Tyrion Lannister intervenes on the abuse on her behalf, and Sandor Clegane, also called the Hound, gives her his cloak to cover herself. Later, Sandor Clegane saved Sansa from a riot in King Landing.
During the Battle of Blackwater Bay, all of the highborn ladies in King's Landing stay in the Red Keep with Queen Cersei who drunkenly mocks and berates Sansa. After Cersei learns that they are losing the battle, she flees and Sansa comforts the remaining women before going to her quarters. Once there she finds Sandor Clegane there who offers to take her away with him during the Battle of the Blackwater, although Sansa refuses. Before he vanishes from King's Landing, she gives him a song, and he gives her his cloak a second time. When Sansa awakens, the battle is over. House Lannister has won the battle, her betrothal to Joffrey is called off so he can marry Margaery Tyrell instead. Joffrey informs Sansa that he can still use her when he is married and to expect a nightly visitor for a long while.
A Storm of Swords
In the third book, Sansa is invited by Margaery to dine with her and her grandmother Olenna Redwyne. The two women seek to learn the true nature of Joffrey Baratheon after he and Margaery have become betrothed. In turn, Olenna suggests that Sansa should marry Willas Tyrell, brother to Margaery and grandson to Olenna. Sansa reveals the marriage plan to Ser Dontos who warns her of the Tyrells, however Sansa develops a close friendship with Margaery and is excited about becoming a part of her family when she marries Willas. However, when Tywin learns of the marriage plot he schemes to have Sansa's brother Robb Stark killed, knowing that would leave Sansa to inherit Winterfell and the North. He then commands his son Tyrion Lannister to marry Sansa. Tyrion is initially opposed to the marriage, but is eventually enticed by the prospect of becoming Lord of Winterfell, and so agrees to marry her.
Sansa is shocked one morning when she is being fitted for a gown that she is to marry Tyrion that day. Joffrey taunts Sansa and acts on behalf of her father to give her away during the ceremony to add further insult. Sansa ignores Tyrion and refuses to bend as he attempts to put his cloak around her, an important marriage custom in Westeros. In turn, Joffrey commands Ser Dontos to act as a stool so that Tyrion can cloak his bride in spite of his short stature. Later Sansa dances with many lords who attempt to offer words of comfort, however when it is her turn to dance with Joffrey, he threatens to rape her after her marriage. Tyrion intervenes and states his desire to castrate Joffrey. After the wedding ceremony, Tyrion chooses not to consummate the marriage due to Sansa's lack of desire in him. It is not long before many in King's Landing come to know that the marriage was never consummated.
It is not long after Sansa's marriage that Joffrey and Margaery are wed and afterwards there is a grand feast. At Joffrey's wedding, Joffrey is poisoned, and Cersei orders both Tyrion and Sansa to be arrested. As Joffrey begins to choke to death, Sansa manages to flee during the chaos. Once in her room, she gathers her belongings and notices than one of the amethysts from her hairnet, a gift from Ser Dontos, is missing. Sansa immediately realizes that the prince had been poisoned and starts to doubt Ser Dontos' rescue plan. Understanding that she will be implicated in the murder of Joffrey, she chooses to flee King's Landing with the knight anyway. Ser Dontos is later killed by Petyr Baelish, who reveals that he is the mastermind behind nearly all of the intrigues in the capital. He reveals that he was the one who sent Dontos to her and that Olenna took the amethyst from her hairnet.
Baelish smuggles Sansa to safety in the Vale of Arryn, where she poses as his bastard daughter Alayne Stone. She is taken to her Aunt Lysa Arryn, now married to Baelish. Lysa declares that Sansa must marry her sickly boy Robert, heir to the Vale. Petyr Baelish and Lysa are wed, however Lysa becomes jealous when she witnesses Littlefinger kissing her niece. Lysa later attempts to murder Sansa, but she is saved once again by Baelish, who kills Lysa.
A Feast for Crows
After Lysa's death, Sansa becomes mistress of the Eyrie and continues to pretend to be Baelish's illegitimate daughter, Alayne Stone. Baelish successfully pacifies the lords of the Vale, who suspected Baelish's hand in Lysa's death. Afterwards, Baelish reveals to Sansa his plans to eventually marry her to the heir to the Vale, Harrold Hardyng, and his long range plans to reveal her true identity and reclaim the North. Sansa acts as a mother figure to Robert Arryn, caring for him after the death of his mother Lysa, and is shown to have grown in intelligence since the start of the series - she is able to figure out some of Baelish's plans, and does not trust him as she once did with Joffrey.
