In the Book of Revelation, the Seven Seals Of God are the seven symbolic seals (Greek: σφραγῖδα, sphragida) that secure the book or scroll that John of Patmos saw in an apocalyptic vision. The opening of the seals of the document occurs in Revelation Chapters 5–8 and marks the Second Coming of the Christ and the beginning of The Apocalypse. In John's vision, the only one worthy to open the book/scroll is referred to as both the "Lion of Judah" and the "Lamb having seven horns and seven eyes".[5:5-6]
The seven seals contained secret information known only to God until the Lamb/Lion was found worthy to open the book/scroll and to look on the contents.
Important scrolls being secured with seals is mentioned in earlier Bible examples including Book of Daniel 12:4 ...
"But thou, O Daniel, shut up the words, and seal the book, even to the time of the end: many shall run to and fro, and knowledge shall be increased."
Upon the "Lamb" opening a seal from the book, a judgment is released or an apocalyptic event occurs. The opening of the first four Seals release the Four Horsemen, each with his own specific mission.[6:1-8] The opening of the fifth Seal releases the cries of martyrs for the "word/Wrath of God".[6:9-11] The sixth Seal prompts earthquakes and other cataclysmic events.[6:12-17] The seventh Seal cues seven angelic trumpeters who in turn cue the seven bowl judgments and more cataclysmic events.[8:1-13]
Certain words and phrases used in Revelation had a clearer meaning to ancient readers familiar with objects of their time. For example, important documents were sent written on a papyrus scroll sealed with several wax seals. Wax seals were typically placed across the opening of a scroll, so that only the proper person, in the presence of witnesses, could open the document. This type of "seal" is frequently used in a figurative sense, in the book of Revelation, and only the Lamb is worthy to break off these seals.
From the Reformation to the middle of the 19th century, the seals in Revelation have been interpreted through various methods, such as the historicist view that most Protestants adopted and the views of preterism and futurism that post-Reformation Catholic circles promoted. Idealism was also a fairly major view that became realized since the time of Augustine, Bishop of Hippo (AD 345-430).
Robert Witham, an 18th-century Catholic commentator, offers a preterist view for the period that spans the length of the opening of the seals; it being the period from Christ to the establishment of the Church under Constantine in 325.
Johann Jakob Wettstein (18th century) places the date of the Apocalypse as written before A. D. 70. He assumed that the first part of the Book was in respect to Judea and the Jews, and the second part about the Roman Empire. The “Sealed Book” is the book of divorcement sent to the Jewish nation from God.
Isaac Williams (19th century) associated the first six Seals with the discourse on the Mount of Olives and stated that, “The seventh Seal contains the Seven Trumpets within it… the judgments and sufferings of the Church.”
Traditionally, the historicist view of the Seven Seals in The Apocalypse spanned the time period from John of Patmos to Early Christendom. Scholars such as Campegius Vitringa, Alexander Keith, and Christopher Wordsworth did not limit the timeframe to the 4th century. Some have even viewed the opening of the Seals right into the early modern period. However, Contemporary-historicists view all of Revelation as it relates to John's own time (with the allowance of making some guesses as to the future).
According to E.B. Elliott, the first seal, as revealed to John by the angel, was to signify what was to happen soon after John seeing the visions in Patmos. The general subject of the first six seals is the decline and fall, after a previous prosperous era, of the Empire of Heathen Rome.:119,121,122
Moderate futurists typically interpret the opening of the seals as representing forces in history, however long they last, by which God carries out His redemptive and judicial purposes leading up to “the end”.
The idealist view does not take the book of Revelation literally. The interpretation of Revelation’s symbolism and imagery is defined by the struggles between good and evil.
Opening the seven seals
1 And I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, Come and see.
2 And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.
Johann Jakob Wettstein (18th century) identified the first Horseman as Artabanus, king of the Parthians who slaughtered the Jews in Babylon. However, Ernest Renan, a 19th-century modern rationalist preterist, interpreted the First Horseman to be symbolic of the Roman Empire, with Nero as the Antichrist. This rider who "went forth conquering" was Rome's march toward Jerusalem in the year 67, to suppress The Great Jewish Revolt.
In the historicist views of Nicholas de Lyra (14th century), Robert Fleming (17th century), Charles Daubuz (c. 1720), Thomas Scott (18th century), and Cuninghame, they agreed that the First Seal opened thereupon the death of Christ.
