Scenes from a Marriage
|Scenes from a Marriage|
The Criterion Collection DVD cover
|Directed by||Ingmar Bergman|
|Produced by||Lars-Owe Carlberg|
|Written by||Ingmar Bergman|
|Edited by||Siv Lundgren|
|Distributed by||Sveriges Radio (1973 broadcast)
Cinema 5 Distribution (1974 theatrical)
|281 minutes (TV version)
167 minutes (Theatrical)
Scenes from a Marriage (Swedish: Scener ur ett äktenskap) is a 1973 Swedish Television miniseries written and directed by Ingmar Bergman and starring Liv Ullmann and Erland Josephson. The story explores the disintegration of the marriage between Marianne, a family lawyer specializing in divorce, and Johan, spanning a period of 10 years. Bergman's teleplay draws on his own experiences, including his relationship with Ullmann. It was shot on a small budget in Stockholm and Fårö in 1972.
After initially airing on Swedish TV in six parts, the miniseries was condensed into a theatrical version that received positive reviews in Sweden and internationally. Scenes from a Marriage was also the subject of controversy for its perceived influence on rising divorce rates in Europe. The film was ineligible for the Academy Award for Best Foreign Language Film, but won the Golden Globe Award for Best Foreign Language Film and several other honours.
The TV miniseries' six episodes ran between 11 April and 16 May 1973. At about 50 minutes per episode, the miniseries totals 282 minutes.
|1||"Innocence and Panic"||11 April 1973|
|An affluent couple, Marianne and Johan, are interviewed for a magazine series on love after having renewed their marriage contract after their 10th anniversary. In the interview, they come across as an ideal couple. Afterward, they entertain the couple Peter and Katarina, who have a miserable relationship. Marianne reveals to Johan she is pregnant, and she winds up having an abortion.|
|2||"The Art of Sweeping Things Under the Rug"||18 April 1973|
|Marianne wakes up one morning determined to not visit her parents for dinner, as the family usually does each week, and is forced to back down. At the university where Johan works, he shares poetry that he has not let Marianne see with a female colleague, who tells him it is mediocre. Later, Marianne and Johan debate the lack of joy they take in their sex life.|
|3||"Paula"||25 April 1973|
|Johan reveals to Marianne that he is having an affair with a younger woman named Paula, an unseen character, and wants a separation. He intends to leave home for months, and shares his frustrations about their marriage and longtime desire to leave. Upon phoning a friend for help, Marianne learns many of her friends knew about the affair before she did.|
|4||"The Vale of Tears"||2 May 1973|
|Johan visits Marianne, disclosing he intends to take a position at Cleveland University. Marianne then suggests they should finalize a divorce, hinting she is interested in remarrying. She shares what she has learned about herself in therapy.|
|5||"The Illiterates"||9 May 1973|
|Marianne and Johan meet to finalize their divorce, leading to more arguments over the division of their property, the upbringing of their daughters and Marianne's new enjoyment of sex with her current partner. After the arguments escalate into physical violence, Johan sadly signs the papers.|
|6||"In the Middle of the Night in a Dark House Somewhere in the World"||16 May 1973|
|Despite having both been remarried to other people, Marianne and Johan meet for an affair. Marianne reveals she had an affair in 1955, very shortly after they were married. It has been 20 years since they were married. Going to a friend's country house, Marianne has a nightmare, and wakes up fretting she has never loved or been loved. Johan comforts her that they share an imperfect love.|
- Liv Ullmann as Marianne
- Erland Josephson as Johan
- Bibi Andersson as Katarina
- Jan Malmsjö as Peter
- Gunnel Lindblom as Eva
- Rossana Mariano as 12-year-old Eva
- Anita Wall as Fru [Mrs] Palm
- Barbro Hiort af Ornäs as Fru Jacobi
- Lena Bergman as Karin, sister of Eva
- Wenche Foss as Modern
- Bertil Norström as Arne
Director Ingmar Bergman wrote the teleplay for Scenes From a Marriage over three months, drawing on his personal experiences, including his relationship with Ullmann. The budget was approximately one-third that of Bergman's previous film, Cries and Whispers, with half covered by Swedish Television and half by foreign companies.
It was filmed in Stockholm and Fårö between July and October 1972. Cinematographer Sven Nykvist emphasized close-ups and employed small indoor film sets. Nykvist later regretted not using more tracking shots when he learned the miniseries would have a theatrical release. The filming schedule was one week per episode.
Ullmann compared performing in Scenes From a Marriage to appearing in a documentary, saying she "felt very connected to the role." She said she was becoming more involved in the feminist movement while making the film. Due to Ullmann and Erland Josephson's comfort with their parts, the crew saved time by not having rehearsals.
