Wolfgang Sawallisch was the son of Maria and Wilhelm Sawallisch. His father was director of the Hamburg-Bremer-Feuerversicherung in Munich. Wolfgang Sawallisch had a brother Werner, who was five years older. He passed his Abitur in 1942 at the Wittelsbacher-Gymnasium in Munich.
At the age of five, he was already playing the piano and by the time he was ten, he had decided he wanted to become a concert pianist. As a child, he was greatly influenced by Richard Strauss and Hans Knappertsbusch. In his musical education he was generously supported by his family, especially by his widowed mother, who became active again because of him, and also by his older brother. At first, he studied composition and pianoforte privately. This enabled him to prepare for his career as a pianist and conductor before and after the Second World War without financial worries. His professional development was interrupted by his military service and British captivity in Italy. During the Second World War, he served in the Wehrmacht in France and Italy and in the closing stages of the war was detained at a British POW camp.
After returning home to Munich, he studied with Joseph Haas and, after one semester, passed his state examination at the Staatliche Musikhochschule in Munich in 1946. He took conducting lessons with Hans Rosbaud and Igor Markevitch. He found his first job at the Stadttheater Augsburg. During this time he married the singer Mechthild Schmid (1921-1998), daughter of the organ builder Magnus Schmid (1889-1964) from Pemmering, whom he had already met in his youth in Munich. She had a great influence on him throughout his life together.
Through the adoption of her son, born in 1944, from his wife's first marriage, he founded his own family. Mechthild renounced her own career as a singer in favour of her husband's career; on the one hand she suffered from standing in the shadow of the successful man, on the other hand she saw her function as his manager. After 46 years of marriage she died at the age of 77 due to her thyroid cancer.
The Wolfgang Sawallisch Foundation was founded in Grassau in 2003 and comprises a music school. At a benefit concert of the Bavarian State Orchestra in Grassau on 2 February 2013 under the baton of Kent Nagano, Sawallisch was seen in public for the last time. He gave the opera world his last press interview for the January 2013 issue. His son Jörg died in January 2013, just one month before his adoptive father. Sawallisch lived for over 50 years in Grassau in Chiemgau, Upper Bavaria, where he was also buried.
The villa in Grassau, where Wolfgang Sawallisch had lived for decades, was taken over by the Sawallisch Foundation in 2014 and is occasionally used for concerts by the Grassau Music School.
He began his career at the opera house in Augsburg in 1947. At first, he held the position of répétiteur and later became the principal conductor. In 1949, he was awarded the first prize at the Geneva International Music Competition where he accompanied the violinist Gerhard Seitz. In 1952–53 he was the personal assistant to Igor Markevitch at the International Summer Academy of the Mozarteum in Salzburg, Austria.
He was only 30 when he conducted the Berlin Philharmonic Orchestra, where Herbert von Karajan was then the principal conductor. When he debuted at the Bayreuth Festspielhaus conducting Tristan und Isolde in 1957, he was the youngest conductor ever to appear there.
After turning down offers to join the Vienna Philharmonic Orchestra and the New York Metropolitan Opera, Sawallisch became Principal Conductor of the Vienna Symphony in 1960, a post he held for ten years. In 1961, he started conducting the Hamburg Symphony Orchestra and did this for ten years as well. From 1970 to 1980, he was music director of the Orchestre de la Suisse Romande.
From 1971 to 1992, he was Music Director of the Bavarian State Opera, and for several years from 1983, he was concurrently its general manager. For thirty years, he was closely associated with musical events in Munich. Here he conducted practically all of the major Richard Strauss operas, Salome being the sole exception. He also conducted 32 complete Richard Wagner Ring des Nibelungen cycles and is credited with nearly 1200 opera performances in the city alone.
