Savitha Sastry

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Savitha Sastry
Savitha Sastry - Bharatanatyam Exponent.JPG
Savitha Sastry, Bharatanatyam Danseuse
Born Savitha Subramaniam
(1969-12-11) 11 December 1969 (age 47)
Hyderabad, India
Alma mater Stella Maris College, Chennai
Occupation Bharatanatyam choreographer and dancer
Years active 1981 – present
Spouse(s) AK Srikanth
Website savithasastry.com

Savitha Sastry is an Indian dancer and choreographer best known as an exponent of Bharatanatyam. She is known to experiment with the format of traditional Bharatanatyam by using the techniques of Bharatanatyam to showcase theme based productions based on novel stories, not based on Indian mythology or religion.[1][2][3][4] Her innovations have been described as 'path breaking' by critics,[5] and she is considered to be a 'renaissance architect'[6] of the dance form much as Rukmini Devi Arundale was in her times.[7][8]

Savitha Sastry performing Yudh at the Music Academy Chennai (2013)

Early life and education[edit]

Savitha Subramaniam was born in Hyderabad, and later lived in Mumbai before her family relocated to their home town of Chennai. She started her training in Bharatanatyam under the tutelage of Guru Mahalingam Pillai at the Sri Rajarajeswari Bharatha Natya Kala Mandir in Mumbai, and later with Adyar K Lakshman and the Dhananjayans in Chennai. She did her schooling from the P.S Senior Secondary School in Chennai, and her graduation from the Stella Maris College.

In 1986, she featured as the lead dancer in the Tamil film Ananda Tandavam, a production of her Guru[9] Adyar K Lakshman. She pursued her master's degree in the United States, where she majored in Neuroscience.

Bharatanatyam[edit]

Through the 1980s, 1990s and the first decade of the millennium, Savitha had performed mostly to traditional repertoires of Bharatanatyam. She produced and choreographed a few full length presentations such as Krishna: The Supreme Mystic and Purushartha during this phase.[10]

She is credited to have a high degree of technical proficiency to her kinetics of the dance form in being able to deliver it with grace and technique demanded of Bharatanatyam performers.[11] Sydney-based critic Hamsa Venkat referred to "Savitha's crisp nritta (pure dance), clean lines and flawless aramandi was a breath of fresh air, and truly inspirational for students of dance."[12] The Audition Panel of the San Francisco Ethnic Dance Festival described her dancing with the words "Moves like a temple sculpture come to life".[10]

Notable productions[edit]

By 2009, Savitha departed from performing traditional margams (the traditional order in which classical dance is performed), and started her work on theme based productions. Savitha is noted for the use of contemporary and original story lines in her performances and her portrayal of multiple characters as a solo performer in them, which is a marked departure from the traditional Bharatanatyam theme of the nayika (the heroine) pining for love or pieces based on Bhakti (devotion) alone. Some of her notable productions include Music Within (2010),[13][14] Soul Cages (2012),[15][16][17][18][19][20][21] The Prophet: Destiny. Divinity. Doubt[22] and Chains: Love Stories of Shadows (2015).

Savitha Sastry performing 'Chains: Love Stories of Shadows' at NCPA Mumbai (2015)

Savitha has been critically lauded not only for her technique, but also for her innovations with the art form to take it to a wider audience. A profile story in the Times of India reported "(Savitha) has merged contemporary content with the centuries old dance form to create a unique niche"[10]

Critic Fozia Yasin of the Asian Age notes that Savitha "aims to bring about a renaissance in the traditional art form by marrying the aesthetics of Bharatanatyam with the power of an intelligent and novel story-line."[10] Critic Nonika Singh of The Tribune wrote, "Knocking down pigeonholes as she breaks free, she hopes to inspire more and more aspiring dancers to soar along, in the vast expanse of tradition minus the baggage of restrictive thinking!"[10] Critic Yamini Walia of the Afternoon Despatch & Courier reports that "her path breaking work has been recognised as a renaissance by critics and audiences all over the world."[23]