Campegius Vitringa (c. 1700), Alexander Keith (1832), and Edward Bishop Elliott (1837) considered this period to have started with the death of Domitian and Nerva’s rise to power in the year 96. This began Rome’s Golden age where the spread of the Gospel and Christianity flourished. To 17th-century Dutch Protestant theologian, Vitringa, it lasted up until Decius (249). However, a more common historicist view is that the Golden age ended with Commodus making peace with the Germans in year 180.
This rider is a symbol of the progress of the gospel of the conquering Christ mentioned in Rev. 5:5; 19:11-16.
3 And when he had opened the second seal, I heard the second beast say, Come and see.
4 And there went out another horse [that was] red: and [power] was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword.
Ernest Renan (19th century) interpreted the Second Horseman to be symbolic of The Great Jewish Revolt and the insurrection of Vindex. During The Great Revolt, civil war broke out amongst the Jews. The civil war not only dissipated their stand against Rome, but also divided the Jewish people into factions that eventually dis-unified Jerusalem. Hugo Grotius (17th century), interprets “the earth”, in verse 4, as the land of Judea. Johann Jakob Wettstein (18th century), identified the Red horse as representing the assassins and robbers of Judea in the days of Antonius Felix and Porcius Festus. Volkmar, a modern rationalist preterist, broadened the scope of the Second Horseman to include major battles that occurred after the year 66: the Jewish–Roman wars, Roman–Parthian Wars, and Byzantine–Arab Wars.
The common historicist view of the Second Seal is associated with the Roman period fraught with civil war between 32 would-be emperors that came and went during that time. It was the beginning of the end for the Roman Empire. The Puritan Joseph Mede (1627) captured this timeframe from years 98 to 275. Christopher Wordsworth, in his Lectures on the Apocalypse (1849), declared a 240-year timespan, from years 64 to 304. During this period, Wordsworth indicated Ten persecutions: First, Nero; Second, Domitian; Third, Trajan; Fourth, Marcus Aurelius Antoninus; Fifth, Septimius Severus, Sixth, Maximinus; Seventh, Decius; Eighth, Valerian; Ninth, Aurelian; Tenth, Diocletian. The common historicist view of the Second Seal ends with Diocletian in 305.
Other 19th-century views were that of Edward Bishop Elliott who suggested that the Second Seal opened during the military despotism under Commodus, in the year 185. While the Church of Scotland minister, Alexander Keith applied the Second Seal directly to the spread of Mohammedanism, starting in the year 622.
The Antichrist will unleash World War III, and crush any who claim to be Christians. He allies with the Arab world in an effort to conquer the entire world. (Ezek. 38; Dan. 11) Only Jerusalem will stand in his way to world supremacy.
Seal judgments two through four represent the disintegration of both human civilization and creation resulting from their rejection of the Lamb of God. The rider on the red horse represents the slaughter and war that the kingdoms of men perpetrate against each other because they reject the Christ.
5 And when he had opened the third seal, I heard the third beast say, Come and see. And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand.
6 And I heard a voice in the midst of the four beasts say, A measure of wheat for a denarius, and three measures of barley for a denarius; and [see] thou hurt not the oil and the wine.
Hugo Grotius (17th century) and Johann Jakob Wettstein (18th century) viewed this rider as corresponding to the famine that occurred during the reign of Claudius, the Roman Emperor from years 41 to 54. Volkmar, a modern rationalist preterist, pinpoints the start of the famine at year 44, which kept repeating right into the First Jewish–Roman War of 66. Ernest Renan (19th century) viewed year 68 as the most significant year of the famine. The famine was so severe that “mothers ate their children to survive”, while Jewish revolt leader, John of Gischala, and his men consumed the oil and wine that were luxury items from the Jerusalem temple.
The common historicist view of the Third Seal is associated with the 3rd century. This was a period of financial oppression imposed on Roman citizenry, created by heavy taxation from the emperors. Taxes could be paid in grain, oil, and wine. Joseph Mede (1627) indicated that the Third Seal had opened from the rule of Septimius Severus (193) to Alexander Severus (235). The English clergyman, Edward Bishop Elliott (1837), also highlighted the significant period of taxation that was imposed under Caracalla’s edict in the year 212.
