It derives from the Greco-Buddhist art of the Gandhara district of what is now Afghanistan and Pakistan. Gandharan sculpture combined Indian traditions with Greek influences. Greek-influenced culture was most probably in existence prior to Alexander the Great's invasions, Afghanistan natives retained this influence which was lost in Greece..
Modern researchers hypothesize that Buddhist missionaries travelling on the Silk Road introduced this artistic influence, along with Buddhism itself, into Serindia, resulting in a style that is a hybrid of Greek, Chinese and Persian.
In modernity, Serindian art was rediscovered through the expeditions of Sir Aurel Stein in Central Asia at the beginning of the 20th century.
Serindian group, 6th-7th century terracotta, Tumshuq (Xinjiang).
Head of a Serindian female Bodhisattva, 6th-7th century terracotta, Tumshuq (Xinjiang).
- Hopkirk, Peter (1980). Foreign Devils on the Silk Road: The Search for the Lost Cities and Treasures of Chinese Central Asia. Amherst: The University of Massachusetts Press. ISBN 0-87023-435-8.
|Wikimedia Commons has media related to Serindian art.|
|This art history-related article is a stub. You can help Wikipedia by expanding it.|