Shakespeare's Globe in August 2014
|Address||New Globe Walk
|Public transit||London Bridge|
|Owner||The Shakespeare Globe Trust|
This article is about the modern reconstruction in London. For the Globe Theatre that was active during Shakespeare's life, see Globe Theatre.
Shakespeare's Globe is the complex housing a reconstruction of the Globe Theatre, an Elizabethan playhouse associated with William Shakespeare, in the London Borough of Southwark, on the south bank of the River Thames. The original theatre was built in 1599, destroyed by fire in 1613, rebuilt in 1614, and then demolished in 1644. The modern Globe Theatre reconstruction is an academic approximation based on available evidence of the 1599 and 1614 buildings. It is considered quite realistic, though contemporary safety requirements mean that it accommodates only 1400 spectators compared to the original theatre’s 3000.
Shakespeare's Globe was founded by the actor and director Sam Wanamaker, built about 230 metres (750 ft) from the site of the original theatre and opened to the public in 1997, with a production of Henry V. The site also includes the Sam Wanamaker Playhouse, an indoor theatre which opened in January 2014. This is a smaller, candle-lit space based on the indoor playhouses of Jacobean London. The Sackler Studios, an educational and rehearsal studio complex, is situated just around the corner from the main site. There is also an exhibition about Shakespeare's life and work, and regular tours of the two theatres.
Planning and construction
In 1970, American actor and director Sam Wanamaker founded the Shakespeare Globe Trust and the International Shakespeare Globe Centre, with the objective of building a faithful recreation of Shakespeare's Globe close to its original location at Bankside, Southwark. This inspired the founding of a number of Shakespeare's Globe Centres around the world, an activity in which Wanamaker also participated.
Multiple maintained that a faithful Globe reconstruction was impossible to achieve due to the complications in the 16th century design and modern fire safety requirements; however, Wanamaker persevered in his vision for over twenty years, and a new Globe theatre was eventually built according to a design based on the research of historical adviser John Orrell.
It was Wanamaker's wish that the new building recreate the Globe as it existed during most of Shakespeare's time there; that is, the 1599 building rather than its 1614 replacement. A study was made of what was known of the construction of The Theatre, the building from which the 1599 Globe obtained much of its timber, as a starting point for the modern building's design. To this were added: examinations of other surviving London buildings from the latter part of the 16th century; comparisons with other theatres of the period (particularly the Fortune Playhouse, for which the building contract survives); and contemporary drawings and descriptions of the first Globe. For practical reasons, some features of the 1614 rebuilding were incorporated into the modern design, such as the external staircases. The design team consisted of architect Theo Crosby of Pentagram, structural and services engineer Buro Happold, and quantity surveyors from Boyden & Co. The construction, building research and historic design details were undertaken by McCurdy & Co.
The theatre opened in 1997 under the name "Shakespeare's Globe Theatre", and has staged plays every summer. Mark Rylance became the first artistic director in 1995 and was succeeded by Dominic Dromgoole in 2006. In January 2016, Emma Rice began her term as the Globe's third Artistic Director, but in October 2016 announced her decision to resign from the position in April 2018. On 24 July 2017 her successor was announced to be the actor and writer Michelle Terry.
The theatre is located on Bankside, about 230 metres (750 ft) from the original site—measured from centre to centre. The Thames was much wider in Shakespeare's time and the original Globe was on the riverbank, though that site is now far from the river, and the river-side site for the reconstructed Globe was chosen to recreate the atmosphere of the original theatre. In addition, listed Georgian townhouses now occupy part of the original site and could not be considered for removal. Like the original Globe, the modern theatre has a thrust stage that projects into a large circular yard surrounded by three tiers of raked seating. The only covered parts of the amphitheatre are the stage and the seating areas. Plays are staged during the summer, usually between May and the first week of October; in the winter, the theatre is used for educational purposes. Tours are available all year round. Some productions are filmed and released to cinemas as Globe on Screen productions (usually in the year following the live production), and on DVD.
The reconstruction was carefully researched so that the new building would be as faithful a replica of the original as possible. This was aided by the discovery of the remains of the original Rose Theatre, a nearby neighbour to the Globe, as final plans were being made for the site and structure.
