Shuvinai Ashoona

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Shuvinai Ashoona
BornAugust 1961 (age 58)[1]
NationalityCanadian Inuk
Known forDrawing

Shuvinai Ashoona (born August 1961[1]) is an Inuk artist who works primarily in drawing.[2] She is known for her detailed pen and pencil drawings depicting northern landscapes and contemporary Inuit life.

Biography[edit]

Ashoona was born in 1961 in Cape Dorset (Kinngait), Nunavut to a family of celebrated artists. Her father Kiugak Ashoona was a sculptor, her mother Sorosilooto Ashoona was a graphic-artist and her grandmother Pitseolak Ashoona was one of the most acclaimed Inuit artists of her generation.[3] She is also related to artists Napachie Pootoogook, her aunt, and Annie Pootoogook, her cousin, with whom she was selected to participate in Oh, Canada a showcase of contemporary Canadian artists curated by Denise Markonish and held at the Massachusetts Museum of Contemporary Art in May 2012.[4][5] Ashoona attended high school in Iqaluit, but soon returned to the Cape Dorset region with her daughter, living with her family at outposts like Luna Bay and Kangiqsualujjuaq. This experience informs her detailed, animate drawings of Inuit Nunangat.[6][7] The Ashoona family returned to town in the late 1980s, which is when Shuvinai began visiting Kinngait Studios. [8][7] There her style was influenced by her aunts and fellow studio members Napachie Pootoogook and Mayoreak Ashoona,[9] as well as Kenojuak Ashevak.

Artistic career[edit]

Shoveling Worlds acquired by the Art Gallery of Ontario in 2013[10]

Ashoona's drawings are sometimes rooted in nature, but other times drawn from imagination, creating a claustrophobic, dense effect.[11] Recurring images include the egg shape; the kudlik, a stone oil lamp; and the ulu; historical images or events occasionally appear, like the Nascopie, a supply ship which brought goods and people to Cape Dorset until its sinking in 1947.[12] Setting Ashoona's work apart from the Inuit artists before her is a reflection of the blending of modern and traditional life in Nunavut.[13]

Her first drawings in the Kinngait Studios archives — the internationally renowned printmaking studio founded by the West Baffin Eskimo Cooperative in 1959[14] — date from around 1993. Her early works were small, detailed, monochromatic landscape drawings, often depicting rocky, sparsely populated terrains from aerial perspectives. Ashoona's monochromes are densely rendered, stunningly intricate compositions in ink and black fineliner.[15] Her first major exhibition was Three Women, Three Generations: Drawings by Pitseolak Ashoona, Napatchie Pootoogook and Shuvinai Ashoona at the McMichael Canadian Art Collection in Kleinburg, Ontario.[3]

She began using colour in her drawings in the early 2000s, portraying human figures, their shelters, and tools within graphic, imposing topographies, like in the work Composition (Sewage Truck) (2007-8) in the Samuel and Esther Sarick Collection of the Art Gallery of Ontario.[11] Throughout her career the internal cosmology of her works has become more pronounced, with eggs, card suits, globes, and snatches of text surfacing over and over.[16] Her collaborative work (with John Noestheden), Earth and Sky is a gigantic banner that debuted at Art Basel in 2009 in an installation complex called Stadthimmel ("Citysky"). It was also exhibited at the 2012 Biennale of Sydney "All Our Relations," and at the Justina M. Barnicke Gallery at the University of Toronto, paired with the Toronto-based artist Shary Boyle.[17] Boyle and Ashoona went on to collaborate on the 2015 travelling exhibition Universal Cobra, [18] building collaborative fantasy worlds, sharing space on the paper.[19]

In roughly 2009 Ashoona began working with a motif of worlds, drawing human, animal, and hybrid figures interacting with blue and green planets within fantastical settings, as exhibited in Shuvinai's World(s) at Feheley Fine Arts in Toronto, September 2012.[20] She has exhibited most frequently with Feheley Fine Arts and Marion Scott Gallery in Vancouver.[citation needed]

Ashoona is the subject of a short documentary film titled Ghost Noise (2010), directed by Marcia Connolly[21] and had the song "Midnight Sun" dedicated to her by musician Kevin Hearn, who she painted a guitar for.[22]

Shuvinai Ashoona was awarded the 2018 Gershon Iskowitz Prize for her outstanding contribution to the visual arts in Canada.[23][24]

References[edit]

