|Directed by||Wes Craven|
|Produced by||Cathy Konrad
|Written by||1, 2, 4
Roger L. Jackson
|Music by||Marco Beltrami|
|Distributed by||Dimension Films|
December 20, 1996
December 12, 1997
February 4, 2000
April 15, 2011
|Total (4 films)
|Budget||Total (4 films)
|Box office||Total (4 films)
Scream is an American horror film franchise created by Kevin Williamson and Wes Craven. Starring Neve Campbell, Courteney Cox, and David Arquette, the film series has grossed over US$600 million in worldwide box-office receipts and consists, to date, of four motion pictures. The first series entry, Scream, was released on December 20, 1996 and is currently the highest-grossing slasher film in the United States. The second entry Scream 2 was released on December 12, 1997 followed by a third installment, Scream 3, released February 4, 2000. Eleven years after the previous film, Scream 4 was released on April 15, 2011. The films follow the character of Sidney Prescott (Campbell) who becomes the target of a succession of murderers who adopt the guise of Ghostface to stalk and torment their victims. Sidney receives support in the films from town deputy Dewey Riley (Arquette), reporter Gale Weathers (Cox), and film-geek Randy Meeks (Jamie Kennedy). A television adaptation of the film series was released by MTV on June 30, 2015. The series follows all-new characters.
Williamson's original script was bought by Miramax and developed under the Dimension Films label by Bob and Harvey Weinstein, who recruited Craven to direct, who in turn recruited composer Marco Beltrami to score the film. This team went on to be involved in each film in the series though Williamson was forced to take a smaller role for Scream 3, writing only a brief plot outline due to his commitments to other projects, with Ehren Kruger replacing him as screenwriter. The series' violence resulted in conflicts with the Motion Picture Association of America and news media concerning censorship resulting in a reduction of violence and gore in Scream 3 when the Columbine incident brought increased focus on the media's influence on society. Scream became notable for its use of established and recognizable actors which was uncommon for horror films at the time, yet has since become common in part due to Scream 's success.
The series has received significant critical acclaim, Scream being credited with revitalizing the horror genre in the late 90s by combining a traditional slasher film with humor, awareness of horror film cliché and a clever plot. Scream was one of the highest grossing films of 1996 and became, and remains, the highest grossing slasher film in the world. Its success was matched by Scream 2 which not only broke box-office records of the time but which some critics argued was actually superior to the original. Scream 3 fared worse than its predecessors, both critically and financially, with critics commenting that it had become the type of horror film it originally parodied in Scream. It did however receive some positive response with claims that it was the perfect end to the trilogy. The film series has been the recipient of several awards including a Saturn Award for Best Actress and MTV Movie Award for Best Female Performance for Campbell and Best Horror Film for Scream.
- 1 Films
- 2 Television
- 3 Cast and characters
- 4 Production
- 5 Release
- 6 Soundtrack
- 7 Controversies
- 8 References
- 9 External links
|Scream (1996)||Wes Craven||Kevin Williamson||Cathy Konrad & Cary Woods|
|Scream 2 (1997)||Cathy Konrad, Wes Craven, & Marianne Maddalena|
|Scream 3 (2000)||Ehren Kruger||Cathy Konrad, Kevin Williamson, & Marianne Maddalena|
|Scream 4 (2011)||Kevin Williamson||Iya Labunka, Kevin Williamson, & Wes Craven|
The film series began with Scream, premiering on December 18, 1996 at the AMC Avco theater in Westwood, California and was generally released on December 20, 1996. Based on a screenplay by screenwriter Kevin Williamson and directed by Wes Craven, creator of the A Nightmare on Elm Street series of slasher films, Scream offered a self-referential approach to horror by featuring a cast of characters aware of the conventions/clichés of the horror film genre and able to use them to survive. The film focuses on teenager Sidney Prescott as she comes under attack from a mysterious character dubbed Ghostface while dealing with the anniversary of her mother's murder. The film went on to be a financial success earning back its $15 million budget eleven times over and receiving considerable critical acclaim for its deconstruction of the horror genre. It is credited with revitalizing the horror genre in the mid 90s and inspiring an array of imitators. It was particularly notable for its casting of established and popular actors and actresses which was previously uncommon in a horror movie.
Scream 2 (1997)
The series continued with Scream 2, premiering on December 10, 1997 at Graumans Chinese Theater followed by general release on December 12, 1997, again written by Williamson and directed by Craven, released less than a year after the original film. Like Scream, the film features characters aware of the horror genre and the conventions of the horror sequel, mocking them while simultaneously falling victim to them. The film again focuses on the character of Sidney Prescott, now a college student, as a series of copycat crimes begin, the killers again using the disguise of Ghostface. The film was financially successful, deviating from its predecessor's worldwide gross by less than US$1 million and receiving similar critical praise for its deconstruction of the horror film sequel and commentary on the influence of the media in society. The script for Scream 2 was leaked during production revealing the identity of the killers and so the film underwent extensive rewrites, changing the identity of the killers though their motivation remained intact.
Scream 3 (2000)
The series continued with Scream 3, which received its premiere on February 3, 2000 at the AMC Avco theater in Westwood, California and was generally released on February 4, 2000. Like previous entries, the film was directed by Craven, but Williamson was unable to formulate a complete script due to his commitment to the short-lived television series Wasteland and his original film Teaching Mrs. Tingle (1999), being replaced by Ehren Kruger who finalized a script based on several ideas supplied by Williamson. The film focuses on Sidney Prescott who faces a new Ghostface killer and the truth about her mother that led to the start of the Ghostface killings. The film, like its predecessors, featured characters who were self-aware of horror conventions, in this case the rules and structure of the final entry in a movie trilogy. Scream 3 was considerably less successful than the previous two installments, suffering both financially and critically, commentators noting that the film had become akin to the horror films it originally parodied in Scream and Scream 2. Others were critical of the change in tone, focusing more on humor instead of horror and violence. However, critics who reacted positively were supportive of this change in tone and praised the film for successfully completing the film trilogy.
Scream 4 (2011)
In July 2008, The Weinstein Company announced the development of a new sequel, Scream 4, written by Williamson with Craven being secured for the project in March 2010. In May 2010, Cathy Konrad, producer of the original three Scream films filed a $3 million lawsuit against The Weinstein Company alleging they violated an agreement with her company, Cat Entertainment, that gave them first rights to produce all Scream films. The Weinstein Company argued that the agreement requires Konrad's services to be exclusive to the franchise, an argument that Konrad called "false pretext" as the previous films did not require this stipulation. Konrad accuses the Weinsteins of attempting to force her to walk away without compensation in order to hire a cheaper producer (Craven's wife Iya Labunka) and cut costs. In April 2011, it was reported that the case had been settled out of court by The Weinstein Company.
The film underwent reshoots of some scenes in January 2011 with Craven stating that they were to enhance some scenes but that the ending remains untouched, countering criticism that, following a January 6, 2011 test screening, the film may undergo significant changes due to poor audience responses. The fourth installment premiered on April 11, 2011 at Grauman's Chinese Theater with a public release following April 15, 2011. The film received mixed to positive reviews from critics, earning a 59% rating on Rotten Tomatoes.
