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|The Seventh Doctor|
|Portrayed by||Sylvester McCoy|
|Tenure||7 September 1987–27 May 1996|
|First appearance||Time and the Rani|
|Last appearance||Doctor Who (1996 film)|
|Number of series||3|
|Appearances||12 stories (42 episodes)|
|Preceded by||Colin Baker (Sixth Doctor)|
|Succeeded by||Paul McGann (Eighth Doctor)|
|Series||Season 24 (1987)
Season 25 (1988–89)
Season 26 (1989)
Within the series' narrative, the Doctor is a centuries-old Time Lord alien from the planet Gallifrey who travels in time and space in his TARDIS, frequently with companions. When the Doctor is critically injured, he can regenerate his body; in doing so, his physical appearance and personality change. McCoy portrays the seventh such incarnation, a whimsical, thoughtful character who quickly becomes more layered, secretive, and manipulative. His first companion was Melanie Bush (Bonnie Langford), a computer programmer who travelled with his previous incarnation, and who is soon succeeded by troubled teenager and explosives expert Ace (Sophie Aldred), who becomes his protégée.
The Seventh Doctor first appeared on TV in 1987. After the programme was cancelled at the end of 1989, the Seventh Doctor's adventures continued in novels until the late 1990s. The Seventh Doctor made an appearance at the start of the 1996 movie before the character was replaced by the Eighth Doctor.
In his first season, the Seventh Doctor started out as a comical character, engaging in dundrearyisms ("Time and tide melt the snowman," or when partner Mel is kidnapped, "A bird in the hand keeps the Doctor away"), playing the spoons, and making pratfalls, but later started to develop a darker nature (occasionally being referred to as the 'Sad Clown') and raised the profound question of who the Doctor actually is. The Seventh Doctor era is noted for the cancellation of Doctor Who after 26 years. It is also noted for the Virgin New Adventures, a range of original novels published from 1992 to 1997, taking the series beyond the television serials.
The Seventh Doctor's final appearance on television was in the 1996 Doctor Who television movie, where he regenerated into the Eighth Doctor, played by Paul McGann. A sketch of him is later seen in John Smith's A Journal of Impossible Things in the new series 2007 episode "Human Nature". Brief holographic clips of the Seventh Doctor appear in "The Next Doctor" and "The Eleventh Hour", and as flashbacks in "The Name of the Doctor".
When the TARDIS was attacked by the Rani, the Sixth Doctor was injured and forced to regenerate. After a brief period of post-regenerative confusion and amnesia (chemically induced by the Rani), the Seventh Doctor thwarted the Rani's plans, and rejoined his companion Mel for whimsical adventures in an odd tower block and a Welsh holiday camp in the 1950s.
On the planet Svartos, Mel decided to leave the Doctor's company for that of intergalactic rogue Sabalom Glitz. Also at this time, the Doctor was joined by time-stranded teenager Ace. Although he did not mention it at the time, the Doctor soon recognised that an old enemy from a past adventure, the ancient entity known as Fenric, was responsible for the Time Storm which transported Ace from 1980s Perivale to Svartos in the distant future. Growing more secretive and driven from this point on, the Doctor took Ace under his wing and began teaching her about the universe, all the while keeping an eye out for Fenric's plot. The Doctor began taking a more scheming and proactive approach to defeating evil, using the Gallifreyan stellar manipulator named the Hand of Omega as part of an elaborate trap for the Daleks which resulted in the destruction of their home planet, Skaro. Soon afterwards, the Doctor used a similar tactic and another Time Lord relic to destroy a Cyberman fleet. He engineered the fall of the oppressive government of a future human colony in a single night and encountered the Gods of Ragnarok at a circus on the planet Segonax, whom he had apparently fought throughout time. Later, he was reunited with his old friend, Brigadier Lethbridge-Stewart while battling the forces of an alternate dimension on Earth.
The Seventh Doctor's manipulations were not reserved for his rivals. With the goal of helping Ace confront her past, he took her to a Victorian house in her home town of Perivale in 1883 which she had burned down in 1983. Eventually, the Doctor confronted and defeated Fenric at a British naval base during World War II, revealing Fenric's part in Ace's history. The Doctor continued to act as Ace's mentor, returning her to Perivale; however, she chose to continue travelling with him. The circumstances of her parting from the Doctor were not shown on television.
