Savile Row tailoring

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

The model David Gandy wearing a bespoke suit by Henry Poole & Co (2014)

Savile Row tailoring is men and women's bespoke tailoring that takes place on Savile Row and neighbouring streets in Mayfair, Central London. In 1846, Henry Poole, credited as being the "Founder of Savile Row", opened an entrance to his tailoring premises into No. 32 Savile Row.[1] The term "bespoke" is understood to have originated in Savile Row when cloth for a suit was said to "be spoken for" by individual customers.[2] The short street has been termed the "golden mile of tailoring", where customers have included Charles, Prince of Wales, Jude Law, Winston Churchill, Muhammad Ali Jinnah, Laurence Olivier, Duke Ellington, Lord Nelson and Napoleon III.[1][2][3]

In 1969, Nutters of Savile Row modernised the style and approach of the traditional tailors; a modernisation which continued in the 1990s with the arrival of designers including Richard James, Ozwald Boateng and Timothy Everest. With increasing rents the number of tailoring businesses on Savile Row had declined to 19 by 2006.[4][5] There were also criticisms from Giorgio Armani of falling behind the times.[6][7] However, since the mid-noughties Savile Row has been enjoying a resurgence, perhaps typified by the arrival of tailors like Cad and the Dandy, who have sought re-invigoration by means of modern technologies such as the internet. A local online directory in October 2014 listed 44 tailoring and clothing businesses on or nearby SR.[8]

The website GQ British featured an article in January 2018 about Savile Row.[9] It contains a list of SR tailors and states: "London is undeniably menswear’s global capital and the most important street in this world is Savile Row, a modest Mayfair row of the men’s tailors that quite simply make the best suits in the world."[9]

On the website Town and Country House, writer Dylan Jones is quoted in an article published in 2017 which is a guide to SR: "London is the home of menswear. We invented the suit, and in Savile Row we have the most important men’s shopping street in the world but we also have the very best in contemporary formal wear."[10]


While the first tailors moved onto the street Savile Row in 1806, the origins of its tailoring history can be traced back to the beginning of the 17th century.[11] The story begins with a tailor called Robert Baker (RB), originally from Staplegrove in Somerset, who bought up land to the north west of Charing Cross on the back of money made from the sale of Piccadills, a type of large broad collar.[11] Working from "a poore little shop in ye Strand" RB and his wife Elizabeth started a business which pitched their trade at the rich, among which was Lady Cope. Quoting from a contemporary source: "By ye means of ye Ladie Cope, whose Taylor hee was, [RB] fell into a way of makinge Pickadillys ... for most of the Nobilitie and Gentrie".[11] RB soon had "three score men att worke" and with the opening of a shopping arcade the New Exchange by King James 1 next door in 1609, business prospered.[11] Indeed, so much so that by 1613, "poore Countrey Taylor" RB had bought land for £50 (now over £12,000), which was then open country, and built himself a comfortable new home near where the Lyric Theatre now stands on Shaftesbury Avenue.[11][12]

Soon, RB's new residence gained the nickname "Pickadilly Hall" and with other properties being developed by himself on that land, the nearest roadway also acquired the name "Pickadilly", which became modern-day Piccadilly.[11] With his next property development RB bought 22 acres of land nearby on which, in present-day terms, includes Golden Square where many cloth merchants used to reside and several streets in Soho where subcontracting tailors are traditionally based.[11] The plot of land where SR was eventually developed was originally called Ten Acre Close and "was created by the sale on 29 June 1622 of three adjacent parcels of ground, then all in St. Martin's in the Fields, to William Maddox, citizen and merchant tailor of London, by Richard Wilson of King's Lynn, gentleman."[13] Ten-acre close was part of 35 acres bought by WM for £1,450 (now nearly £340,000) of undeveloped land which now covers East Mayfair.[8][12] This estate was handed down through Maddox's heirs for many generations, until it was passed to the Reverend George Pollen in 1764.[8] As a result of this, the Pollen Estate was founded and still exists to this day, part-owned by Norway's Oil Fund since August 2014.[14][15]

Tailoring has been associated with Savile Row the area since the 19th century, when Beau Brummell, who epitomised the well-dressed man, patronised the tailors congregated on the Burlington Estate, notably around Cork Street, on which John Levick in 1790 at Number 9 was among the first.[11]

Gieves & Hawkes on No. 1 Savile Row

The Savile Row Bespoke Association was founded in 2004 to protect and to develop bespoke tailoring as practised in Savile Row and the surrounding streets.[16] Founder members include: Anderson & Sheppard, Dege & Skinner, Gieves & Hawkes and Henry Poole. The member tailors are required to put at least 50 hours of hand labour into each two-piece suit.[17]

In a March 2006 report by the City of Westminster (Department of Planning and City Development), "Bespoke Tailoring in London’s West End", it was estimated that between 6,000 and 7,000 men's suits were made in and around the Savile Row area annually.[4] This represented a turnover of approximately £21 million.[4] A Reuters article in February 2013 suggested that the total revenue for the informal group of suitmakers was now estimated to be £30-35 million pounds, with several tailoring houses having over 10% growth in recent years.[18] The Fashion Industry's contribution as a whole to the British economy is an estimated £26 billion a year.[19]

In November 2016, SR became a Special Policy Area within the City of Westminster. This gives SR special planning status in order to safeguard its character: "Development in the Savile Row Special Policy Area will complement and enhance its role as an international centre of excellence for bespoke tailoring."[20][21]

19th century[edit]

Henry Poole & Co[edit]

Henry Poole & Co are the acknowledged "Founders of Savile Row" and creators of the Dinner Jacket, called a Tuxedo in America. The company has remained a family-run business since their establishment in 1806. They opened first in Brunswick Square, in 1806, originally specialising in military tailoring, with particular merit at the time of the Battle of Waterloo. Their business moved to Savile Row in 1846, following the death of founder James Poole. In 1982, MD Angus Cundey brought the firm back to Savile Row (No. 15), after being in exile on Cork Street since 1961; Poole were forced to move to Cork Street, because the lease at number 32 expired and the unlisted building was demolished.

Gieves & Hawkes[edit]

Gieves & Hawkes is a traditional British gentleman's bespoke tailor located at No. 1 Savile Row. The business dates from the late 19th century, and was formed by the merger of two separate businesses, 'Gieves' (founded 1785) and 'Hawkes' (founded 1771).[22] Starting out with roots from two suppliers who focused on the British Army and the Royal Navy, it was the first Savile Row tailor to provide ready-to-wear clothes. There are various Gieves & Hawkes shops and concessions around the UK and in several other countries. It holds a number of Royal warrant of appointments, which cover all three British Royal Warrants (Queen Elizabeth II, Prince Philip, Duke of Edinburgh, and HRH Charles, Prince of Wales).[23]

Dege & Skinner[edit]

Dege & Skinner (pronounced /ˈd/) is known for its expertise in military as well as civilian clothing. It remains a family-run business and celebrated its 150th anniversary in 2015. Located at No. 10 Savile Row, the firm was founded as J. Dege & Sons, and became a joint venture between the two families when William Skinner Jr. joined the firm in 1916. After the Skinner family took full ownership, the business was renamed Dege & Skinner, reopened by customer Colin Montgomerie. The company is by royal appointment to Her Majesty Queen Elizabeth II, His Majesty the Sultan of Oman and His Majesty the King of Bahrain. TRH Prince William, Duke of Cambridge and Prince Harry, Duke of Sussex can be seen wearing Blues & Royals uniforms made by the company in the National Portrait Gallery.[24]

