Sheila Hicks

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Sheila Hicks (1974)

Sheila Hicks (born in Hastings, Nebraska, 1934[1]) is an American artist. She lives and works in Paris, France. Prior to that, she lived and worked in Guerrero, Mexico (1959–63).

Early life and education[edit]

Sheila Hicks received BFA ('57) and MFA ('59) degrees in painting from the Yale School of Art . She was awarded a Fulbright scholarship to Chile (1957–58), photographed archaeological sites in the Andes and travelled to the volcanic region of Villarrica, the island of Chiloé, and Tierra del Fuego, which continues to influence her work. From 1959 to 1964 she resided and worked in Mexico. Since 1964, Hicks lives and works in Paris, France.[2]

While at Yale School of Art in Connecticut (1954-1959), she studied with Josef Albers, Rico Lebrun, Bernard Chaet, George Kubler, George Heard Hamilton, and Vincent Scully, Jose de Riviera, Herbert Mather, Norman Ives, Gabor Peterdi. Her thesis, on "Pre-Incaic Textiles.",[1] was supervised by Junius Bird, archaeologist, of the American Museum of Natural History in New York and the artist Anni Albers.

In 1959, Henri Peyre, the Sterling Professor of French Emeritus at Yale University, selected Hicks for a grant to study in France (1959–60), which enabled her to meet the pre-Colombian textile scholar and ethnologist Raoul D'Harcourt.

Subsequently, Hicks moved to Taxco el Viejo, Mexico where she began weaving, painting, and teaching at the National Autonomous University of Mexico (UNAM) at the invitation of Mathias Goeritz who also introduced to the architects Luis Barragán and Ricardo Legorreta Vilchis.

She photographed extensively with her Rolleiflex.[3] Her subjects included the architecture of Felix Candela and artists active in Mexico.

Sheila Hicks at the Musée Carnavalet, Paris, 2016. Photograph by Cristobal Zanartu

Career[edit]

Hicks' art ranges from the minuscule to the monumental. Her materials vary as much as the size and shape of her work. Having begun her career as a painter, she has remained close to color, using it as a language she builds, weaves and wraps to create her pieces.

She incorporates various materials into her "minimes", miniature weavings made on a wooden loom. These include transparent noodles, pieces of slate, razor clam shells, shirt collars, collected sample skeins of embroidery threads, rubber bands, shoelaces, and Carmelite-darned socks. Her temporary installations have incorporated thousands of hospital "girdles" - birth bands for newborns - baby shirts, blue nurses' blouses and khaki army shirts, as well as the wool sheets darned by Carmelite nuns.[2]

Hicks's work is characterised by her direct examination of indigenous weaving practices in the countries of their origin. This has led her travel through five continents, studying the local culture in Mexico, France, Morocco, India, Chile, Sweden, Israel, Saudi Arabia, Japan and South Africa, developing relationships with designers, artisans, industrialists, architects, politicians and cultural leaders.[2]

In 2007, the publication Sheila Hicks: Weaving as Metaphor, designed by Irma Boom to accompany the exhibition of the same name at Bard Graduate Center,[4] was named "Most Beautiful Book in the World" at the Leipzig Book Fair.[5]

In 2010 a retrospective of Hicks' 50-year career originated at the Addison Gallery in Andover, Mass. with additional venues at the ICA in Philadelphia, and at The Mint Museum in Charlotte, North Carolina. This included both miniature works (her "minimes") and large scale sculpture.[1]

Hicks' work can be found in private and public collections, including: Ford Foundation, NY, 1967; Georg Jensen Center for Advanced Design, NY; Air France Boeing 747 planes, 1969–74; TWA terminal at JFK Airport, NY, 1973; CBS (Columbia Broadcasting System), NY; Rochester Institute of Technology, NY; Banque Rothschild, Paris, France; Francis Bouygues, Paris, France; IBM, Paris, France, 1972; Kodak, Paris, France ; Fiat Tower, Paris, Franc; MGIC Investment Corporation, Milwaukee, WI; King Saud University, Riyadh, Saudi Arabia, 1983; Kellogg's, Michigan; Fuji City, Cultural Center, Japan, 1999; Institute of Advance Study, Princeton, NJ; Target Headquarters, Minneapolis, MN, 2003; SD26 Restaurant, NY, 2009; Ford Foundation (reconstructed), NY, 2013–14; Foundation Louis Vuitton, Boulogne, France, 2014–15.

