Senate House, London
The Senate House of the University of London
|Architectural style||Art Deco, Neo-Classical|
|Town or city||London, WC1
|Client||University of London|
|Design and construction|
Senate House is the administrative centre of the University of London, situated in the heart of Bloomsbury, London, between the SOAS, University of London to the north, and the British Museum to the south.
The Art Deco building was constructed between 1932 and 1937 as the first phase of a large uncompleted scheme designed for the University by Charles Holden. It consists of 19 floors and is 210 feet (64 m) high.
Today the main building contains the University of London's Central Academic Bodies and activities, including the offices of the Vice-Chancellor of the University, the entire collection of the Senate House Library, and seven of the nine research institutes of the School of Advanced Study. During the Second World War, the building's use by the Ministry of Information inspired two noted English writers. Graham Greene's novel The Ministry of Fear (1943) and its film adaptation Ministry of Fear by Fritz Lang (1944) set in Bloomsbury. George Orwell's wife Eileen worked in Senate House for the Censorship Department of the Ministry of Information, and her experiences inspired the description of the Ministry of Truth in Orwell's 1949 novel Nineteen Eighty-Four.
After the First World War the University of London, then based at the Imperial Institute in Kensington was in urgent need of new office and teaching space to allow for its growth and expansion. In 1921, the government bought 11 acres (4.5 ha) of land in Bloomsbury from the Duke of Bedford to provide a new site for the University. However, many within the university were opposed to a move, and, in 1926, the Duke bought back the land. However, the election of William Beveridge to the post of Vice-Chancellor of the University in June 1926 was highly significant as Beveridge supported a move to Bloomsbury. Beveridge persuaded the Rockefeller Foundation to donate £400,000 to the University and the original site was reacquired in 1927.
Beveridge saw the university as one "for the nation and the world, drawing from overseas as many students as Oxford and Cambridge and all the other English universities together." and specified that "the central symbol of the University on the Bloomsbury site can not fittingly look like an imitation of any other University, it must not be a replica from the Middle Ages. It should be something that could not have been built by any earlier generation than this, and can only be at home in London ... (the building) means a chance to enrich London – to give London at its heart not just more streets and shops ... but a great architectural feature ... an academic island in swirling tides of traffic, a world of learning in a world of affairs."
The grand art deco design was the work of Charles Holden, who was appointed as architect in March 1931 from a short list which also included Giles Gilbert Scott, Percy Scott Worthington and Arnold Dunbar Smith. In making their choice, Beveridge and the Principal, Edwin Deller, were influenced by the success of Holden's recently completed 55 Broadway, designed as the headquarters for the London Electric Railway and then the tallest office building in London.
Holden's original plan for the university building was for a single structure covering the whole site, stretching almost 1,200 feet (370 m) from Montague Place to Torrington Street. It comprised a central spine linked by a series of wings to the perimeter façade and enclosing a series of courtyards. The scheme was to be topped by two towers; the taller Senate House and a smaller one to the north. The design featured elevations of load-bearing brick work faced with Portland stone. Construction began in 1932 and was undertaken by Holland, Hannen & Cubitts. King George V laid the ceremonial foundation stone on 26 June 1933 and the first staff moved in during 1936, the University's centenary year. On 28 November 1936, a group of University officials, led by the Principal, Sir Edwin Deller, went out to inspect the work in progress. Suddenly, without warning, a skip being pushed by a workman overhead accidentally fell down and hit them. All were rushed to University College Hospital, where two days later, Deller died of his injuries. Due to a lack of funds, the full design was gradually cut back, and only the Senate House and Library were completed in 1937, although the external flanking wings of the north-eastern courtyard were not constructed. As he had with his earlier buildings, Holden also prepared the designs for the individual elements of the interior design. The completion of the buildings for the Institute of Education and the School of Oriental Studies followed, but the onset of the Second World War prevented any further progress on the full scheme.
The architectural character and scale of the building has received both positive and negative criticism since its construction. Steen Eiler Rasmussen, a friend of Holden, commented that, with the expansive design, "the London University is swallowing more and more of the old houses, and this quarter – which the Duke of Bedford laid out for good domestic houses – has taken on quite a different character." Evelyn Waugh, in Put Out More Flags, describes it as "the vast bulk of London University insulting the autumnal sky."