Tailors Dege & Skinner made two frock coat uniforms worn by Prince Harry and Prince William at the Wedding of Prince Harry and Meghan Markle in May 2018.[25][26] As well as the two uniforms, four outfits for the page boys were also created, challenging the tailors because of the boys size.[25] 8 weeks notice was given with very strict secrecy involved. When asked about any business opportunities that might be forthcoming from the wedding, Mr. Skinner said: "It’s difficult to say what effect it will have but the company has been mentioned in many forms of media in the last three or four days, so only time will tell".[25] He also said: "It helps us to keep focused on maintaining the skills and offering apprenticeships for making the clothes and keeping the business going for the next generation."[25]

Davies and Son[edit]

Davies and Son is an independent tailors on the West side SR, having started in Hanover Street in 1803.[27] It moved to its current location in 1986, making it the oldest independent tailors on Savile Row.[27] The brand incorporates a number of other tailoring businesses including: Bostridge and Curties and Watson, Fargerstrom and Hughes, Johns and Pegg, James and James, Wells of Mayfair and Fallan & Harvey.[27] It is now owned by Patrick Murphy, Graham Lawless and Mark Broadfield, with former owner Alan Bennett as chair. Davies & Son hold the Royal Warrant as Military Tailors to HRH The Duke of Edinburgh. Other customers have included: Joseph P. Kennedy Sr., Calvin Klein, Prince Michael of Kent, Douglas Fairbanks Jr., Edward Fox, Clark Gable, Benny Goodman, Harry S. Truman and the Duke of Windsor.[27] They have also clothed a large proportion of the crowned heads of Europe.[27]

H. Huntsman & Sons[edit]

Huntsman, a 163-year-old business, was taken over by Roubi L'Roubi and Pierre Lagrange in January 2013.[28] L'Roubi is a British-born designer of Sudanese origin who is also couturier on New Bond Street, while Lagrange is a hedge fund investor from Belgium.[28] Huntsman has its roots in equestrian wear and this is a part of L'Roubi and Lagrange's country lifestyle.[29] L'Roubi explained to London Evening Standard that "rather than just owning the brand, we have a connection."[29] He stated: "British upper-class fashion is about individuality. What we are wearing today is sombre but people wear tweeds and shooting stockings so bright that you’d never wear in the city, and that’s where the character comes out, in the high life."[29] As well as the tailoring business, L'Roubi and Lagrange face challenges at Huntsman, including infrastructure updating.[30] Among the technology being used is an electronic tracer that produces a digital file and a hardcopy- this is for the extensive archive of more than 3000 clients and can be used when ordering ready-to-wear.[30] He stated to Spear's magazine that technology for ready-to-wear is not being used on SR. "The others are afraid of technology. We’re competing with Gucci, Ralph Lauren."[30] However, not all changes were seen as beneficial - L'Roubi left the company in 2015 as losses continued to mount.[31]

Norton & Sons[edit]

Norton & Sons was established in the city of London in 1821, the firm moving to Savile Row in the middle of the 19th century. In the 1960s Norton's incorporated the other Savile Row firm of J. Hoare & E. Tautz. The firm were tailors to Sir Hardy Amies.[32] Since 2005, the business has been run by the fashion designer and creative director Patrick Grant.[33] Grant is also known for his work with media, especially the BBC. The E. Tautz & Sons brand has been relaunched as ready-to-wear clothing and because of which, Grant was awarded the Menswear designer of 2010 at the British Fashion Awards.[33] Grant stated: "When you walk into our shop you get a sense that you’re walking into a place where people enjoy their work and take great pride in it."[33] Previous clients include Edward VII and Winston Churchill.[33]

Kilgour & French[edit]

Founded in 1882 as T & F French in Piccadilly, in 1923 French merged with existing Savile Row tailor A.H. Kilgour to form Kilgour & French. In 1925, Fred and Louis Stanbury joined the firm, and in 1937 the business changed its name to Kilgour, French and Stanbury. In 2003, the business became Kilgour. In 2013, Fung Group acquired Kilgour from JMH Lifestyle.[34] At present, Carlo Brandelli is the Creative Director (he was CD between 2003 and 2009). He stated: "The first time I was here [at Kilgour], I contemporised. But this time I'm experimenting with what bespoke can be. Because a suit is still a form of armour, it tells everyone where you are in the hierarchy."[35] Unfortunately, the re-branding exercise overseen by Brandelli has not been commercially successful, and the company went into administration on 27 February 2020. Kilgour however "will continue to operate and will contact customers to make arrangements to fit and deliver clothing in hand and to take orders for new garments",[36] although the property on Savile Row is now vacant.

20th century[edit]

Anderson & Sheppard[edit]

In the early 20th Century, tailoring was softened by Frederick Scholte, a Dutchman, when he developed the English drape for the Prince of Wales (later Edward VIII).[37][38] Scholte's "dress soft" style was developed into the "London cut", the house style of A&S, by Peter Gustav Anderson a protégé of Scholte.[39] The "London cut" is a high, small armhole with a generous upper sleeve that permits the jacket to remain close to the neck while freeing the arm to move with comfort.[39] In 1906, Peter Gustav, also known as Per Anderson, founded A&S at No. 30, Savile Row.[39]

In 2004, A&S' lease at No.30 expired, and the building's landlords wanted to raise its rent.[40] Shortly thereafter, Anda Rowland assumed A&S' daily operations.[40] Rowland, daughter of entrepreneur Tiny Rowland (who had acquired A&S in the late 1970s, and whose family still holds an 80 per cent stake in the business) had been working at Parfums Christian Dior in Paris.[39][40] After Anda Rowland's mother, Josie, decided to relocate A&S to its current, smaller premises on nearby Old Burlington Street, she appealed to her daughter for assistance in managing the firm.[40] Before Anda's arrival, A&S did not operate a web site or viable computer network, costs were left unrecorded and approximately £500,000 worth of unpaid tailoring bills (money owed to A&S) had accrued.[40] Rowland stated: "We’d been in the old buildings since the 1920s and, like many Savile Row tailors or traditional companies, your image becomes tied … like Harrods, it becomes tied to the building."[39]

Anda Rowland's initial act at A&S was to create an internet presence for the firm.[39] A&S' website is a marketing tool and, says Rowland, "it helps to remind people or reinforces the idea that we have one foot in the past, but, also, one foot very much in today". Since 2005, A&S' sales have risen exponentially so that, allowing for the hiring of six additional full-time apprentices, for a total of eight.[39] As part of its 2012 revival, A&S opened a haberdashery shop on Clifford Street, at the end of the Row. Previous A&S customers include: Cary Grant, Gary Cooper, Fred Astaire, Pablo Picasso, Bryan Ferry, Manolo Blahnik and Tom Ford.[39] In January 2013, HRH Prince Charles visited A&S.[41] In the 30 years that A&S had tailored his suits and coats, HRH had never actually visited the company's premises.[41] In 2012, A&S' revenues topped £4 million and its annual revenues have increased over 13 percent each year since 2009.[18] A&S manager Colin Heywood stated: "We're doing very well, actually. We've found that business has picked up in the last few years, and we couldn't be busier."[18]