In an interview, Craven confirmed that he was contracted to work on a fifth and sixth installment of the Scream franchise, to be made if the fourth film achieved a successful release and reception. Following difficulties with script rewrites on Scream 2, Scream 3 and Scream 4, often with pages only being ready on the day of filming, and the related stress of the situation, Craven stated that he would need to see a finalized version of a script for Scream 5 before committing to the production. In a separate interview, writer Williamson also confirmed his contractual obligation for Scream 4 and Scream 5, having submitted concepts for three films leading up to Scream 6, though his contract for the sixth film had not yet been finalized. Williamson indicated that if a Scream 5 were to be made, it would be a continuation of the story of the characters who lived through Scream 4 but that Scream 4 would not include any cliffhangers that led into the potential sequel. Actor David Arquette also added his support to the potential future of the franchise, stating "It [the ending] definitely leaves it open," before adding that he would welcome the opportunity to play the character of Dewey in future installments. In May 2011, executive producer Harvey Weinstein confirmed that a sequel was possible, saying that despite Scream 4 performing below The Weinstein Company's financial expectations, he was still happy with the gross it had accrued. In February 2012, when asked about a potential Scream 5, Williamson stated at the time that he did not know, saying "I'm not doing it."
On June 4, 2012, it was reported that MTV were in the early stages of developing a weekly television series spun off from the franchise. Later the same day, David Arquette confirmed that he would not be a part of the television series. On April 25, 2013, The Hollywood Reporter confirmed that MTV has greenlit the TV series, with Wes Craven in talks of directing the pilot. On July 26, 2013 it was reported that Criminal Minds writers Jay Beattie and Dan Dworkin have officially boarded the project to pen the pilot script. The series is set to debut in 2015.
On September 30, 2013, Harvey Weinstein expressed his dire interest in a fifth installment, stating: "I'm begging him to do the movie and just end it. We've milked that cow." 
In a June 2015 interview with the Washington Street Journal, Bob Weinstein firmly denied the possibility of a fifth installment or any further continuation of the film franchise, citing the MTV series as the right place for the franchise to find new life. "It's like putting an art-house movie in an art-house theater," Weinstein said. "Where the teens reside is MTV." 
On June 4, 2012, it was reported that MTV were in the early stages of developing a weekly television series spin-off from the franchise. Later the same day, David Arquette confirmed that he would not be a part of the television series. On April 25, 2013, The Hollywood Reporter confirmed that MTV has greenlit the TV series, with Wes Craven in talks of directing the pilot. On July 26, 2013, it was reported that Criminal Minds writers Jay Beattie and Dan Dworkin have officially boarded the project to pen the pilot script. The series is set to debut in 2015. On April 2, 2014, it was reported by TVLine that the show will be penned by Jill Blotevogel (Ravenswood, Harper's Island, Eureka), and will focus on a YouTube video gone viral, which will have adverse repercussions for teenagers of Lakewood and serve as the 'catalyst for a murder that opens up a window to the town’s troubled past.' The leads are set with Willa Fitzgerald, Bex Taylor-Klaus, Bobby Campo, Connor Weil, Carlson Young and Joel Gretsch. The script by Jill Blotevogel of the pilot episode "Red Roses", was published in February 2015 on the blog Bleeding Cool.
On April 12, 2015, the first trailer for the series was aired during the 2015 MTV Movie Awards presented by Bella Thorne, also revealing the final premiere date of the series, which will air on June 30, 2015.
An official set picture of the series' reimagined Ghostface mask was revealed in early June 2015. Craven expressed his approval of the redesign and hinted at its origins and possible plot significance.
Cast and characters
Craven initially intended to hire talented but relatively unknown actors who had not yet had a "big break" in the film industry, as he had done with A Nightmare on Elm Street 's Johnny Depp and Shocker 's Peter Berg. However, the decision was made to cast actors who already had a notable body of work, marking a change from many previous horror films where casting current, popular actors was unheard of. Craven believed their budget was inadequate to secure the actors they were pursuing but felt that Barrymore's presence made people eager to take part and accepting of a lower salary.
Drew Barrymore initially approached the production herself after reading the script and was signed to play Sidney Prescott. However as time progressed, her schedule commitments meant she would be unable to remain in the leading role, so she volunteered to play the smaller role of Casey Becker who dies early in the film. The production felt that killing off an actress of Barrymore's stature early on would be a risk but thought that it would be shocking to the audience and make them believe that no other character was safe. Following Barrymore's changed role, Alicia Witt and Brittany Murphy auditioned for the lead and the production also considered contacting Reese Witherspoon. The role was ultimately given to Neve Campbell after the director saw her in Party of Five, believing she could best embody a character who was "innocent" but also able to handle herself while dealing with the physicality and emotions of the role. Though reluctant to undertake another horror film so soon after The Craft, Campbell chose to do Scream as it would be her first leading role and she "adored" the character, saying "She's a fantastic character for any kind of movie." The production wanted a recognizable face for the role of news reporter Gale Weathers, offering it to both Brooke Shields and Janeane Garofalo. Cox, who was starring in the hit NBC sitcom Friends at the time, was not considered due to her history of playing softer, kinder characters. Cox however lobbied hard for the role for that reason, wishing to play a "bitch" character, her efforts ultimately succeeding when she was cast. Actresses Melinda Clarke and Rebecca Gayheart auditioned for the role of Tatum Riley before Rose McGowan was cast due to her best embodying the "spunky" nature of the character. It was believed the collective strong female cast of Campbell, Barrymore, Cox and McGowan would help draw a significant female audience to the film.
Kevin Patrick Walls, who played Barrymore's boyfriend Steve Orth in the opening of Scream, was one of the final candidates for the role of Sidney's boyfriend, Billy Loomis, alongside Justin Whalin before it was won by Skeet Ulrich. Campbell and Ulrich had a prior working relationship on The Craft which they believed help them better develop the relationship between Sidney and Billy. David Arquette was also approached for the role of Billy Loomis but instead wanted the role of Dewey. The role was described as "hunky" instead of the younger, "goofier" approach of Arquette but Craven appreciated the idea and cast him in the role. Matthew Lillard was cast by chance as he had accompanied his then-girlfriend to a separate audition where Scream casting director Lisa Beach saw him and asked him to audition, where he secured the role of Stu Macher. The role of Randy Meeks was contested between Jamie Kennedy and Breckin Meyer with the production favoring Kennedy. Having no major role prior to Scream, the studio wanted a more prominent actor than Kennedy in the role but the production were adamant that he was the best choice and successfully fought to keep him in. Roger L. Jackson, voice of the character Ghostface, was picked at the end of several weeks of local casting in Santa Rosa. The production had originally intended to only use his voice temporarily but ultimately decided that it was perfect for the role. He was intentionally kept from meeting many members of the cast in all three original Scream films as it was thought it would help their performance if they could not put a face to the menacing voice. The calls made by his character were genuine phone calls conducted on set by Jackson to the characters, again with the intention of aiding the interaction between his character and the character being "stalked" in a scene.
