Shadow Project

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Not to be confused with The Shadow Project.
Shadow Project
Shadow Project Inner Sleeve.jpg
Band shot from Shadow Project's inner sleeve.
Background information
Origin San Francisco, California, United States
Genres
Years active 1987-1993, 1997-1998
Labels
  • Triple X
  • Hollows Hill Sound Recordings
  • Alice In Wetzlarer
Associated acts
Past members

Shadow Project was an alt-rock/goth metal band formed in 1987 featuring former members of Los Angeles deathrock groups Christian Death and Super Heroines. After recording two LP records the group experienced a three-year hiatus, reconvening for a third and final album. Shadow Project definitively folded after vocalist Rozz Williams committed suicide in April 1, 1998.

History[edit]

Formation[edit]

The band was named after a study of the effects of nuclear bombs in Hiroshima.[4] Centered around Rozz Williams and Eva O, Shadow Project gave its first performance in San Francisco in 1987, but didn't really maintain much of a profile until Williams and Eva O returned to Los Angeles in 1990. Once there, they recruited keyboardist Paris Sadonis, Super Heroines bassist Jill Emery, and drummer Tom Morgan, formerly from Los Angeles punk band The Flesh Eaters. After touring the city's club circuit - including the legendary Whisky A Go Go - they signed with Triple X Records, responsible for launching Jane's Addiction's succesful carrer.

Triple X Years[edit]

The early, scrawled form of Shadow Project's logotype.

The band's self-titled first album was released on Triple X in 1991. AllMusic described Shadow Project's debut as a unique and adventurous "blend of goth, punk and glam", a challenging record that would ultimately prove satisfying after several spins.[5] With Peter Tomlinson replacing Morgan, the group completed a follow-up, Dreams for the Dying, recorded during the 1992 Los Angeles riots.[6] Jill Emery left to concentrate on her Hole duties, and bass guitarist William Faith and drummer Stevyn Grey joined the line-up for the Dreams For The Dying tour and recording albums.

The following year Shadow Project participated on Triple X's Alice Cooper tribute Welcome to Our Nightmare with a "Dead Babies/Killer" medley.[7] A promo cassette of the track was issued by the label.[8] The band personnel for this recording featured yet another line-up change, with Aaron Schwartz now on bass and Chuck Collison handling the track's samples.[7] Shadow Project then toured the United States in the summer,[9] and after that had plans to tour Europe in the Fall, namely France, Germany, Holland, Belgium and the United Kingdom.[10]

During their 1993 tour in support for Dreams for the Dying's release, Shadow Project recorded a concert held in Fullerton, California on June 20, later to be released as the In Tuned Out live album.[11] Alongside tracks culled from their two studio albums, the record features an Alice Cooper medley, a David Bowie cover ("Panic in Detroit") and two unreleased songs.[4] A Christian Death original, "Still Born/Still Life"[12] - dedicated to serial killer Jeffrey Dahmer[13] - was also included in the set.

Split[edit]

After the American tour, Eva O and Paris left the band to focus on Eva O Halo Experience CD Demons Fall for an Angel's Kiss. This effectively ended Shadow Project.[9] For his part, Williams declared that Shadow Project went as far it could. "Eva wanted to go in one direction and I in another", he justified; he then went on to pursue his own musical interests.[14] The German leg of their European tour had already been booked by then, so Rozz Williams went to tour with another band in place, Daucus Karota.

Final Days[edit]

After Shadow Project split, Rozz Williams and Eva O. divorced (but remained friendly) and Williams' heroin addiction increased. In 1997 they would once again reunite to record the final Shadow Project release, From the Heart.[1] The album included band material from previous records stripped down to just acoustic guitar and vocal duets.[15] Nathan Van Hala of christian metal group Saviour Machine was drafted to fill in the keyboard duties.[1] Sadly, shortly after the test pressing was finished, Rozz Williams hanged himself on April 1, 1998, after which the album appeared on Hollow's Hill under the title From the Heart.