Welsh & Jeffries[edit]

Welsh & Jeffries has premises at No. 20. It is owned by James Cottrell and includes the tailors Lesley & Roberts.[42] It started in 1917 on the high street of Eton and became an established military tailor.[42] In 1990, H.R.H. the Prince of Wales confirmed Welsh and Jefferies pedigree as a military tailor when he appointed the firm with his Royal Warrant as sole military tailor.[42] They are an independent company. Owner James Cottrell started as an apprentice at the age of 16 in Kilgour French & Stanbury and trained there for 5 years.[43] He worked there as a coatmaker for 15 years before becoming a cutter at Tommy Nutter, from where he went to Henry Poole for 18 years.[43] He was invited to join Welsh & Jefferies as a partner in January 2007, and in February 2013 took over the business with Yingmei Quan as junior partner.[42] Yingmei Quan won the Golden Shears competition in 2011 which enhanced her reputation as one of the better female cutters on Savile Row.[43] Cottrell stated: "Finding your cutting style is a process that improves with your experience throughout the years by looking at people’s figures and trying to get a perfect line and balance for that person. That is what bespoke tailoring is all about."[43]

Chester Barrie[edit]

Chester Barrie was established in 1935 by expatriate English tailor Simon Ackerman, who wanted a British brand and tailoring for his New York-based clothing business. Locating its factory in Crewe from 1939, close to the Port of Liverpool and its cloth supplier in Huddersfield, it introduced semi-bespoke and ready-to-wear tailoring to the row.[44] Sold to Austin Reed in 1980, it went into receivership in 2002, which split the factory from the retail operation. Now owned by Prominent Europe, clients have included Cary Grant and Winston Churchill, while both Steve McQueen and Sean Connery wore Chester Barrie in their films.[45][46]

Hardy Amies[edit]

The British fashion house Hardy Amies was founded by English dressmaker Hardy Amies in 1946.[47] Having been managing designer for Lachasse in 1934, and having designed clothes for the British Board of Trade under the government Utility Scheme, Amies bought the bombed out shell of No.14 Savile Row in 1946.

Amies was one of the first European designers to venture into the ready-to-wear market when he teamed up with Hepworths in 1959 to design a range of menswear. In 1961, he made fashion history by staging the first men's ready-to-wear catwalk shows, at the Ritz Hotel in London[48] Amies also undertook design for in-house work wear, which developed from designing special clothes for groups such as the Oxford University Boat Club and London Stock Exchange. Amies also designed costumes for films, including 2001: A Space Odyssey.[49]

Amies is perhaps best known to the British public for his work for Queen Elizabeth II. The association began in 1950, when Amies made several outfits for the then Princess Elizabeth's royal tour to Canada. Although the couture side of the Hardy Amies business was traditionally less financially successful, the award of a Royal warrant of appointment as official dressmaker in 1955 gave his house a degree of respectability and resultant publicity. One of his best known creations is the gown he designed in 1977 for Queen Elizabeth's Silver Jubilee portrait which, he said, was "immortalised on a thousand biscuit tins."[47] Knighted in 1989, Amies held the warrant until 1990, when he gave it up so that younger designers could create for the Queen.

In May 1973, Amies sold the business to Debenhams, who had themselves purchased Hepworths which distributed the Hardy Amies line. Amies purchased the business back in 1981. In May 2001, Amies sold his business to the Luxury Brands Group. He retired at the end of that year, when Moroccan-born designer Jacques Azagury became head of couture. In November 2008, after going bankruptcy, the Hardy Amies brand was acquired by Fung Capital, the private investment arm of Victor and William Fung, who together control the Li & Fung group,[50] though sadly this was to be a short-lived reprieve and the company re-entered administration in January 2019, with the subsequent sale of the flagship No. 14, Savile Row. The Hardy Amies name is still licensed globally, particularly in Japan.

Nutters of Savile Row[edit]

Nutters of Savile Row was opened on Valentine's Day 1969 by Tommy Nutter and Edward Sexton, who had worked together at Donaldson, Williamson & Ward.[51] They were financially backed by British singer Cilla Black and her husband Bobby Willis, Managing Director of the Beatles' Apple Corps Peter Brown, and lawyer James Vallance-White.[32] Nutters was the first shop on Savile Row to pioneer 'open windows' and had bold displays created by the then unknown Simon Doonan, resulting in the shop helping modernise the perception of Savile Row.[52] Nutters of Savile Row dressed the entire social spectrum from the Duke of Bedford and Lord Montagu, to Mayor of San Francisco Willie Brown, to Mick and Bianca Jagger, Elton John and the Beatles.[53] Their designs included Bianca Jagger's wedding suit and the costumes for the 1989 Batman film including those worn by Jack Nicholson.[53] Tommy Nutter was proudest of the fact that the suits worn by three of the Beatles on the front cover of Abbey Road were made by Nutters.[54] Nutter left the business in 1976 and went to work at Kilgour, leaving Edward Sexton to continue running the business.[55] Nutter died from complications arising from HIV/AIDS on 17 August 1992 at the Cromwell Hospital in London.[54] Edward Sexton continues to work at his premises on Beauchamp Place, Knightsbridge.[56]

Meredith Etherington-Smith wrote: "Nutter was a gentle humorist who had a wide and interesting circle of friends attracted by his enthusiasm, by his gentle, self-mocking personality and his acerbic comments on the vagaries of others, always ending with the expression 'But who am I to talk?'."[54]

Chittleborough & Morgan[edit]

Chittleborough & Morgan was formed in 1981 by Joseph Morgan and Roy Chittlebrough. Before opening their own shop, Joseph and Roy were both cutters at Nutters of Savile Row, working with Tommy Nutter and Edward Sexton. They produce only bespoke clothing from their Savile Row premises, there is no ready-to-wear or made-to-measure.

New generation[edit]

Modernisation, which had begun in 1969 with Nutters of Savile Row, had slowed by the early 1990s, so Savile Row tailors were "struggling to find relevance with an audience that had grown increasingly disassociated".[57] Three 'New Generation' designers are credited with keeping Savile Row ahead of the times: they were Ozwald Boateng, Timothy Everest (a former apprentice of Nutter's) and Richard James.[58] Having each broken away independently from the Savile Row mould, public relations professional Alison Hargreaves coined the term "New Bespoke Movement" to describe collectively the work of this "new generation" of tailors.[59] Interest reached a peak in 1997 when the three were featured together in Vanity Fair.[59] The issue, entitled "Cool Britania", portrayed the tailors as the forefront of 1990s style and design.[60][61] The newcomers altered their shop fronts and utilised marketing and publicity to their advantage.[62] For example, when Richard James (tailor) opened its Savile Row store in 1992, it introduced Saturday opening, something of a revolution to Savile Row at that time.[63] Eight years later in 2000, Richard James (tailor) opened a new shop with large plate glass windows that allowed customers to see inside.[64]

The new generation challenged the traditional Savile Row styling, bringing twists and "a fine sense of colour to bespoke suits."[65] They were seen to "push the envelope of modern suit making and bespoke active wear, creating more contemporary silhouettes with bolder fabrics."[66] Unlike the older establishments, this new generation of tailors set out to garner celebrity clients, disseminate their products via supermarket chains and attract wider national and international custom, raising the profile of their new tailoring style.[62] In 2001 Richard James was awarded the title Menswear Designer of the Year by the British Fashion Council, following that up in 2008 with the Bespoke Designer of the Year award, in recognition of its contribution to British tailoring.[67] Boateng received the French Trophee de la Mode for Best Male Designer in 1996.[62]