|"I can't imagine Scream without Ghostface...Roger Jackson's voice is very remarkable, it's got an evil sophistication."|
|— Director Wes Craven on Roger L. Jackson's role.|
For Scream 2, Campbell had been contracted for a possible sequel before filming began on Scream. However actors with surviving characters had a sequel option added after it was known which character would be eligible to appear in the next film. In interviews, the production staff of Scream 2 stated they believed that Barrymore's role in Scream added an element of respectability to the genre that made actors normally reluctant to engage a horror film, eager to sign on to Scream 2. Many of the actors involved including Campbell, Cox, Sarah Michelle Gellar and Jerry O'Connell were starring in their own television series at the time making scheduling their availability with the film difficult. Gellar in particular had also recently finished work on another Williamson-penned film, I Know What You Did Last Summer (1997) which released two months prior to Scream 2. She would admit in interviews that she signed on to Scream 2 without having read the script, based on the success of the first film. Craven took their desire to participate in the film despite their workload as a compliment to the film's quality. To obtain the role of Derek, O'Connell and other candidates had to audition by performing a scene from the film where the character sings "I Think I Love You". The cast was rounded out by Laurie Metcalf, who had just finished a nine-year run on the popular sitcom Roseanne, Lewis Arquette, father of David Arquette, Jada Pinkett and Timothy Olyphant in what was his first leading role in a feature film. Rebecca Gayheart, who had unsuccessfully auditioned to play Tatum Riley in Scream, auditioned for the roles of Hallie, Cici and Maureen Evans before being cast as Sorority Sister Lois.
For Scream 3, Craven stated in an interview that convincing the central cast to return was not difficult but their burgeoning fame and busy schedules made arranging their availability with the film's production troublesome. Campbell in particular was only available for 20 days of filming which resulted in a significantly reduced role for her character and a focus on Cox and Arquette's characters. Emily Mortimer was cast as Angelina Tyler but shortly after filming began it was discovered she lacked the required permit to work, resulting in her being flown to Vancouver to obtain one. Carrie Fisher made a cameo in the film at the suggestion of Bob Weinstein and Fisher helped write her character. Kelly Rutherford was cast after filming had begun as the production was undergoing constant rewrites and the opening scene evolved from requiring only a female corpse to needing a live actress with whom Schreiber could interact. In an 2009 interview, Matthew Lillard, who played Stu Macher in Scream, claimed that he was signed to reprise his role in Scream 3 as the primary antagonist but after the script moved in a direction without his character, he was bought out of his contract.
When production of Scream 4 was announced, Campbell initially refused offers to reprise her role as Sidney, forcing early script drafts to be written in consideration of her absence. However, in September 2009, Campbell, Cox and Arquette were all confirmed as reprising their roles as Sidney, Gale and Dewey respectively, with Jackson's commitment confirmed in July 2010. Continuing the trend started in Scream, the production cast established and popular actors Hayden Panettiere, Rory Culkin, Anna Paquin, Kristen Bell and Emma Roberts. Roberts was cast as Jill, Sidney Prescott's cousin, beating out Ashley Greene for the role. Lake Bell and Lauren Graham were cast in the film but dropped out early into production, Bell citing scheduling conflicts. Nico Tortorella auditioned five times to secure the role of Trevor, the ex-boyfriend of Roberts' character, by reenacting a scene from Scream where the character of Billy Loomis reveals he is one of the killers.
Scream (1996) was conceived under the title Scary Movie by screenwriter Kevin Williamson as an 18-page script inspired by a series of murders by the Gainesville Ripper that Williamson had seen in a news story and his own experience alone in a friends house after discovering an open window he had not previously noticed. The treatment covered what would become the opening scene of Scream featuring Drew Barrymore. Williamson began to expand this script into what ultimately became Scream because his previous script, Teaching Mrs. Tingle, was in development hell, writing it in only three days in Palm Springs and bringing it to his agent in June 1995 to put it up for sale. Accompanying the script were two 5-page outlines for potential sequels to the film, Williamson hoping to provide added incentive to buy the script by providing potential for a franchise. Williamson would later claim he wrote the screenplay partly because it was a film he wanted to watch and "nobody else is making it". The script was self-referential, featuring characters who watched horror films and were aware of the conventions of the genre and featured numerous homages to many preceding horror films which Williamson would claim inspired him, including Halloween, Friday the 13th, A Nightmare on Elm Street and Prom Night.
Williamson was told early on by his agent, Rob Paris, that the saturation of violence and gore in his script would make it "impossible" to sell and following its purchase by Miramax he was required to remove much of the gorier scenes. However, once Craven was confirmed to direct, he was able to bring much of the excised content back. Williamson intended to remove a scene in the film that took place inside the fictional school's bathroom, feeling it was awkward but Craven salvaged it believing it had potential. Williamson later confirmed that he was glad Craven did so. The death of the character Principal Himbry was added at the request of producer Bob Weinstein who noted that there was thirty pages (thirty on-screen minutes) without a murder occurring. This later aided Williamson who was struggling to find motivation for characters to leave a party in the film's finale, now able to use the discovered corpse of the Himbry character. When writing the finale, Williamson was unsure what to cite as a motivation for the killers or whether to give them one at all. Opinions were split between staff on the picture, some who felt that a motive was necessary for the audience to be given resolution while others felt it was scarier without one. Ultimately Williamson decided to do both, giving the character Billy Loomis the motive of maternal abandonment while not giving the character of Stu Macher one, instead having the character jokingly suggest "peer pressure".
Following the release of Scream, Williamson confirmed that he had considered a concept for a sequel where the character Sidney Prescott attends college and a copycat killer begins stalking her. Dimension Films agreed to pursue a sequel in March 1997, by which point Williamson had already written 42 pages of the new script. By July 1997, filming began on Scream 2, but his completed script was leaked on the Internet revealing much of the plot including the finale and the identity of the film's killers. As a result, the production was forced to continue filming with only a partial script as Williamson conducted rewrites, changing much of the finale, the killers victims and the killers identity. To preserve the identity of the killer or important plot points being revealed again, the actors were not given the last pages of the script until weeks before shooting and the pages that revealed the killers identity were only provided on the day the scene was shot. The short production schedule on Scream 2 and his work on other projects meant that Williamson's final script used for the film was detailed in some areas but lacking in others, the intention being for Craven to fill out these scenes on set.
|"Look, there was a bumpy period when things shifted over from Kevin to Ehren. I signed up to do a script by Kevin and unfortunately that didn't go all the way through the shooting. But it certainly is Kevin's script and concept and characters and themes"|
|— Director Wes Craven on controversial rewrites to the Scream 4 script.|
Williamson was approached by Bob and Harvey Weinstein in early 1999 to pen a script for Scream 3 but at the time he was involved with the writing and directing of his original script Teaching Mrs. Tingle and developing the short-lived TV series Wasteland. Unable to write a full script, Williamson provided a draft outline for the film that involved the filming of the film within a film "Stab 3", based on the previous film's in-universe murders, that took place in the fictional town of Woodsboro from the original Scream. Arlington Road scribe Ehren Kruger was brought into the production by the Weinstein brothers to develop a script using Williamson's notes, though Kruger admitted that without having been involved with the characters in the previous two films he struggled to write them true to character. Early scripts by Kruger had the character of Sidney Prescott much like "Linda Hamilton in Terminator 2" at which point Craven would intervene to bring the character closer to previous iterations. Kruger admits that Craven had a hand in writing the script though he remained uncredited for it. Kruger's script would differ in many ways from Williamson's original including the removal of one of the killers and the inclusion of the death of Cotton Weary who was originally absent from the film. Additionally, the film's location changed from Woodsboro to Hollywood as Kruger believed that the characters should be moving to bigger places from high school, to college to Hollywood. However, there were also considerations that creating a film containing acts of murder in and around the fictional Woodsboro school would receive negative attention following the Columbine High School massacre that occurred less than a year before the film's eventual release. The film was given a greater emphasis on humor over violence and fared worse than previous installments both financially and critically.