The building itself is constructed entirely of English oak, with mortise and tenon joints and is, in this sense, an "authentic" 16th century timber-framed building, as no structural steel was used. The seats are simple benches (though cushions can be hired for performances) and the Globe has the first and only thatched roof permitted in London since the Great Fire of 1666. The modern thatch is well protected by fire retardants, and sprinklers on the roof ensure further protection against fire. The pit has a concrete surface, as opposed to earthen-ground covered with strewn rush from the original theatre. The theatre has extensive backstage support areas for actors and musicians, and is attached to a modern lobby, restaurant, gift shop and visitor centre. Seating capacity is 857 with an additional 700 "Groundlings" standing in the yard, making up an audience about half the size of a typical audience in Shakespeare's time.
For its first eighteen seasons, performances were engineered to duplicate the original environment of Shakespeare's Globe; there were no spotlights, and plays were staged during daylight hours and in the evenings (with the help of interior floodlights), there were no microphones, speakers or amplification. All music was performed live, most often on period instruments; and the actors and the audience could see and interact easily with each other, adding to the feeling of a shared experience and of a community event.
Typically, performances have been created in the spirit of experimentation to explore the original playing conditions of the 1599 Globe. Modern, conventional theatre technology such as spotlights and microphones were not used during this period. Beginning in the 2016 season, the new Artistic Director, Emma Rice, began experimenting with the theatre space by installing a temporary lighting and sound rig.
The Globe operates without any public subsidy and generates £21 million in revenue per year.
Sam Wanamaker Playhouse
Adjacent to the Globe is the Sam Wanamaker Playhouse, an indoor theatre modelled after a Jacobean-era theatre and used for performances during the winter months when the main theatre cannot be used.
Read Not Dead
Read Not Dead is a series of play readings, or staged “performances with scripts” that have been presented as part of the educational program of Shakespeare’s Globe since 1995. The plays selected are those that were written between 1576 and 1642 by Shakespeare’s contemporaries or near contemporaries. These readings are performed at Shakespeare’s Globe Sackler Studios as well as other theatres, halls, festivals and fields nationwide.
In 2013 there were Read Not Dead performances at the Wilderness Festival and at Glastonbury Festival. In 2014, the final production in Read not Dead’s first season was performed at the Sam Wanamaker Playhouse, which is the indoor Jacobean style theatre. The play selected for that occasion was Robert Daborne’s A Christian Turn'd Turk.
Globe on Screen
The Globe's productions are often screened in cinemas and released on DVD. In 2015, the venue launched Globe Player, a video-on-demand service enabling viewers to watch the plays on laptops and mobile devices.
Replicas and free interpretations of the Globe have been built around the world:
- Neuss am Rhein: Globe Neuss
- Rust, Baden, Germany: in the Europa-Park
- Schwäbisch Hall, Baden-Württemberg: houses a replica of the interior of the Globe Theatre.
- Rome: Globe Theatre
- New Zealand
- United States
- Ashland, Oregon: Allen Elizabethan Theatre
- Cedar City, Utah: Adams Shakespearean Theatre
- Dallas, Texas: Old Globe Theatre
- Odessa, Texas: Globe of the Great Southwest
- San Diego, California: Old Globe Theatre
- Williamsburg, Virginia: Globe Theatre, in Busch Gardens Williamsburg
- Twin Lake, Michigan: Blue Lake Fine Arts Camp, The Rose Playhouse.
- Mulryne, J. R. Shewing, Margaret. Gurr, Andrew. Shakespeare's Globe Rebuilt. Cambridge University Press (1997) ISBN 9780521599887 page 21
- Steves, Rick. Openshaw, Gene. Rick Steves London 2015. Avalon Travel (2014) ISBN 978-1612389769
- Martin, Douglas (28 September 2003). "John Orrell, 68, Historian on New Globe Theater, Dies". New York Times. Archived from the original on 18 January 2008. Retrieved 11 December 2007.
- Gurr, Andrew (1997). "Shakespeare's Globe: a history of reconstruction". In Mulryne, J. R.; Shewring, Margaret. Shakespeare's Globe Rebuilt. Cambridge, England: Cambridge University Press. p. 38. ISBN 0-521-59988-1.
- Greenfield, Jon (1997). "Timber framing, the two bays and after". In Mulryne, J. R.; Shewring, Margaret. Shakespeare's Globe Rebuilt. Cambridge, England: Cambridge University Press. pp. 102–3. ISBN 0-521-59988-1.
- Bowsher, Julian; Miller, Pat (2010). "The New Globe". The Rose and the Globe – playhouses of Shakespeare's Bankside, Southwark. Museum of London. p. 162. ISBN 978-1-901992-85-4.