Richard James[edit]

Richard James was founded in 1992 and was the first of the 'New Establishment' or New Bespoke Movement tailors of Savile Row.[68] Richard James's tailoring has always centred on what has become known as its 'modern classic' style: one or two-button single-breasted suits with slightly longer, more waisted jackets, incorporating deep side vents and a slightly higher armhole to give a slim, definitive silhouette. The overall design philosophy is to produce classic clothing, but push the barriers through experimenting with fabrics and making bold use of colour. Indeed, the British fashion writer and academic Colin McDowell has described James himself as being "the best colourist working in menswear in London today".[69][70]

Alexander McQueen[edit]

Four-time winner of the British Designer of the Year award Alexander McQueen CBE served an apprenticeship with Savile Row tailors Anderson & Sheppard, before joining Gieves & Hawkes.[71] He later joined the theatrical costumiers Angels and Bermans.[71] McQueen went on to found the fashion house Alexander McQueen, from which the creative director Sarah Burton designed the dress worn by Catherine Middleton during her wedding to Prince William, Duke of Cambridge in April 2011.[72] Alexander McQueen have a flagship store at Number 9, Savile Row for Bespoke and Made-to-Measure.[73]

Ozwald Boateng[edit]

Ozwald Boateng, a pioneer of the new generation, saw himself as both tailor and a designer, coining the term "bespoke couturier".[74] Born in Muswell Hill in 1967 to Ghanaian parents and raised in North London, Boateng started tailoring at age 16, selling his mother's designs on Portobello Road; by twenty three he had set himself up full-time in business. He began making bespoke suits in 1990, and is credited with introducing Savile Row tailoring to a new generation. The first tailor to stage a catwalk show in Paris, Boateng's many clients include Will Smith, Jamie Foxx, Samuel L. Jackson, Dhani Jones, Russell Crowe, Keanu Reeves, and Mick Jagger.[75] LVMH President Bernard Arnault appointed Boateng Creative Director of Menswear at French Fashion house Givenchy in 2004.[76] His first collection was shown in July 2004 in Paris, at Hotel de Ville.[77] Boateng parted with Givenchy after the Spring 2007 collection.[77]

Steed Bespoke Tailors[edit]

Steed Bespoke Tailors was established in January 1995 by Edwin DeBoise, whose father and brother are both tailors, and Thomas Mahon.[78] They are based in Savile Row and Cumbria making bespoke and semi bespoke suits with a range of braces, buttons and ties.[79] DeBoise trained at the London College of Fashion, and then apprenticed under Edward Sexton, followed by seven years at Anderson & Sheppard, before founding the company Steed. 2002 was Steed's eighth year in business and one that saw an amicable split with Mahon, who is now with English Cut. In September 2008, Edwin's eldest son Matthew DeBoise joined the company and is learning the trade under his father.[78]

Richard Anderson[edit]

Richard Anderson was founded in 2001 by Richard Anderson and Brian Lishak who acquired Strickland & Sons (est. 1780) in 2004.[80] Richard Anderson is author of Bespoke: Savile Row Ripped and Smoothed, his autobiographic account of being an apprentice tailor.[80] Anderson stated in a 2006 Financial Times article: "Bringing the traditional and the modern together is not something new to Savile Row, we have customers of all ages."[6] Customers have included Mick Jagger, Bryan Ferry and the Black Eyed Peas.[6]

Stowers Bespoke[edit]

Stowers Bespoke, established in 2006 by Ray Stowers, former head of bespoke at Gieves & Hawkes for 25 years, was created to reverse the trend in the modern market to mass-produce garments in the far east, with all ready to wear suits, accessories and made to measure suits in England.[81] Originally working from 13 Old Burlington Street, in the spring of 2007 Stowers Bespoke was the lead brand when Liberty launched their formal wear room, making Liberty the only department store to offer in-house bespoke tailoring.[citation needed] In 2008, Stowers Bespoke purchased the shop at 13 Savile Row from retiring tailor James Levett.[82]

Cad and the Dandy[edit]

Cad and the Dandy (C&D) is the latest addition to Savile Row tailoring.[83] It was founded in 2008 by former bankers James Sleater and Ian Meiers, who had both been made redundant during the Financial crisis of 2007-08. C&D initially came to an arrangement with Chittleborough & Morgan to allow appointments in their shop. The company achieved a turnover of £1.3m in 2010, and was listed by The Guardian in the Couvoisier Future 500 in 2009.[84][85] In July 2010 the founders won the Bento Entrepreneur of the Year Award at the Macworld Awards.[86] C&D launched a new flagship at 13 Savile Row in June 2013.[87] The store is the first on the iconic tailoring street to hand weave a cloth before making it up into a fully finished suit.[88] With Britain's bespoke tailoring industry facing an alarming shortage of master tailors, the company established an apprenticeship programme in London with young "would-be tailors" joining C&D's 22 staff members across its three London locations: Savile Row, Birchin Lane and Canary Wharf.[89] As of August 2013, C&D reached annual sales of £2.5m.[90] In 2013, C&D entered the shoe market, buying the existing manufacturer Wildsmith, a 166-year-old business.[90] C&D founders Sleater and Meiers are keen to complement Wildsmith's "Made in Britain" credentials by eventually making all of its suits here, too. "Customers want quality, they want 'Made in England', which is why we're switching" stated Meiers.[90]

Kathryn Sargent[edit]

In April 2016, the tailor Kathryn Sargent became the first woman to open a tailoring house in SR (although she has since moved on to Brook Street).[91][92][93] Among those Sargent has dressed include royalty, actors, politicians and David Beckham.[91][92] The master tailor, who is originally from Leeds, spent 15 years at nearby Gieves & Hawkes, rising through the ranks to be head cutter before opening her first store in Brook Street in 2012.[92][94] She said: "It feels wonderful to be on Savile Row, and like a real sense of achievement. It is just great to have your shop and your garments on display for people to see."[92] "I am thrilled to be making history, although for me being a woman is incidental, I am a tailor first and foremost."[92] Sargent is initially taking up a trial summer residency at number 37 until the end of August 2016 in the shop previously occupied by designer Nick Tentis.[91] She already runs an appointment-only tailoring house on Brook Street and said she would decide whether to continue permanently with the Savile Row shop at the end of the summer.[91] William Skinner, chairman of the Savile Row Bespoke Association, said: "It's fitting that the first woman to be appointed as a head cutter on Savile Row is returning to open a shop of her own and is testament to the continued appeal of Savile Row as the sartorial home of high quality, hand-crafted tailoring."[91]

In an interview with Another Magazine in 2012, Sargent stated: "Really I wanted to be a skilled worker rather than just a designer. I wanted to be able to fit something perfectly." Continuing, "If you know how things are made and know the potential possibilities, you can be more creative. Where else do you learn that except for Savile Row?"[95] "Savile Row has changed so much – I was lucky to come in at a time when it was changing. Now I just want to concentrate on doing really good bespoke work and on making my own contribution to the history of the Row".[95] When being interviewed by The Daily Telegraph in 2013, she observed: "Women know how to make men look good in suits - most men consult their wives or girlfriends or mistresses... Women are accepted in medicine and in law; why not tailoring? I hope equality will become so not an issue that soon we won't be able to believe that it ever was."[96]