Almost ten years after the last installment, in late 2009, Williamson formulated a concept for a new installment and approached Bob Weinstein who, after hearing his pitch, told Williamson to begin writing a script for what would become Scream 4. Campbell initially refused to return to the series for Scream 4 forcing early script drafts to be written in consideration of her characters absence with Cox and Arquette's characters becoming the focus. Early versions of the script involved Campbell's character being attacked and killed in the opening, a key point of contention for Weinstein who had it removed, while another version had Cox and Arquette's character as parents, but this too was removed as it was believed that them having a child would be unworkable in the context of the film. After Williamson was forced to leave the production due to contractual commitments to The Vampire Diaries, under threat of legal action, controversy arose in July, 2010 when Scream 3 writer Ehren Kruger was brought in by Weinstein to perform re-writes on Williamson's script, about which Craven was outspoken on "losing control" of the story. He would later explain that despite rewrites it was still Williamson's characters and script. Weinstein clarified that Kruger was brought in to "punch up" the film's dialog but his involvement with the writing was not to the same extent as with Scream 3. To preserve the secrecy of the script and the identity of the film's killer, the cast were only provided with 75 pages of the 140-page-long script. Like the two previous installments in the series, the script underwent rewrites often with pages sometimes only ready on the day of shooting.
The script for Scream (1996), then known as Scary Movie was released for sale on a Friday and by 8am the following Monday had become involved in a significant bidding war from several studios including Paramount Pictures, Universal Pictures and Morgan Creek, with producer Cathy Konrad bringing it to the attention of Bob Weinstein. The bidding eventually rose to an amount that the choice ultimately came down to Oliver Stone, who was at the time working with Cinergi Pictures, and Weinstein under Miramax. Williamson agreed to terms with Miramax for $400,000 plus a contract for two sequels and a third, unrelated film, believing their label, Dimension Films, would produce Scream immediately and without significant restriction. Wes Craven was approached early on to helm the film but he was occupied with remaking The Haunting and so other directors including Robert Rodriguez, Danny Boyle, George Romero and Sam Raimi were approached. Concerns were raised by Williamson and Weinstein when many of the approached directors, having read the script, believed the film to be a comedy, making them reluctant to hire those particular directors, believing they "didn't get it". Craven was approached and passed on the film several times, wanting to move away from the genre, but was enticed once Drew Barrymore became involved, reasoning that it may be different from his previous works if an actress of her recognition was involved. Ultimately the production of The Haunting, at that time, fell through and Craven was able to take over directing duties on the film. Close to the end of the film's production, the Weinstein brothers had the film's title changed from Scary Movie to Scream inspired by the Michael Jackson song of the same name as Bob Weinstein felt "Scary Movie" was not suitable when the film also contained elements of satire and comedy. The change was immediately disliked by both Williamson and Craven who considered it "stupid" but would later remark that it was a positive change.
Following a successful screening with a test audience and Miramax executives, both Williamson and Craven were offered a two-picture contract for sequels to Scream, Williamson already having been offered a three-picture deal by Miramax for unrelated films. Bob Weinstein ordered that the film be released on December 20, 1996, a date others were critical of as it was the Christmas season where seasonal and family films were more prevalent. Weinstein argued this fact was in the film's favor as it meant that horror fans and teenagers had nothing interesting to watch. When Scream 's first weekend takings amounted to only $6 million, it was considered that this release date gamble had failed, but the following week the takings did not drop but increased and continued the following week, leading to a total U.S. gross of over $100 million. As Scream 's box-office takings grew, a lawsuit would be filed against Dimension Films by Sony Pictures who claimed that the title Scream was too similar to that of Sony's own film Screamers (1995). The case was settled out of court with the details remaining secret but producer Marianne Maddalena would confirm that the production were able to use the current and potential future titles of Scream 2 and Scream 3.
A sequel was considered in January 1997 after the first film proceeded to gross more than $50 million in its first month. Scream 2 (1997) was greenlit in March 1997 with a budget of $24 million, and was released before the first film's anniversary. The production of the film suffered a significant setback when the script was leaked revealing plot details including the identity of the killers, resulting in the script being modified to change many details. In an interview, Craven commented on the rushed schedule for the film, starting in July 1997 with a December release date, with many scenes in the script provided with only a loose outline forcing him to develop scenes on set. Various titles were considered for the sequel at different points in the film's production, including Scream Again, Scream Louder and Scream: The Sequel before the studio decided to simply use Scream 2.
Scream 3 (2000) was released just over two years after Scream 2 with Craven again attached to direct the film on a greatly increased budget of $40 million. Shortly before production began on the film, the Columbine incident occurred and with it came an increased scrutiny on the media and its effect on people, particularly films. There were considerations at the time about whether the studio should continue production of a third installment in the aftermath of the incident but the studio decided to continue, albeit with changes. The studio was much more apprehensive concerning violence and gore in the film than with previous installments with them pressing for a greater emphasis on the series' humor while scaling back on the violence. At one point in the production, the studio demanded that the film feature no blood or on-screen violence but Craven intervened stating that the film should either have the violence present in earlier Scream films or should be called something other than Scream. As with production of Scream, Craven would again state in an interview that issues with censorship and the MPAA made him consider leaving the horror genre.
Production of a new film, Scream 4 (2011) was announced in July 2008 by The Weinstein Company who approached Williamson about formulating a new script, with the intention of creating a new Scream trilogy if the fourth film proved successful. By late 2009, Williamson managed to develop an idea for the film and potential sequels and began work on the script. The film was given a budget of $40 million and the principal cast were signed to the film in September 2009 followed by Craven as director in March 2010. In May 2010, Cathy Konrad, producer on the original three films filed a $3 million lawsuit against The Weinstein Company accusing them of violating an agreement that her company, Cat Entertainment, be given first rights to produce all Scream films in order to cut costs by getting a cheaper producer (Craven's wife Iya Labunka, not named in the suit). In April 2011, it was reported that the Weinsteins had settled out of court with Conrad, the details remaining confidential. The Hollywood Reporter however, claimed that Conrad received a cash payment and entitlement to a percentage of the profits derived from Scream 4. In addition, she was given an executive producer credit on the film. Williamson and Bob Weinstein came into repeated conflict with each other during production with Williamson citing the creative direction of the film as the cause while Weinstein blamed the time constraints on the film's development. Williamson and Weinstein did not speak to each other after Williamson left the production, claiming other responsibilities, and he had not seen the finished version of the film prior to its release.
