Shūji Terayama

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Shūji Terayama
Shūji Terayama.jpg
Born(1935-12-10)December 10, 1935
DiedMay 4, 1983(1983-05-04) (aged 47)
OccupationPoet, dramatist, writer, film director, photographer

Shūji Terayama (寺山 修司, Terayama Shūji, December 10, 1935 – May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. Many critics[1] view him as one of the most productive and provocative creative artists to come out of Japan. He has been cited as an influence on various Japanese filmmakers from the 1970s onward.[2]


Terayama was born December 10, 1935, in Hirosaki, Aomori, the only son of Hachiro and Hatsu Terayama. His father died at the end of the Pacific War in Indonesia in September 1945. When Terayama was nine, his mother moved to Kyūshū to work at an American military base, while he himself went to live with relatives in the city of Misawa, also in Aomori. Terayama lived through the Aomori air raids that killed more than 30,000 people.

Terayama entered Aomori High School in 1951, and in 1954 he enrolled in Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the "runaway" movement in Japan in the late 1960s, as depicted in his book, play, and film Throw Away Your Books, Run into the Streets! (書を捨てよ、町へ出よう).

In 1967, Terayama formed the Tenjō Sajiki theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film Les Enfants du Paradis and literally translates to "ceiling gallery" (with a meaning similar to the English term "peanut gallery"). The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective. Some major plays include "Bluebeard" (青ひげ), "Yes" (イエス), and "The Crime of Fatso Oyama" (大山デブコの犯罪), among others. Also involved with the theater were artists Aquirax Uno and Tadanori Yokoo, who designed many of the advertisement posters for the group. Musically, he worked closely with experimental composer J.A. Seazer and folk musician Kan Mikami. Playwright Rio Kishida was also part of the company. She viewed Terayama as a mentor, and together they collaborated on Shintokumaru (Poison Boy), The Audience Seats, and Lemmings.

He was also involved in poetry and at 18 was the second winner of the Tanka Studies Award.

Terayama experimented with 'city plays', a fantastical satire of civic life.

Shuji Terayama's grave (Takao Cemetery zone A front row, 高尾霊園A区) Google maps view

Also in 1967, Terayama started an experimental cinema and gallery called 'Universal Gravitation,' which is still in existence at Misawa as a resource center. The Terayama Shūji Memorial Hall, which has a large collection of his plays, novels, poetry, photography and a great number of his personal effects and relics from his theatre productions, can also be found in Misawa. In 1976, he was a member of the jury at the 26th Berlin International Film Festival.[3]

Terayama published almost 200 literary works, and over 20 short and full-length films.

He was married to Tenjō Sajiki co-founder Kyōko Kujō (九條今日子), but they later divorced, although they continued to work together until Terayama's death on May 4, 1983 from cirrhosis of the liver. Kujō died on April 30, 2014.


His film oeuvre is well known for its experimentalism and includes:


  • La Marie-Vision / Kegawa no Marie (1967)
  • Throw Away Your Books, Rally in the Streets / Sho o Suteyo, Machi e Deyō (1968)
  • The Crime of Dr. Gali-gari / Gali-gari Hakase no Hanzai (1969)
  • The Man-powered Plane (1970)
  • Jashumon (1971)
  • Run, Melos / Hashire Melos (1972)
  • The Opium War / Ahen Senso (1972)
  • Note to a Blind Man / Mojin Shokan (1973)
  • Knock (1975)
  • Journal of the Plague Year / Ekibyo Ryuko-ki (1975)
  • The Ship of Fools / Aho-bune (1976)
  • The Miraculous Mandarin / Chugoku no Fushigina Yakunin (1977)
  • Directions to Servants / Nuhikun (1978)
  • Lemmings to the End of the World / Lemmings - Sekai no Hate Made Tsurettete (1979)

Short fiction[edit]

Collected in: The Crimson Thread of Abandon


When I Was a Wolf (Boku ga ookami datta koro)


Short films[edit]

  • Catology (1960) (lost[4])
  • The Cage / Ori (1964)
  • Emperor Tomato Ketchup / Tomato Kechappu Kōtei (1971, short version)
  • The War of Jan-Ken Pon / Janken Sensō (1971)
  • Rolla (1974)
  • Chōfuku-ki (1974)
  • Cinema Guide for Young People / Seishōnen no Tame no Eiga Nyūmon (1974)
  • The Labyrinth Tale / Meikyū-tan (1975)
  • Hōsō-tan (1975)
  • Der Prozess / Shimpan (1975)
  • Les Chants de Maldoror / Marudororu no Uta (1977)
  • The Eraser / Keshigomu (1977)
  • Shadow Film – A Woman with Two Heads / Nitō-onna – Kage no Eiga (1977)
  • The Reading Machine / Shokenki (1977)
  • An Attempt to Describe the Measure of A Man / Issunbōshi o Kijutsusuru Kokoromi (1977)

Feature-length films[edit]


  • Photothèque imaginaire de Shuji Terayama - Les Gens de la famille Chien-Dieu (1975)

See also[edit]


  1. ^ see Sorgenfrei's book (in particular, the back cover contains a collection of quotes glorifying Terayama).
  2. ^ Nishimura, Robert (December 6, 2011). "THREE REASONS FOR CRITERION CONSIDERATION: Shuji Terayama's PASTORAL, TO DIE FOR THE COUNTRY (1974)". IndieWire. Retrieved March 22, 2017.
  3. ^ "Berlinale 1976: Juries". Retrieved July 14, 2010.
  4. ^ Richie, Donald. Through the Terayama looking glass, The Japan Times (January 7, 2007), online version.
  5. ^ Graeme Harper, Rob Stone (2007). The Unsilvered Screen: Surrealism on Film. Wallflower Press. p. 137. ISBN 190476486X.
  6. ^ "Sho O Suteyo, Machi E Deyo on AllMovie Sho O Suteyo, Machi E Deyo (1971)". AllMovie. Retrieved January 3, 2014.

Further reading[edit]

External links[edit]