Akbar's tomb is the tomb of the Mughal emperor, Akbar and an important Mughal architectural masterpiece. It was built in 1604–1613 and is situated in 119 acres of grounds in Sikandra, a suburb of Agra, Uttar Pradesh, India.
The tomb's construction was completed by his son prince Salim also called Jahangir. Akbar planned the tomb and selected a suitable site for it. After his death, Akbar's son Jahangir completed the construction in 1605–1613. During the Islamic ruler Aurangzeb's time, the rebellious Jats rose against him under the leadership of Raja Ram Jat, they took the control of Agra fort after defeating Mughal forces. Mughal prestige suffered a further blow when Jats ransacked Akbar's intricate tomb, plundered and looted all the beautiful gold, jewels, silver and carpets, whilst destroying other things. He even, in order to avenge his father Gokula's death, plundered Akbar's tomb, looted it, opened the grave, and dragged out the bones. Aurangzeb was so furious that he captured Raja ram and got him killed mercilessly. 
The Tomb has suffered a lot, until extensive repair was carried out by the British under Lord Curzon.
It is located at Sikandra, in the suburbs of Agra, on the Mathura road (NH2), 8 km west-northwest of the city center. About 1 km away from the tomb, lies Mariam's Tomb, the tomb of Mariam-uz-Zamani, wife of the Mughal Emperor Akbar and the mother of Jahangir.
The south gate is the largest, with four white marble chhatri-topped minarets which are similar to (and pre-date) those of the Taj Mahal, and is the normal point of entry to the tomb. The tomb itself is surrounded by a walled enclosure 105 m square. The tomb building is a four-tiered pyramid, surmounted by a marble pavilion containing the false tomb. The true tomb, as in other mausoleums, is in the basement.The buildings are constructed mainly from a deep red sandstone, enriched with features in white marble. Decorated inlaid panels of these materials and a black slate adorn the tomb and the main gatehouse. Panel designs are geometric, floral and calligraphic, and prefigure the more complex and subtle designs later incorporated in Itmad-ud-Daulah's Tomb.
Circumferential Gallery around the cenotaph
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