Filming for Scream began on April 15, 1996 and finished on June 8, 1996. Filming was intended to take place in North Carolina but the location was deemed unsuitable, with scouts unable to find useful locations that would not require extensive building or modification to make fit the requirements of the film. The production instead turned to Vancouver, Washington and Los Angeles before discovering Sonoma county, California and the areas within, Santa Rosa, Healdsburg and Tomales Bay. The house used by Barrymore's character is situated on Sonoma Mountain Road opposite the house used in the horror film Cujo (1983). Before filming began, the production approached Santa Rosa High School about using it as Woodsboro High School. The school board insisted on seeing the script and objected to the content of the film's dialog and the foul-mouthed, aggressive character of Principal Himbry. The matter reached local newspapers who also raised criticism but there the production received support from students of the school and local residents who supported the economical benefits of the film's presence and others who defended its First Amendment rights. Opposition to the film came from those who deplored its content of violence against children (teenagers), as the area had suffered the tragic kidnap and murder of Polly Klaas three years prior. The matter resulted in a three-hour debate on the topic scheduled for the 16th of April, one day after filming was to begin. Unwilling to be delayed, Craven began filming as scheduled on the 15th with the opening scene of the film featuring Barrymore which took five days to complete. The result of the Santa Rosa debate was that permission be denied and the production was forced to find another location for the school, ultimately being offered the Santa Rosa community center which appears as Woodsboro High School in Scream.
|"I'm a director who can do something very well but am not allowed to put it on screen. And they ultimately get you, as they did on this one, on intensity. They say, 'it's not a specific shot, it's not blood, it's just too intense'."|
|— Director Wes Craven on his conflict with MPAA censorship during production of Scream|
For the film's killer, Williamson's script had provided Craven only with the description "masked killer" forcing him and his design team to create the Ghostface costume from scratch to conceal the killers identity. While awaiting permission from Fun World, creators of the Ghostface mask design, Craven had the design team KNB Effects create an alternative that was used in two scenes before being replaced by the original Fun World design once permission was granted. Bob Weinstein disliked the Ghostface mask believing it was not "scary" and the studio, upon reviewing the dailies footage of the opening scene, were concerned that it was progressing in a direction they did not want and there was consideration that Craven could ultimately be replaced. To assuage their concerns, the first thirteen minutes of the opening scene were compiled as a workprint, a rough version of the finished film, and upon seeing it, the studio were content to let Craven continue and Weinstein was satisfied that the mask could be scary. The third and final act of the film, set at a house party, was over forty minutes long and shot at a vacant property in Tomales over twenty-one nights. The scene was considered the most difficult to shoot as it took place entirely in one location yet featured the individual stories and deaths of multiple characters and as it was set at night, meant that production had to halt at daybreak.
After filming completed in June, Craven spent two months editing the final product, encountering repeated conflicts with the film rating body MPAA concerning the content of scenes, being forced to tone down or obscure the more intense scenes and violence to avoid an NC-17. Though Dimension Films had previously released NC-17 films, the rating made those films difficult to market and attract an audience and thus they were desperate for a less restrictive R-rating. For an early scene involving the death of the character Casey Becker, Craven lied to the MPAA by claiming he had only one take of the scene and could not replace it with something less intense, in order to keep it in the film. In interviews, Craven indicated that the conflict was enough that, at the time, he was considering leaving the horror genre. In total, Craven sent eight different cuts of the film to the MPAA before Bob Weinstein intervened and personally contacted the MPAA, believing they misunderstood to which genre Scream belonged. Weinstein explained to the organisation that although he agreed it was intense, it also had comedic elements and satirized its content and was not just a horror film glorifying violence. The MPAA reviewed their decision and granted the film an R-rating.
Production of a sequel, Scream 2 was greenlit in March 1997, with filming beginning on July 16, 1997 with a budget of $24 million and wrapping on August 28, 1997. Filming took place largely in Atlanta, Georgia over four weeks before moving to Los Angeles. Agnes Scott College in Atlanta and UCLA in Los Angeles were used to represent the fictional Windsor College which appears in the film. The opening scene featuring the premiere of the fictional "Stab" film was filmed over three days in the Vista theater on Sunset Drive, Hollywood, the exterior represented by the Rialto theater in South Pasadena. Due to the large number of extras present in the scene, its details were leaked onto the Internet shortly after filming completed which Craven cited as the productions first experience of a major plot leak. After his interactions with the MPAA in Scream, Craven sent them a copy of the film that was intentionally much more graphically violent than they were planning to release, featuring Omar Epps' character being stabbed in the ear three times and an extended scene of Randy Meeks death. Their idea was that the MPAA would force them to remove the content the production already did not want while keeping the content they did. However, the MPAA gave them an R-Rating for the more violent cut, stating that they felt the message of the film was significant. Following a script leak early into filming, security around the production was significantly increased with a focus on closed film sets and strict restriction on what personnel could be present during filming and have access to the script with all present required to sign non-disclosure agreements. The script itself was reprinted on specialty paper to prevent photocopying and was often destroyed after use.
Filming for Scream 3 began on July 6, 1999 in and around Hollywood, Los Angeles, in the areas of San Fernando Valley, Macarthur Park, Beverly Hills, Hollywood Hills and Silverlake, with a $40 million budget and wrapped on September 29, 1999. The isolated home of Campbell's character is situated in Topanga Canyon and Cox's character is introduced in a classroom at UCLA. A scene where Campbell's character is pursued through movie set replicas of locations from Scream was not scripted but the sets were built because Craven knew he wanted to revisit the original film in some way, after which they wrote the scene around the set. Due to the constantly changing script used for the film, which would often be usable on the day of filming, the production filmed large amounts of footage of different variations of the same scenes in order that, should the script again change, they would ideally have a scene they could use without having to film new ones at a later date. In particular, the opening scene had three variants and the three-minute scene featuring the character of Randy Meeks had two-hours of filmed footage. The ending too was refilmed in January 2000, three months after principal photography finished, adding in the character of Mark Kincaid (Patrick Dempsey) and having Campbell's character beaten and then shot by Ghostface after it was decided she defeated him too easily. So in flux was the script that the final scene of the movie was filmed with three variants of Dempsey's character, one with him absent, one with his arm in bandages and one with him in a normal condition as they were unsure of what his fate would be.
Principal photography for Scream 4 began on June 28, 2010 with a budget of $40 million and concluded on September 24, 2010. Filming took place in Michigan in the areas of Ann Arbor, Dearborn, Livonia and Northville. In January 2011, the film underwent an additional four days of filming to reshoot two scenes, following a test screening – the opening scene and a later scene that took place in a parking garage with Alison Brie. Amidst criticism that the reshoots meant the film was in trouble and the result of a negative response from the test audience, director Craven countered,
|“||They're not reshoots, we had a couple test screenings and we saw two scenes where they had moments you could add to and we just saw a spectacular opportunity...The two scenes were really good, but we saw how they could be spectacular, so we thought, let's just go for it. They were key moments of the script, so we just decided to go back and go for the grand slam on them.||”|
Craven also complimented the film's ending, labeling it "kick-ass" and stated that it remained untouched as part of the reshoot process. In an interview, Craven also highlighted that the script was so long they had filmed many scenes which had to be cut from the final film to reduce its running time.