William Hunt[edit]

Manchester-born and former professional footballer William Hunt first opened on Savile Row in 1998, having had a shop on the King's Road in Chelsea.[97] Based on a grounding of engineering, architecture and a love of Hollywood, his fiercely masculine designs, infused with splashes of colour, have become a success.[97] Hunt stated: "It’s an edgy, sexy label for ordinary guys... It’s the kind of clothes girls want to see guys in."[97] On the William Hunt website, he states: "My clothes are for modern heroes. They are like armour. With the right attire there is no limit to a man's achievements."[98] His aim is to design powerful suits for powerful men.[98] Former clients include: Cristiano Ronaldo, David Beckham, Gary Neville, Gordon Ramsay and Jonathan Ross.[98] Since 2008, Hunt has expanded into golf, setting up The William Hunt Trilby Tour which is now widely regarded as the best amateur tournament in the UK.[97]

Whitcomb and Shaftesbury[edit]

Whitcomb and Shaftesbury (W&S), named after the intersection of two nearby streets, was started in 2004 by two Indian twins Mahesh and Suresh Ramakrishnan on St. George Street, near SR.[99] Both had been working in New York but the brothers spotted "a gap in the market for high quality tailoring and quality advice".[99] The Chennai-born twins were able to lure Head Cutter John McCabe, a Savile Row stalwart having spent over 40 years cutting for the major names on the row.[99] W&S's Savile Row Bespoke line is made in London, but they have another range, the relatively more affordable Classic Bespoke, which, while cut in London, is tailored in Chennai by handpicked craftspeople trained to Savile Row standards.[99] W&S has two units in Chenai staffed by approximately 85 local craftspeople.[100] In 2009 W&S established a new program concentrating on abused and deprived women in rural India, who undergo a rigorous 3-year training and certification programme: over 300 artisans have passed through this.[101] Former clients include Sachin Tendulkar, Mick Jagger, Michael Jackson and Richard Gere.[100] Mahesh stated: "The art of Savile Row is to create a three-dimensional form that drapes the body and shows structure while still being fluid and non-restrictive."[100]

Other companies on Savile Row[edit]

  • Established in 2002, Jasper Littman is based at 9 Savile Row, providing a visiting tailor service in South East England.[102][103]
  • John Lancaster is the founder of the experimental British clothing label VS Mono. From Savile Row and VOX Studios, individuals are invited to collaborate on concept apparel for business and artistic purposes.
  • Henry Herbert Tailors are based at fitting rooms at 9-10 Savile Row. They offer a visiting service with their Savile Row by scooter service as well as meeting customers on Savile Row.[104]
  • William Westmancott has an office on Heddon St., behind Savile Row. He was known for his high-value tailoring.[citation needed]
  • Gormley & Gamble are based at Cad and the Dandy, 1st Floor, 13 Savile Row.[105] They are the first tailor on London's Savile Row to cater exclusively for women.[106]
Company logo of Bernard Weatherill Ltd on 5 Savile Row
  • Other tailors include: Kent & Curwen (No. 2); Bernard Weatherill (No. 5); Comelie (No. 9-10); Higgins & Brown (No. 9-10); Katherine Maylin (No. 9-10); King & Allen, Holland & Sherry (No. 9-10); Manning & Manning (No. 9-10); Nooshin, Holland and Sherry (No. 9-10); Paul Jheeta (No. 12); Castle Tailors (No. 12); Steven Hitchcock (No. 13); Martin Nicholls London Ltd. (No. 13); Hidalgo Bros. (No. 13); James Levett (No. 14); Stuart Lamprell (No. 18); Maurice Sedwell (No. 19); Gary Anderson (No. 34/35); Alexandre: owned by British Menswear Brands (No. 39); 40 Savile Row (No.  40);
  • The oldest tailors in London, Ede & Ravenscroft, have a premises close by on Burlington Gardens.
  • Gaziano & Girling (G&G) have become the first shoemakers on Savile Row at number 39.[107] They forged G&G in 2006, having been shoemakers in Northamptonshire.[108] Dean Girling, in an interview with A&H magazine, stated: "With our combined experience, we knew that we were entering a competitive and very niche market at this price point but we also knew we could produce a shoe that appealed to an equally unique customer base."[108]

Conduit Street tailors[edit]

  • Established by Austrian tailor Jonathan Meyer at 36 Conduit Street in the late 18th century, Meyer & Mortimer supplied both the Prince regent and his fashion mentor, Beau Brummell, as early as 1800. When the Prince became George IV of the United Kingdom he awarded the company a Royal warrant of appointment which, through Queen Victoria and monarchs since, it still holds today. After Meyer pioneered modern trouser design in the 19th century, he formed a new company with Mortimer in Edinburgh, called the Royal Clan Tartan Warehouse. After being bombed out of its premises during World War II, the company relocated to its current location at 6 Sackville Street.[109][110]
  • In the late 1950s, from his premises at No.43 Conduit Street, Anthony Sinclair created a classic, pared down shape, which became known as the Conduit Cut.[111] Sean Connery famously adopted the look in 1962 for the first James Bond film, Dr. No, and continued to wear Sinclair suits for all of his appearances as Bond.[112] The business now operates from No. 6 Sackville Street. Though it is sometimes reported that Ian Fleming and his character James Bond bought suits on Savile Row, there is no evidence for this in the books.[113][114][115]


As of November 2014, there are only two family-owned tailoring houses left on Savile Row, namely Dege & Skinner and Henry Poole & Co.[116] Managing Director of D&S William G. Skinner, when interviewed by The Business of Fashion (BofF) website, stated: "Ready-to-wear has been available on the Row for some time, but recession and a tough economic climate have led some retailers further down the road of ready-to-wear..."[117] Although in recent years the global luxury menswear market has grown at roughly double the pace of luxury womenswear, the tailors of Savile Row face the stark reality that bespoke tailoring is simply not a scalable business.[118]

How different companies compete in the forthcoming years will vary. Starting with the 150-year-old company Dege & Skinner, William Skinner points out the young people involved: the future generation of tailors, serving apprenticeships within the trade.[116] He stated in an interview to The Guardian: "That highlights our belief in the future of the bespoke tailoring business. We have invested in the future of the trade, because we are confident about the future of the trade. We have a good business model; we make money and we reinvest it in the company. We are not a museum piece by any means."[116] He continued: "A lot of people don’t want to go into a high street shop, they want the relationship and the service that we give. As long as we can maintain that, there’s every chance of surviving."[116]

At Gieves & Hawkes (G&H), founded in 1771, the approach differs. In 2012, G&H was bought up by Trinity Ltd., part of Hong Kong's Fung Capital, the private equity partnership of Victor and William Fung, the chairman and group managing director of Li & Fung, the world's largest supplier to consumer brands of clothing.[118] Ray Clacher, Chief Executive of G&H, stated in an interview to The BofF: "In the last 12 months, we have [become] a more style-driven, less suit-dependent company than we have been in the past... We have hired in excess of 40 new heads just to look after design, production and development and merchandising."[118] He continued: "We have opened seventeen stores and we have certainly spent over £10 million in terms of pure hardware – going into digital, websites for Japan, China, the UK."[118]