Near the end of his incarnation, the Seventh Doctor was given the responsibility of transporting the remains of his former enemy the Master from Skaro to Gallifrey. This proved to be a huge mistake; despite having a limited physical form, the Master was able to take control of the Doctor's TARDIS and cause it to land in 1999 San Francisco, where the Doctor was shot in the middle of a gang shoot-out. He was taken to a hospital, where surgeons removed the bullets but mistook the Doctor's double heartbeat for fibrillation; their attempt to save his life instead caused the Doctor to "die" with one last shocking scream. He is thus the only Doctor to have died at the (unwitting) hand of one of his own companions. Perhaps due to the anaesthesia, the Doctor did not regenerate immediately after death, unlike all previous occasions; he finally did so several hours later, while lying in the hospital's morgue.
In "Time and the Rani", the Seventh Doctor gives his age soon after his regeneration as "exactly" 953 years, indicating that some two centuries of subjective time has passed since his fourth incarnation was revealed to be 759 in "The Ribos Operation", and approximately half a century since "Revelation of the Daleks" in which the Sixth Doctor stated he was 900 years old. The later revival of the series, however, contradicts earlier episodes by establishing the Ninth Doctor as being 900 years old in "Aliens of London".
The Seventh Doctor has the most profound change in attitude of any of the Doctor's incarnations, beginning as someone bumbling (to the extent of putting himself in danger but not at the cost of his overall great intelligence and benevolent intentions) and progressing into a driven, dark gamemaster whose plans to defeat his adversaries, both old and new, would play out across space and time. He generally displayed an affable, curious, knowledgeable, easygoing, excitable, and charming air. However, as he began to choose his battles and keep a tighter grip on his secrets - from his plans to his very identity - he also presented more serious, contemplative, secretive, wistful, and manipulative sides with undercurrents of mischief and authority (constantly giving the impression that there was more to him than met the eye).
As something of a showman, the Doctor would sometimes act like a buffoon, usually preferring to manipulate events from behind the scenes; much like his second incarnation, he was prepared to play the fool in order to trick his foes into underestimating him, inevitably leading to their defeat at his hands. He was an adept physical performer and deployed a repertoire of magic tricks, illusions and escape artistry to this effect as part of his plans. Although his more obvious whimsical tendencies disappeared over time (particularly his spoons-playing), he maintained a fondness for idiosyncratic speeches that occasionally referred to literature, ordinary places and even food and drink amidst the weightier concerns on his mind. He was empathetic to his friends (and even his enemies, such as Helen A) and somewhat melancholic at times (such as during Mel's departure and before his decision to eradicate the Daleks) but now placed greater burdens upon himself in the name of protecting the universe. This may have led him to shroud his true intentions in mystery and the use of sleight of hand as befit his fondness for performance, in effect, subverting his more lighthearted qualities to complement and enhance his heroic and darker ones.
Given the Seventh Doctor's appearance and stature, he was surprisingly capable of both directly and indirectly taking control of situations involving strangers, using his greater intelligence to assess and direct events. Concerned with the bigger picture, he would sometimes overlook the finer details and his planning (both prepared and improvised) would sometimes have fatal results and consequences. When he acted to end threats, it was usually a ruthless, destructive and final manoeuvre. He was also not above hiding the truth from his friends and allies and using them in order to complete his schemes and gambits.
His tendency to reveal only select information to his companion Ace – as well as anyone else around them – was utilised both in her education and in their adventures, as if he were the only one who should know all the answers and others should come to their own conclusions. At two points he even abused Ace's trust in him, once to develop her as a person and again to keep her alive (on both occasions, freeing her from the evil influences that had haunted her during her life), while on one of these adventures, he showed great difficulty in admitting his foreknowledge of the situation's severity to her when she finally confronted him. In spite of his immense fondness for her, and her for him, he often frustrated her with his secretive nature as his alien behaviour, the great importance of his objectives (especially his focus on obliterating enemies from his past) and his strong desire to both educate and protect her would lead him to keep even her in the dark and would even subordinate her feelings towards him in order to succeed in their battles. Fortunately, their close, almost familial bond was likely what helped Ace in moving past the feelings of betrayal she sometimes felt towards the Doctor, particularly as he genuinely had her best interests at heart. In fact, while he appeared to be an unassuming figure, fond of performing magic tricks and displaying notable showmanship, the Seventh Doctor was actually quite powerful and calculating, for he would use his friends and foes alike as pawns in his elaborate chess game against "evil". As Ace herself put it, he was "well devious".
