Second Summer of Love
Graffiti honouring Madchester of the Second Summer of Love
The Second Summer of Love is a name given to the period in 1988 and 1989 in the United Kingdom, during the rise of acid house music and the euphoric explosion of unlicensed MDMA-fuelled rave parties. The term generally refers to the summers of both 1988 and 1989 when electronic dance music and the prevalence of the drug MDMA fuelled an explosion in youth culture culminating in mass free parties and the era of the rave. The music of this era fused dance beats with a psychedelic, 1960s flavour, and the dance culture drew parallels with the hedonism and freedom of the Summer of Love in San Francisco two decades earlier. Similarities with the 1960s included fashions such as tie-dye. The smiley logo is synonymous with this period in the UK.
The Second Summer of Love began in 1988, with the rise of the nightclubs Shoom (run by Danny Rampling), Future (organised by Paul Oakenfold), Trip (run by Nicky Holloway), and the Hacienda (run by Mike Pickering and Graeme Park). It was the start of the rave scene in the UK. These five DJs were inspired to start these events after holidaying on Ibiza in the summer of 1987 with their friend Johnny Walker. Ibiza was where acid house music first became popular in Europe and the after-hours nature of the club scene emerged.
In the early stages of the Second Summer of Love, the events and parties were often held in empty warehouses across the UK and were essentially illegal. Information about these events travelled by word of mouth (as well as the newly popular mobile phone) between clubbers who were obliged to party incognito.
The symbol of the time became a smiley face after the London crowd picked up the design when it was posted on one of the flyers from the third Shoom party. Water and Lucozade were a common feature because of the dehydrating effects of marathon dancing due to MDMA use. Ice pops were commonly popular. Hana Borrowman, a frequent attendee of Manchester's Haçienda club, reported:
Just when the hallucinogens were kicking in and the dance floor was so full with smoke you couldn't see or breathe, they'd hand out ice pops to everyone.
People also wore baggy clothing to combat the heat inside the clubs.
Acid house was typical of the Second Summer of Love. The music was characterised by the "squelching" bass produced by the Roland TB-303 and loud repetitive beats. It originated in Chicago and took on new qualities when it came to Europe. Songs from the time period include "French Kiss by Lil Louis "On & On" by Jesse Saunders, "Mystery of Love" by Fingers Inc., "Love Can't Turn Around" by Farley "Jackmaster" Funk & Jesse Saunders (featuring Darryl Pandy), "Back to Life (However Do You Want Me)" by Soul II Soul, "I've Lost Control" by Sleezy D, and "Your Only Friend" by Phuture. Moving the Second Summer of Love from underground events to overground, large raves was Wayne Anthony at his warehouse party called Genesis in Aldgate, East London as well as the huge outdoor Sunrise raves organised by Tony Colston-Hayter and Paul Staines.
The band Danny Wilson had a hit with their single "The Second Summer of Love", humorously alluding to the both the first and second so called summers of love.
Significance of drugs
Ecstasy was the drug of choice during the time. LSD was still present, just not as prominently. Mark Moore, owner of a club called S'Express, noted:
It definitely took ecstasy to change things. People would take their first ecstasy and it was almost as if they were born again.
Violence was uncommon due the feelings of euphoria, love and empathy caused by ecstasy. The drug also increased the enjoyment of the music and encouraged dancing. Nicky Holloway, a DJ from the time, explains:
The ecstasy and music came together. It was all part of the package... That may sound a little sad, but there's no way acid house would have taken off the way it did without ecstasy.
The Second Summer of Love in media
- Hanif Kureishi's novel The Black Album is set during this period.
- A number of works by Irvine Welsh, including The Acid House, are set in this period.
- Michael Winterbottom's 2002 film 24 Hour Party People tells the story of rave culture in the late 1980s, mainly focusing on the Madchester scene.
- The Summer of Rave, 1989 (2006), a BBC documentary on the development of rave culture in the UK during the summer of 1989.
- "Weak Become Heroes" by The Streets, a song describing the rave scene in the mid 1990s, while also acknowledging Holloway, Oakenfold, Rampling, and Walker.
- Reynolds, Simon (1998). Energy Flash. Picador. ISBN 0-330-35056-0.
- Elledge, Jonn (11 January 2005). "Stuck still". AK13. Retrieved 13 June 2006., "By the end of 1988, the second summer of love was over"
- "History of Hard House". Archived from the original on 16 May 2006. Retrieved 13 June 2006."As the second "Summer of Love" arrived in 1989"
- Bainbridge, Luke (19 April 2008). "A second summer of love". The Guardian.
- Nickson, Chris (24 April 2010). "The Second Summer of Love". Ministry of Rock.
- Savage, Jon (19 April 2008). "Back to the old house". The Observer.
- "Jacques Peretti: History in the remaking". The Guardian. London. 10 June 2006. Retrieved 11 November 2011.
- Wayne Anthony-- Class of 88. London: Virgin Books, 1998. ISBN 0-7535-0240-2. A street-level account of the warehouse party/rave scene from one of the organisers at the time.
- Jane Bussmann-- Once in a Lifetime: The Crazy Days of Acid House and Afterwards, Virgin Books 1998. ISBN 0-7535-0260-7
- Matthew Collin-- Altered States: The Story of Ecstasy and Acid House London: 1997 : Serpent's Tail—How rave dances began in Manchester, England in the Summer of 1988 (the [second] "Summer of Love") and the aftermath.
- Sheryl Garratt-- Adventures in Wonderland: A Decade Of Club Culture Headline: 1999—The book chronicles the growth of house music & club culture, including a lot of detail on the 2nd Summer of Love
- Simon Reynolds-- Generation Ecstasy: into the world of techno and rave culture. New York: Little, Brown and Company, 1998. ISBN 0-316-74111-6.