The score for the Scream series was provided by Marco Beltrami, starting with Scream in what was his feature film debut. Beltrami was brought onto the production of Scream after Craven's assistant Julie Plec requested input on the now defunct site "Hollywood Cafe", asking for opinions on was "new", "fresh" and "wonderful" and was provided with Beltrami's name by several people. Craven sent for samples of Beltrami's work and was impressed by what he heard, bringing him to the set to view the first thirteen minutes of the film featuring the introduction and murder of the character Casey Becker. Craven had Beltrami produce music based on this scene and then demonstrate it, impressing Craven enough to hire him. For Scream (1996), the decision was made to intentionally use music to raise the tension in scenes where it was unnecessary when the characters were entering a situation where the audience may expect a killer to suddenly appear, only to not deliver on that expectation, part of the film's theme of playing with horror conventions. Craven and editor Patrick Lussier provided Beltrami with advice on how best to deliver the music during scary and tense scenes as Beltrami had no prior experience in developing a horror score. Beltrami intentionally avoided conventional horror score styles and approached the film as a western, taking influence from Ennio Morricone, prolific composer of many western films, in the creation of Scream's music. When scoring a theme for the character of Dewey, Beltrami approached him as a sheriff but also as a "quirky" character, using a Morricone-style guitar accompaniment to maintain the Western approach. An acoustic cover of Blue Öyster Cult's "Don't Fear the Reaper" plays softly in the background to Sidney and Billy's discussion of their relationship, which analyst Jeff Smith describes as
|“||An ironic comment on the brutality we have just seen in the opening sequence. More importantly, however, the allusion to the Blue Öyster Cult classic recasts the song's title by literalizing its meaning. While the title itself invokes the Reaper as a popular symbol for death, the film presents us with an actual person, who not only dresses as the Grim Reaper but also unleashes homicidal vengeance on the other characters of the film. The irony here, of course, is that Billy himself proves to be one of the film's dual slashers and is, in fact, the "Reaper" to be feared.||”|
The theme tune of Sidney Prescott, entitled "Sidney's Lament", became a signature track for the series, variations of the tune appearing across the score of Scream, Scream 2 and Scream 3. The track features a female choral arrangement expressing "sorrow" concerning the fate of the character. In Scream, Beltrami stated that the voice "spoke" for the character, "lamenting" the loss of her mother. In future films it went on to represent the murders and ensuing trauma inflicted on her. Christian Clemmensen of Filmtracks called the "haunting" vocals of the track the "voice of the franchise". The track "Sid Wears a Dress" features in the finale of Scream 3 where the sorrowful chorus of "Lament" gradually shifts key to represent "hope" for the characters future following the resolution of her storyline in what was then the final film in the series. The female voice would be accompanied by a male addition for the first time in "Pied a Terror" from Scream 3 to represent the brother of the character.
Beltrami returned for Scream 2 (1997), leading the score though there would be a late inclusion by Danny Elfman in the form of the choral track "Cassandra Aria". In addition, excerpts from the score of Broken Arrow by Hans Zimmer appeared in the film, in particular guitar work by Duane Eddy, for the character 'Dewey', replacing many of the character's related tracks from the original Scream score. Beltrami later explained that the Zimmer piece was used as a scratch track for test screening purposes before the score was finalized. The test audience reaction to it influenced the studio keep the Zimmer piece, reducing "Dewey's Theme", which Beltrami had composed to fill its place, to minor use during more serious scenes involving the character. The Zimmer piece would continue to be used in Scream 3 during scenes concerning the evolving relationship between the characters of Dewey and Gale with Beltrami appropriating and adding his own influence to the piece to blend it into the thematic Scream 3 score.
For Scream 3, Beltrami employed seven orchestrators to aid in scoring the extensive orchestral accompaniment featured in the film's score. Additionally, he experimented with new styles of sound production by recording instruments in abnormal circumstances such as inserting objects into a piano and recording at various velocities to create a distorted, unnatural sound and modifying the results electronically.
The Scream series, when compared to the other high-grossing American horror franchises – A Nightmare on Elm Street, Child's Play, Friday the 13th, the Hannibal Lecter series, Psycho, Saw, Halloween, and The Texas Chainsaw Massacre — with figures adjusted for 2011 inflation, is the sixth highest grossing horror franchise in the domestic United States at $442.9 million. This list is topped by Friday the 13th at $687.1 million, followed by the Nightmare on Elm Street series with $592.8 million. The Hannibal Lecter film series with $588.7 million, Halloween with $557.5 million, the Saw series with $457.4 million, the Scream series which is followed by Psycho with $376.3 million, The Texas Chainsaw Massacre with $304.6 million, and the Child's Play film series with approximately $203 million.
The original Scream has remained the most successful of the series accruing a US$173,046,663 gross worldwide and receiving a largely positive critical reception, closely followed by Scream 2 with less than $1 million separating their respective box-office takings. Scream 3 suffered significantly worse domestically and critically than its predecessors, taking only $89.1 million compared to Scream and Scream 2 with $103 million and $101.1 million respectively. All three installments takings remained relatively equal in foreign territories with less than $2 million separating them, however Scream 3 remains the lowest financially performing series entry to date. Scream is currently the 518th highest grossing movie worldwide, followed by Scream 2 at 520 and Scream 3 at 616. As of 2011, Scream remains the highest grossing film in the slasher genre, followed by Scream 2 and Scream 3 at No. 2 and No. 3 respectively.
Despite competition from other big name films during its release, including Tom Cruise's Jerry Maguire and Tim Burton's Mars Attacks!, its release date of December 20, during the Christmas season, and Variety labeling it "D.O.A." before it was even released, Scream became the surprise hit of the year and continued to show in cinemas for nearly eight months. By late 1997, Scream 2 was considered such a potential box office success that the James Bond film Tomorrow Never Dies and James Cameron's future hit Titanic were moved from their release date of December 12 to December 19 so as to not face the film as competition. With $33 million, Scream 2 broke December opening weekend records for its box-office takings in 1997 and held the record until December 15, 2000, being replaced by What Women Want (2000).
When adjusted for 2012 inflation, the entire Scream franchise has grossed $816,420,621 worldwide.
|Box office revenue||Box office ranking|
|United States||Foreign||Worldwide||Release year||All time U.S.||All time worldwide|
|Scream||December 20, 1996||$15,000,000||$103,046,663||$70,000,000||$173,046,663||#15||#436||#518|
|Scream 2||December 12, 1997||$24,000,000||$101,363,301||$71,000,000||$172,363,301||#21||#453||#520|
|Scream 3||February 4, 2000||$40,000,000||$89,143,175||$72,691,101||$161,834,276||#27||#548||#616|
|Scream 4||April 15, 2011||$40,000,000||$38,180,928||$63,133,266||$101,314,194||#61||#1,621||#1022|
The Scream series has received a largely positive critical response since the release of the first film in 1996 with Kevin Thomas of The Los Angeles Times calling Scream "a bravura, provocative sendup of horror pictures" while Empire 's Adam Smith called it "Clever, quick and bloody funny." Other reviews appreciated the shift from the teen slasher films of the 1980s and their "endless series of laborious, half-baked sequels." Williamson's script received praise for its "fiendishly clever, complicated plot" which "deftly mixes irony, self-reference and wry social commentary with chills and blood spills." Janet Maslin of The New York Times was less complimentary saying "[Craven] wants things both ways, capitalizing on lurid material while undermining it with mocking humor. Not even horror fans who can answer all this film's knowing trivia questions may be fully comfortable with such an exploitative mix".