In 2013, the 18-foot-high Pillar of Inquiry/Supple Column[6] was included in the Whitney Biennal.

In 2017 Hicks had a solo exhibition at Alison Jacques Gallery in Paris.[7] Hicks also participated in the 2017 Venice Biennale, Viva Arte Viva, May 13 – November 16, 2017.[needs update][8]

In 2018, February 7-April 30, Hicks had a solo exhibition Life Lines at the Centre Pompidou which included more than 100 works.[9]

Solo exhibitions

  • 1958: Tejidos, National Museum of Natural History, Santiago, Chile
  • 1958: "pinturas de s.a.w. hicks—fotografias de sergio larrain", Museo de Bellas Artes, Santiago, Chile
  • 1961: Tejidos—Sheila Hicks, Galeria Antonio Souza, Mexico, D.F.
  • 1963: The Textiles of Sheila Hicks, Art Institute of Chicago, Illinois
  • 1963-66: Sheila Hicks, Knoll International, Nuremberg, Düsseldorf, Hamburg, Cologne, Berlin, Frankfurt, Stuttgart, Germany; Basel, Switzerland
  • 1965: Woven Forms and Sculpture: Sheila Hicks, Interiors International (Knoll), London, England
  • 1965: Gewebte Formen, Landesmuseum, Oldenburg, Germany
  • 1970: Fete du Fil, Institut Franco-Americain de Rennes, France; Forme in Faden, Buchholz Gallery, Munich, Germany; American Library, Brussels, Belgium
  • 1971: Formes de Fil, Musée des Beaux-Arts, Brest, France
  • 1972: Fils Dansants, Tapis aux Murs de Sheila Hicks, American Cultural Center, Dakar, Senegal; Abidjan, Côte d'Ivoire; American Center, Milan, Italy
  • 1974: Sheila Hicks, Stedelijk Museum, Amsterdam, The Netherlands
  • 1976: Tapisserie Mise en Liberte; Ancient Peruvian Textiles and the Work of Sheila Hicks, Maison de la Culture, Rennes, France
  • 1977: Muzeja savremene umetnosti, Belgrade; Museum of Art, Skopje, Macedonia; Museum of Contemporary Art, Dubrovnic, Yugoslavia; Biblioteca Americana, Bucharest, Romania
  • 1978: Tons and Masses, Sheila Hicks, Lunds Konsthall, Lund, Sweden
  • 1979: Suite Ouessantine, Musée de Beaux-Arts, Brest, France
  • 1979: Inhabited, American Center, Paris, France
  • 1980: Free Fall, Israel Museum, Jerusalem, Israel
  • 1980: Small Jump, American Cultural Centre, Tel Aviv, Israel
  • 1981: Carte Blanche, Musée des Beaux Arts, Rennes, France
  • 1987: Textile, Texture, Texte, Musée de Beaux Arts, Pau, France
  • 1991: Soft Logic, Seoul Arts Center, Seoul, Korea; Centre Culturel Francais, Seoul, Korea
  • 1992: Cultural Exchange, Walker's Point Center of the Arts, Milwaukee, Wisconsin
  • 1992: Sheila Hicks v Prague, Umeleckoprumyslove Muzeum, Prague, Czechoslovakia
  • 1993: Small Works, Saka Gallery, Tokyo, Japan
  • 1994: Textile Magiker: Sheila Hicks-Junichi Arai, Textile Museet, Boras, Sweden
  • 1996: Art of Sheila Hicks, Museum of Nebraska Art, Kearney, Nebraska
  • 1997: Sheila Hicks: The Making of a Doncho, Municipal Cultural Center Gallery, Kiryu, Gunma, Japan
  • 1999: Sheila Hicks: Seeds to the Wind, Contemporary Art Center of Virginia, Virginia Beach, Virginia
  • 2006: Sheila Hicks: Weaving as Metaphor,[10] Bard Graduate Center, New York, NY
  • 2007: Entrelacs de Sheila Hicks. Textiles et vanneries d'Afrique et d'Océanie de la collection Ghysels, Passage de Retz, Paris France
  • 2008: Sheila Hicks Minimes: Small Woven Works, Davis & Langdale Company, Inc. New York
  • 2010: Sheila Hicks: 50 Years, Addison Gallery of American Art, Andover, Massachusetts. Institute of Contemporary Art Philadelphia, PA, and Mint Museum, Charlotte, NC
  • 2010: Sheila Hicks: Hors norms, sculptures textiles, Passage de Retz, Paris, France
  • 2011: Sheila Hicks - One Hundred Minimes, The Museum of Decorative Arts (UPM), Prague, The Czech Republic
  • 2011: Sheila Hicks - 100 Minimes, Boijmans van Beuningen Museum, Rotterdam, The Netherlands
  • 2012: Sheila Hicks, Sikkema Jenkins & Co., New York
  • 2013: Pêcher dans la Rivière, Alison Jacques Gallery, London, UK
  • 2014: Sheila Hicks, Sikkema Jenkins & Co., New York
  • 2014: Sheila Hicks: Unknown Data, Galerie Frank Elbaz, Paris
  • 2015: Sheila Hicks: Foray into Chromatic Zones, Hayward Gallery, London
  • 2016: "Si j'étais de laine, vous m'accepteriez?" Galerie Frank Elbaz, Paris
  • 2016: Sheila Hicks: Material Voices at Joslyn Art Museum Omaha, Nebraska
  • 2016: "Sheila Hicks, Hilos libres. El textil y sus raíces prehispánicas, 1954-2017" (Free thread. The textile and its prehispanic roots, 1954-2017), Museo Amparo, Puebla, México
  • 2017: Galleria Massimo Minini, Brescia, Italy
  • 2017: "Stones of Peace", Alison Jacques Gallery, London
  • 2017: "Hop, Skip, Jump, and Fly: Escape From Gravity", High Line, New York City
  • 2018: Sheila Hicks: Lignes de Vie,[11] Centre Pompidou, Paris, France