- McCurdy & Co website Archived 18 January 2008 at the Wayback Machine.
- Phelan, Peggy (2006). Hodgdon, Barbara; Worthen, William B, eds. A Companion to Shakespeare And Performance. Cambridge, MA: Blackwell Publishers. p. 14. ISBN 1-4051-1104-6.
- "Dominic Dromgoole appointed Artistic Director". The Shakespeare Globe Trust. Archived from the original on 20 March 2007. Retrieved 19 March 2007.
- BBC Radio 4, New Globe director on changes to Shakespeare, "Best of Today", 5 January May 2016.
- Measured using Google Earth.
- McCurdy, Peter. "The Reconstruction of the Globe Theatre". Reading, England: McCurdy and Company. Archived from the original on 20 March 2006. Retrieved 19 December 2009.
- This number can be derived by counting all seats on the detailed seating plans that are shown after selecting an event and start the booking procedure at "Shakespeare's Globe Theatre, London". online. Shakespeare's Globe Theatre, London. 2009. Archived from the original on 25 October 2016. Retrieved 29 November 2009. and adding another 20 for the "Gentlemen's Rooms" ("Shakespeare's Globe". Gentlemen's Rooms. Shakespeare's Globe Theatre, London. 2009. Retrieved 29 November 2009.)
- "Shakespeare's Globe :: Seating Plan and Ticket Prices". Shakespeare's Globe. 2009. Retrieved 2 August 2009.
- "Shakespeare's Globe appoints Emma Rice of Kneehigh as new artistic director". The Guardian. Retrieved 1 May 2015.
- Read Not Dead. Shakespeare's Globe. Archived 23 June 2013.
- Read Not Dead On The Road. Shakespeare's Globe. Archived 30 May 2014.
- "Bardathon Review of Christian Turn'd Turk". Retrieved 7 October 2014.
- Teatro Shakespeare
- Globe Theatre Neuss
- Italy gets Globe Theatre replica.
- The Globe Theatre, 1936 Texas Centennial Exposition at State Fair Dallas
- The Old Globe, San Diego.
- "Archived copy". Archived from the original on 14 April 2008. Retrieved 8 April 2008.
- Carson, Christie and Karim Cooper, Farah (September 2008) Shakespeare's Globe, A Theatrical Experiment, Cambridge University Press, UK, ISBN 978-0-521-70166-2
- King, T.J. (1971). Shakespearean Staging, 1599–1642. Cambridge, MA: Harvard University Press. ISBN 0-674-80490-2.
- Nagler, A.M. (1958). Shakespeare's Stage. New Haven, CT: Yale University Press. ISBN 0-300-02689-7.
- Schoenbaum, Samuel (1991). Shakespeare's Lives. Oxford: Clarendon Press. ISBN 0-19-818618-5.
- Carson and Karim-Cooper 'Shakespeare's Globe: A theatrical Experiment' Cambridge University Press, 2008, 9780521701662
- Day, Barry: This Wooden 'O': Shakespeare's Globe Reborn. Oberon Books, London, 1997. ISBN 1-870259-99-8.
- Rylance, Mark: Play: A Recollection in Pictures and Words of the First Five Years of Play at Shakespeares's Globe Theatre. Photogr.: Sheila Burnett, Donald Cooper, Richard Kolina, John Tramper. Shakespeare's Globe Publ., London, 2003. ISBN 0-9536480-4-4.
|Wikimedia Commons has media related to Shakespeare's Globe.|
- Official website
- Shakespeare's Globe at Google Cultural Institute
- Plays performed at the reconstructed Globe (by season) (Shakespeare's Globe)
- April 2012 BBC Radio 4 The Reunion programme about the building of Shakespeare's Globe
- Globe Theatre Study Guide
- Building a Piece of History The Story of the New Globe Theatre By Zachary T. Oser
- Satellite photo of the rebuilt Globe Theatre
- Rose Theatre Website
- Entertainment at The Globe in Shakespeare's time
- 3D Model of Globe Theatre done by Wesleyan University's Learning Objects Studio
- Shakespeare's Globe at the Shakespeare Resource Center
- Doctor Who Episode guide for 'The Shakespeare Code'
- Shakespeare's Globe 2008 'Totus Mundus' season
- Tokyo Globe Theatre (Japanese only)
- Teatro Shakespeare Buenos Aires (Mobile construction that evokes an Elizabethan Theatre)