Scream went on to rank No. 32 on Entertainment Weekly 's list of the '50 Best High School Movies and No. 13 on Bravo's 'The 100 Scariest Movie Movements'. In 2008, Entertainment Weekly would add additional praise to the film, listing it as No. 60 on their list of the '100 Best Films of the Last 13 years'. The film ranked No. 482 on Empire 's 2008 list of 'The 500 Greatest Movies of All Time'. Scream received several awards in 1996 including the Saturn Award's Best Actress for Campbell, Best Writing for Kevin Williamson and Best Horror Film plus nominations for Best Director for Wes Craven and Best Supporting Actor for both Ulrich and Barrymore. The film was also awarded the 1997 Best Movie by the MTV Movie Awards.
Scream 2 received equally positive critical response with some critics arguing that the film surpassed the original in scares and humor. Both Gene Siskel and the New York Times ' Janet Maslin gave the sequel positive reviews despite their negative response to Scream. The film failed to achieve the same success as the original in terms of awards however, winning only the 1998 MTV Movie Award for Best Female Performance for Campbell plus Saturn Award nominations for Best Actress, Best Supporting Actress and Best Horror Film for Campbell, Cox and Scream 2 respectively.
Scream 3 received mixed to negative reviews, receiving an aggregated score of 36% on review-site Rotten Tomatoes compared to Scream 's 83% and Scream 2 's 81% with general consensus that "Scream 3 became what the series originally started out spoofing" and concluded that the series "lost its freshness and originality by falling back on the old horror formulas and clichés". Of the characters, Roger Ebert said "[the characters] are so thin, they're transparent" but praised Campbell's appearance saying "The camera loves her. She could become a really big star and then giggle at clips from this film at her AFI tribute". However, not all reviews were negative with the Los Angeles Times calling it "Genuinely scary and also highly amusing" and the BBC stating that "as the conclusion to the trilogy it works more effectively than anyone had a right to expect".
Scream 4 received mixed to positive reviews. Review aggregate Rotten Tomatoes reports that 59% of critics have given the film a positive review based on 169 reviews, with an average score of 5.8 out of 10. Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a 52 based on 32 reviews. CinemaScore polls reported that the average grade moviegoers gave the film was a B minus on an A plus to F scale.
Roger Ebert gave the film two out of four stars, criticizing the film for using the clichéd formula of the slasher genre. Michael O'Sullivan of The Washington Post gave the film a negative rating of one and half out of four stars saying "the problem is, the movie doesn't really care if we are laughing with it or at it". Empire gave the film two out of five stars, criticizing the film's old-fashioned formula and lack of scare factor. The New York Daily News thought the film was "dated" and that "relying on obvious clichés doesn't seem ironic anymore, just easy." The Toronto Sun gave the film a mixed review, writing that "this installment is nowhere near the hip, serrated-edge blast of newness the original was in 1996. Suddenly, it's the horror thriller that, like, your parents are excited about"; however, the review praised director Wes Craven. Colin Covert of the Minneapolis Star Tribune gave the film a perfect score of four out of four stars, praising the combination of scares, comedy, and twists. The Boston Herald wrote that the film is "often amusing" but too long. Lisa Kennedy from the Denver Post stated that Scream 4 "pays plenty of homage to their 1996 original", but that it is not close to its greatness. Lisa Schwarzbaum of Entertainment Weekly praised the film, stating "It's a giddy reminder of everything that made Scream such a fresh scream in the first place," while Betsy Sharkey of the Los Angeles Times wrote that "Scream 4 finds a way to live up to its gory past while it carves out new terrors in new ways." Peter Travers of Rolling Stone gave the movie two out of four stars, criticizing the comedic overtones. Eric Goldman of IGN gave the film four out of five stars stating, "The first film is still the best, but this is much more in line with (and perhaps even better than) the fun of Scream 2 and the drab Scream 3. Scream 4's conclusion also works as a strong series ender."
|Scream||78% (65 reviews)||65 (25 reviews)|
|Scream 2||81% (73 reviews)||63 (22 reviews)|
|Scream 3||36% (111 reviews)||56 (32 reviews)|
|Scream 4||59% (174 reviews)||52 (32 reviews)|
Scream was released in US territories on VHS on December 2, 1997, followed by Scream 2 on December 1, 1998 and Scream 3 on October 24, 2000. All releases were conducted by Buena Vista Home Entertainment which, by the time of Scream 3 's release, had become known as Walt Disney Home Entertainment.
The Scream films were released on DVD for the first time on December 3, 1997 starting with Scream. with a Collector's Edition of the film released on December 8, 1998, containing the film as well as deleted scenes, outtakes, the film's theatrical trailer, cast interviews, directors commentary and behind the scenes information. Scream 2 was released in the US on July 22, 1998 with a Collector's Edition following on August 7, 2001. The Collector's Edition featured additional material including outtakes, deleted scenes, the film's theatrical trailer, music videos of songs featured in the film and directors' commentary. Scream 3 was released in the US on July 4, 2000 only as a Collector's Edition featuring deleted scenes, outtakes, audio commentary, music videos of songs featured in the film, trailers for the film and biographies on the cast and crew involved in the film's production. In 2001, the Scream 3 release was nominated for a Saturn Award for Best Home Video Release, losing to Princess Mononoke (1997). All of the US releases were undertaken by Buena Vista Home Entertainment which, by the time of Scream 3 's release, had become known as Walt Disney Home Entertainment.
Following the release of, then series finale, Scream 3, the three films were collected in "The Ultimate Scream Collection" by Dimension Films on September 26, 2000, in a boxset containing Scream, Scream 2 and Scream 3 plus "Behind the Scream" a short documentary about the production of the three films and additional material including screentests of actors involved in the films, outtakes and deleted scenes.
Scream, Scream 2 and Scream 3 remained unreleased in foreign territories including Europe and Japan until 2001 where they were simultaneously released on February 26 by Buena Vista Home Entertainment. Each film contained the additional content found in the Collector's Edition version of their US release including deleted scenes, outtakes, theatrical trailers, music videos and commentary from each respective film's crew. Additionally, the three films were collected together in a single pack, again released on February 26 and released as "Scream Trilogy".
The three original films were released individually and in a collection in Blu-ray Disc format on March 29, 2011, two weeks prior to the release of Scream 4, by Lionsgate Home Entertainment, hosting the films in 1080p high definition. In addition to the films, each release contained audio commentary, theatrical trailers and behind-the-scenes footage for each respective film.
The Scream original soundtrack, released December 17, 1996 by the label TVT Records, features 12 songs by various artists including the original piece "Trouble in Woodsboro"/"Sidney's Lament" from the film's score by Marco Beltrami, most of which appeared in various scenes in the film. The piece "School's Out" by Alice Cooper appeared in the film but was replaced with a cover version of the song by The Last Hard Men on the album. The album was given 3 out of 5 stars by Allmusic though it was considered a failure and never charted on the Billboard 200 despite the success of the film.