In 1966, Eugene Ormandy, the music director of the Philadelphia Orchestra from 1936 to 1980, had invited Sawallisch to visit him. Sawallisch subsequently made several recordings there, and in 1993 succeeded Riccardo Muti as music director of the Philadelphia Orchestra, where he remained until 2003. From 2003 until his death in 2013, he held the title of Conductor Laureate with the orchestra. He was also Honorary Conductor Laureate of the NHK Symphony Orchestra, Tokyo and for over 30 years he appeared with the orchestra annually in Tokyo. He was the recipient of a Suntory Music Award in 1993.
After his tenure with the Philadelphia Orchestra, Sawallisch returned for guest-conducting appearances in Philadelphia and at Carnegie Hall. However, ill health related to orthostatic hypotension prevented Sawallisch from conducting in subsequent years. In an article in The Philadelphia Inquirer of 27 August 2006, Sawallisch himself stated his retirement from the concert podium:
"It can happen without announcement that my blood pressure is too low. This instability gives me the necessity to finish my career after 57 years of concert and opera conducting."
Earlier, in 1988, he had published his autobiography "Im Interesse der Deutlichkeit" (For the Sake of Clarity) in which he had expounded his views on the role of a conductor.
Sawallisch was an honorary member of The Robert Schumann Society. In 2003, he helped to establish a music school in Grassau, Bavaria, naming the school the Wolfgang Sawallisch Stiftung (Wolfgang Sawallisch Foundation). He himself continued to live on his estate in Grassau in retirement.
Sawallisch and his wife Mechthild were married for 46 years until her death on 24 December 1998. Cardinal Joseph Ratzinger (later Pope Benedict XVI), a family friend, officiated at her Requiem Mass. She had a son, Jörg, from her previous marriage, whom Sawallisch had adopted. Jörg died in January 2013.
Sawallisch has been acclaimed as an interpreter of the music of Richard Strauss. As a pianist, he accompanied a number of prominent singers in lieder, including Dietrich Fischer-Dieskau, Dame Elisabeth Schwarzkopf and Dame Margaret Price. He has also been acclaimed for his interpretations of the symphonies of Anton Bruckner.
Sawallisch also recorded, as piano accompanist, Franz Schubert's Winterreise and Robert Schumann's Liederkreis and other songs with Thomas Hampson. One of his most celebrated live concert appearances as a pianist was on 11 February 1994 in Philadelphia, when Sawallisch substituted for the Philadelphia Orchestra at an all-Wagner concert on the night that a severe snow storm prevented much of the orchestra from arriving at the Academy of Music.
Sawallisch's recordings for EMI include highly regarded issues of Richard Strauss’s Capriccio and the four symphonies of Robert Schumann with the Staatskapelle Dresden. He made a quadraphonic stereo album (probably the only one ever made) of Mozart's The Magic Flute in 1973 for EMI, starring Peter Schreier as Tamino, Anneliese Rothenberger as Pamina, Walter Berry as Papageno, Edda Moser as the Queen of the Night, and Kurt Moll as Sarastro. Other recordings (EMI, Orfeo, Phillips, and Sony) include:
- Ludwig van Beethoven’s nine Symphonies with the Royal Concertgebouw Orchestra, Amsterdam
- Johannes Brahms’s Ein deutsches Requiem with the Bavarian Radio Symphony Orchestra and Chorus
- Johannes Brahms's four Symphonies with the London Philharmonic Orchestra
- Johannes Brahms's four Symphonies with the Wiener Symphoniker
- Anton Bruckner’s Symphonies 1, 4, 5, 6 & 9
- Antonín Dvořák’s Requiem, and Stabat Mater, both with the Czech Philharmonic
- Antonín Dvořák's Symphonies Nos. 7–9 and Cello Concerto with the Philadelphia Orchestra