Inflation and famine will plague the earth during World War III. Though many will starve, the wealthy will enjoy the luxuries of oil and wine.
This rider bespeaks the economic hardship and poverty that follow the unleashing of wars on humankind, while the rich get richer.
7 And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see.
8 And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.
This rider speaks the widespread death of Jews in their fight against Rome, which happens to be over a million Jewish deaths. Volkmar, a modern rationalist preterist, points to pestilence striking in year 66.
Spells death for one-fourth of the earth's inhabitants. The war started by the Antichrist, will reach the finale with the seven bowls of judgments.
This fourth rider symbolizes death that results from war and famine when men turn against men.
9 And when he had opened the fifth seal, I saw under the altar the souls of them that were slain for the word of God, and for the testimony which they held:
10 And they cried with a loud voice, saying, How long, O Lord, holy and true, dost thou not judge and avenge our blood on them that dwell on the earth?
11 And white robes were given unto every one of them; and it was said unto them, that they should rest yet for a little season, until their fellow servants also and their brethren, that should be killed as they [were], should be fulfilled.
This is the cry for vindication by the Christian martyrs who were persecuted by the Jews after Christ's death and leading up to the fall of Jerusalem in the year 70. Both Ernest Renan and Volkmar, modern rationalist preterists, marked the year 64 as a significant year for Christian martyrdom. The name “Jerusalem” became synonymous with the persecution of the righteous. But God avenged the deaths of the righteous by allowing the Romans to conquer the “holy city” as retaliation for the Jews handing Jesus over to Pilate.
This seal occurred during the rule of martyred Christians who were persecuted by Emperor Diocletian (284-303). This was the tenth period of the persecution of Christianity and the most severe, because of being on a “worldwide” scale. Then with Constantine's rise to power, Christianity became legalized (313) and the church was thereby vindicated.
This judgment encompasses Christians who will be martyred for their faith in Christ during the Great Tribulation by not bowing down to the Antichrist and by not submitting to the global economic system that forces all people on the earth to receive the mark of the beast. Their deaths place them in good company of the righteous throughout the ages.
The fifth seal is a reminder that, though the Christ inaugurated the "Kingdom of God" through the preaching of the gospels, God's people suffer during the tribulation that starts from the first coming of Christ to the second coming of Christ. This is known as the end-time tribulation that stretches across world history. Thus the “kingdom of God” is in history, but “not yet” triumphant.
12 And I beheld when he had opened the sixth seal, and, lo, there was a great earthquake; and the sun became black as sackcloth of hair, and the moon became as blood;
13 And the stars of the heavens fell unto the earth, even as a fig tree casteth her untimely figs, when she is shaken of a mighty wind.
14 And the heavens departed as a scroll when it is rolled together; and every mountain and island were moved out of their places.
15 And the kings of the earth, and the great men, and the rich men, and the chief captains, and the mighty men, and every bondman, and every free man, hid themselves in the dens and in the rocks of the mountains;
16 And said to the mountains and rocks, Fall on us, and hide us from the face of him that sitteth on the throne, and from the wrath of the Lamb:
17 For the great day of his wrath is come; and who shall be able to stand?
Hugo Grotius (17th century) viewed the sixth seal as it relates to the events during the Siege of Jerusalem by Titus in year 70. Volkmar, a modern rationalist preterist, marked the beginning of the sixth seal to year 68, with Galba assuming emperorship. Preterists typically view the symbolic language as having been adapted from the Hebrew Bible, to allude to the environmental disturbances that fell upon Jerusalem before its fall. The mention of hiding in caves alludes to the many Jews who hid in the caves and underground when the Romans finally invaded.
According to Jacques-Bénigne Bossuet (c. 1704), this was Divine vengeance that first fell upon the Jews for having the Messiah crucified, then subsequently upon the persecuting Roman Empire. First, however, vengeance was deferred until a number elect, from the Jewish people, was accomplished. Bossuet viewed the great Catastrophe of the Apocalypse as the conquest of Pagan Rome by Alaric I.
The sixth seal will be the literal cosmic disturbances caused by nuclear war or a global earthquake that causes volcanic debris to pollute the atmosphere, which turns the moon blood red and the sun dark. In addition, there will be massive meteor showers (“the stars… fell”). Thus follows the first half of the Tribulation where God's wrath consumes the earth.