Awards and recognition[edit]

Museum collections[edit]

Bibliography[edit]

  • "Sheila Hicks", by Monique Lévi-Strauss, Pierre Horay, editeur, Paris, and Suzy Langlois, Art Mural, 1973. ISBN 2-7058-0009-3
  • Faxon, Susan C., Joan Simon and Whitney Chadwick: "Sheila Hicks: 50 Years", Yale University Press/Addison Gallery of American Art, 2010, ISBN 978-0-300-12164-3.
  • Danto, Arthur Coleman, Joan Simon, Nina Stritzler-Levine, and the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture: Sheila Hicks weaving as metaphor, Yale University Press, 2006, ISBN 978-0-300-11685-4.
  • One Work: Sheila Hicks at the Mint, published by The Mint Museum, Charlotte, North Carolina in association with Yale University Press, New Haven and London. 2012. ISBN 978-0-300-19085-4.

See also[edit]

References[edit]

  1. ^ a b c Smee, Sebastian (November 14, 2010). "Sheila Hicks, weaving her own fabric of modernism". The Boston Globe. Retrieved March 1, 2014.
  2. ^ a b c *Faxon, Susan C., Joan Simon and Whitney Chadwick: "Sheila Hicks: 50 Years", Yale University Press/Addison Gallery of American Art, 2010, ISBN 978-0-300-12164-3.
  3. ^ "SHEILA HICKS with Danielle Mysliwiec". The Brooklyn Rail. Retrieved 2018-03-07.
  4. ^ "Sheila Hicks". Retrieved 2018-03-04.
  5. ^ Rawsthorn, Alice (2007-03-18). "Reinventing the look (even smell) of a book". The New York Times. ISSN 0362-4331. Retrieved 2018-03-04.
  6. ^ "Pillar of Inquiry/Supple Column". whitney.org. Archived from the original on April 16, 2017. Retrieved June 26, 2017.
  7. ^ "Works | SHEILA HICKS: STONES OF PEACE". Alison Jacques Gallery. Retrieved 2018-03-17.
  8. ^ "La Biennale di Venezia - Artists". www.LaBiennale.org. Archived from the original on June 29, 2017. Retrieved February 22, 2017.
  9. ^ "Sheila Hicks: an American with wool in Paris". www.theartnewspaper.com. Retrieved 2018-03-17.
  10. ^ "Sheila Hicks Weaving as Metaphor". Bard Graduate Center. Retrieved 4 March 2018.
  11. ^ "Sheila Hicks: Lignes de Vie". Centre Pompidou. Retrieved 4 March 2018.

External links[edit]