Family tree of House Stark
|Descendants of Rickard Stark|
Sansa, still distraught over the death of Robb and Catelyn, is approached by Dontos Hollard, a knight whom Sansa had convinced Joffrey to make his fool instead of executing him. Dontos gives her a necklace, claiming it was his mother's. However, the necklace turns out to be a fake; one of the gems contains poison, which Lady Olenna Tyrell uses to poison Joffrey at his wedding to Margaery Tyrell. In the commotion, Sansa escapes with Dontos, who takes her to Baelish's boat in Blackwater Bay. Baelish smuggles Sansa (whom he passes off as his bastard daughter Alayne Stone) to the Eyrie, where he is to be wed to Sansa's aunt Lysa Arryn. Lysa mistrusts the relationship between Sansa and Baelish, and after she witnesses Baelish kiss Sansa, she threatens to throw Sansa out of the Moon Door. Baelish intervenes and pushes Lysa to her death, later claiming to the lords of the Vale that she committed suicide. Sansa is called to give testimony, and although she reveals her true identity, she supports Baelish's story. She then joins Baelish and her cousin Robin Arryn on a tour of the Vale.
Baelish brokers a marriage between Sansa and Ramsay Bolton, now the heir to the North after the death of Robb Stark. Though reluctant to marry Ramsay, as his father Roose had personally murdered Robb, Baelish persuades her by claiming that the marriage will give her the opportunity to avenge her family. On the way to Winterfell, they encounter Brienne of Tarth, who had sworn to Catelyn Stark to take Sansa to safety and tries to convince Sansa to come with her; Baelish has her chased off by his men, but Brienne follows Sansa to Winterfell regardless. Though initially charming, Ramsay's sadistic nature becomes apparent when Sansa discovers that he has captured and enslaved Ned's former ward Theon Greyjoy, who had supposedly killed Sansa's brothers Bran and Rickon, and forced him to assume the identity of his serving man, Reek. After Ramsay rapes Sansa on their wedding night, Sansa asks Reek to signal to Brienne for help. Reek, wishing to spare Sansa Bolton's wrath, instead tells Ramsay, and he proceeds to flay the maid who had told Sansa of the signal and forces Sansa to look at her corpse. Furious, Sansa confronts Reek, who admits that he had failed to capture Bran and Rickon and killed two farm boys in their place. While the Boltons prepare to battle Stannis Baratheon's advancing forces, Sansa signals to Brienne, unaware that she has left to kill Stannis. When help does not come, Sansa attempts to return to her room but is caught by Ramsay's paramour Myranda, who threatens to mutilate Sansa. Finally snapping, Theon throws Myranda to her death, just as the Bolton forces return. Fearful of Ramsay's reaction, the two jump from Winterfell's battlements into the snow.
In the episode "Unbowed, Unbent, Unbroken", Sansa's rape was the main subject of controversy for the season's deviations from the books. The majority of professional criticism concerned the decision to have Ramsay rape Sansa on their wedding night, with most critics describing the scene as gratuitous and artistically unnecessary. "This grim scene was difficult for the show to justify," said Charlotte Runcie of The Daily Telegraph. Joanna Robinson of Vanity Fair added, "this rape scene undercuts all the agency that’s been growing in Sansa since the end of last season. [...] I’d never advocate that Game of Thrones (or any work of fiction) shy away from edgy plots out of fear of pushback or controversy. But edgy plots should always accomplish something above pure titillation or shock value and what, exactly, was accomplished here?" Christopher Orr wrote in The Atlantic, "I continue to be astonished that showrunners Benioff and Weiss still apparently believe that their tendency to ramp up the sex, violence, and—especially—sexual violence of George R.R. Martin’s source material is a strength rather than the defining weakness of their adaptation." Myles McNutt of The A.V. Club wrote, "The issue with the show returning to rape as a trope is not simply because there have been thinkpieces speaking out against it, and is not solely driven by the rational concerns lying at the heart of those thinkpieces. It’s also that the show has lost my faith as a viewer." Writers from Vanity Fair, The Mary Sue and The Daily Beast all disapproved of the decision to use Sansa's victimization as a motivating agent for Theon, saying that the scene undermined Sansa's character development: "Was it really important to make that scene about Theon's pain?" wrote Joanna Robinson of Vanity Fair.