All her productions have been based on short stories by her husband, AK Srikanth, and the soundtrack for the productions have been composed by Rajkumar Bharathi, the great grandson of the veteran poet Subramania Bharathi. These have been performed in the Indian Subcontinent, Australia, South East Asia, the Middle East, Africa, Europe and the Americas, and the productions have met with critical and popular acclaim. Another hallmark of Savitha's presentations is a Q & A session that she and Srikanth have with the audience at the end of the performance where the audience discuss the presentation with the performer and writer. Critic Lakshmi Ramakrishna of the Hindu praised this teamwork with the words "The husband – wife duo has struck a chord with audiences in conveying deeply philosophical thoughts with striking simplicity, élan and elegance"[24]

She has been labeled the "Dancing Storyteller" by the popular press following these productions.[25][26][27]

Personal life[edit]

Savitha is married to AK Srikanth, who is her partner in all her productions and also her classmate from her high school. The couple jointly produce their shows, and live in Mumbai.[citation needed]

Savitha's husband – the writer and producer of all her productions – AK Srikanth at the Q&A Session after the performance at Mumbai (2013)

Dance theatre productions[edit]

Television[edit]

See also[edit]

Indian women in dance

References[edit]

  1. ^ Praveen, Priyanka. (6 August 2012). Breaking free from the mould. Deccan Chronicle.
  2. ^ Singh, Nonika. (15 July 2012). Like a Free Bird. The Tribune.
  3. ^ Yasin, Fozia. (27 January 2013). Modern Classics. The Asian Age.
  4. ^ Vincent, Anusha. (5 March 2013). Natya goes beyond borders. Deccan Chronicle.
  5. ^ Walia, Yamini. (12 February, 2015). The Classical Storyteller. Afternoon Despatch & Courier.
  6. ^ Chatterjee, Anannya. (31 January, 2015). Tussle between personal choice and societal expectations is constant. Absolute India.
  7. ^ Vishwanath, Narayana. (9 March 2015). Telling the tale of Womanhood. Indian Express
  8. ^ Dhamija, Ashok. (20 January, 2015). Dance Performance by Savitha Sastry. NewsBand Navi Mumbai
  9. ^ Viswanathan, Lakshmi. (1 December 2003). Inimitable Dance Guru. The Hindu.
  10. ^ a b c d e About Savitha, savithasastry.com; accessed 28 June 2017.
  11. ^ Suri, Sathish.Profile, Narthaki.com; accessed 25 September 2011.
  12. ^ Venkat, Hamsa, "A Queen of Mime", Sydhwaney.com, 11 March 2011.
  13. ^ Das, Priya. "A Quiet Dance of the Soul", India Currents, 29 November 2010.
  14. ^ Bal, Harish. "Festival Rhythms", The Hindu, 13 October 2011.
  15. ^ Subramanya, Mysore V."Music & Dance Reviews", Deccan Herald, 11 April 2013.
  16. ^ Sharma, SD. "Savitha Sastry leaves Chandigarh Audience awestruck", Hindustan Times (July 2012).
  17. ^ Kumar, Ranee. "Enchanting Treatment", The Hindu, 10 August 2012.
  18. ^ Singh, Ayesha. "Soul Cages – A renaissance in Bharatanatyam", Sunday Standard, 9 December 2012.
  19. ^ Mendoza, Conan."The Drama of Dance", Deccan Chronicle, 3 April 2013.
  20. ^ Reviews on YUDH – the dance drama ballet by Savitha Sastry, IndiaStudyChannel, 26 April 2013.
  21. ^ Pattabhiraman, Arundhati. "Creativity Unlimited", Deccan Herald], 10 March 2013.
  22. ^ "Around Town", Indian Express, 19 November 2013.
  23. ^ Walia, Yamini."The Classical Storyteller", Afternoon Despatch & Courier; accessed 28 June 2017.
  24. ^ Ramakrishna, Lakshmi. "I salute the power of this dance form", The Hindu; accessed 27 February 2015.
  25. ^ Agarwal, Kanchan."A lifetime of learning", postnoon.com, 23 February 2013.
  26. ^ "Three perspectives, one truth", National Centre Performing Arts, Mumbai website; accessed 28 June 2017.
  27. ^ Sundar, Mrinalini.Sundar, Mrinalini. "Alternative Storyteller", Indian Express, 29 March 2013.