In direct contrast to his third incarnation, this Doctor was absolutely opposed to violence of any sort (as demonstrated in stories such as Battlefield, where he stops a battle merely by ordering the warriors to desist) and he was totally against the use of firearms (to the extent of 'talking down' a soldier ordered to execute him in The Happiness Patrol by emphasising the easiness of the kill versus the enormity of ending a life), although he also proved capable of rendering a man unconscious with a touch (Battlefield, Survival). In keeping with his established habits, he would use gadgetry of his own invention when the situation called for it, but never as his final gambit. Instead, he almost always managed to talk his enemies into submission, often into suicide – perhaps most memorably in Remembrance of the Daleks, where he taunts the seemingly last Dalek in existence until it self-destructs, or in Ghost Light, where he defeats the malevolent Light by ramming home the folly of trying to prevent evolution (he employs variations of this 'talk to death' tactic in Dragonfire, Silver Nemesis and The Curse of Fenric, although primarily to manipulate opponents to guarantee the outcome in his favour).
This Doctor also displays strange and 'alien' characteristics playing with the perception of his senses, as he smells an apple and listens to cheese in Survival, and listens to an apple briefly in Delta and the Bannermen. He also displayed a talent for hypnosis on various occasions that appeared to be much stronger than in past incarnations (Battlefield). The Greatest Show in the Galaxy shows him to be a capable entertainer, performing a variety of well known magic tricks. In Ghost Light, he reveals his pet peeves to be burnt toast, bus stations, unrequited love, tyranny and cruelty.
The Doctor's outfit in this incarnation was calmer than his previous attire, but as idiosyncratic as any other. It consisted of an off-white safari-styled jacket with a red paisley scarf worn under its lapels and a matching handkerchief in the left pocket, a fob watch chained to the left lapel, a plain white shirt, a red paisley tie, a yellow fair isle-inspired pullover adorned with red question marks and blue-green zigzag patterns, sand-coloured tweed plaid trousers, white/brown brogued spectator shoes, a white colonial-styled Panama hat with a paisley hatband and an upturned brim and an umbrella with a red question mark-shaped handle. As with the three other Doctors costumed during the John Nathan-Turner era, the above-mentioned question marks on the Doctor's pullover and his umbrella handle continued the red question marked clothing motif that was introduced in the Fourth Doctor's final season and ended before the Seventh Doctor's regeneration.
Although a seemingly casual outfit that reflected the Seventh Doctor's initially easy and whimsical manner, it took on a new light when he became more scheming and prepared in his missions – to reflect the emergence of his personality's more mysterious and darker aspects, his jacket, hatband, handkerchief, scarf and tie became more muted and darker in colour, now in shades of burgundy and brown. In the New Adventures novels, images of the Doctor on the covers usually omitted the pullover and eventually depicted him in a cream single breasted suit. On a DVD featurette ("Light In Dark Places") for Ghost Light, when drawing attention to the stylistic choice of performing in most of the serial without his hat and umbrella, Sylvester McCoy expresses some disdain for the garment, feeling it detracts somewhat from the mood of the story. The changes in colours make the Seventh the only Doctor under Nathan-Turner's tenure to greatly alter his costume; the changes to the outfits worn by his three previous selves during this production period tended to be more subtle and less noteworthy. The Seventh's own attire was repeatedly revised during his first season, initially including a red/black tartan scarf and red braces, along with the bamboo-handle umbrella.
In the TV Movie the Doctor's costume changed again, with a return to a lighter jacket, now a light brown tweed. Gone were the question mark pullover, scarves, paisley tie and question mark umbrella, replaced by a red waistcoat and a brown/black zig zag pattern tie. However, the Doctor retained his Panama hat.