Patrick Grant, designer and owner since 2005 of bespoke tailor Norton & Sons and its sister ready-to-wear line E. Tautz, stated to The BofF : "The simple truth is that there are opportunities to sell ready-to-wear clothes thanks to Savile Row’s history."[118] He continued: "Personally as someone who has a business on both sides, I would like to see anything with a Savile Row name on it actually made on Savile Row... If you have got ten thousand suits being made by hand on Savile Row, but you have got a million suits somewhere in a factory in Asia also called Savile Row, I don’t think it can do anything other than hurt the business here."[117]

Kilgour & French was taken over by the company '14 Savile Row', a subsidiary of Fung Capital, in 2013.[119] 14 Savile Row also owns Hardy Amies and Norman Hartnell. They managed to re-install Carlo Brandelli as Creative Director, who had resigned when Kilgour was taken over by in 2008 by JMH Lifestyle.[119] According to Brandelli, Savile Row has been invigorated, but he stated to The Daily Telegraph: "It has changed over the last few years but it is still not enough." He continued: "Too many of the tailors are like the wrong kind of museum."[119]

Former Huntsman's Roubi L’Roubi is adamant that ready-to-wear is crucial to the survival of the Row.[120] He stated to the website Economia: "There's a way of carrying the traditions and modernising. They are not mutually exclusive."[120] He also broaches the subject of the dwindling proportion of female customers: today it accounts for less than 5% at Poole, Huntsman and Gieves & Hawkes.[120] He states: "It's because women want instant purchases. They want to buy it, take it home and wear it that evening."[120] At present, the companies that advertise as bespoke tailors for women include: Nooshin, Katherine Maylin, King & Allen and Kathryn Sargent.

Henry Poole & Co. are wanting to expand into China.[121] In an interview with CNBC, Simon Cundey, director of Henry Poole & Co, stated: "We've had a number of customers who have ordered in London and want the attention to detail we offer them and we hope that by bringing that option to Beijing we can grow the market there."[121] Henry Poole & Co already has two stores in China through a partnership; however tailors make the framework for the suit in London and send it over to be assembled in a Chinese factory.[121]

Westminster Special Policy Area 2016[edit]

In November 2016, SR was given special planning rules within the City of Westminster by the introduction of 'Special Policy Areas'.[20] These new planning rules include four other areas and will "make it far harder for developers and landlords to dilute their distinctive character by allowing "clone" chain stores to force out smaller independent businesses."[20] Mark Henderson of G&H and chairman of SR Bespoke Association is quoted as saying "I’m absolutely delighted. It’s recognition that Savile Row is totally unique."[20]

Westminster policy 'CM2.3: Savile Row Special Policy Area' states: "The Savile Row Special Policy Area (SPA) is home to a historic concentration of bespoke tailoring, with the street name in itself acting as a widely recognised international brand, synonymous with the unique and high quality bespoke and discreet, personal service it offers."[21] It also states: "Encouraging bespoke tailoring uses in the Savile Row SPA will continue to support this cluster of bespoke tailoring activities and the wider bespoke tailoring industry in Westminster and the UK."[21]

Councillor Robert Davis said: "Like a good suit, planning policy should be made to measure."[122] Also: "We are using our powers to protect some of the capital’s most valuable assets and create environments where specialist traders can thrive."[122]

See also[edit]


