Sheri Wilner

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Sheri Wilner (born January 22, 1969) is an American playwright.

Her works have been produced at the Humana Festival of New American Plays, the Guthrie Theater, Actors Theatre of Louisville, Primary Stages Einhorn School of Performing Arts (ESPA), Williamstown Theatre Festival, Mobtown Players, Illusion Theater, Naked Angels theater company, Rattlestick Playwrights Theater, Cherry Lane Theatre Alternative, Ensemble Studio Theatre, Emigrant Theatre, Women's Project Theater, and the Philadelphia Theatre Company.[1] In addition her plays have been produced at the Contemporary American Theater Festival in Shepherdstown, West Virginia, the Summer Play Festival in New York, and the Old Vic New Voices program in London.[2]

Career[edit]

Sheri Wilner attended Cornell University, graduating Phi Beta Kappa with a Bachelor of Arts in English in 1991. She went to Columbia University School of the Arts where she studied with Romulus Linney, Eduardo Machado, Tina Howe, Keith Reddin, and Andrei Șerban. She received her Master of Fine Arts in Playwriting from Columbia in 1999.[3][4]

She completed a visiting assistant professorship in Playwriting at Florida State University’s MFA Dramatic Writing Program, taught playwriting for the Off-Broadway theatre companies Primary Stages,[5] and has taught playwriting classes at the University of California, Cornell University, and the University of Minnesota.[1]

A review of the Humana Festival premier of Wilner's one-act play Bake-Off in the New York Times said “the play completely earns its farcical climax. 'Bake Off' is barbed, witty, thoughtful, giggle and snort inducing and most of all compact; it accomplishes everything in 20 minutes tops."[6] Chicago Tribune journalist Michael Kilian in a 2005 review of Winer's play Father Joy said the play was “a joy to behold”.[7]

Wilner's latest play Kingdom City uses a high school production of Arthur Miller's play The Crucible to explore religion, community values, and censorship. It had its world premier at the La Jolla Playhouse on September 12, 2014. A review in the San Diego Union Tribune said, "Wilner explores the issues at hand with considerable wit and insight, and weaves in themes and even passages from The Crucible ... in some wonderful and surprising ways."[8]

Awards[edit]

Wilner is a two-time winner of the Heideman Award granted by Actors Theatre of Louisville, for her plays Labor Day in 1998 and Bake Off in 2001, both of which premiered at the Humana Festival.[9]

Other playwriting awards include a Howard Foundation Fellowship (2008 – 2009),[10] a Dramatists Guild Playwriting Fellowship (2000 – 2001), a Bush Artist Fellowship (2007 – 2010), and two Playwrights’ Center Jerome Fellowships (2006 – 2007).[1][4]

The Rose O’Neill Literary House, Washington College’s center for literature and the literary arts, will establish the Douglass Wallop Fellowship as a nationwide competition and award the initial 2015 fellowship to Wilner.[4]

Works[edit]

A list of the "definitive" productions of Wilner's plays follows:[5][9]

Full-Length Plays:

One-Acts:

Screenplays:

  • 2007 Sugar Fix

References[edit]

External links[edit]

  • New playwrights: the best plays of 1999 by Marisa Smith, Smith & Kraus, Hanover, NH, June 2001 ISBN 1575252252
  • The Women's Project and Productions: The Best One-Act Plays, 1975-1999 edited by Julia Miles, Smith & Kraus, Hanover, NH, June 2002, ISBN 1575252716
  • The Best American Short Plays 2000-2001 by Mark Glubke, Applause Theatre & Cinema Books, September 2002, ISBN 1557834814