Other critics responded positively to the scene. Sean T. Collins of Rolling Stone wrote: "[B]y involving a multidimensional main character instead of one introduced primarily to suffer, the series has a chance to grant this story the gravity and seriousness it deserves. Sarah Hughes of The Guardian wrote: "I have repeatedly made clear that I’m not a fan of rape as a plot device – but the story of Ramsay and Sansa’s wedding was more than that. [...] The writers are walking a very fine line here. They handled it well tonight, telling a gothic tale of innocence sacrificed". Alyssa Rosenberg of The Washington Post wrote that the scene "managed to maintain a fine balance, employing a dignity and care for the experiences of victims that Game of Thrones has not always demonstrated."
Some critics questioned why this scene in particular should generate outrage when similar scenes have not. Sara Stewart of the New York Post pointed out that the rape and sexual abuse of both female and male characters is typical for Game of Thrones: "Why are we suddenly so outraged about the rape of Sansa Stark, when this show has served up a steady diet of sexual assault and violence against women since its first season began?" Cathy Young of Reason magazine, writing in Time noted what she calls a lack of complaint in response to the sexual mistreatment of male characters in earlier seasons, specifically the literal emasculation of Theon Greyjoy and the sexual assault of Gendry.
Criticism of the scene has not extended to the quality of the acting. Joanna Robinson of Vanity Fair wrote, "And if we can say one positive thing about that scene it's that Allen nailed his performance. Theon's horror mirrored our own and the camera—focusing on his reaction—let our minds fill in the blanks." Sophie Turner defended the scene as an artistic challenge for herself as an actor, saying, "When I read that scene, I kinda loved it. I love the way Ramsay had Theon watching. It was all so messed up. It's also so daunting for me to do it. [...] I think it's going to be the most challenging season for me so far, just because it's so emotional for her. It's not just crying all the time, like seasons 2 or 3, it's super messed up." Iwan Rheon (Ramsay Bolton) agreed, referring to Turner's performances this season as "absolutely amazing."
Some viewers, including U.S. Senator Claire McCaskill, announced that they would stop watching the show because of this scene. According to Business Insider, this scene and increased use of streaming services are likely reasons why ratings dropped from 6.2 million viewers for this episode to 5.4 million for the next episode, "The Gift."
Sansa and Theon are captured by Bolton soldiers in the forest outside Winterfell, but Brienne and her squire Podrick Payne arrive in time to rescue them and kill the Bolton soldiers. This time, Sansa accepts Brienne's loyalty. While Theon returns to the Iron Islands, Sansa, Brienne, and Podrick journey on to Castle Black, where her half-brother Jon Snow has just resigned as Lord Commander of the Night's Watch. Sansa tries to persuade Jon to help her drive the Boltons out of Winterfell; although Jon initially refuses, he changes his mind after Ramsay sends a letter to Jon in which he gloats that he holds Rickon Stark captive and threatens to kill the Starks and the Wildlings Jon has let through the Wall if Sansa is not returned. Before Jon and Sansa leave Castle Black, Baelish arranges a meeting with Sansa in Mole's Town. He insists that he was unaware of Ramsay's nature and offers the support of the Knights of the Vale, also mentioning that her great-uncle Brynden "Blackfish" Tully has captured Riverrun from House Frey. Sansa sends Baelish away, declaring that she never wants to see him again, but sends Brienne to the Riverlands to convince the Blackfish to aid the Starks.
Although Jon and Sansa are only able to win over a handful of Northern lords, Jon insists that they must march on Winterfell, despite Sansa's objections. Sansa sends a letter to Baelish asking for his aid, and the Vale forces arrive at Winterfell in time to defeat the Boltons. Ramsay is captured and imprisoned with his hounds, and Sansa watches with satisfaction as they devour him alive. In the aftermath of the battle, Baelish confesses his ambition to rule Westeros with Sansa at his side, but Sansa rebuffs his advances. Sansa also ignores Baelish's attempts to drive a wedge between her and Jon, but is surprised when the Northmen and Valemen declare Jon the new King in the North. Despite this she smiles at him. But she stops smiling when she notices Littlefinger glaring sinisterly at her and Jon.
As her storyline has progressed, Sansa has received critical acclaim for the development of her character and her emergence from a naive young girl to a strong young woman. Rolling Stone ranked Sansa as No. 4 on a list of the "Top 40 Game of Thrones Characters", saying that Sansa is "often overlooked in favor of her killer kid sister", but that her "quiet, innate political shrewedness and emotional strength have enabled her to survive", and calling her "the show's best-kept secret". In a ranking of the 48 best Game of Thrones characters listed in the main credits in the first five seasons on the website The Wrap, Sansa was ranked at No. 4, ahead of the more popular Daenerys Targaryen, Jon Snow, and Tyrion Lannister, saying that "Sansa has been kind of great in Season 6, turning into the sort of badass we always hoped but never thought she actually could become".