This is the end of the age when Christ returns, bringing cosmic upheaval on those who oppose God, the ones who persecuted His Church. The unrighteous are damned and the righteous enjoy the presence of God.
1 And when he had opened the seventh seal, there was silence in heaven about the space of half an hour.
2 And I saw the seven angels which stood before God; and to them were given seven trumpets.
3 And another angel came and stood at the altar, having a golden censer; and there was given unto him much incense, that he should offer [it] with the prayers of all saints upon the golden altar which was before the throne.
4 And the smoke of the incense, [which came] with the prayers of the saints, ascended up before God out of the angel's hand.
5 And the angel took the censer, and filled it with fire of the altar, and cast [it] into the earth: and there were voices, and thunderings, and lightnings, and an earthquake.
6 And the seven angels which had the seven trumpets prepared themselves to sound.
1 And I heard a great voice out of the temple saying to the seven angels, Go your ways, and pour out the vials of the wrath of God upon the earth.
(--Authorized King James Version)
The “silence” is the preparation for the judgment about to fall upon Jerusalem in the year 70. Johann Jakob Wettstein (18th century) went on to say that the “silence” conceded to the entreaties of King Agrippa I. This judgement was the divine response to the cry for vindication from the martyred Christians, such as: Stephen, James the brother of John, and James the brother of Jesus. The preparation of the altar is the preparation for the destruction of apostate Jerusalem as if it were a whole burnt offering. This is in accordance with how scriptures of the Hebrew Bible declare an apostate city should be destroyed. The priest would burn the city's booty in the middle of the city square with fire from God's altar. (Deut. 13:16, Judges 20:40) As Ernest Renan (19th century) noted about the “silence”, it indicates that the first act of the mystery has ended, and another is about to begin.
The “silence” spans a 70-year period from Emperor Constantine’s defeat of Licinius (A.D. 324) to Alaric’s invasion of the Roman Empire (395). The prayers are those of the Christians martyred by Rome. The seven trumpets represent the seven judgments that God had in store for the Roman Empire.
The “silence” is the hush of expectancy for the verdict about to be pronounced on the guilty. The prayers are from the Christians who will be martyred by the Antichrist in the Great Tribulation, the last three and a half years of the “end-time” tribulation. Both the trumpet and bowl judgments will be unleashed on the wicked during the second half of the tribulation, each judgment intensifying to the next.
This silence quiets heaven so that it can focus on what is about to be revealed. It is the lull before the storm. The ensuing judgments vindicate Christian martyrs throughout the centuries. The trumpet judgments repeat themselves, again and again, throughout history, just as the seal judgments do, until the second coming of Christ.
- D.H. Lawrence wrote a poem called Seven Seals in 1916.
- The Book with Seven Seals (Das Buch mit sieben Siegeln) an oratorio by Austrian composer Franz Schmidt.
- The Wheel of Time series by Robert Jordan.
- The Seventh Seal, a 1957 film by Ingmar Bergman.
- A Russian translation of the sixth of The Seven Seals is read in Andrei Tarkovsky's Stalker (1979 film)
- The Seventh Sign, a 1988 film starring Demi Moore and Michael Biehn about a woman whose child is tied to the opening of the Seven Seals.
- The Reaping, a 2007 film starring Hilary Swank
- Countdown: Jerusalem, a 2009 TV movie
- Come and See, a 1985 Soviet War movie
- History Channel's 2009 Nostradomus Effect - Secrets of the 7 Seals
- The fourth season of Supernatural revolved around the breaking of seals as heralds of a coming war between angels and demons.
- The video game Darksiders presented the Seven Seals and the main character is the second seal War.
- The video game Darksiders II presented the Seven Seals and the main character is the fourth seal Death.
- The band Aphrodite's Child on their album 666 reference the seals in several songs. The Four Horsemen for one, and another is specifically entitled "The Seventh Seal".
- "The Seventh Seal" is the opening track of Van Halen's 1995 record Balance.
- Hip hop artist Rakim titled an album The Seventh Seal.
- Seven Seals is the name of a 2005 album by Primal Fear and also a track on that album.
- British experimental (apocalyptic folk) band Current 93 has several tracks that refer to the seven seals.
- Reggae artist Anthony B named an album Seven Seals and also references the Seven Seals in his song "Prophecy A Reveal".
- The Seven Seals were part of David Koresh's teachings to his followers among the Branch Davidians.