Positive comments came from functionalist architect Erich Mendelsohn in 1938, who wrote to Holden that he was "very much taken and am convinced that there is no finer building in London." Architectural historian Arnold Whittick described the building as a "static massive pyramid ... obviously designed to last for a thousand years", but thought "the interior is more pleasing than the exterior. There is essentially the atmosphere of dignity, serenity and repose that one associates with the architecture of ancient Greece." Nikolaus Pevsner was less enthusiastic. He described its style as "strangely semi-traditional, undecided modernism" and summarised the result: "The design certainly does not possess the vigour and directness of Charles Holden's smaller Underground stations." Others have described it as Stalinist or as totalitarian due to its great scale.
Holden recognised that his architectural style placed him in "rather a curious position, not quite in the fashion and not quite out of it; not enough of a traditionalist to please the traditionalists and not enough of a modernist to please the modernists."
Senate House remains a prominent landmark throughout Bloomsbury and is visible from some distance away. The building was listed as Grade II* in 1969 Following a multimillion-pound refurbishment in 2006, Senate House has also become a popular conference and event venue playing host to some of the city's most prestigious events including London Fashion Week.
Following the relaxation of the rules in the UK on university status under the Major government and consequential stirrings towards full independence of the larger London University colleges, the future of Senate House and its library has from time to time been called into question. However, Senate House remains, and continues to be home both to the Vice-Chancellor of the University of London and to the deep resources of the University library; indeed, it re-opened in 2006 after undergoing a refurbishment to bring it up to modern standards and to reinstate some of Holden's original interiors.
Some schools in constituent colleges, such as the Birkbeck School of Computer Science and Information Systems (until 2010), and the School of Advanced Study (the UK's national centre for the facilitation and promotion of research in the humanities and social sciences) are or were based in Senate House. SOAS is moving into the north block of Senate House from 2016.
Senate House Library
Senate House Library (formerly known as the University of London Library) occupies the fourth to the eighteenth floors of the building with the public areas of the library on the fourth to seventh floors. The library is open to staff and students of all colleges within the university (although levels of access differ between institutions) and contains material relevant chiefly to arts, humanities, and social science subjects.
The library is administered by the central university as part the Senate House Libraries, and in 2005 had over 32,000 registered users. It holds around three million volumes, including 120,000 volumes printed before 1851. The library started with the foundation of the University of London in 1836, but began to develop from 1871 when a book fund was started.
Along with a subscription to over 5,200 Journals, other resources include the Goldsmiths' Library of Economic Literature, and the Palaeography room's collection of western European manuscripts. The library also holds over 170,000 theses by graduate students. From 2006 onwards, the library has been undergoing a comprehensive refurbishment process.
The library is also home to the University of London archives, which include the central archive of the University itself and many other collections, including the papers of philanthropist Charles Booth, philosopher Herbert Spencer, actress and mystic Florence Farr, author and artist Thomas Sturge Moore, writer Opal Whiteley, and publishing company Gerald Duckworth and Company Ltd.
In popular culture
Due to its imposing architecture, Senate House is popular with the film and television industries as a shooting location; often for official buildings. Films that have featured the building include the 1995 version of Richard III (Interior of a government building), Nineteen Eighty-Four (Exterior of the apartment building where O'Brien lives), Blue Ice (a hotel), Spy Game (lobby of CIA Headquarters), Batman Begins (Lobby of a Court), The Dark Knight Rises (a costume ball), Nanny McPhee and the Big Bang (a war office) and Fast & Furious 6 (Moscow Interpol HQ).
For television, the building has featured in Jeeves and Wooster (the exterior of Wooster's Manhattan apartment building) and The Day of the Triffids amongst other programmes. The building was also used the anthology series Black Mirror. In the sixth episode of the third season, Hated in the Nation, the Macmillan Hall is used as the location for the court hearing that links the various scenes and external shots of the building are seen as one of the characters enters/leaves the hearing. In the sixth episode of the fourth season an exterior shot is used as a large New York hospital.
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