  1. ^ a b Deitz, Paula (25 August 1996). "Savile Row's Ambassador to the Court of Kings". The New York Times. Retrieved 9 January 2009.
  2. ^ a b Norton, Kate (31 October 2006). "Savile Row Never Goes Out of Style". Bloomberg Businessweek. Archived from the original on 27 September 2008. Retrieved 9 January 2009.
  3. ^ Dunn, Bill (14 April 2003). "The Battle for Savile Row". Bloomberg Businessweek. Archived from the original on 29 October 2008. Retrieved 9 January 2009.
  4. ^ a b c "Bespoke Tailoring in London's West End" (PDF). City of Westminster. March 2006. Retrieved 14 October 2014.
  5. ^ Lysaght, Brian (16 July 2006). "London Tailor Shops Flee Savile Row as Offices Push Up Rents". Bloomberg. Archived from the original on 21 October 2014. Retrieved 15 October 2014.
  6. ^ a b c Sherwood, James (29 July 2006). "Big enough for the both of us?". The Financial Times. Archived from the original on 23 May 2014. Retrieved 28 October 2014.
  7. ^ Hickman, Martin (9 December 2008). "Savile Row: Slipping out of style?". The Independent. Archived from the original on 20 November 2014. Retrieved 3 November 2014.
  8. ^ a b c "History of The Pollen Estate". The Pollen Estate. 2019. Retrieved 30 January 2019.
  9. ^ a b Carvell, Nick (19 January 2018). "Savile Row tailors: the GQ Guide". GQ. Condé Nast Britain. Archived from the original on 23 June 2018. Retrieved 23 June 2018.
  10. ^ Bell, Hollie (2017). "The C&TH Guide to Savile Row". What's On. Country and Town House. Retrieved 25 June 2018.
  11. ^ a b c d e f g h Walker, Richard (1988). The Savile Row Story. Prion. ISBN 1-85375-000-X.
  12. ^ a b "Inflation calculator". Bank of England. Retrieved 29 January 2019.
  13. ^ Sheppard, F. H. W., ed. (1963). Cork Street and Savile Row Area: Introduction, Survey of London: Volumes 31 and 32. London County Council. p. 442 – via British History Online.
  14. ^ Osborne, Hilary (11 August 2014). "Norway's sovereign wealth fund snaps up London landmarks". The Guardian. Guardian News and Media Limited. Retrieved 30 January 2019.
  15. ^ Reed, Stanley (11 August 2014). "Norway's Oil Fund Buys London's Savile Row". The New York Times. Retrieved 22 November 2014.
  16. ^ "Objectives". Savile Row Bespoke. Savile Row Bespoke Association. Retrieved 14 October 2014.
  17. ^ "Membership Requirements". Savile Row Bespoke. Savile Row Bespoke Association. 2014. Retrieved 14 October 2014.
  18. ^ a b c Eisenhammer, Stephen (20 February 2013). "Timeless suits from London's Savile Row back in fashion". Reuters. Retrieved 9 November 2014.
  19. ^ Yueh, Linda (19 February 2014). "The Fashion Business". BBC. Retrieved 20 November 2014.
  20. ^ a b c d Sleigh, Sophia; Prynn, Jonathan (10 November 2016). "Savile Row gets tailor-made rules to safeguard its unique character". The Evening Standard. Retrieved 5 February 2018.
  21. ^ a b c "Westminster's City Plan". The City of Westminster. November 2016. pp. 42–44. Retrieved 5 February 2018.
  22. ^ "Gieves and Hawkes at Number One Savile Row in London". Elegant Lifestyle (British Airways). Retrieved 12 February 2015.
  23. ^ "Gieves & Hawkes". Gieves & Hawkes. Retrieved 12 February 2015.
  24. ^ "Inside Savile Row: A Chat with the World's Most Sought After Bespoke Tailors". alphacityguides inc. Retrieved 28 September 2013.
  25. ^ a b c d "I made Prince Harry's wedding outfit". Henley Standard. Higgs & Co (Printers) Limited. 28 May 2018. Retrieved 25 June 2018.
  26. ^ Gumuchian, Marie-Louise (19 May 2018). "Prince Harry wears frock-coat uniform of the Blues and Royals for wedding". Reuters. Retrieved 25 June 2018.
  27. ^ a b c d e "Davies & Son". Retrieved 29 October 2014.
  28. ^ a b Chesters, Laura; Prynn, Jonathan (9 January 2013). "Downton tailor sold to hedge fund star and his couture partner". The Evening Standard. Retrieved 1 December 2014.
  29. ^ a b c Edwardes, Charlotte (3 June 2014). "Investment banking and Savile Row are not so different: Pierre Lagrange on owning and living the historic Huntsman brand". The Evening Standard. Retrieved 1 December 2014.
  30. ^ a b c Spero, Josh (23 July 2013). "Huntsman's Roubi L'Roubi on fashion, physics and fitting in". Spear's magazine. Archived from the original on 1 December 2014. Retrieved 1 December 2014.
  31. ^ "New Management Settles in at Huntsman, the Pride of London's Savile Row". The New York Times. 10 January 2016. Retrieved 4 March 2020.
  32. ^ a b Sherwood, James (2007). The London Cut: Savile Row Bespoke Tailoring. Marsilio. ISBN 978-8831791557.
  33. ^ a b c d Wylie, Ian (21 February 2011). "Saïd fashions a tailor-made entrepreneur". The Financial Times. Retrieved 28 October 2014.
  34. ^ "Fung Group acquires Savile Row's Kilgour". Fashion United. 25 September 2013. Archived from the original on 2 November 2014. Retrieved 1 October 2014.
  35. ^ Prince, Bill (October 2014). "The Return of the Native" (PDF). GQ. pp. 180–181. Archived from the original (PDF) on 1 November 2014. Retrieved 1 November 2014.
  36. ^ "Kilgour - Opening Soon". February 2020. Retrieved 4 March 2020.
  37. ^ Davies, Angus (21 August 2012). "Anderson & Sheppard, Savile Row Tailors". Escapement. Retrieved 3 June 2013.
  38. ^ Hill, D. D. (2011). American Menswear: From the Civil War to the Twenty-First Century. Lubbock, Texas: Texas University Press. pp. 129–131.
  39. ^ a b c d e f g h Lobban, Jonathan (5 September 2014). "Anda Rowland guides Anderson & Sheppard into a new era of personal service". The Australian. Retrieved 9 November 2014.
  40. ^ a b c d e Conti, Samantha (March 2008). "Row and Behold". W Magazine. Condé Nast. Retrieved 9 November 2014.
  41. ^ a b Brown, Mick (4 January 2013). "A very Royal appointment: the Prince of Wales visits his tailor". The Daily Telegraph. Retrieved 1 November 2014.
  42. ^ a b c d "Welsh & Jeffries". Retrieved 8 November 2014.
  43. ^ a b c d Raivio, Ville (14 May 2013). "Interview with James Cottrell". Keikari. Retrieved 8 November 2014.
  44. ^ Barker, Christian (September 2017). "The History and Mystery of Chester Barrie". The Rake. Retrieved 18 June 2019.
  45. ^ Leitch, Luke (3 May 2013). "Mencyclopaedia: Chester Barrie". Fashion. Telegraph. Retrieved 19 June 2019.
  46. ^ "Faster Fix on the Row". Savile Row Style Magazine. Winter 2011. Retrieved 18 June 2019.
  47. ^ a b "Hardy Amies". Encyclopedia of Fashion. Retrieved 8 October 2009.
  48. ^ "Fashion in Motion: Hardy Amies". Victoria and Albert Museum. April 2006. Retrieved 16 October 2014.
  49. ^ "Hardy Amies". IMDb. Retrieved 16 October 2014.
  50. ^ Berwin, Lisa (11 November 2008). "Hardy Amies UK stores to close following sale to Fung Capital". Retail Week. Retrieved 16 October 2014.
  51. ^ "An Historical Occasion: Nutter's opens their doors and Cilla meets the Row". The Tailor & Cutter. 21 February 1969. Retrieved 16 October 2014 – via Edward Sexton.
  52. ^ Barton, Laura (25 September 2008). "Fashion should be funny". The Guardian. Retrieved 16 October 2014.
  53. ^ a b "Rock on Tommy". The Independent on Sunday. 5 March 2006. Retrieved 16 October 2014 – via Edward Sexton.
  54. ^ a b c Etherington-Smith, Meredith (18 August 1992). "Obituary: Tommy Nutter". The Independent. Retrieved 29 October 2014.
  55. ^ Sherwood, James (2010). Savile Row: The Master Tailors of British Bespoke. Thames & Hudson. ISBN 978-0500515242.
  56. ^ "Edward Sexton". Retrieved 16 October 2014.
  57. ^ Koh, Wei (2010). "A Note From Our Founder". The Rake. 3 (9): 36.
  58. ^ "The New Generation of Modern Tailoring". BBC. Retrieved 30 July 2010.
  59. ^ a b Lipkin, Ash J. (30 April 2010). "Tinker, Tailor, Timothy Everest". The Arbuturian. Retrieved 16 October 2014.
  60. ^ Kamp, David (March 1997). "London Swings! Again!". Vanity Fair. Retrieved 16 October 2014.
  61. ^ "London Swings Again!". 20th Century London. Retrieved 16 October 2014.
