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One of the proposed covers for the album.
|Compilation album by the Beatles|
|Singles from Sessions|
Sessions was a compilation album by the Beatles planned for release by EMI in 1984 but never issued due to objections by the surviving Beatles. The album consisted of thirteen finished but unreleased Beatles songs. A planned single containing two of the tracks from Sessions – "Leave My Kitten Alone", backed with an alternative version of "Ob-La-Di, Ob-La-Da" – was also left unissued. The idea was resurrected in 1995 as The Beatles Anthology.
When the Beatles' contract with EMI had expired in 1976, the record company began to take stock of the band's back catalogue and look at the hundreds of hours of unreleased recordings stored in the Abbey Road Studio vaults. Over the next couple of years several compilation albums of previously released material would be issued (Rock 'n' Roll Music, Love Songs, The Beatles Ballads) and a live album of their Hollywood Bowl performances. An album of unreleased studio recordings was also considered with a few attempts being abandoned.
In the early 1980s, while needing a task to distract him from his cancer treatment, Abbey Road Studios house engineer John Barrett was assigned the task of listening to and logging the studio's collection of multi-tracks and master tapes of the group. This research unearthed more previously unknown recordings. Some of these recordings were remixed for inclusion in the 1983 multi-media tour of Abbey Road Studios, titled The Beatles at Abbey Road.
A year after the Abbey Road show, in the summer of 1984, EMI began work on a compilation album of previously unreleased material. Former Beatles engineer Geoff Emerick was hired to remix and re-edit the material to a commercial standard. At the time, the album went under the in-house code name "Mary Jane" and the working titles Boots and One-Two-Three-Four before Sessions was settled upon.
The original release date of Sessions was to be November 1984, but EMI did not want to clash with Paul McCartney's Give My Regards to Broad Street soundtrack so the compilation was cancelled. According to reports, McCartney later objected to the release of Sessions in its then current form while the other surviving members and John Lennon's estate objected to the album completely. As a result, Sessions was cancelled indefinitely and the tracks did not appear until the Anthology project in the mid 1990s.
There were three proposed artworks for the cover including one colour collage cover and one with a black and white photo of the group in the courtyard of Abbey Road Studios. In 2014 a complete slick set for the black and white cover was auctioned on eBay by Beatles collector Perry Cox, the bidding stopped at US $2,910.00, which failed to meet the reserve. This was the complete artwork including the front cover, the back cover, and the inner sleeve.
This was as far as production ever reached before the entire project was cancelled by EMI Records and no album was pressed for it.
Final proposed track listing
All tracks written by Lennon–McCartney, except where noted.
|1.||"Come and Get It" (demo recording for Badfinger. Later officially released on Anthology 3.)||Paul McCartney||2:30|
|2.||"Leave My Kitten Alone" (John/Turner/McDougal) from the Beatles For Sale sessions. Officially released on Anthology 1.)||John Lennon||2:57|
|3.||"Not Guilty" (Harrison) from The Beatles sessions. Edited down from the master takes original length for the Sessions album. This edit was officially released on Anthology 3, while the unedited version is still unreleased.)||George Harrison||3:22|
|4.||"I'm Looking Through You" (an early arrangement of the song from the Rubber Soul sessions. Officially released on Anthology 2)||McCartney||2:54|
|5.||"What's the New Mary Jane" (from The Beatles sessions. Remixed from the original master take. This remix was officially released on Anthology 3.)||Lennon||6:12|
|1.||"How Do You Do It?" (Murray) rejected follow-up single to "Love Me Do". Edited for the Sessions album. This edit was officially released on Anthology 1; mono)||Lennon and McCartney||1:57|
|2.||"Besame Mucho" (Velázquez/Skylar) EMI audition recording. Officially released on Anthology 1; mono)||McCartney||2:37|
|3.||"One After 909" (Earlier version recorded 5 March 1963, an edit of Take 4 & 5; this edit would be officially released on Anthology 1; mono)||Lennon and McCartney||2:56|
|4.||"If You've Got Trouble" (A Help! outtake, with verses edited into a different order than they were originally recorded. The unedited version (at 2:48 miniutes) would appear on Anthology 2.)||Ringo Starr||2:21|
|5.||"That Means a Lot" (from the Help! sessions. A remix of the first arrangement of the song. This mix was officially released on Anthology 2; mono.)||McCartney||2:27|
|6.||"While My Guitar Gently Weeps" (Harrison) a demo recording from The Beatles sessions. The last guitar notes were looped to create a false ending. This edit was officially released on Anthology 3.)||Harrison||3:27|
|7.||"Mailman, Bring Me No More Blues" (Roberts/Katz/Clayton) from the Let It Be sessions. Edited from original length. This edit would be officially released on Anthology 3.)||Lennon||1:56|
|8.||"Christmas Time (Is Here Again)" (Lennon/McCartney/Harrison/Starr) an edited version of a song originally recorded for the 1967 Christmas fan club disc. A longer version (3:03 minutes) appeared officially on the B-side of Free As A Bird single. The full length version, at 6:17 minutes, was never released but the 6:06 fan club version was commercially released in 2017 in the box set titled The Christmas Records.)||Lennon, McCartney, Harrison and Starr||2:42|
An early version of the album had "Christmas Time (Is Here Again)" edited in two parts and cross-fading at the beginning of the album into "Come and Get It" and the end of the album from "Ob-La-Di, Ob-La-Da", which was cut from the album and later planned to be released as a B-side.