- Felix Mendelssohn’s Symphony No. 2 with the Berlin Philharmonic and Düsseldorf Chorus
- Wolfgang Amadeus Mozart’s The Magic Flute with Francisco Araiza, Lucia Popp and Kurt Moll (videoregistration)
- Franz Schubert’s nine Symphonies with the Staatskapelle Dresden; Sacred Choral Works with the Bavarian Radio Symphony Orchestra and Chorus
- Franz Schubert's Masses in A flat major D 678, C major D 452 and in E flat major D 950 as well as Tantum Ergo D 962 and Offertorium D 963 with the Bavarian Radio Symphony Orchestra and Chorus
- Richard Strauss’s Intermezzo, Elektra, Friedenstag, Die Frau ohne Schatten, and Arabella with the Bavarian State Opera
- Richard Strauss's Ein Heldenleben, Symphonia domestica, and Also sprach Zarathustra with The Philadelphia Orchestra
- Richard Strauss's Horn Concertos, with Dennis Brain and the Philharmonia Orchestra
- Giuseppe Verdi’s Macbeth (live recording, Salzburg Festival)
- Richard Wagner’s Der Ring des Nibelungen, Die Meistersinger von Nürnberg, Die Feen and Das Liebesverbot with the Bavarian State Opera; The Flying Dutchman (Bayreuth Festival and Bavarian State Orchestra, the latter filmed) and Tristan und Isolde, Tannhäuser and Lohengrin (all Bayreuth Festival, the latter two officially released)
- Richard Wagner's Wesendonck Lieder with Marjana Lipovsek and The Philadelphia Orchestra
- Carl Maria von Weber’s Overtures with the Philharmonia Orchestra
- Carl Maria von Webers's two Symphonies with the Symphony Orchestra of the Bavarian Radio
- Peter Dobrin and David Patrick Stearns (25 February 2013). "Maestro Wolfgang Sawallisch, 1923-2013". The Philadelphia Inquirer. Retrieved 26 November 2014.
- Antonín Dvořák Symphony No. 4, Op. 88 (Philharmonia Orchestra), Columbia Records LP 33 SX 1034, sleevenote
- Stephen Moss (19 May 2000). "Old school titan". The Guardian. UK. Retrieved 8 August 2007.
- Anthony Tommasini (15 January 2004). "Channeling Bruckner, Maestro Illuminates Elusive Score". The New York Times. Retrieved 8 August 2007.
- Ben Mattison (31 March 2006). "Report: Wolfgang Sawallisch Has Retired". Playbill Arts. Retrieved 11 January 2008.
- Peter Dobrin, "At home with the maestro". The Philadelphia Inquirer, 27 August 2006.
- James R. Oestreich (4 May 2003). "A 79-Year-Old Champion of Youth". The New York Times. Retrieved 11 January 2008.
- Peter Crimmins (25 February 2013). "Maestro Sawallisch, who led Philadelphia Orchestra for a decade, dies at 89". NewsWorks. Archived from the original on 1 December 2014. Retrieved 27 February 2013.
- Edward Rothstein (17 May 1995). "A Cheery, Old-World 'Ariadne'". The New York Times. Retrieved 8 August 2007.
- Anne Midgette (5 August 2001). "Music: A Musical Capital Looks to America". The New York Times. Retrieved 8 August 2007.
- Paul Horsley (1 April 2003). "A Hero's Tenure". Playbill Arts. Retrieved 11 January 2008.
- Anthony Tommasini (15 January 2004). "Channeling Bruckner, Maestro Illuminates Elusive Score". The New York Times. Retrieved 11 January 2008.
- Lesley Valdes and Peter Dobrin (13 February 1994). "Snow or no snow, the show went on". The Philadelphia Inquirer.
- Tom Di Nardo (28 February 1994). "Bons mots instead of notes from Maestro". Philadelphia Daily News.
- Nadine Brozan (15 February 1994). "Chronicle". The New York Times. Retrieved 11 January 2008.
- Allan Kozinn (19 October 2002). "Back to Schumann, With Care and Passion". The New York Times. Retrieved 8 August 2007.
- Obituary – with a film about Sawallisch with an interview by Marty Moss Coane (fall 2007)
- Wolfgang Sawallisch at AllMusic
- Wolfgang Sawallisch at The Remington Site
- Wolfgang Sawallisch Foundation
- Interview with Wolfgang Sawallisch, May 2, 1994
- František Sláma (musician) Archive. More on the history of the Czech Philharmonic between the 1940s and the 1980s: Conductors