- Francis X. Gumerlock, The Seven Seals of the Apocalypse: Medieval Texts in Translation, Kalamazoo, MI: Medieval Institute Publications, 2009.
- The Messengers, a TV series on The CW
- The Seven Seals are included as a thematic element in the video game Far Cry 5 where the protagonist opens the first four seals by killing each of the three 'Heralds' of the Seed family and defeating the Father. This brings forth the "Great Collapse", a nuclear apocalypse.
- "Seventh Seal" is the first track of the 2016 self-titled album by Flotsam and Jetsam.
- "Seven Seals" is the 4th track on Testament's 2016 album Brotherhood of the Snake.
- Book of Revelation
- Events of Revelation: chapter 5, 6, 7, and 8
- Four Horsemen of the Apocalypse
- Seven trumpets
- Seven bowls
- The book with seven seals (oratorio)
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- Unger, Merrill F, The New Unger's Bible Handbook, p. 301, revised 1998 edition by Gary N. Larson. Moody Press.
- "And I saw when he opened the sixth seal, and there was a great earthquake" (Rev. 6:12)
- Yancey, notes by Philip; Stafford, Tim (1996). The student Bible (New International Version. ed.). Grand Rapids, Mich.: Zondervan Pub. House. p. 1322. ISBN 978-0-310-92664-1.
- Michael Counsell (August 2004). A basic Bible dictionary (null ed.). Norwich: Canterbury Press. pp. 107, Seal #3. ISBN 978-1-85311-475-5.
- Thomas Nelson Publishers (1995-08-15). Ronald F. Youngblood; Frederick Fyvie Bruce; Roland Kenneth Harrison (eds.). Nelson's new illustrated Bible dictionary (null ed.). Nashville: T. Nelson. pp. 1140–1141. ISBN 978-0-8407-2071-9.
- Newport, Kenneth G. C. (2000-08-28). Apocalypse and millennium : studies in biblical eisegesis (1. publ. ed.). Cambridge [u.a.]: Cambridge Univ. Press. p. 15. ISBN 978-0-521-77334-8.
- Newport, Kenneth G. C. (2000-08-28). Apocalypse and millennium: studies in biblical eisegesis. Cambridge University Press. p. 16. ISBN 978-0-521-77334-8.
- Newport, Kenneth G. C. (2000-08-28). Apocalypse and millennium: studies in biblical eisegesis. Cambridge University Press. p. 86. ISBN 978-0-521-77334-8.
- R. Witham. (1733), Annotations, vol. II, p. 472
- Cook, Frederick Charles (1881). Frederick Charles Cook (ed.). The holy Bible, authorized version, (comm. and a revision of the tr. by bishops and other clergy of the Anglican Church ed.). Oxford University. p. 583.
- Cook, Frederick Charles (1881). page 584. p. 584.
- Eijnatten, Joris van (2003). Liberty and concord in the United Provinces: religious toleration and the public in the eighteenth-century Netherlands (null ed.). Leiden: Brill. pp. 84–5. ISBN 978-90-04-12843-9.
- Cook, Frederick Charles (1881). See Joseph Tyso’s table from "An Exposition of the Books of Daniel and the Revelation". p. 583.
- Elliott, Edward Bishop (1862), Horae Apocalypticae, Vol. I (5th ed.), London: Seely, Jackson and Halliday
- Geoffrey W. Bromiley, ed. (June 1995). Q - Z. (Fully rev., [Nachdr.] ed.). Grand Rapids, Mich.: Eerdmans. p. 174. ISBN 978-0-8028-3784-4.
- embedded seven seals
- Pate, C. Marvin (2009-05-31). Reading Revelation : a comparison of four interpretive translations of the Apocalypse (null ed.). Grand Rapids, Mich.: Kregel Academic & Professional. pp. 19–32. ISBN 978-0-8254-3367-2.
- Cook, Frederick Charles (1881). pages 582-3. p. 582.
f. c. cook 1881.
- Cook, Frederick Charles (1881). page 582. p. 582.
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- Ekonomou, Andrew J. (2008-12-28). Byzantine Rome and the Greek popes : Eastern influences on Rome and the papacy from Gregory the Great to Zacharias, A.D. 590-752 (1st paperback ed.). Lanham, MD: Lexington Books. pp. 48–49. ISBN 978-0-7391-1978-5.