The Doctor enjoyed using his hat, umbrella and the TARDIS key, amongst other items, as physical props, usually as showy affectations or to command attention, while the umbrella could also be used to disarm and trip foes (Paradise Towers, Battlefield, Ghost Light, Survival). Like most of his previous selves, the Seventh carried any number of random items in his pockets, including technological devices and books (Dragonfire, Ghost Light). In a break from his past however, he spoke with a mild Scottish accent with rolled Rs, rather than in his past selves' Received Pronunciation speaking patterns.
In Season 24, the Seventh Doctor era began with a light-hearted approach, with stories like Delta and the Bannermen clearly aimed at a younger audience. However, in the final two seasons with Andrew Cartmel as script editor, the stories soon explored the true nature of the Doctor, hinting at dark secrets in his past. In Silver Nemesis, Lady Peinforte hints she knows the Doctor's secret of being more than just a Time Lord (deleted scenes in Remembrance of the Daleks and Survival also refer to this). Remembrance has the Doctor use "we" when referring to early Gallifreyan time travel experiments. Ace also became the focus of a dedicated character arc that was seeded from her introduction onwards and prominently played out during Season 26.
With the cancellation of the series, these developments were never fully played out in the television series, but some of them were revealed in the New Adventures.
Marc Platt's novel Lungbarrow is usually considered to be the conclusion of the "Cartmel Masterplan". In that novel, the Doctor is revealed to be the reincarnation of "the Other", a shadowy figure and contemporary of Rassilon and Omega from Ancient Gallifrey. Lungbarrow was originally intended for Season 26, but producer John Nathan-Turner felt that it revealed too much of the Doctor's origins. It was reworked to become Ghost Light instead.
According to McCoy and script editor Andrew Cartmel, a number of Seventh Doctor stories were intended to satirise or protest the rule of then Prime Minister Margaret Thatcher. McCoy told the Sunday Times in 2010 “The idea of bringing politics into Doctor Who was deliberate, but we had to do it very quietly and certainly didn’t shout about it...We were a group of politically motivated people and it seemed the right thing to do. At the time Doctor Who used satire to put political messages out there in the way they used to do in places like Czechoslovakia. Our feeling was that Margaret Thatcher was far more terrifying than any monster the Doctor had encountered. Those who wanted to see the messages saw them; others, including one producer, didn’t.” One story mentioned as having an anti-Thatcher theme was The Happiness Patrol in which the tyrannical Helen A outlawed unhappiness and remarked “I like your initiative, your enterprise” as her secret police rounded up dissidents. The Doctor persuaded “the drones”, who toiled in the factories and mines, to down tools and rise up in revolt, an echo of the miners’ strikes and printers’ disputes during Thatcher’s first two terms in office. Script editor Andrew Cartmel assembled several “angry young writers” such as Ben Aaronovitch and Rona Munro to produce storylines that they hoped would foment anti-Thatcher dissent.
The Seventh Doctor and Ace appeared twice on television between the time Doctor Who was cancelled and the 1996 television movie. The first was in 1990, in a special episode of the BBC2 educational programme Search Out Science. In this episode, the Doctor acted as a quiz show host, asking questions about astronomy; Ace, K-9 and "Cedric, from the planet Glurk" were the contestants. The Seventh Doctor then appeared in the 1993 charity special Dimensions in Time. A picture of the Seventh Doctor appears briefly in the Tenth Doctor story "Human Nature", in John Smith's A Journal of Impossible Things, and visions of him appear briefly in "The Next Doctor", "The Eleventh Hour", "Nightmare in Silver" and "The Name of the Doctor". He also appears in the 50th anniversary special "The Day of the Doctor" helping his past and future incarnations save Gallifrey from the Time War.
The Seventh Doctor has featured in dozens of audio dramas.
Following the end of the TV series, the adventures of Doctor Who were continued in the Virgin New Adventures. The Seventh Doctor was the subject of 60 of these between 1991 and 1997. His adventures also appeared in the BBC Past Doctor Novels, see here.
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