Jackson in 2005
|Born||1963 (age 53–54)
Shelley Jackson (born 1963) is a writer and artist known for her cross-genre experiments, including her groundbreaking work of hyperfiction, Patchwork Girl (1995). Her first novel was published in 2006, Half Life.
Born in the Philippines, Jackson grew up in Berkeley, California, where her family ran a small women's bookstore for several years; Jackson later recalled, "I was already in love with books by then....and the family store just confirmed what I already suspected, that books were the most interesting and important things in the world. Of course I wanted to write them!" She graduated from Berkeley High School, and received a B.A. in art from Stanford University and an M.F.A. in creative writing from Brown University. She is self-described as a "student in the art of digression".
While at Brown, Jackson was taught by electronic literature advocates Robert Coover and George Landow. During one of Landow's lectures in 1993, Jackson began drawing "a naked woman with dotted-line scars" in her notebook, an image she eventually expanded into her first hypertext novel, Patchwork Girl. Jackson later said that she never considered publishing Patchwork Girl as a print novel, explaining,
|“||I guess you could say I want my fiction to be more like a world full of things that you can wander around in, rather than a record or memory of those wanderings. The quilt and graveyard sections [of the hypertext], where a concrete metaphor that resonates with the themes of the work creates a literary structure, satisfy me in a very corporeal way. I salivate, my fingers itch.||”|
A nonchronological reworking of Mary Shelley's Frankenstein, Patchwork Girl was published by Eastgate Systems in 1995 to acclaim; it became Eastgate's best-selling CD-ROM title and is now considered a groundbreaking work of hyperfiction. "Patchwork Girl" uses tissue and scars as well as the body and the skeleton as metaphors for the juxtaposition of lexia and link. While working in a San Francisco, California bookstore, Jackson published two more hypertexts, the autobiographical My Body (1997), and The Doll Games (2001), which she wrote with her sister Pamela.
In the late nineties, Jackson alternated hypertext work with writing short stories (in publications such as The Paris Review and Conjunctions) and children's books. Jackson has explained that she "completely ignored" one college professor who told her the key to success was focus, and added that "[s]ometimes this means shuttling manically between art and writing and other, more unmentionable obsessions. More and more, though, and partly because of the ease of mixing media in electronic work, I've come to see all these projects as interrelated." During this period, Jackson also did cover and interior illustrations for two short story collections by Kelly Link, Stranger Things Happen (2001) and Magic for Beginners (2005). She also illustrated her own children's books, The Old Woman and the Wave (1998) and Sophia, the Alchemist's Dog (2002).
She published her first short story collection, The Melancholy of Anatomy, in 2002. In 2003 she launched the Skin Project, which she described as a "mortal work of art": a novella published exclusively in the form of tattoos on the skin of volunteers, one word at a time. This endeavour was especially interesting due to the fact that only those participating in the project were permitted to read the entire narrative. Jackson's first novel, Half Life, was released by HarperCollins in 2006. The story of a disenchanted conjoined twin named Nora Olney who plots to have her other twin murdered, Half Life suggests an alternate history in which the atomic bomb resulted in a genetic preponderance of conjoined twins, who eventually become a minority subculture. The novel received mixed-to-positive reviews; Newsweek called it "brilliant and funny," and The New York Times, while praising Jackson's ambition as "truly glorious," added that "All this razzle-dazzle, all the allusions, [and] the narrative loop-de-loops [get] a bit busy." Half Life went on to win the 2006 James Tiptree, Jr. Award for science fiction and fantasy.
In 1987, Jackson married the writer Jonathan Lethem; they divorced in 1998. She currently teaches in the graduate writing program at The New School in New York City and at the European Graduate School in Saas-Fee.
- Do You Know Me (Orchard Books, 1993), text by Nancy Farmer, illustrated by Jackson
- The Old Woman and The Wave (1998), children's book
- Sophia, the Alchemist's Dog (2001), children's book
- The Melancholy of Anatomy (2002), short story collection
- Half Life (2006), novel
- Mimi's Dada Catfesto (2010), children's book
- Ihara, Nathan. "Sex in the Age of Irony", LA Weekly, July 12, 2006. Retrieved 2007-08-01.
- Lynch, Megan. "A Conversation with Shelley Jackson", Bold Type 5.12, May 2002. Retrieved 2007-08-01.
- Metz, Rachel (April 2002). "Book Review: A 'Melancholy' Body of Stories Fleshes Out Our Worst Somatic Fears". The Daily Californian. Archived from the original on 2007-03-14. Retrieved 2007-08-01.
- "Stitch Bitch: The Hypertext Author As Cyborg-Femme Narrator", Mark Amerika. March 15, 1998. Retrieved 2007-08-01.
- D'Erasmo, Stacey. "My Sister and Me", The New York Times, August 13, 2006. Retrieved 2007-08-01.
- Patchwork Girl, Electronic Literature Organization, 2001. Retrieved 2007-08-01.
- Braiker, Brian. "Two Times a Lady", Newsweek, August 16, 2006. Retrieved 2007-08-01.
- "Shelley Jackson". Science Fiction Awards Database (sfadb.com). Mark R. Kelly and the Locus Science Fiction Foundation. Retrieved 2013-11-22.
- Edemariam, Aida. "The borrower", The Guardian, June 2, 2007. Retrieved 2007-08-01.
- Shelley Jackson Faculty page at European Graduate School
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|Wikiquote has quotations related to: Shelley Jackson|
- Official website
- Shelley Jackson's faculty website at European Graduate School (Biography and bibliography)
- Fiction by Shelley Jackson for Guernica Magazine (guernicamag.com)
- Written On (and Under) the Skin. An interview with Shelley Jackson by Rosita Nunes.
- MortalWorkOfArt Blog A LiveJournal community dedicated to participants in Shelley's Skin Project.
- Shelley Jackson: The Writer Whose Medium Is Reality from The Quarterly Conversation by William Patrick Wend Shelley Jackson: The Writer Whose Medium Is Reality from The Quarterly Conversation by William Patrick Wend
- Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl A Review of Patchwork Girl by George Landow
- Patchwork Girl: An Overview by George Landow and his students
- Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific by Katherine Hayles
- Gathering the Limbs of the Text in Shelley Jackson's Patchwork Girl by Carolina Sanchez Palencia Carazo and Manuel Almagro Jiménez
- Body Webs: Reconstructing Boundaries in Shelley Jackson's Patchwork Girl by Alexandra Glavanakova-Yaneva
- Interrupting D: Patchwork Girl's Syncopated Body by Arnaud Regnauld
- Machinic Minds and Posthuman Bodies: the Complexities of Intimacy in Three Electronic Works by Shelley Jackson by Arnaud Regnauld
- Shelley Jackson : femme-machine by Arnaud Regnauld
- How to Unread Shelley Jackson? by Stéphane Vanderhaeghe
- Ce que nous lisons, ce qui ne nous regarde pas : lectures intimes de Shelley Jackson by Stéphane Vanderhaeghe
- "Between the Visceral and the Virtual: Navigating the Embedded Surfaces of Shelley Jackson’s Patchwork Girl" by Arnaud Regnauld in Science and American Literature in the 20th and 21st Centuries, Frédéric Dumas, Ronan Ludot-Vlasak and Claire Maniez (eds), Cambridge, Cambridge Scholars Publishing, 2012.