In an article published on Mic.com, Julianne Ross says that "the elder Stark daughter is often cited as one of the most reviled characters on Game of Thrones", while also saying that "not coincidentally, Sansa Stark is also one of the most classically feminine characters on the show." Ross criticized the heavy hatred for Sansa, particuclary in contrast to "her universally (and rightly) adored tomboy little sister Arya", stating that Sansa "arguably gets a disproportionate amount of fan hate because she doesn't fit the narrow 'strong female character' mold we're used to rooting for."  Blogger Rhiannon Thomas of Feminist Fiction wrote in 2012 that "the focus on this sort of female character - the oft-cited 'strong female character' - seems to suggest that femininity is still bad, and that women can only be strong by adopting stereotypically male roles and attitudes". Thomas went on to say that "in an abusive situation that would break so many people, Sansa survives" and that she has a "woman's courage" that "keeps her alive and in the game where characters like Arya would not last five minutes".
In an article published on MTV.com by Crystal Bell titled "Sansa Stark is the Only Game of Thrones Hero Worth Rooting For", Bell writes: "Sansa is the most relatable character in George R.R. Martin's canon.She's often despised for having no agency, but the way I see it, Sansa is hated for being a woman. Unlike Brienne, Arya, Cersei, and Margaery -- models of the "strong female character" archetype—Sansa's passivity denotes weakness. She doesn't have cool swordplay skills like her sister Arya; she isn’t a smart seductress like Margaery Tyrell or a fierce queen like Cersei. She is the epitome of femininity on Game of Thrones, and therefore, she is dismissed." Bell went on to say: "However, Sansa's greatest strength as a character has been her unwavering resilience. She was tortured and humiliated for seasons by the unhinged man-boys around her. She's been the subject of everyday sexism and misogyny since day one. And yet, she survives, even as armor-clad heroes fall before her. She is the show's survivor. She continuously endures the pain and humiliation of being a woman in Westeros. Just because Sansa doesn't wield a sword as fiercely as Arya and Brienne, or command a horde of dragons like Daenerys Targaryen, doesn't make her any less of a hero."
Sansa received particular acclaim in Season 6 of the show, during which she began her quest to retake her family home and exact revenge on those who wronged her. In an interview with The New York Times, actress Sophie Turner said that "she's [Sansa] no longer a pawn in anyone's game; she's no longer a prisoner...she's the one taking charge and doing her own thing, which is very exciting". Megan Garber of The Atlantic praised the show's decision to have Sansa be the one orchestrating Ramsay's death in Battle of the Bastards, saying that "In the end, it was Sansa and her abuser, alone again in a darkened chamber; in the end though, it was Sansa making the decisions about who would be the victim."  On the scene, Turner said: "It's amazing. It's Sansa's first kill and it's such a strong moment for her because all her life she's been affected by these men who have just done such terrible things to her...."
Following the penultimate Season 6 episode, Bennett Madison of Vanity Fair wrote "When Sansa icily reminds her dopey brother that 'No one can protect you', it's because she's always been on her own. As far back as King's Landing, Sansa's between quietly protecting herself, working on her stitchery while taking cool measure of everything going on around her, learning how to game the system, and slithering through situations that would have gotten the best of the show's more flashy or impulsive characters. In 'Battle of the Bastards', she got to show a little flash of her own; by being defiantly, gloriously correct in her convictions, by saving the day with her foresight and savvy, and by feeding Ramsay to the dogs."  Turner later told Time magazine about how gratifying it was to watch Sansa's development during Season 6 and defended the show on its cruel treatment of women: "In my opinion, Game of Thrones is not sexist, and its accurate to medieval time. The show puts social boundaries on the women, and they break out of these boundaries."
Recognition and awards
|2011||Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series||Nominated|
|Scream Award for Best Ensemble||Nominated|
|2012||Young Artist Award for Best Performance in a TV Series – Supporting Young Actress||Nominated|
|2013||Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series||Nominated|
|2015||Empire Hero Award ||Won|
|EWwy Award for Best Supporting Actress, Drama||Nominated|
|Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series||Nominated|
|2016||Glamour Award for Best UK TV Actress ||Won|
|EWwy Award for Best Supporting Actress, Drama||Won|
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