Style and Influences[edit]

In Terrorizer magazine's accessement, Shadow Project "seamlessly blended" all of Rozz Williams' talents: art, music and poetry.[16] In that sense the group had a wide range of influences, raging from glam rock icons David Bowie and T. Rex, West Coast punk bands The Germs and The Alley Cats,[17] to symbolist poet Arthur Rimbaud, "Theatre of Cruelty" creator Antonin Artaud and the cut-up technique of Beat writer William S. Burroughs.[18] Rozz also held pioneer hard rock and heavy metal groups such as Black Sabbath, Led Zeppelin, Kiss and Alice Cooper in great esteem.[13]

Eva O described Shadow Project's music as "a strange mixture of metallic death rock and punk".[19] For his part, Williams stated that Shadow Project's music wasn't "Gothic-Rock"; in fact, the music of Shadow Project was "beyond labeling."[20]

Rozz Williams felt frustrated that he couldn't quite steer from "goth" tag due to the legendary status of his former band, Christian Death.[21] Williams didn't consider himself part of the gothic scene anymore, stating that:

Themes[edit]

Rozz Williams was obsessed with serial killers - especially Charles Manson - and dedicated a song ("Still Born/Still Life") to Jeffrey Dahmer. He explained that, to him, "they've crossed a barrier that... well, obviously, you're not supposed to and you're not allowed to, supposedly. It's kind of a fascination with that".[13]

Discography[edit]

References[edit]

  1. ^ a b c Matthew Moyer. "Shadow Project - Biography & History". AllMusic. Retrieved 28 December 2015. 
  2. ^ Issitt 2011, page 94.
  3. ^ Alex Steininger (August 1998). "Shadow Project: From the Heart". In Music We Trust. Retrieved 27 December 2015. 
  4. ^ a b Thompson, Dave (1994). Shadow Project Liner Notes (CD booklet). Shadow Project. Los Angeles, California: Triple X Records. p. 06.  Cite error: Invalid <ref> tag; name "itol93" defined multiple times with different content (see the help page).
  5. ^ Alex Henderson. "Shadow Project - Shadow Project". AllMusic. Retrieved 28 December 2015. 
  6. ^ Johnny Walker (1997). "Rozz Williams Talks Till He's Whorse". Vibe. Retrieved 12 January 2016. 
  7. ^ a b 1 Shadow Project Dead Babies/Killer (CD booklet). Shadow Project. Los Angeles, California: Triple X Records. 1993. p. 04. 
  8. ^ "Shadow Project - Dead Babies/Killer (Cassette)". Discogs. Retrieved 30 December 2015. 
  9. ^ a b "Biography". Rozznet - The Official Rozz Williams Website. Retrieved 30 December 2015. 
  10. ^ John Begley & Marco Boudreau (1993). "Shadow Project". Deathrock.com. Retrieved 28 December 2015. 
  11. ^ "Projects". Rozznet - The Official Rozz Williams Website. Retrieved 20 January 2016. 
  12. ^ John Bush. "The Rage of Angels - Christian Death". AllMusic. Retrieved 20 January 2016. 
  13. ^ a b c d Andrew Corson (1996). "Two Shimmering Sides of a Euphonious Sword". Carpe Noctem, 1(3). Retrieved 12 January 2016. 
  14. ^ Roger de Wormhout & Nath de Bézouce (1995). "Rozz Williams Interview". Le Scatopode. Retrieved 27 December 2015. 
  15. ^ Steve Huey (1 May 2013). "Forget Me Not: Rozz Williams". Library Journal Reviews. Retrieved 28 December 2015. 
  16. ^ Miranda Yardley (17 May 2012). "Hieroglyphics: The greatest logos in goth rock/industrial". Terrorizer. Retrieved 12 January 2016. 
  17. ^ Mopa Dean (February 1994). "Rozz Williams interview". ?*@# exclaim!. Retrieved 12 January 2016. 
  18. ^ "Rozz Williams interview". Seconds, 27. 1994. Retrieved 21 January 2016. 
  19. ^ "Eva O". Yeretika. Retrieved 26 January 2016. 
  20. ^ factory_peasant (6 July 2006). "Shadow Project". Antocularis. Retrieved 27 December 2015. 
  21. ^ Christopher Labussière & Carole Jay (February 1995). "Rozz Williams Interview". Premonition, 18. Retrieved 21 January 2016. 

Bibliography[edit]