The Scream score by Marco Beltrami would be his first time scoring a major film release and the ensuing exposure allowed him to go on to score other blockbuster films such as I, Robot and Live Free or Die Hard. The score would not be released commercially until July 14, 1998 by Varèse Sarabande in a dual-pack with the Scream 2 score. However it was found to lack several pieces from the films, with a runtime of only 12 minutes compared to the more common 30–45 minutes normally found in original scores due to the high reuse fees involved in obtaining the rights to commercially release the music. Beltrami was considered to have taken inspiration from the synthetic styles of Éric Serra and other successful scores, the references becoming more pronounced in his score to Scream 2. The theme for the central character Sidney Prescott, "Sidney's Lament" incorporated a "haunting" female solo vocal that would be utilized in other tracks throughout the entire film series. The score to Scream received generally positive reviews with Mikael Carlsson labeling it as some of the most intriguing horror scores composed in years while Filmtracks claimed the scores had "cult status".
The Scream 2 original soundtrack was released November 18, 1997 by Capitol Records featuring 15 songs in the R&B, rap and rock genres by various artists, some of which are represented in the film. The album spent ten weeks on the Billboard 200, rising as high as #50 but received a lower score than its predecessor from the music guide Allmusic, gaining only 2 out of 5. Stephen Erlewine of Allmusic opined that the soundtrack was an attempt to compensate for the previous film's lack of a hit soundtrack, but failed to do, creating an "uneven" album of songs not "good enough to make [the artists'] own albums".
The Scream 2 score was, as in Scream, developed by Marco Beltrami and was released on July 14, 1998 in a dual-pack with the score to Scream by Varèse Sarabande. The commercially released score was found to be lacking several pieces used in the film, with a runtime of only 17 minutes compared to the more common 30–45 minutes normally found in original scores. Included in the missing pieces was the track "Cassandra Aria" created by Danny Elfman, described by soundtrack-review site Filmtracks as "a frenzied, choral-enhanced three minutes" that remains unreleased as of March, 2011. The length of the released score was considered disappointing and blamed on the fees required to be paid to musicians in order to release their music. The influence of several other famous composers could be heard in the score including Hans Zimmer, Elliot Goldenthal, Ennio Morricone and Christopher Young. In particular excerpts of the Hans Zimmer's score to Broken Arrow, featuring guitar by Duane Eddy, would become a component of the theme tune of the character Dewey Riley.
The Scream 3 original soundtrack was released on January 25, 2000 by Wind-up Records featuring 18 songs consisting largely of the metal genre by artists such as System of a Down and Powerman 5000, some of which are represented in the film. The album fared better than its predecessors, spending fourteen weeks on the Billboard 200 and reaching a top rank of #32. and scoring a 2.5 out of 5 from music guide Allmusic. Reviewer Steve Huey claims that the "high pedigree" of the albums contributors had produced a "pretty listenable album".
The Scream 3 score was again helmed by Marco Beltrami who employed seven orchestrators and experimented with the recording of instruments in unusual circumstances such as physically and electronically altering the traditional sound of a piano while continuing to include a heavy vocal orchestra in his tracks There was consideration that Beltrami was forced to hire multiple orchestrators to complete the score to meet the film's deadline. Like previous scores in the series, the Scream 3 score was released by Varèse Sarabande on February 29, 2000 with a total length of 33 minutes of music, though the album was again found to be missing certain sections of the score utilized within the film. Beltrami took inspiration from other composers for the score, again incorporating excerpts of the score to Broken Arrow by Hans Zimmer in the track "Sid Wears a Dress". Music guide Allmusic awarded the Scream 3 score 2.5 out of 5.
The Scream 4: Original Motion Picture Soundtrack was released on April 12, 2011 by Lakeshore Records. The soundtrack features 12 songs performed by various artists mainly of the rock genre, such as Ida Maria, The Sounds and The Novocaines. The soundtrack received mixed reactions, with Gotham News stating that "This new album attempts to retain the style of the old, while speaking to the present content-diluted market. It has some success, but no cigar." Shadowlocked criticized the soundtrack's overly light tone, saying that "There's little here that I would have picked for a horror movie."
A score soundtrack was also released, on April 19, 2011 by Varèse Sarabande. The Scream 4 score was yet again developed by Marco Beltrami. It received mixed reviews. Filmtracks stating that "Despite the memorable history Beltrami has afforded the franchise musically, Scream 4 is a substantially disappointing continuation of the narrative. He and four assistant composers handle the 2011 entry from a purely functional stance, tackling individual scenes with stylistic remnants of the previous scores while accomplishing absolutely nothing new." Soundtrack-review site Sountrackgeek gave the score a highly favorable review: "It is possibly the best score in the Scream series, because it is so incredibly forceful. It wants to be full of action and chills and it is. It's not the scariest of scores, but Scream has never been about the moody scares, but rather the surprise scare and crazy fight/chase scenes. It succeeds and I had a blast listening to this from start to finish."
Amidst the series' success, it has also been tinged with controversy with claims of real-world copycat crime inspirations and inducing violence.
In January 1998, 16-year-old Mario Padilla and his 14-year-old cousin, Samuel Ramirez stabbed Mario's mother, Gina Castillo, 45 times, killing her. The case became known as the "Scream murder" and fell under intense media scrutiny after the boys claimed they were inspired by Scream and Scream 2. They would also admit to needing the money acquired from Gina's murder to fund a killing spree and purchase two Ghostface costumes and a voice-changer used by the character in the film. During their trial, psychologist, Madeline Levine, who studied the effect of violence on children, stated
|“||There were a whole bunch of reasons why they acted out that way. But did the movie provide a blueprint? Absolutely.||”|
The case was expected to highlight the effect of violent films on teenagers but the presiding judge, John Cheroske, ordered that evidence pertaining to Scream be barred and that the case not be referred to as the "Scream murder", refusing media access to the courtroom, intending that the case was tried as murder and nothing else.
On January 17, 1999, 13-year-old Ashley Murray was stabbed multiple times in the head and back before being left for dead by his then-friends Daniel Gill, 14, and Robert Fuller, 15; he was later found and saved by an elderly man walking his dog. The pair were dubbed the "Scream attackers" after it emerged that they had watched Scream shortly before the attack and drawings of the Ghostface mask were found amongst their possessions, though their actions were additionally blamed on physical abuse, drugs and exposure to black magic in their home life. Murray, who later testified against the pair, himself stated that he believed the film may have influenced the pair to attack him.
On May 4, 1999, following the Columbine incident and increasing news media scrutiny on the effects on society of violence in films, games and other media, the United States Senate Commerce committee held a hearing about Hollywood's marketing of films to youths and the horror genre of films in particular, using the opening scene of Scream featuring the murder of Casey Becker, as an example of negative media which may be viewed by children.
In November, 2001, Belgian Thierry Jaradin, 24, garbed in a Ghostface mask and costume murdered 15-year-old Alisson Cambier after she rejected his romantic advances. Jaradin later claimed to police that the murder was premeditated and inspired by the Scream film trilogy. The following year a seventeen-year-old French youth, identified only as Julien, following prior failed attempts with other girls, lured a fellow pupil to a secluded spot and stabbed her to death after showing her his Ghostface mask. French authorities of the time claimed the murder as the third Scream related killing since 2000.
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