In the United States, a 167-minute version of the miniseries was released in cinemas, with the 16 mm film modified to 35 mm. It opened in New York City on 21 September 1974. The full miniseries was later aired in the U.S. by PBS in March and April 1977, and numerous times in 1979.
In Sweden, the miniseries received positive reviews for its dialogue and realism, with Mauritz Edstrom calling it "one of Bergman's finest human portrayals." Åke Janzon said that while the miniseries was not a masterpiece, it demonstrated psychological tension. Swedish director Maj Wechselmann criticized it on feminist grounds, saying it failed to criticize marriage roles. Bergman replied that the miniseries was meant to depict "Marianne's liberation" and female "suppressed aggressions."
One controversy revolved around allegations that the film led to higher divorce rates in Sweden and around Europe by teaching couples to communicate their conflicts. Swedish divorce rates allegedly doubled one year after the broadcast in 1973. Time Out author Rachel Halliburton has disputed these allegations, remarking that sexual and women's liberation were gaining prominence at the time and that the miniseries "as such was as much a symptom of what was happening to modern marriage as a cause."
In the United States, Roger Ebert gave the theatrical version four stars, praising it as "one of the truest, most luminous love stories ever made." Vincent Canby, crief critic for The New York Times, called the theatrical version "a movie of such extraordinary intimacy that it has the effect of breaking into mysterious components many things we ordinarily accept without thought, familiar and banal objects, faces, attitudes, and emotions, especially love. [...] Ullmann again establishes herself as one of the most fascinating actresses of our time." Canby also wrote that "Josephson gives an equally complex performance" but found the character less admirable. Don Druker of Chicago Reader criticized the editing for the theatre, saying that the film "shows its reassembled status rather badly," and that "moments of searing insight" were provided mainly by Ullmann.
In 2004, essayist Phillip Lopate wrote that Scenes From a Marriage showed Bergman moving on from exploration of the silence of God to the subject of men, women, love and intimacy. Lopate judged the film edit to be "more harrowing and theatrical," while the miniseries "has the tendency to intersect with and form a more quotidian relationship to viewers’ lives; its characters become members of the family, and their resilience over time, regardless of the incessant crises thrown them by the script, induces a more good-humored, forgiving atmosphere." In 2007, Kristi McKim of Senses of Cinema wrote that the film "stunningly exemplified" the "tension" in "the emotional causes and effects of feeling incompatible desires within the modern world." The film has a 94% approval rating on Rotten Tomatoes, based on 15 reviews.
Scenes From a Marriage sparked controversy when its ineligibility for the Academy Award for Best Foreign Language Film was questioned. The supposed reason was that it aired on television before it played in cinemas, but at the time that did not necessarily render a film ineligible. In this case, it was because the TV broadcast occurred the year before its theatrical debut in 1974. The film's ineligibility prompted 24 filmmakers, including Frank Capra and Federico Fellini, to write an open letter demanding the rules for eligibility be revised.
|BAFTA Awards||Best Actress||Liv Ullmann||Nominated|||
|Golden Globes||Best Foreign Language Film||Scenes From a Marriage||Won|||
|Best Actress in a Motion Picture – Drama||Liv Ullmann||Nominated|
|National Society of Film Critics||Best Film||Scenes From a Marriage||Won|||
|Best Screenplay||Ingmar Bergman||Won|
|Best Actress||Liv Ullmann||Won|
|Best Supporting Actress||Bibi Andersson||Won|
|New York Film Critics Circle||Best Film||Scenes From a Marriage||Runner-up|||
|Best Director||Ingmar Bergman||Runner-up|
|Best Screenplay||Ingmar Bergman||Won|
|Best Actress||Liv Ullmann||Won|
|Best Supporting Actress||Bibi Andersson||Runner-up|
Bergman wrote the first stage adaptation of Scenes From a Marriage for the Residenztheater in Munich in 1981. Saraband, a quasi-sequel set decades after the original miniseries, aired on Swedish television in 2003. In 2008, a theatrical adaption by Joanna Murray-Smith was performed at the Belgrade Theatre in Coventry, directed by Trevor Nunn and starring Imogen Stubbs and Iain Glen.
In 1991, Woody Allen costarred in Paul Mazursky's Scenes from a Mall, a dark comedy about a deteriorating marriage. Allen's similarly realist film Husbands and Wives (1992) is also influenced by Scenes from a Marriage.
It’s now the future. And the 12-hour PBS time capsule, which will make a rare reappearance next week at the Paley Center in Manhattan and on some public-TV affiliates beginning Saturday, looks more like performance art than social science. Hammy stunts for the camera alternate with Bergman-esque staging. ("Scenes from a Marriage", Bergman’s fictional TV series, also appeared in 1973, in Sweden.)
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