  1. ^ a b Shuvinai Ashoona at Dorset Fine Arts
  2. ^ Feheley Fine Arts. Shuvinai Ashoona. Retrieved 8 March 2015
  3. ^ a b Blodgett, Jean (1999). Three women, three generations: drawings by Pitseolak Ashoona, Napatchie Pootoogook and Shuvinai Ashoona. Kleinburg, Ont.: McMichael Canadian Art Collection. ISBN 9780777889251.
  4. ^ Balzer, David (2011). "Shuvinai Ashoona". The Believer (November/December). Retrieved 10 March 2015.
  5. ^ Tousley, Nancy. "Oh, Canada: National Dreams". Canadian Art. Retrieved 10 March 2015.
  6. ^ "Inuit Nunangat Taimannganit". Inuit Tapiriit Kanatami. Retrieved 29 March 2019.
  7. ^ a b "Shuvinai Ashoona". Art Canada Institute - Institut de l’art canadien. Retrieved 29 March 2019.
  8. ^ "Printmaking". Dorset Fine Arts. Retrieved 29 March 2019.
  9. ^ "Mayoreak Ashoona | Inuit Art Foundation | Artist Database". Inuit Art Foundation. Retrieved 29 March 2019.
  10. ^ Sandals, Leah (24 October 2013). "AGO Acquires Works by Funk, Burnham, Ashoona & Sidarous at Art Toronto". canadianart.ca. Canadian Art. Retrieved 11 March 2015.
  11. ^ a b McMaster, Gerald; editor (2010). Inuit Modern: The Samuel and Esther Sarick Collection (1st U.S. ed.). Toronto: Art Gallery of Ontario. ISBN 1553657780.
  12. ^ Time Interrupted exhibition catalogue, 4–25 November 2006. Toronto: Feheley Fine Arts, 2006.
  13. ^ Varga, Peter (2 July 2013). "Shuvinai Ashoona's 21st century style represents Nunavut as she sees it". www.nunatsiaqonline.ca. Nunatsiaq News. Retrieved 11 March 2015.
  14. ^ Alsop, Jennifer (2010). "History of Cape Dorset and the West Baffin Eskimo Co-operative". The Co-operative Learning Centre. Retrieved 8 March 2015.
  15. ^ "Shuvinai Ashoona". Art Canada Institute - Institut de l’art canadien. Retrieved 29 March 2019.
  16. ^ "Shuvinai Ashoona". Art Canada Institute - Institut de l’art canadien. Retrieved 29 March 2019.
  17. ^ Stefania., Tiberini, Elvira (2011). Women in charge: artiste Inuit contemporanee = Inuit contemporary women artists = artistes Iunuit contemporaines. Museo preistorico-etnografico Luigi Pigorini. Milano: Officina libraria. ISBN 9788889854655. OCLC 778841636.
  18. ^ Falvey, Emily. "When Imagination and Politics Mix". Canadian Art. Retrieved 29 March 2019.
  19. ^ "Shuvinai Ashoona, Composition (Attack of the Tentacle Monsters), 2015". Art Canada Institute - Institut de l’art canadien. Retrieved 29 March 2019.
  20. ^ Milroy, Sarah. "Inuit Feminism Goes Global." The Globe and Mail. 8 September 2012. Retrieved 8 March 2015.
  21. ^ Bingham, Russell (12 December 2013). "Shuvinai Ashoona". The Canadian Encyclopedia.
  22. ^ Murphy, Sarah (28 October 2014). "Kevin Hearn Gets Lou Reed, Ron Sexsmith, Dan Hill for 'Days in Frames' LP, Shares New Single". exclaim.ca. Exclaim!. Retrieved 11 March 2015.
  23. ^ Sandals, Leah. "Shuvinai Ashoona Wins $50K Gershon Iskowitz Prize". Canadian Art. Retrieved 30 January 2019.
  24. ^ "SHUVINAI ASHOONA WINS THE 2018 GERSHON ISKOWITZ PRIZE". Art Gallery of Ontario. Retrieved 31 March 2019.

Further reading[edit]

  • Campbell, Nancy. Shuvinai Ashoona: Life & Work. Toronto: Art Canada Institute, 2017. ISBN 978-1-4871-0117-6
  • Sinclair, James (2004). "Breaking New Ground: The Graphic Work of Shuvinai Ashoona, Janet Kigusiuq, Victoria Mamnguqsuuluk, and Annie Pootoogook". 19:3/4 (Fall/Winter): 58–61. Cite journal requires |journal= (help)