  62. ^ a b c McDermott, Catherine (9 May 2002). Made in Britain: Tradition and Style in Contemporary British Fashion. Mitchell Beazley. pp. 40–48. ISBN 978-1840005455.
  63. ^ "Savile Row Bespoke: 20th Century (post 1950)". Savile Row Bespoke. Retrieved 16 October 2014.
  64. ^ Moreton, Cole (13 August 2000). "It's scissors at dawn in Savile Row". The Independent. Retrieved 16 October 2014.
  65. ^ Walsh, John (4 February 2008). "John Walsh: His dark materials". The Independent. Retrieved 16 October 2014.
  66. ^ Slenske, Michael (October 2008). "London Calling: Riding around a British tailor's bespoke world". Best Life. Vol. 5 no. 8. p. 80. Retrieved 29 September 2019.
  67. ^ Alexander, Hilary (25 November 2008). "Luella Bartley wins 'Designer of the Year' at British Fashion Awards". The Daily Telegraph. Archived from the original on 7 September 2014. Retrieved 12 February 2015.
  68. ^ Mills, Simon (11 March 2011). "The tailors putting Savile Row back on the map". The London Evening Standard. Retrieved 12 February 2015.
  69. ^ "Style icons". Design Week. July 2003. Retrieved 12 February 2015.
  70. ^ Tredre, Roger (October 1992). "Style: Another Nutter on the Row: Richard James, like Tommy Nutter before him, is shaking up Savile Row with his range of designer clothes, says Roger Tredre". The Independent. Retrieved 12 February 2015.
  71. ^ a b "Alexander McQueen". Victoria and Albert Museum. Retrieved 15 October 2014.
  72. ^ "Royal wedding: What are they saying about the dress?". BBC News. 29 April 2011. Retrieved 15 October 2014.
  73. ^ "Alexander McQueen". Retrieved 24 October 2014.
  74. ^ Martone, Nicole (2009). "Boateng, Oswald (1967–)". In Martone, Eric (ed.). Encyclopedia of Blacks in European history and culture. Greenwood Press. p. 81. ISBN 9780313344497.
  75. ^ "Fashion in Motion: Ozwald Boateng". Victoria and Albert Museum. Retrieved 18 June 2019.
  76. ^ Guyon, Janet (6 September 2004). "The Magic Touch LVMH chief Bernard Arnault runs dozens of luxury brands". Fortune. CNN Money. Retrieved 14 October 2014.
  77. ^ a b "Ozwald Boateng". Fashionsizzle. 3 May 2013. Retrieved 14 October 2014.
  78. ^ a b "Steed Bespoke Tailors". Steed Tailors. Retrieved 27 November 2014.
  79. ^ "Steed Tailors". Hotfrog. Archived from the original on 6 December 2014. Retrieved 27 November 2014.
  80. ^ a b Millar, Jamie (19 July 2011). "The Savile Row guide". GQ. Condé Nast UK. Archived from the original on 18 October 2014. Retrieved 14 October 2014.
  81. ^ Carvell, Nick (6 May 2016). "GQ Savile Row guide: Stowers Bespoke". British GQ. Condé Nast Britain. Retrieved 19 June 2019.
  82. ^ "Savile Row Meets the Credit Crunch". Savile Row Style Magazine. Spring 2009. Retrieved 19 June 2019.
  83. ^ "Cad & The Dandy". Cad and The Dandy. Retrieved 16 October 2014.
  84. ^ Barber, Timothy (24 September 2010). "The City boys offering a cut above". CityAM. Archived from the original on 20 October 2014. Retrieved 16 October 2014.
  85. ^ "Courvoisier Future 500: Top 50". The Guardian. 2009. Archived from the original on 23 October 2014. Retrieved 16 October 2014.
  86. ^ Spence, Nick (27 July 2010). "Macworld Awards: Winners Cad and The Dandy profiled". Macworld. Retrieved 16 October 2014.
  87. ^ "Cad & The Dandy, Savile Row Tailor – The Perfect Number:13". Cad & The Dandy. 25 July 2013. Retrieved 16 October 2014.
  88. ^ Geoghegan, Jill (12 June 2013). "Cad & The Dandy launches Savile Row flagship". Drapers. Retrieved 16 October 2014.
  89. ^ "Britain's bespoke tailoring industry faces catastrophic skill gap". Business Matters. 10 September 2013. Retrieved 16 October 2014.
  90. ^ a b c Hurley, James (4 August 2013). "Cad and the Dandy: tailor made for our times". The Daily Telegraph. Archived from the original on 23 October 2014. Retrieved 16 October 2014.
  91. ^ a b c d e Prynn, Jonathan (5 August 2016). "Tailor to David Beckham and the royal family makes history as first woman to open shop on Savile Row". London Evening Standard. Retrieved 13 September 2016.
  92. ^ a b c d e "A cut above: first female master tailor opens shop on Savile Row". The Guardian. Press Association. 6 April 2016. Retrieved 13 September 2016.
  93. ^ "First female master tailor opens Savile Row shop". BBC. 7 April 2016. Retrieved 13 September 2016.
  94. ^ Freeman, Sarah (9 August 2015). "Tailor maid: Cutting a dash in the rag trade". The Yorkshire Post. Retrieved 13 September 2016.
  95. ^ a b Woo, Kin (22 October 2012). "Kathryn Sargent". AnOther. Retrieved 2 November 2014.
  96. ^ Pithers, Ellie (9 November 2013). "Meet the women taking on Savile Row". The Telegraph. Archived from the original on 2 November 2014. Retrieved 2 November 2014.
  97. ^ a b c d Lamb, Liz (29 June 2011). "Interview: Fashion designer William Hunt". The Journal. Retrieved 5 November 2014.
  98. ^ a b c "William Hunt". Retrieved 5 November 2014.
  99. ^ a b c d Khorsandi, Peyvand (November 2012). "The Indian Twins on Savile Row" (PDF). Man's World. Retrieved 11 November 2014.
  100. ^ a b c Parthasarathy, Anusha (19 November 2013). "Suit dreams are made of these". The Hindu. Retrieved 11 November 2014.
  101. ^ "Ethical Trading & Caring for our Indian Clothmakers". Whitcomb & Shaftesbury. Retrieved 11 November 2014.
  102. ^ "Bespoke and made-to-meausre Tailors". The Chap Magazine. Archived from the original on 16 January 2013. Retrieved 13 December 2012.
  103. ^ "Jasper Littman, Saville Row, London". LondonTown. Retrieved 13 December 2012.
  104. ^ "The London businesses being run from a scooter". Standard. 2 November 2009.
  105. ^ "CONTACT US". gormleygamble. Retrieved 19 August 2020.
  106. ^ "Subscribe to read | Financial Times". Retrieved 19 August 2020. Cite uses generic title (help)
  107. ^ "Gaziano & Girling". Retrieved 22 November 2014.
  108. ^ a b Augustin, Thierry (October 2014). "Refined Aesthetics: Gaziano & Girling". A&H Magazine. Retrieved 22 November 2014.
  109. ^ "History". Meyer & Mortimer. Retrieved 18 June 2019.
  110. ^ "Victorian Keith-Falconer, 9th Earl of Kintore, Lord Inverurie Jacket & Glengarry". House of Labhran. 26 August 2018. Retrieved 18 June 2019.
  111. ^ "2012 Olympic Style Report". Harper's Bazaar. Retrieved 27 December 2012.
  112. ^ Alexander, Ella (6 July 2012). "The Name's Bond". Vogue. Retrieved 27 December 2012.
  113. ^ "Exclusive Feature: Bond Up Your Life". Empire. Bauer Consumer Media. Archived from the original on 18 June 2013. Retrieved 6 March 2013.
  114. ^ Spaiser, Matt (2011). "Literary Bond | The Suits of James Bond". Retrieved 6 March 2013.
  115. ^ Ellis, Laura Peta (28 August 2012). "Style Icon: James Bond". Mens Fashion Magazine. Archived from the original on 15 January 2013. Retrieved 6 March 2013.
  116. ^ a b c d West, Karl (14 November 2014). "Savile Row tailor fears overseas threat to rich tapestry of tradition". The Guardian. Retrieved 18 November 2014.
  117. ^ a b Mellery-Pratt, Robin (29 January 2014). "A Row of Opportunity, Part 2". The Business of Fashion. Retrieved 18 November 2014.
  118. ^ a b c d e Mellery-Pratt, Robin (28 January 2014). "A Row of Opportunity, Part 1". The Business of Fashion. Retrieved 18 November 2014.
  119. ^ a b c Compton, Nick (21 September 2014). "The Savile Row saviour". The Daily Telegraph. Archived from the original on 2 December 2014. Retrieved 20 November 2014.
  120. ^ a b c d Powell, Laura (5 September 2014). "Savile Row Uncut". economia. Retrieved 20 November 2014.
  121. ^ a b c Kharpal, Arjun (25 August 2014). "China the perfect fit for London's $6,000 luxe tailors". CNBC. Retrieved 22 November 2014.
  122. ^ a b Santamaria, Barbara (11 November 2016). "Savile Row granted protection from Westminster City Council". Fashion Network. Retrieved 25 June 2018.

Further reading[edit]

External links[edit]