Seven Days Leave (1930 film)

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Seven Days Leave
Seven Days' Leave 1930 Poster.jpg
Theatrical release poster
Directed byRichard Wallace
Produced by
Written by
  • Richard H. Digges Jr. (titles)
  • John Farrow
  • Dan Totheroh
Based onThe Old Lady Shows Her Medals
by J. M. Barrie
Starring
Music byFrank Terry
CinematographyCharles Lang
Edited byGeorge Nichols Jr.
Production
company
Distributed byParamount Pictures
Release date
  • January 25, 1930 (1930-01-25) (USA)
Running time
80 minutes
9 reels, 7,534 ft
CountryUnited States
LanguageEnglish

Seven Days Leave is a 1930 American Pre-Code drama film produced and directed by Richard Wallace and starring Gary Cooper, Beryl Mercer, and Daisy Belmore.

Based on the play The Old Lady Shows Her Medals by J.M. Barrie, the film is about a young Canadian soldier (Gary Cooper) wounded while fighting in World War I. While recovering from his wounds in London, a YMCA worker tells him that a Scottish widow (Beryl Mercer) without a son believes that he is in fact her son. To comfort the widow, the soldier agrees to pretend to be her Scottish son. After fighting with British sailors who make fun of his kilts, he wants to desert, but moved by his mother's patriotism he returns to the war front and is killed in battle. Later the proud Scottish widow receives the medals that her "son" was awarded for bravery. Produced by Louis D. Lighton and Richard Wallace for Paramount Pictures, the film was released on January 25, 1930 in the United States.[1]

Cast[edit]

Critical response[edit]

In his review for The New York Times, Mordaunt Hall described the film as a "sensitive production" that was "intensely interesting" and "tender, charming and whimsical".[2] Hall credits the film's success to the direction of Richard Wallace and the performances of Beryl Mercer—reprising her role as the elderly charwoman in the original 1917 New York stage production—and the young Gary Cooper.

Richard Wallace ... shares the credit for this worthy adaptation of Sir James's work with Miss Mercer and Mr. Cooper, and while he is the guiding spirit of the film, there's no denying that he is fortunate in having these two players. Miss Mercer's performance is faultless. It is an achievement of the audible screen. She wins one's heart by her restrained and natural acting. She arouses smiles by Mrs. Dowey's guileless speech and by her timidity as she casts an eye on the brawny fighter, who towers above her. And there is no failing to find with Mr. Cooper's impersonation, for, as in his other films, he lends a life-like quality to the rôle. Physically, he is just the man for Private Dowey.[2]

Hall praised Wallace's realistic depictions of London and the charwomen, and noted the Paramount audience's response of laughter and applause to several scenes. Hall also described the screen adaptation by John Farrow and Dan Totheroh as "a capital piece of work in blending the Barrie lines with scenes that were left to the imagination in the play".[2]

Production[edit]

The screenplay is based on the play The Old Lady Shows Her Medals by J. M. Barrie, which premiered in New York on May 14, 1917.

References[edit]

  1. ^ a b "Seven Days Leave". Turner Classic Movies. Retrieved March 22, 2014.
  2. ^ a b c Hall, Mordaunt (January 25, 1930). "More Children of Divorce". The New York Times. Retrieved March 23, 2014.

External links[edit]